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  • Autumn,  B&W,  Colour,  Daily photo,  Seasons,  Spring,  Summer,  Technique,  Winter

    Yet Another WDISF Post

    May 5, 2024 /

    Yes, this is another ‘why do I shoot film’ post, and no, the answers are not ‘because it slows me down’, ‘because it connects me to the act of taking pictures’, ‘because I love the unique feeling of analogue images’, ‘because the inherent limitations of a film camera inspire creativity’, ‘why not?’ or any of the other common (and perfectly legitimate) reasons usually associated with the question. In addition, the wide range of post-processing options available to make a digital image look like an analogue one, even in terms of film emulsion, satisfies the need to produce an image with the ‘personality’ of a specific film. So, even the idea…

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    Andrea Monti

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    Seeking Directions

    March 18, 2013

    Street Food in Via Salaria

    March 13, 2014

    The Spanish Sense of Flesh – 1

    June 26, 2014
  • B&W,  Daily photo,  Rome,  Spring,  Streets&Squares

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024 /

    I managed to grab a few rolls of the very first batch of Ferrania’s brand new P33 film, so I wasted no time in putting it to work with a Nikon F3 and the glorious Nikkor 50 f2. I won’t go into the technical details of this film, firstly because I can’t claim to be an authority on the subject, and secondly because Ferrania’s website has plenty of information. There is only one thing to know: the canister is not DX-coded, so shooting is only possible in full manual mode. This may change in the future, but for now this is the state of the art. Finally, a transparency note:…

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    Andrea Monti

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    Portrait of a young guitar player

    May 4, 2014

    Negrita’s Cover Band

    September 19, 2013

    Busy

    January 8, 2013
  • Colour,  Daily photo,  Spring,  Technique

    How to Shoot Stand-up Paddle Competitions

    April 29, 2024 /

    Shooting Stand-Up paddle is complicated because, like in motor sports, things go on largely even until, all of a sudden action erupts. In other words, boredom is the first and foremost enemy of the photographer: it shuts down concentration because it is not possible to keep the focus (pun unintended) for too long. It may worth shooting a single athlete, for instance capturing an intense moment or a fall. However the final result will become more interesting if there is something (or somebody) else in the composition. The first key moment in an SUP challegne is the start. Once the signal is given, the athletes start running a few steps…

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    Andrea Monti

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    Segway Chase in Villa Borghese

    April 27, 2013

    Kristina Miller live@Teatro Marrucino

    February 21, 2022

    Fun

    November 12, 2014
  • Artists,  Autumn,  Colour,  Daily photo,  Fighters,  Spring,  Summer,  Technique,  Winter

    Photography and the Importance of a Proper Training

    April 23, 2024 /

    In photography, among the various activities falling under the ‘preparation’ label, training is oftend underevaluated. Just as many newcomers to the world of guns think that buying expensive equipment will make them better shooters, many photographers think that mastering a bunch of exoteric camera settings will be enough to get decent pictures. This is summed up in a common piece of advice to novice shooters (of both guns and cameras): get out there and shoot. Results will just happen. I have nothing against a ‘Zen’ approach to things, based on instinct and intuition, but my Western, Benthamite mind does not allow me to forget that preparation is necessary to achieve…

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    Andrea Monti

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    Kime in photography

    June 9, 2013

    Wasubot. A Stiff Organ Player@Tsukuba

    June 21, 2018

    Too Big To Be Dumped

    January 10, 2015
  • Colour,  Daily photo,  Handball,  Sport,  Spring

    How to Shoot Handball Matches

    April 14, 2024 /

    Photographing handball matches presents an array of challenges, requiring a high level of expertise, quick reflexes and a deep understanding of the sport’s dynamics. Central to the art of capturing these fast-paced events is the fundamental principle that the ball is the focal point of every shot. Failing to capture the ball likely produces a picture lacking relevance and impact. The presence of the ball not only indicates the focal point of the action, but also gives the image a sense of purpose and narrative coherence. Handball’s court is a hive of activity where players are constantly jostling for position, trying to break through defensive barriers or thwart an advancing…

    Read More
    Andrea Monti

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    Stop

    December 6, 2018

    Frames for Sale at Via Margutta

    May 2, 2016

    The Alchoolist’s garbage

    March 5, 2013
  • Buildings,  Colour,  Daily photo,  Rome,  Spring

    A Hellish Look

    March 26, 2024 /

    It is quite common these days to see images of various kinds using the facade of a building as a screen. In the case of government or state buildings, a flag appears out of nowhere after dusk.The overall effect is quite spectacular, especially in Italy where the palaces of power are beautiful works of art. However, when photographed with a narrow field of view, the result can be disturbing, as in this case, where the building looks more like some sort of hell embassy.It wouldn’t be strange, though: doesn’t the Pope live on the other side of the Tevere River?

