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Snorkeling
I made this photograph with a Pentax K-5 II and the humble SMC Pentax 18-55, a kit lens that, while often underestimated, has served me well in situations where flexibility is more important than technical perfection. Framing was a game of patience here. The snorkeller moved slowly into my line of sight, framed naturally by the foreground rocks, which form a rough vignette and create a sense of peeking into a private scene. This kind of natural framing can be both a gift and a curse: while it gives depth and directs the eye, it also forces me to deal with tricky metering. In this case, I exposed for the…
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Mussels Underwater…
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Stylemaster
A woman captured mid-stride in a crowded urban setting. Her expression is firm and composed, giving her a commanding presence within the frame. She wears a vivid combination of colours: a bright yellow top beneath a dark jacket, complemented by a multicoloured scarf that adds texture and movement. Her accessories — large earrings, a metallic necklace, and a patterned bag — contribute to a distinctive and confident style. She stands out sharply from the softly blurred background, where uniformed officers and passers-by create a sense of bustle and public activity. The selective focus isolates her as the visual anchor, allowing her posture, attire, and expression to carry the narrative. The…
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When We Thought We Would Have Changed The World
I took this photograph at a street market, where these shirts hung in plain view, each one shouting a message of defiance. Slogans, graphics, and colours combined into a tapestry of protest, reminders of a time when politics and identity were worn quite literally on the chest. The immediacy of the words—ribelli sempre, non mi avrete mai come volete voi—speaks of resistance, of collective identity built in opposition to authority. I framed the image tightly to remove context and distractions. The viewer is left with nothing but the shirts, their messages, and the pins holding them up. This close composition turns an everyday street scene into a typographic study. The…
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Sea Anemones Shot With A Cheap Kit
A modest waterproof case. A curious eye. A tide pool teeming with colour and texture. This photograph captures more than just two sea anemones nestled in their rocky enclave. It captures the enduring truth that photography is not always about the gear — but about the gaze. No high-end housing, no bespoke optics — just patience, instinct, and the will to submerge the lens where it rarely dares to go. The shallow water refracts the light into a painterly softness. Reflections and shadows dance on the submerged stones. The vivid, almost surreal red of the anemones emerges against a muted background, revealing an alien world within reach of a…
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Waiting For The Bus On Las Ramblas
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Tattoos in Barcelona
The sunlight was sharp, bouncing off stone and glass, cutting strong highlights across shoulders and pavement. I didn’t ask them to slow down or acknowledge me; I simply kept pace for a few steps, paying attention to posture, rhythm, and the way bodies occupy shared space.
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A Jazz-Manouche Guitar Player
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Waiting To Board At Santa Margherita Ligure
Crowds have their own choreography. This moment, taken on the waterfront of Santa Margherita Ligure, is less about any single subject and more about the small, unspoken narratives that weave together in a public space. Nobody is looking at the same thing, yet they are all connected by the same purpose — waiting for the boat. From a compositional standpoint, I deliberately let the frame fill with people, favouring density over isolation. The image works because of its layers: the foreground with its sharply focused details, the mid-ground of partially obscured figures, and the soft backdrop of the harbour and town. Each layer adds depth without distracting from the central…
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Pentax k-5 And The Aquapack 458
Like the other two previous pictures, this one too has been taken by a Pentax K-5 housed into an Aquapack 458. This underwater housing, at least for APS-C dSLR, is a cheaper alternative to the more expensive, though bigger and better engineered, Ewa Marine. It fairly easy accommodates the camera and the DA* 16-50, but using this lens that has a 77mm filter thread forces the use a focal lenght of at least than 40-45 mm, otherwise the border of the external cap fills-in the picture. A DA* 16-50 at 16mm (I repeat: with a 77mm filter thread) is the bigger lens that can be accommodated into the housing, but…
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Under The Rocks
I made this photo from a pier, camera pointed straight down. No filter, no polariser — just sun, salt, and a moment of stillness on the surface. Below, the usual tangle of seaweed and barnacles on stone, but what caught me wasn’t the marine life — it was the way the water rearranged the image as I watched. Distortion became a kind of painterly gesture. The composition is almost accidental. I didn’t frame with precision — I let the edges fall where they would. The stone fills the middle, but it’s the border between water and air, between visibility and motion, that gives the photo its tension. You’re not just…
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On The Rocks
The sea’s edge is a place where chaos and order coexist — a shifting dialogue between water, light, and whatever lies beneath. In On the Rocks, my attention was drawn to the intricate textures created as the tide caresses clusters of dark, glistening molluscs anchored firmly against the current. At first glance, the subject might seem unremarkable, but in moments like these, photography teaches us to see beyond the obvious. Here, the composition works by bringing the viewer down to the water’s level. The low angle compresses perspective, creating an almost abstract layering of sharp foreground detail and softly diffused background. The bokeh of golden reflections in the upper part…
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Bless or Curse?
