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Andrea Monti

Photos, not gear

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  • Autumn,  B&W,  Daily photo,  Exhibitions,  Photography,  Thoughts,  Tokyo

    On Film Simulation or ‘is fiction more real than reality, and why should we care?’

    July 19, 2025 /

    Simulations have turned an inevitable fact —using the chosen brand and type of film for an entire roll— into an aesthetic tool allowing the selection of the most appropriate image rendition for each single exposure. Using simulations is like having all the different kinds of film in the same roll with all the convenience of digital technology, opening a huge number of creative possibilities. Initially published on 35mmc.com This is what the standard marketing claims for software simulations are based upon, but is that actually so? As a matter of fact, the answer is yes, but if we look at the matter from a different perspective, we should consider some…

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    Andrea Monti

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    Which Part of “No Smoking” Got You Lost?

    June 21, 2015

    Who Can It Be Now?

    February 18, 2016

    Ghosts

    October 19, 2016
  • B&W,  Daily photo,  Exhibitions,  Gear,  Photography,  Rome,  Spring

    On Detachment. Or ‘If You Love Something, Set It Free’ (cit. Sting)

    June 17, 2025 /

    A number of philosophies and religions preach the virtue of detachment from things as a path to enlightenment. When applied to gear, this advice won’t only save your soul —if you believe there’s one— but also your money and, last but not least, your photograph experience. This means avoiding the development of ‘feelings’ towards a camera or a lens that shift from appreciating their value as a tool to some sort of ‘personal engagement’. Initially published on 35mmc.com As odd as it sounds, such an attitude towards an inanimate object is more frequent than one may imagine. A paradigmatic case is the attachment of AIBO’s owners to their robotic pets:…

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    Andrea Monti

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    Quis Custodiet…

    January 26, 2013

    Becoming a Human Tripod

    January 9, 2017

    Windows

    September 15, 2014
  • Boston,  Colour,  Daily photo,  Exhibitions,  Summer

    Tesla Coils@Boston Science Museum

    July 4, 2023 /

    Capturing a Tesla coil mid-discharge is less about speed and more about timing. The arcs of electricity, chaotic and brief, demand an intuitive trigger finger and a dose of luck. I didn’t want the image to become a science illustration; I wanted it to hold some tension between spectacle and control, between the purity of mathematics and the danger of raw power. The coils themselves form a natural anchor in the bottom third of the frame, giving structure to what would otherwise be an abstract burst of energy. I shot through a safety mesh, letting it subtly ghost across the image, a reminder of the physical danger involved in what…

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    Andrea Monti

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    A Dragon Trainer?

    July 8, 2014

    Portrait of aTocaor

    October 8, 2013

    The Man Behind The Croissant

    December 13, 2014
  • Colour,  Daily photo,  Docks,  Exhibitions

    Inside the Nazario Sauro

    November 26, 2020 /

    An important piece of history of the Italian Navy, at the anchor in the Port of Genova.

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    Andrea Monti

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    Distraction

    April 6, 2016

    The Seagull And The Sentinel

    October 27, 2014

    Dai Shodo@Kyoto

    December 2, 2020
  • Cars&Bikes,  Colour,  Daily photo,  Exhibitions,  Nagoya,  Summer

    Old Rolls, Immortal Style

    August 12, 2019 /

    When I stepped into the Toyota Museum in Nagoya I wasn’t there to chase a vintage V12 roar – I was after a photograph that could make the steel of those hatchbacks sing. I set the camera, took a breath, and aimed at the gleaming 2000‑series Corolla perched beneath that cathedral‑like skylight. The result is a picture that feels like a high‑octane sprint through a showroom, but let’s not pretend it’s flawless; let’s break it down the way a proper car reviewer would.

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    Andrea Monti

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    Sergey Krylov live@Teatro Marrucino

    February 21, 2022

    Last Check Before The Show

    July 21, 2014

    An Unplausable Perspective

    May 6, 2014
  • Colour,  Daily photo,  Exhibitions,  Nagoya,  People,  Summer

    Who Is The Machine?

