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A Missed Opportunity
Seen from the outside the scene was too perfect to be true. A truck stuck in a narrow street near Trevi’s Fountain, in Rome, trying to negotiate its way out, and the ad on the backdoor claiming that ‘sometimes being bottled is a pleasure’ —in Italian, ‘bottled’ is also a synonym for ‘stuck’ or ‘trapped’. This is what defines ‘the moment’: the ability to recognise a peculiar combination of shapes, light and meaning that gives rise to unique photography. Unfortunately, or better, because of my poor composition, I failed to convey the double entendre I meant to capture with this photo. In fact, it did not include the left part of the…
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A Juggler in Bruxelles
Bruxelles, late afternoon of a spring day. The Gare du Midi is just a few hundred metres away. The traffic flows dully, green is a go, red is a stop. Cars halt at pedestrian crossings when someone approaches. Nobody tries to go through the junction stealing the few fractions of a second between the lights. The only moment of life —or chaos to some— in this ordinary end of an ordinary day equal to countless others in the past and future, is a street performer: a juggler trying to earn a few euros by showing off his prowness at bouncing a soccer ball. Sometimes he indulges too long on his…
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Even Venice Is Powerless Against A Smartphone
Taking meaningful photos in Venice is quite challenging because the strong déjà vu effect can blind you to the city’s beauty. I’m not talking about the myriad selfie-taking tourists who want to take home — or publish on their social media profiles — a small part of the city’s soul. They are not expected to understand even the fundamentals of photography, and they don’t actually need this knowledge to achieve their goal. I have no problem with that. People with ‘heavy calibre’, though, are a different matter. If they’re not going to walk around with massive bodies and lenses just for show, they should at least know a thing or…
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Professional Courtesy
Chasing news lies at the core of any journalist’s work. The professionals who walk the streets instead of enjoying the comfortable seats on talk shows, discussing ‘life, the universe and everything’ (cit. Douglas Adams), are like sharks with a sense of blood. They can smell news from a distance or are part of an ‘intelligence’ network that tells them what and where. Indeed, photojournalists experience a particular challenge: reclaiming a vantage point from which to take the shot. This necessity often ends up in being ‘assertive’ when entering a scene or ‘elbowing’ those nearby to make room. Sometimes, though, there is also a show of professional courtesy, like in this photo…
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Carl Zeiss Jena Triotar 85/4 and Nikon Z5 – An Empirical Field Test
This empirical field test of a fairly well-preserved CZJ Triotar 85/4 lens confirms its well-known performance, although a final judgement needs to wait the lens to be serviced by master Adriano Lolli in order to clean veiled glasses. At F4, central sharpness is moderate yet usable, with a lack of microcontrast. By contrast, the corners are softer. Flare resistance is suboptimal by modern standards, while colour rendition is accurate enough, although robust tweaks are needed in post-production. This photo of the Leica store display in Via dei Due Macelli, Rome, is a flare torture test. The bright, emissive Leica sign against a dark background, plus additional reflections and obstructions, creates…
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Behind the Quirinale: Order After Dark
I took this photo behind the Quirinale Palace, the official residence of the President of the Republic of Italy while one night I was taking a casual walk along Via XX Settembre, heading towards Piazza Navona, passing through Quirinale Hill, Montecitorio (the Parliament building) and then the Senate. Instead of using the main streets, I often like to venture off the beaten track. In this case, there is nothing actually ‘hidden’ or ‘mysterious’ about what can be seen. This is why nobody thinks of cutting through these streets and venturing into these small alleys. However, to the eyes of a photographer, the lack of crowds offers many opportunities. In this…
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Leitz Summicron 50/2 and Nikon Z5 – An empirical field test
A casual stroll around the Trevi Fountain gave me the chance to experiment with an unusual combination: an old Summicron 50/2 and a relatively new Nikon Z5. The opportunity materialised in a photo of one of the crowd-control team members regulating the overwhelming flow of tourists and ensuring that none of them were engaging in vandalism or pranks. In short, I am very pleased with the results. I owned a Leica M9 (which I happily sold) for a few years , and I can’t actually say that I miss it. My only regret was that I could only use my lenses on APS-C mirrorless cameras, such as Fujis. I knew…
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Labour Spilling Into Transit Time
The underground systems in Tokyo, where this photo was taken during rush hours, offer countless opportunities to take interesting photos. It’s no surprise that coaches and platforms are an irresistible temptation especially for foreign photographers. Like every other first-time visitor, years ago I indulged in taking a few pictures in this environment, which, as often happens with photos taken by non-locals, were pretty similar in concept and composition to countless others. This is why I slowed down and tried to make sense of a photo before taking it (not only in Japanese underground). Sometimes, indeed, impromptu shooting works, but you have to be in a state of grace to actually…
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Portraits From Nagoro, the Scarecrows’ Village
In the heart of Iya Valley, in Tokushima Prefeture, lies Nagoro, the Scarecrow Village. Half a ghost-town, half a still inhabited place, Nagoro’s main population is composed by about 300 scarecrows spread all around the village.