I took this photograph standing behind the statue, looking out over the marina. The choice of viewpoint was deliberate—front-facing statues are expected, almost ceremonial; from behind, they become more ambiguous. Without the expression to guide us, the outstretched arms could be offering a blessing to the yachts in the bay, or perhaps condemning their excess. The composition is simple but layered. The statue dominates the left third of the frame, creating a strong vertical anchor, while the open space of the sea and sky fills the rest. The boats, scattered across the water, offer points of visual interest without competing for attention. The horizon is placed high enough to balance…
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A Young Sailor in Open Sea
I made this photograph on a calm summer morning, the sea flat as polished glass and the light still gentle, skimming across the water like a whisper. The subject—a boy alone in an Optimist dinghy—caught my eye not for his skill or posture, but for the sheer quietness of the moment. He’s not posing. He’s not performing. He’s learning, observing, maybe hesitating. And in that brief hesitation, the photograph took shape. The composition is deliberately simple. The frame is tight enough to remove distractions, allowing the viewer to focus on the relationship between the sailor and his boat. His red lifejacket breaks the soft palette of blue and white, creating…
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Inside the Nazario Sauro
Looking through a watertight bulkhead of the Nazario Sauro, the cold geometry of war endures in steel, cables, dials and cathode-ray screens. The composition is structured by layers: iron framing, claustrophobic corridors, an old radar glowing faintly in the dark. Emptiness fills the frame, and yet it speaks of presence. Of watchfulness. Of command. There are no people here—only ghosts of orders barked, bearings plotted, torpedoes primed. Everything is still, museum-still. But the submarine’s essence hasn’t retired. Its mass, its function, its purpose remain engraved in the very angles and wires now dormant. A chair sits in front of the radar—straight, waiting, unoccupied. It could be yesterday, or seventy years ago.…
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Passage Lost
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Red Lock At Genova’s Dock Arsenal
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Santino’s Photo& Video at Broadway
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Generations – I
In a sunlit alley, life unfolds in layers of time. Two older men stand in conversation by a shuttered shop, their bodies relaxed yet anchored in the familiarity of routine. Their exchange is unhurried, belonging to a pace that has watched decades pass in these same streets. A few steps away, a man pushes a stroller through the narrow path, his back turned, moving forward into the day. In that simple motion, another generation is carried into the world—a reminder that time does not stand still, even in the most timeless corners of a city. The street itself seems to join the dialogue of generations. Tall, weathered buildings lean toward…
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Conversations, Silences, and Street Life
I took this photo on a market day in a small Italian town—one of those moments where nothing happens, and yet everything is happening. The street café was squeezed between stalls and pedestrian flow, and I noticed how time seemed to pass differently at each table. In the foreground, two women, elegantly aged, sat in full conversation, flanked by shopping bags and sun-faded handbags. Behind them, two men—one turned, one leaning—observed, disengaged but present. A quiet choreography of glances, posture, distance. The scene reads like a layered composition. Foreground, midground, background—each one active, but narratively distinct. I framed the shot from an angle that allowed these strata to settle into…
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Call On The Docks
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Friends
There is a certain quiet joy in photographs that capture the ease and warmth of companionship. Friends presents just such a moment — a woman and her dog sharing a gentle exchange on a patch of summer grass. No theatrics, no posed glamour; just a fleeting instance of mutual attention and affection. The composition makes effective use of depth and framing. The low camera angle places the viewer almost at the dog’s eye level, encouraging an empathetic connection with the animal. The human subject is positioned slightly off-centre, balancing the frame against the mass of greenery to the left. This not only prevents the image from feeling static but also…
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Relax At The Rapallo’s Marina
I remember walking past this café terrace at the marina in Rapallo and being drawn to the contrasting energies it contained. In the foreground, a woman in a red dress sits absorbed in her magazine, her body language completely self-contained. Just beyond her, a small group of older men and women are animated in conversation, their faces alive with expression. The scene felt like two parallel worlds inhabiting the same space—private quiet and social exchange—separated only by a few metres of wicker furniture. The colour red became the unifying element. The woman’s dress, the handbag on the sofa beside her, and the clothing of the woman facing away from the…
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Staring At The Infinite (While Waiting For The Fishes)
On a calm afternoon by the Ligurian coast, the sea was neither rough nor still, and time seemed to have slowed to match the rhythm of the waves. The fisherman sat among the rocks, his body angled slightly toward the horizon, hands resting loosely near the rods. There was no urgency in his posture—only patience. The red cap, almost absurd in its brightness, became the visual anchor in an otherwise muted palette of stone, water, and sky.