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    Andrea Monti

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    Supporter or Photographer?

    March 21, 2013

    Asimo’s Ancestor@Tsukuba World1985 Expo

    June 30, 2018

    The Observer

    November 30, 2013
  • Actors,  Autumn,  B&W,  Bruxelles,  Colour,  Daily photo,  Fighters,  Fighting Disciplines,  Photography,  Spring,  Summer,  Winter

    What Does ‘Professional’ Mean in Photography?

    March 19, 2024 /

    Pro’ is the photographer’s blessing and curse. It is the status we all – well, many of us – aspire to. It is the marketing gimmick created by the exploiters of the Gear Acquisition Syndrome to make people believe that tools make the craftsman. ‘Amateur’, on the other hand, is a word associated with casual photographers, ‘wannabe’ artists, and people who want to make you believe that tools make the craftsman. I have always been unconvinced that such a difference exists, at least in the general meaning associated with the words ‘pro’ and ‘amateur’, and in relation to the idea that the equipment used or the quality of the shots…

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    Andrea Monti

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    Lost in mumbling

    September 22, 2013

    Sala degli Onori @ Triennale di Milano

    May 19, 2017

    Three’s Company

    November 14, 2014
  • B&W,  Daily photo,  PhotoCritics,  Photography,  Tokyo

    Creativity vs Originality

    March 11, 2024 /

    Is the photo above creative? Is it original? Well… yes and no. It is certainly original because I ‘in person’ took it, and it is creative because – regardless of the aesthetic result – I took the time to arrange all the elements (composition, light, etc.) in a coherent moment —and I have the film negative to prove it. On the other hand, it is neither original —as in ‘unique’— nor creative because the same photo can be found here and maybe elsewhere on the Internet. Obviously, the linked photo it is not ‘the’ same as mine, because it is clear that they were taken at different times and places (mine was…

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    Andrea Monti

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    Waiting for the hearing

    February 19, 2013

    A new camera and the quest for the missed information

    December 18, 2012

    Piero Mazzocchetti – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 12, 2022
  • Autumn,  B&W,  Daily photo,  Fighters,  Gear,  Spring,  Summer,  Thoughts,  Winter

    Pentax – In Praise of Usability of Cameras and Lenses

    March 3, 2024 /

    The Internet is full of columns and videos about why ‘I left brand X for brand Y’, magnifiying this or that ‘new feature’ that forced a photographer to ditch his previous setup in favour of a brand new one. Sometimes there is a genuine motivation behind such a choice, sometimes – often – it is just a clickbait set up by the need (or hope) to monetise a piece of content published on a social network. This long introduction violates the golden rule of journalistic writing – tell the reader what’s the matter in the first paragraph or so – but it was necessary because this article is exactly that:…

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    Andrea Monti

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    The Businessman…

    February 9, 2013

    A Cello Player

    April 24, 2017

    The Misplaced Buoy

    April 26, 2014
  • B&W,  Daily photo,  Rome,  Streets&Squares

    5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI

    February 28, 2024 /

    The photographer is a peculiar type of social being, characterised by a ‘rules are meant to be broken’ attitude in the search for the perfect exposure. So, sooner or later, all the dogmas about composition, hyperfocal, zone system, rule of thirds, etc. will be put aside to try something ‘different’. This is what happened with these five images, taken at night in Piazza Venezia and Via Salaria in Rome with a Ferrania Orto on a Nikon 35TI; a rather strange choice given the inherent limitations of an orthocromatic film and a 2,8 35mm lens of a compact camera in this scenario. Against all odds the 35TI performed well (especially in…

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    Andrea Monti

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    She Died Alone

    February 15, 2022

    Another experiment, now with a Kodak Portra 400

    May 4, 2023

    On Air

    July 22, 2014
  • B&W,  Daily photo,  Travels

    A Stop in Reggio Emilia

    February 21, 2024 /

    On its way to Milan, the Freccia Rossa stops at Reggio Emilia, whose railway station is a masterpiece. It is worth taking the train just to have the chance to see some of its parts from a perspective that is otherwise forbidden.