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Three-Card Monte in Rome
Every now and then, Three-Card Monte scammers appear in unexpected places such as the narrow cobblestone streets between the Parliament and the Pantheon, in the centre of Rome. This was a textbook execution. The game was fast-paced. Hooks pretended to be casual passers-by and traded 50-euro banknotes as if they were Monopoly money, hoping to lure victims into bidding. A muscle was monitoring the scene, ready to intervene at the first sign of trouble. I tried posing as a casual observer, but there was a high risk of being spotted and confronted by the unfriendly lad at my left, so I was unable to set up a properly composed shot…
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Bad Luck at Heian Jingu Shrine
As it is customary in Japanese Shinto shrines, also the Heian Jingu in Kyoto has an area where bad luck is left hanging in the open. 御御籤 —o-mikuji—are small strips of paper that people can choose at random to find out their fortune. As every tourist is told, the general rule is that you should keep the good omens and leave the bad ones hanging on a pine tree or a scaffold. The o-mikuji can be taken for free, however it is also customary to leave a 100-yen coin in return. In fact, this is one way in which shrines are able to sustain themselves, given that there is no…
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Ceci N’Est Pas Une Junior (or, Cognitive Dissonance – Part Two)
I took this photo last November while exploring a less touristy area of Tokyo: Ikebukuro. I went there hoping to see a limited edition Alfa Romeo Giulia Quadrifoglio, which was supposed to be on display at an official Alfa Romeo dealership. Unfortunately, the Quadrifoglio wasn’t there and the dealer was closed, too. So, the only option left to save the day was to take pictures of whatever could be seen through the windows. Peeping inside, though, I didn’t expect to find anything interesting in a car dealership, but I was wrong.
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Kissaten – One Shot Story
When in Japan, Kissaten have soon became my favourite place to rest for a while or for a longer time, waiting for the rain to stop. Unlike Starbucks and other Western or Western-style chains, Kissaten offers a relaxing environment characterised by emptiness rather than crowded spaces. Of course, it’s possible to find all the places occupied by customers, as in a ‘regular’ coffee shop. However, in my experience, this rarely happens, especially in parts of town not plagued by hordes of aimless tourists.
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How Nissan Crossing Has Changed Over Time
As a petrolhead, I always make a point of visiting Nissan Crossing whenever I’m in Tokyo, even if only for a few hours or half a day. Situated in Ginza, one of Tokyo’s most exclusive districts, Nissan Crossing is an open space in which the car manufacturer displays its concept cars and premium models.
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Relentless – A One Shot Story
When in Tokyo, I don’t go to Shibuya unless I have a specific errand to run. Least of the usual ‘things are not what they used to be’ lament, the place never struck me as it deserved more than a cursory glance. This time, however, I had a specific photographic objective: to capture the Shibuya backdrop, i.e. things and people that keep the place running ‘smoothly’ which are in plain sight but go unnoticed by tourists, residents and passers-by. Crowd management and safety control are two such things.
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What Souvenirs Say About Rome (and Your Attitude Toward Life)
Rome’s souvenir shops are full of busts, plaques and other artefacts mixing the sacre and the profane —and sometimes even things that have nothing to do with the Eternal City. This make it challenging for a tourist to actually understand what he is looking at —and googling for information is not a common practice among that kind of visitors who, as Aldous Huxely brilliantly pointed out, travel without knowing exactly why they are visiting a certain place or another. Nevertheless, these souvenir displays offer an insight into some of the most fascinating aspects of Rome’s culture and history – Initially published on 35mmc.com. On the top shelf, a plaque shows Latin…
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On Film Simulation or ‘is fiction more real than reality, and why should we care?’
