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Andrea Monti

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  • Colour,  Daily photo,  Street Photography

    A solitary journey

    December 24, 2012 /

    A man just comes back from a solitary journey into the snow. He’s already missing the peace of the mountains.

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    Andrea Monti

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    Ceci N’Est Pas Une Junior (or, Cognitive Dissonance – Part Two)

    December 12, 2025

    WTF Are They Looking At?

    May 7, 2014

    Gliding Away

    December 21, 2021
  • Colour,  Daily photo,  Street Photography

    The Waiting

    December 23, 2012 /

    A light rain covers a lonely car. A women, inside, is waiting for somebody that might never come.

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    Andrea Monti

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    A Kiss In The Shade

    March 17, 2013

    Waiting For A Customer To Come

    July 27, 2014

    Nico Cilli Band@Chiostro Comunale – Città S.Angelo

    September 9, 2013
  • Colour,  Daily photo

    My First Shot (With Purpose)

    December 22, 2012 /

    This is the very first shot I took with the conscious intention of “taking a photo.” No technical skill, no reading of manuals—just a camera, a chair abandoned in a field, and the instinct to frame it. I remember being fascinated by the contrast: the artificial shape of the chair dropped into a plot of neglected green, hemmed by broken walls. No narrative, just a question mark. I had no clue what I was doing. Exposure? Focus? Aperture? The camera was almost fully automatic, and I didn’t even think about composition rules. But the instinct to isolate the subject and centralise the frame kicked in, and so did a vague…

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    Andrea Monti

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    The Angel Maker

    February 25, 2014

    Secret Beyond the Door

    October 24, 2013

    Zebra Crossing in Oslo… With Red Light

    October 12, 2014
  • Colour,  Daily photo,  People,  Projects,  Summer

    A Silent Dialogue

    December 21, 2012 /

    A restrained coastal tableau built around stillness and separation. The seated figure is placed slightly right of centre, turned away from the viewer, which shifts emphasis from identity to gesture and mood. The backpack anchors the narrative as travel or pause, while its bulk balances the composition against the open sand. The scene is organised in three calm bands—foreground ripples of sand, a mid-ground strip of beach, and the softly textured sea beyond. This horizontal structure stabilises the frame and amplifies the contemplative register. A lone pigeon, small but sharply legible, introduces a secondary point of attention and a faint counter-rhythm to the figure’s inward focus. Colour is deliberately subdued:…

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    Andrea Monti

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    A Different Passion…

    June 12, 2016

    Wave Riders

    September 20, 2013

    The Heart Of Giulietta

    October 30, 2014
  • Colour,  Daily photo,  Landscape,  Projects

    An Early Landscape Photography Attempts

    December 21, 2012 /

    The frame centres on a vivid orange butterfly, held in partial profile with its wings closed, set against a dense tangle of grasses and low scrub. The subject’s saturated colour provides an immediate point of emphasis, while the surrounding vegetation introduces a complex lattice of lines that both animates and competes with the focal point. A pale limestone rock occupies the right side as a strong compositional counterweight. Its softly lit surface and visible fissures add tactile interest and a clear tonal anchor, separating the butterfly’s warm hue from the busier greens and ochres behind. The diagonal stems and overlapping blades create a natural, slightly chaotic geometry that conveys a…

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    Andrea Monti

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    Fisherman’s Friend

    January 10, 2014

    Portrait of a Master luthier

    October 26, 2013

    The Stupidity of Being Stubborn

    August 31, 2024
  • Colour,  Daily photo,  Lines,  Projects

    Parallels & Diagonals

    December 21, 2012 /

    This blue-hour cityscape hinges on strong linear perspective: the elevated bridge on the right and the riverbanks on the left converge toward a distant vanishing point, pulling the eye cleanly through the frame. Warm street and architectural lighting contrasts with the cooling sky, creating a balanced teal–amber palette that suits twilight urban travel imagery. Reflections are the picture’s quiet engine. The river reads as a central corridor of light, with elongated highlights from lamps and windows forming a measured vertical rhythm that steadies the scene. Moored boats along the right bank add human scale and texture, preventing the infrastructure from becoming purely monumental. The exposure favours atmosphere over clinical sharpness;…

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    Andrea Monti

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    Portraits From Nagoro, the Scarecrows’ Village

    December 25, 2025

    Longtime Abandoned

    May 30, 2014

    Light as Meaning Shifter

    December 11, 2019
  • Colour,  Daily photo,  Docks,  Summer

    My camera’s early test shots

    December 20, 2012 /

    Unlike fishing villages or marinas, they are not built to be looked at. They are built to work. Every object has a purpose, every line leads somewhere, every apparently random piece of machinery exists because somebody, at some point, needed it to solve a practical problem. There is very little room for decoration. This is probably why I enjoy photographing them.

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    Andrea Monti

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    Empty Chairs in the Tuileries

    October 19, 2013

    Let’s get the party started…

    January 20, 2014

    What Souvenirs Say About Rome (and Your Attitude Toward Life)

    August 6, 2025
  • Daily photo,  Thoughts

    A new camera and the quest for the missed information

    December 18, 2012 /

    Convinced by the hype raised by the review of a well known camera review website I purchased a bridge camera , just to be surprised and disappointed at the same time. The surprise came out when I discovered that the this camera comes – as standard – with a lens hood, does mount filters and has a remote trigger socket. None of these very important issues were addressed in the review I went through seeking advice and that, as always, focused on image quality, body and functionality, sensor performance etc. etc. Another “non significant” issue has been casually set apart by this review: the 12Mpixel resolution on such a tiny…

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    Andrea Monti

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    The Expired Film Series – Episode 4 – Ferrania Solaris 100 – Dec. 2006 shot in August 2023

    September 3, 2023

    Fancy a Beer?

    November 10, 2015

    Why Writing About Photography Matters (or: The Importance of Re-inventing the Wheel)

    April 9, 2026
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