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    Andrea Monti

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    A Quiet Evening

    June 26, 2013

    Busker and Covid-19

    January 26, 2021

    Hard work

    February 13, 2013
  • B&W,  Daily photo,  Photography,  Rowing,  Technique,  Winter

    An Exercise in Composition (was: Rowing Boats)

    February 18, 2024 /

    Initially, I took this photo to document the poor state of a rowing teams’ dock. The idea was to praise the passion of this small group, who in the indifference of the general public, keep this discipline alive in a town, where soccer reigns supreme. However, when I saw the photo, it was the composition that attracted my attention: a classic example of the use of converging lines to drive the eye of the viewer. My only regret is that I failed to frame the small boat on the right, missing its bow. Had I been shooting digitally, I would have checked the result and retake the photo. Film, by…

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    Andrea Monti

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    Hard Worker

    February 9, 2014

    Into The Cube

    November 18, 2014

    Panning the Police

    November 17, 2016
  • Autumn,  B&W,  Boulevards,  Daily photo,  Marketing,  Rome,  Seasons,  Urban Landscape

    Iphone 15 Billboard in Via XX Settembre

    February 14, 2024 /

    This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast. This isn’t about the billboard. Not really. Yes, there’s a giant child smiling over Rome, her face stretched across several metres of vinyl, captured “with an iPhone 15,” if we’re to believe the tagline. She’s luminous, playful, part of a campaign you’ve probably already seen before you’ve even looked at it. But the photograph is something else. This was shot on orthocromatic film—intentionally. Shadows are carved in deeper than they should be. Highlights flare and collapse detail. The tonal scale isn’t flattering, and it isn’t faithful. It’s limited.…

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    Andrea Monti

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    Much Too Short a Ladder

    October 17, 2013

    Somewhere in Japan

    May 19, 2014

    Is This Photo Illegal?

    March 20, 2014
  • B&W,  Daily photo,  Nagasaki,  People

    Nagasaki Biker

    February 13, 2024 /

    Sometimes carrying a camera with a slow autofocus, slow shutter and low ISO can be a hindrance. Had I had a better camera and a faster film, this photo would have been much better.However, it is the eye that is to blame, not the old Nikon 35TI. I realised too late that what I was looking at could have been an image and had to react within a few seconds. In those conditions, the camera did what it could, but if I had been aware of my surroundings, I would have been ready at the right moment. So I paid the price for my bad habit of relying on gear…

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    Andrea Monti

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    @ Mediterrean Beach Games 2015 – Italian Beach Soccer Team (and a primer on sport-photography, part 4)

    October 3, 2015

    Rectangles

    March 12, 2015

    Deadly Bored

    January 6, 2020
  • Colour,  Daily photo,  Gear,  Photography,  Technique

    A few test shots with an MC Cosinon T200/4

    January 14, 2024 /

    This lens has several shortcomings. It has a pronounced coma and the focus barrel requires a considerable amount of turning to get it right, thus making it challenging to fast focus when you need to. Camera sensor clearly influences colours’ rendition. Despite the ‘personality’ of this lens, the overall picture’s feel is clearly (to me, at least) that of the classic ‘cold’, slightly bluish Pentax (or, should I say, Sony) sensor. At f4 (all the images published here were taken at this aperture), the bokeh is pleasant. Nothing exceptional, but for a lens that sells for around 15 euros, the results are good enough. That said, a core question, asked…

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    Andrea Monti

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    Forgotten

    October 15, 2013

    Couples

    May 17, 2013

    Lifeguard

    August 24, 2013
  • Autumn,  Daily Video,  Fighting Disciplines

    The Expired Film Series – Episode 7 – Kodak Portra 160 – June 2015 shot in Oct. 2023

    January 11, 2024 /

    This is the seventh episode in a series documenting the use of expired film in various contexts. Episode 6 features a Kodak Portra 160 shot with a Canon Eos 1V and a Canon EF 50 1,8 at the Trofeo Judo Italia. The film was not overexposed, and processed with Affinity Photo 2 .

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    Andrea Monti

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    Hanging Clothes

    February 18, 2014

    Three Sprouts

    May 22, 2022

    Empty Spaces

    May 23, 2014
  • Airport,  Autumn,  B&W,  Daily photo,  People,  Photography,  Technique,  Tokyo

    Different Stories

    December 30, 2023 /

    Taking ‘static’ pictures, such as those of buildings and other architectural structures, can be quite challenging, as it is easy to fall into obvious, already seen compositions that rob the shot of any individuality.One of the things that can make an otherwise dull image more interesting is the presence of some kind of action that blends in with the stillness of the environment.In this case, the woman on the phone is in exactly the same position as the model on the billboard. Only they are telling two different stories.