Simulations have turned an inevitable fact —using the chosen brand and type of film for an entire roll— into an aesthetic tool allowing the selection of the most appropriate image rendition for each single exposure. Using simulations is like having all the different kinds of film in the same roll with all the convenience of digital technology, opening a huge number of creative possibilities. Initially published on 35mmc.com This is what the standard marketing claims for software simulations are based upon, but is that actually so? As a matter of fact, the answer is yes, but if we look at the matter from a different perspective, we should consider some…
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On Detachment. Or ‘If You Love Something, Set It Free’ (cit. Sting)
A number of philosophies and religions preach the virtue of detachment from things as a path to enlightenment. When applied to gear, this advice won’t only save your soul —if you believe there’s one— but also your money and, last but not least, your photograph experience. This means avoiding the development of ‘feelings’ towards a camera or a lens that shift from appreciating their value as a tool to some sort of ‘personal engagement’. Initially published on 35mmc.com As odd as it sounds, such an attitude towards an inanimate object is more frequent than one may imagine. A paradigmatic case is the attachment of AIBO’s owners to their robotic pets:…
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DSLR-like…?
I decided to write this post after having stumbled across the next ethusiast review of a smartphone published on a reputable magazine, claiming that the device can deliver ‘DSLR-like’ photos. In fact, as is often the case with ‘camera experts’ who work for a magazine or earn money by posting videos making funny faces on social networks, it was just a rewrite of the manufacturer’s product specifications and promotional material. There are few things, in photography, I dislike more than than these ‘DSLR-like’ claims made in the advertising of smartphones and compact cameras because ‘DSLR-like’ is the archetype of a meaningless statement made to lure people into using an arbitrary benchmark…
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5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400
The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter. Initially published on 35mmc.com. As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the…
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Selling Italian Ice in Boston
Sales culture is one of the most distinctive traits of American anthropology. The foundations of modern marketing strategies date back to forerunners such as P.T. Barnum’s ‘have a little something for everybody’ slogan and Edward Bernays, the father of public relations. It is ingrained in popular culture phenomena such as garage sales, lemonade stands ran by kids and jokes about used cars salesmen. Sales culture is also paired with customer (not consumer) culture, as in the ubiquitous mantra ‘customer is king’, which ‘shapes’ people’s attitudes in terms of demanding fairness and a proper ‘bang for the bucks’. – Initially published on 35mmc.com When it comes to selling, creativity knows no…
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Sting of the Vespa
Vespa, in Italian, is not only the name of the stingy and frightening wasp. The word also identifies one of the world’s most famous examples of industrial design, dating back to 1946, and made internationally famous by the 1953 Hollywood motion picture Roman Holiday, starring Audrey Hepburn and Gregory Peck. Initially published on 35mmc.com The creator of this iconic scooter — an example of a perfect blend of ingenuity, style and appeal — was Corradino D’Ascanio. An aeronautical engineer from my home region, Abruzzo, he also designed and built the first helicopter, whose first test flight took place in the city of Pescara, a town near Popoli, a small village in…
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5 Frames with various cameras – Ferrari On The Road(s)
Sports car photography usually happens in specific settings such as motorshows, official events, race tracks etc., where lights, crowds, fences and limited access to restricted areas are an issue. Doing the same on the street, however, is no less challenging as things happen unpredictably and, unless taking photograph of parked vehicles, there is no time to compose – Initially published on 35mmc.com In this photograph of a Ferrari F8 Tributo, the framing makes the car the focal point, and even though the door on the left adds a bit of visual clutter, it doesn’t detract from the overall result. The following image illustrate the trade-offs of reacting in real time…
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A Japanese Luthier and a Fingerstyle Player from My Home Region (and My Past) – A One shot story
I took this photo at GuitarPlanet, in the Ochanomizu district of Tokyo, because I was intrigued by the different bracing of the guitars’ lower backs. The picture in itself has no particular value, but on closer inspection it revealed a story linking a musical instrument, a Japanese luthier, a region of Italy (Abruzzi) and my past. – Initially published on 35mmc.com Pixel-peeping the photo, I noticed that the lower back in the middle bears the mark of Morris Guitar, a renowned Japanese acoustic manufacturer. The name rang a bell, so I went to their website to see what caught my eye. After some wandering around I landed on the page listing the…
