Artists
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Frank Gambale All Stars – Live@Teatro Marrucino
Rockol has just published a gallery with some of the photos I took at the Frank Gambale All Stars concert last 20 November.I’ve been a fan of Gambale’s for a long time and meeting him was a very nice experience: friend, easygoing, positive attitude despite the stress of the Italian tour: a great human being (and I can’t say the same about many of the ‘artists’ I’ve met in my career as a photographer and interpreter). On the technical side, the X-T4 and the lenses (Fujinon XF150-600 and an XF18-120) worked well. At ISO3200, the images have more than acceptable noise, which becomes almost invisible when the shadows are pushed.…
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Elishéva live@Faneuil Hall
Boston is an incredibly vibrant city and hosts many live events in theatres and outdoor venues. At Boston’s Faneuil Hall, I took some pictures of Elishéva, a soulful jazz singer, while she was rehearsing.
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Niccolò Fabi – Meno Per Meno Tour 2023 – Live@Teatro Massimo, Pescara
Covering Niccolò Fabi’s concert for Rockol, gave me the opportunity to test an X-T4 with an XF 150-600. The image quality is on a par with the X-T3. This was to be expected. However, I have some reservations about the autofocus. The lens also needs to be examined in more detail before I can form an informed opinion.
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Another experiment, now with a Kodak Portra 400
This is a DSLR scan of an old Kodak Portra 400 roll of film shot during a 2015 concert by John De Leo Grande Abarasse. The editing with Affinity Photo was quite challenging, however, the result is a fair rendition of the film aesthetic.
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Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara
This is the Daniele Silvestri’s Teatri 2022 coverage I did on behalf of Rockol.it using good old Nikons (a D610 with the Sigma 150-600 contemporary and a D750 with a Nikkor 24-120). As a matter of personal taste, I still like a reflex more than a mirrorless camera. The possibility offered by the latter to shoot in total silence with the Electronic Shutter is invaluable in specific contexts such as classical concerts or theatrical plays, nowthistanding the downfalls (banding and distorted images). However (and, once again, this is a matter of personal opinion), a reflex still allow a better connection with the environment at least thanks to the optical viewfinder.…
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Alessandro Valle – Live@Anfiteatro La Civitella
When I cover singers’ concerts, I make a point of not leaving band members behind. On their shoulders lies the burden of getting the show right. Without them, there is not much a singer could do unless he is gifted with a beautiful voice and proper technique. Still, they often come unnoticed. Kudos to these musicians who make the magic happens.
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Venditti&DeGregori – Live@Anfiteatro La Civitella
Here is the link at the gallery of the 10 August Antonello Venditti and Francesco De Gregori concert. A rather unpleasant experience, indeed. Photographers have been confined on the extreme left of the stage and not allowed to move. Of course the show comes first and any annoyance imperiling the performance must be prevented. A tad of flexibility for people who is there to work, though, would have been much appreciated.
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José Ignacio Franco – Live@Auditorium Petruzzi
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LP – Live@Anfiteatro La Civitella
More pictures available on Rockol’s Gallery section.
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LP – Live@Anfiteatro La Civitella – The photogallery
This is the full photogallery of July 22 LP’s concert at the Anfiteatro La Civitella. I was covering the event on behalf of Rockol.it.
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Piero Mazzocchetti – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino
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Kristina Miller live@Teatro Marrucino
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Sergey Krylov live@Teatro Marrucino
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Busker and Covid-19
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Il barbiere di Siviglia – Don Bartolo mad at Rosina
A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino
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Counter-intuitive Focus
This photo I took during a reportage for a theatre hosting a concert of Uto Ughi shows a counter-intuitive use of focusing. Rather than go for the obvious option, the attention is shifted on the two musicians in the background capturing their concentration, with the leading violin blurred and conceptually, thus, ‘left behind’. The global effect is reinforced by a neat separation between the dark and light parts of the frame.
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The Power of Underexposing
Properly mastering underexposure helps to obtain pleasant results in challenging light conditions. I took this picture of a soprano by lowering the camera exposure by two stops, thus preserving skin tones burning, and “fading” the background to black. A proper in-camera under-exposure has the advantage of requiring lesser work in post to toggle clarity, temperature and black point.
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Davide Grotta – Live
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Marianna D’ama – Live
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Caparezza – Live@Palamaggetti Roseto degli Abruzzi
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Caparezza – Live@Palamaggetti Roseto degli Abruzzi
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Max Casacci – Live@Circolo Aternino, Pescara
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Los niños y el tocaor
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Ramón Jarque, tocaor