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    Andrea Monti

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    Just a soccer match…

    May 15, 2013

    Relax At The Rapallo’s Marina

    August 2, 2014

    Shooting Italian 5 birilli

    May 18, 2025
  • B&W,  Bookstores,  Daily photo,  Winter

    二千円

    December 20, 2023 /

    The 2,000 yen note is something of a rarity even for the Japanese. As Japan is mainly a cash-based society (at least for everyday life), I made sure to carry enough money on my recent trip to the Kyushu region.The bank gave me a wad of brand new ¥2,000 notes, which were so unusual that they attracted the attention of many people I exchanged them with. The photo was taken with a КИЕВ 60 TTL and a волна 80/2.8, the film was a Ferrania P30.

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    Andrea Monti

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    The Commuter

    July 24, 2017

    Fujifilm XF 18-120 just snapped in two

    September 10, 2023

    Conversation

    September 14, 2017
  • B&W,  Daily photo,  Rome,  Winter

    An Antique Shop in via Cadorna

    December 10, 2023 /

    The overall quality of the black and white rendition is acceptable. However, it is still necessary to find how achieve colour consistency in multiple DSLR-scan.

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    Andrea Monti

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    The Naughty Customer’s Place

    September 28, 2013

    Tsutaya Bookstore@Ginza

    December 6, 2020

    Is This My Breakfast? (Kirobo, the new Pinocchio)

    December 14, 2014
  • B&W,  Daily photo,  Rome,  Streets&Squares,  Winter

    A jam in via Alessandria

    December 8, 2023 /

    Taking pictures with a fully manual camera is a way to keep practising the basics. Honestly, I would not use a film camera for a professional assignment —at least, not as the main one— but it’s worth doing it in a less challenging condition.As per the technicalities, waiting for the next batch of Ferrania Orto to arrive, I resorted to a Kodak Tri-X 400 roll, which is my favourite film at these ISOs.

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    Andrea Monti

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    Mulberry Street, When Benito II Was Still There…

    July 7, 2014

    Is This My Breakfast? (Kirobo, the new Pinocchio)

    December 14, 2014

    A Shadow

    July 24, 2014
  • Autumn,  B&W,  Boston,  Daily photo,  Photography,  Tokyo

    As Seen on Ferrania Film’ Stories section…

    December 4, 2023 /

    A selection of the pictures I took this year in Boston and Tokyo has been published on the official Film Ferrania website, in the ‘Stories’ section.

    Read More
    Andrea Monti

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    Do Not Touch

    June 5, 2013

    The Path To Freedom

    September 29, 2014

    Footprints

    March 27, 2021
  • Artists,  Colour,  Daily photo,  Winter

    Frank Gambale All Stars – Live@Teatro Marrucino

    November 22, 2023 /

    Rockol has just published a gallery with some of the photos I took at the Frank Gambale All Stars concert last 20 November.I’ve been a fan of Gambale’s for a long time and meeting him was a very nice experience: friend, easygoing, positive attitude despite the stress of the Italian tour: a great human being (and I can’t say the same about many of the ‘artists’ I’ve met in my career as a photographer and interpreter). On the technical side, the X-T4 and the lenses (Fujinon XF150-600 and an XF18-120) worked well. At ISO3200, the images have more than acceptable noise, which becomes almost invisible when the shadows are pushed.…

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    Andrea Monti

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    Indifference

    July 5, 2015

    Iphone 15 Billboard in Via XX Settembre

    February 14, 2024

    A Dragon Trainer?

    July 8, 2014
  • B&W,  Daily photo,  People,  Tokyo,  Winter

    Ghosts of Ginza

    November 14, 2023 /

    Another shot from my last visit to Japan, taken with a Nikon 35TI and a Ferrania Orto in the corridors of the Ginza subway station, Tokyo.

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    Andrea Monti

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    Cleaning the Tabernacle

    November 26, 2022

    Justice measured as the distance between Words and Facts

    July 10, 2023

    Intelligence Contest

    April 15, 2017
  • B&W,  Daily photo,  People,  Tokyo,  Winter

    Isolation in public spaces

    November 10, 2023 /

    This photo is an interesting representation of what it looks like to isolate oneself from one’s surroundings. In close proximity, inwardly each of the three people could not be further apart, each in a peculiar state of mind. The photo was taken with a Nikon 35TI and a Ferrania Orto in the Tokyo subway. Admittedly, the Orto is not the film of choice for street photography due to its harsh contrast and blue sensitivity. But then, rules are made to be broken, aren’t they?

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    Andrea Monti

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    An unusual flowers’ field

    June 30, 2013

    Night Serenade

    September 12, 2013

    Processing DSLR-digitized film with and without Pentax K-1 Monochrome Custom Image profile

    April 30, 2023
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