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Modern Moai?
Still pushing the Viltrox AF 56/1,4 XF on a Fuji X-T4.The limit has not been reached just yet.
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The Kiev 60 and a fix for the frame spacing issue
There are several fixes for the Kiev 60‘s frame spacing problem, from taping the film spool to making it thicker to fine-tuning the film transport mechanism. However, while these solutions may work well, they are not guaranteed to work all the time.Master Adriano Lolli found the Columbus egg in one of his masterstrokes: he drilled a hole in the back of the camera in the exact position where the frame number appears and applied a red filter, just in case. In this way, after the first full exposure, the shutter could be cocked in tiny increments until the film number appeared in the hole. The only drawback of this solutions…
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Questioning the Referee
Sports photography is all about the moment. Freezing the moments of success – a win, a comeback or a try – as well as failure – a miss, a fall or an injury – is what usually attracts photographers’ attention. But there are many other stories to be told during a competition, and the complex relationship between coaches and referees is one of the most interesting – and overlooked. In this picture, taken during a national judo tournament, I captured the moment when a referee decided to stop talking to a complaining coach. Technical note: I took this picture with a Pentax K-3 II and a Pentax DA* 80-200/2.8. Maybe…
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Floating
Another shot taken with the Viltrox 56/1,4 XF and a Fuji X-T4.
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Sailing Home
The quality of the Viltrox 56 1/4 XF never ceases to amaze me.This image was taken with an X-T4 at ISO1600, so the quality of the sensor plays a significant role in the overall result. However, as the lens is not supported in Affinity Photo 2, the image is wysiwyg in the sense that no profile-based corrections have been applied.
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AI or not AI?
The original title of this photograph was ‘When the wait to see the doctor is too long’, and it was intended to illustrate how the ‘framing’ of an image into a particular concept changes – or creates from scratch – its overall meaning.However, when a friend of mine saw it, he commented, ‘Is this made by AI?’ Making a pun with my initials, I replied ‘No, it is not AI, it is AM’.Joking aside, what made me think is that this image could not have been further from being AI-generated: it was shot on film, with a twenty-year-old point-and-shoot camera loaded with a fifteen-year-old Ilford HP5 400 roll, yet it…
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When Venus Meets the Moon
I made this photograph with the Fujifilm X-T5 paired to the XF 150-600mm, working handheld in the early evening. The Moon was already high and bright, its craters crisp in the cold winter air. Venus, to the left, shone as a pinpoint — a bright, almost stubborn presence against the vastness of black space. Compositional balance here was straightforward but demanded precision: the Moon anchored on the right third, Venus sitting low and left, with the negative space not just filling the frame but defining the mood. The sheer emptiness is as much the subject as the two celestial bodies. Technically, the exposure leaned toward underexposing slightly to preserve lunar…
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Serva padrona @ Teatro Marrucino
LED banding is a major problem when using electronic shutters, and the Fuji X-T4 and X-T5 are no exception. In the specific conditions of this piece, I found that setting the shutter speed below 1/100s tamed the problem. However, there is one major drawback: the number of ruined shots increases. This is particularly true of the moments when the actors are waving their limbs or moving randomly. In this case, the slower parts of the body remain in focus, while the peripheral parts do not. Unfortunately, there is still no post-production technique that can eliminate this problem, which makes it difficult to achieve usable results. Of course, using a mechanical…
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On Composition. Or: the eye sees what the mind is prepared to comprehend
This shot, taken during the Italian Road Running National Championships, is a fair application of the French philosopher Henri Bergson aphorism to composition: the eye sees what the mind is prepared to comprehend. In fact, although there is not a direct, cause-and-effect relationship between this image and renaissance painting, the learned observer may find some connection with works such as, for instance, Michelangelo’s Battaglia di Cascina. The connection between present and past may be loose, but this does not affect the principle. When I framed the shot I something ‘clicked’ in my mind and I instinctively decided to press the button. Photography (at least in all its variations, such as…
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Fujifilm XF 18-120 just snapped in two
Everything breaks down eventually, but there are different kinds of breakdowns and different kinds of reasons for them.On the one hand, you cannot expect a product to be indestructible and you must take proper care to maintain its efficiency. As I said, it will break eventually, but probably not in an unexpected way.On the other hand, when you buy a ‘professional’ or simply an expensive product, you expect the overall quality of the build to match the price.Enter the Fuji XF 18-120. It costs around 900 Euros. Not a steep price compared to Leica, Zeiss or even Canon lenses, and far more expensive than Chinese brands such as Viltrox (which…
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The Expired Film Series – Episode 4 – Ferrania Solaris 100 – Dec. 2006 shot in August 2023
This is the fourth episode in a series documenting the use of expired film in various contexts. Episode 4 features a Ferrania Solaris 100 shot with a Voigtländer Vitoret DR and a Color Lanthar 50/2,8 in the vicinity of the sea of the city of Pescara (Abruzzi) .The film was overexposed by one stop as it is customary with expired film to allow more light to impress it.The results are just subpar, however the pictures have some sort of ‘individual’ trait.