    August 5, 2019 /

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    Andrea Monti

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    Hard Spam

    April 1, 2013

    Al Di Meola, Peo Alfonsi, Sergio Martinez – Live @ Teatro della Villa Comunale – Roseto degli Abruzzi

    July 30, 2025

    Self-Defense

    July 27, 2013
  • Colour,  Daily photo,  Exhibitions,  Nagoya,  People,  Summer

    Mandatory Photo Position

    August 3, 2019 /

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    Andrea Monti

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    A (Out-of-Focus) Break Between Lunch and Supper

    December 8, 2015

    Skating at Palais de Tokyo

    June 11, 2015

    Pillars

    January 29, 2015
  • Colour,  Daily photo,  Exhibitions,  Summer,  Tsukuba

    Asimo’s Ancestor@Tsukuba World1985 Expo

    June 30, 2018 /

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    Andrea Monti

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    Garbage Collection

    August 26, 2013

    PI Room At Palais de la Découverte

    June 7, 2015

    Yet Another Tokyo Tower Nightshot

    July 27, 2017
  • Colour,  Daily photo,  Exhibitions,  Summer,  Tsukuba

    Wasubot. A Stiff Organ Player@Tsukuba

    June 21, 2018 /

    Photographing WASUBOT, the humanoid robot from the Tsukuba Expo ’85, is an exercise in humility. This iconic machine, a piece of robotics history, has been standing in the same pose for decades, its metal tendons and cables forever poised over the keyboard. Every visitor with a camera or a phone has taken a shot like this. The result is a paradox: the subject is inherently fascinating, but the visual narrative is weighed down by over-familiarity. In this frame, I approached the challenge by focusing on clarity and accuracy. The composition is anchored in a three-quarter view, revealing both WASUBOT’s intricate mechanical anatomy and the keyboard interface it was designed to…

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    Andrea Monti

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    Rockabilly

    September 15, 2013

    Mind The Gap!

    July 5, 2014

    The Rise of the Mutant Spiders?

    November 4, 2013
  • Colour,  Daily photo,  Exhibitions,  Osaka,  People,  Summer

    Silhouettes@Osaka Castle

    June 12, 2018 /

    I shot this frame just before sunset, outside the grounds of Osaka Castle. I wasn’t chasing history or architecture—just silhouettes. The timing was right: the light low enough to flatten depth, strong enough to cast hard contours. The figures that passed in front of me weren’t posing, just walking—some slow, some hurried, all perfectly unaware of the geometry they were helping to construct. What worked here was the compression of scale. The castle, distant but looming, becomes almost secondary—a backdrop with less narrative weight than the humans slicing across the foreground. Their outlines are clean, their gestures distinct. A child’s exaggerated stride, a backpack slung low, a coat flaring out…

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    Andrea Monti

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    The Coach

    December 9, 2018

    Hanging

    May 29, 2016

    Dreaming Of Giulietta (sprint)

    September 24, 2014
  • Colour,  Daily photo,  Exhibitions,  Milan,  Spring

    Sala degli Onori @ Triennale di Milano

    May 19, 2017 /

    Photographing grand interiors is always a test of discipline — a challenge to convey scale, symmetry, and atmosphere without letting the vastness swallow the human presence within it. In this image of the Sala degli Onori, the composition succeeds in balancing the architecture with the people inhabiting it, rendering a space that is both imposing and accessible. The shot is anchored by a strong central perspective. The converging lines of the marble floor and rows of white chairs pull the viewer’s gaze directly towards the far wall, where the mural forms a natural focal point. The figure walking down the central aisle provides a crucial sense of scale; without her,…

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    Andrea Monti

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    Behind the Beer

    December 26, 2013

    Which Part of “No Smoking” Got You Lost?

    June 21, 2015

    Abruzzo’s made Coke??

    March 26, 2013

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