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Red Moon at the end of August
Shot handheld (no tripod) with an X-T5 and a Fuji XF 150-600. Image stabilisation worked very well.
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The Expired Film Series – Episode 3 – Ilford HP5 400 – Dec. 2010 shot in August 2023
This is the third episode in a series documenting the use of expired film in various contexts (mainly in Rome, Italy). Episode 3 features an Ilford HP5 400 shot with a Pentax ME Super and a smc Pentax A 28/2,8 in various parts of the city of Pescara (Abruzzi) . The film was overexposed by one stop as it is customary with expired film to allow more light to impress it. The results are subpar and also in this case the blacks lack details and pictures show severe grain.
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HeadButt
Sometimes the difference between a pleasant result and just a plain wrong, missed photo may be challenging to tell.I took this picture years ago, during an MMA fight and, to be honest, I can not even remember framing and setting the camera accordingly for this shot. In other words, it happened almost by accident.The outcome is blurry and shaky, however, the overall result has a ‘painterly’ feel, almost like an ink sketch.
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From Waltham to Boston
‘From Waltham to Boston’, an offshoot of a bigger project on documenting Boston’s pulse, is now available on Amazon as a Kindle e-book.
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Hidden in Plain Sight. A Japanese Journey
Although I have a lot of pictures from my various trips to Japan, organising them into a book is a challenge. The photos themselves are good enough to deserve publication. However, most of them are affected by a ‘déjà-vu’ effect. People on the subway, crowded crossroads, striking contrasts between modernity and the past, or between rural areas and highly urbanised ones, pop culture vs. business culture… no matter how hard I try, every single photo gives the feeling that someone has already done it. I am neither an anthropologist nor an expert on Japanese society, so I have no reasonable explanation for this feeling. Perhaps it is simply a matter…
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The Expired Film Series – Episode 2 – Ilford XP2Super 400 – Nov. 2017 shot in May 2023
This is the second episode in a series documenting the use of expired film in various contexts (mainly in Rome, Italy). Episode 2 features an Ilford XP2Super 400 shot with a Voigtlander Bessa R2 and a Voigtlander Nokton 35/1,4 in Rome (IT), between Colle del Quirinale and Piazza di Montecitorio. Also in this case, but this time by mistake, film’s ISO and the exposure compensation were not adapted to allow more light to impress the film. Once again, the blacks lack detail and show severe grain.
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UnortORTOdox (Ferrania)
This is an unorthodox use of an orthochromatic film (namely, Ferrania Orto.) It is not supposed to be the first choice for reportage or travel photography, but rules are made to be broken, aren’t they? As per the photo, it was taken in North End, Boston’s Little Italy.
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The Expired Film Series – Episode 1 – Kodak BW400CN – Dec. 2014 shot in June 2023
This is the first episode in a series documenting the use of expired film in various contexts (mainly in Rome, Italy). Episode 1 features a Kodak BW400CN shot with a Nikon 35TI in Rome (IT), between Piazzale Flaminio and Piazza di Spagna where the world premiere of the latest Tom Cruise motion picture —Mission Impossible: Dead Reckoning— was going to be held. As the Nikon 35TI does not allow one to ‘pull’ film’s ISO and the exposure compensation did not work, it was impossible to overexpose the pictures. As a results, the blacks lack detail and show severe grain. Legal Notice Reuse is free for pro bono personal and educational…
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Content Creators
There are many reasons for the lack of details in this image.The main one is that this roll of Kodak BW400CN expired about 15 years ago. Secondly, the Nikon 35TI used for the shot was set to ‘P’ mode, which does not allow ISO to be changed, and exposure compensation is broken: this made it impossible to use longer exposure times, as it would have been necessary.
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Masters of Propaganda
In the heart of Rome, unbeknownst to the horde of tourists heading for Trinità dei Monti and the Fontana della Barcaccia, hidden in plain sight lies silent the headquarter of the Congregazione de propganda fide, the ante litteram master of modern propaganda.
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Coffee at Caffè Nero
On the technical side, this photo was a test of the X-T5 capability to handle scenes with both strong highlights and shadows without increasing the standard dynamic range. As per the quality, despite the similarity of the name, definitely no, it has nothing ado with the ‘Nero’ one can taste in Trieste which —unbeknownst to many — is the Italian capital of coffee.
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A Maserati GranTurismo
Another piece of Italy in Boston…
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A Ferrari 812 GTS in Boston
Amid the urban thrum of a bustling boulevard in Boston, a Ferrari 812 GTS rests with theatrical poise, like a tenor waiting for the curtain to rise. Its rosso corsa bodywork catches the sun like a blade, slicing through the cluttered backdrop of imitation, of diluted Italian flair printed onto shirts, menus, slogans. But here—here is the real thing. This image captures more than automotive power. It embodies the burden and brilliance of authenticity in a world obsessed with mimicry. The Ferrari’s uncompromising lines, forged in Maranello, don’t shout. They assert. In contrast to the busy street and distracted passers-by, the car is still, composed, sovereign. It doesn’t need motion…
