Andrea Monti

Photographer

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  • Actors,  Autumn,  B&W,  Bruxelles,  Colour,  Daily photo,  Fighters,  Fighting Disciplines,  Photography,  Spring,  Summer,  Winter

    What Does ‘Professional’ Mean in Photography?

    March 19, 2024 /

    Pro’ is the photographer’s blessing and curse. It is the status we all – well, many of us – aspire to. It is the marketing gimmick created by the exploiters of the Gear Acquisition Syndrome to make people believe that tools make the craftsman. ‘Amateur’, on the other hand, is a word associated with casual photographers, ‘wannabe’ artists, and people who want to make you believe that tools make the craftsman. I have always been unconvinced that such a difference exists, at least in the general meaning associated with the words ‘pro’ and ‘amateur’, and in relation to the idea that the equipment used or the quality of the shots…

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    Andrea Monti

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    The Chicken

    September 10, 2014

    Powermeters

    February 18, 2023

    Red Cross

    October 26, 2017
  • B&W,  Daily photo,  PhotoCritics,  Photography,  Tokyo

    Creativity vs Originality

    March 11, 2024 /

    Is the photo above creative? Is it original? Well… yes and no. It is certainly original because I ‘in person’ took it, and it is creative because – regardless of the aesthetic result – I took the time to arrange all the elements (composition, light, etc.) in a coherent moment —and I have the film negative to prove it. On the other hand, it is neither original —as in ‘unique’— nor creative because the same photo can be found here and maybe elsewhere on the Internet. Obviously, the linked photo it is not ‘the’ same as mine, because it is clear that they were taken at different times and places (mine was…

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    Andrea Monti

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    Counter-intuitive Focus

    February 9, 2020

    Lamp

    April 2, 2014

    A London’s Skyline

    September 13, 2016
  • Autumn,  B&W,  Daily photo,  Fighters,  Gear,  Spring,  Summer,  Thoughts,  Winter

    Pentax – In Praise of Usability of Cameras and Lenses

    March 3, 2024 /

    The Internet is full of columns and videos about why ‘I left brand X for brand Y’, magnifiying this or that ‘new feature’ that forced a photographer to ditch his previous setup in favour of a brand new one. Sometimes there is a genuine motivation behind such a choice, sometimes – often – it is just a clickbait set up by the need (or hope) to monetise a piece of content published on a social network. This long introduction violates the golden rule of journalistic writing – tell the reader what’s the matter in the first paragraph or so – but it was necessary because this article is exactly that:…

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    Andrea Monti

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    Cleaning the Tabernacle

    November 26, 2022

    Frames for Sale at Via Margutta

    May 2, 2016

    A Dislodged Portal

    December 15, 2018
  • B&W,  Daily photo,  Rome,  Streets&Squares

    5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI

    February 28, 2024 /

    The photographer is a peculiar type of social being, characterised by a ‘rules are meant to be broken’ attitude in the search for the perfect exposure. So, sooner or later, all the dogmas about composition, hyperfocal, zone system, rule of thirds, etc. will be put aside to try something ‘different’. This is what happened with these five images, taken at night in Piazza Venezia and Via Salaria in Rome with a Ferrania Orto on a Nikon 35TI; a rather strange choice given the inherent limitations of an orthocromatic film and a 2,8 35mm lens of a compact camera in this scenario. Against all odds the 35TI performed well (especially in…

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    Andrea Monti

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    Writer Inspiration’s Tools

    April 17, 2015

    Roots On The Roof

    September 6, 2015

    Avvocati. A New Book

    October 11, 2015
  • B&W,  Daily photo,  Travels

    A Stop in Reggio Emilia

    February 21, 2024 /

    On its way to Milan, the Freccia Rossa stops at Reggio Emilia, whose railway station is a masterpiece. It is worth taking the train just to have the chance to see some of its parts from a perspective that is otherwise forbidden.

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    Andrea Monti

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    Too Big To Be Dumped

    January 10, 2015

    An Old Motorcade

    August 10, 2015

    Counter-intuitive Focus

    February 9, 2020
  • B&W,  Daily photo,  Photography,  Rowing,  Technique,  Winter

    An Exercise in Composition (was: Rowing Boats)

    February 18, 2024 /

    Initially, I took this photo to document the poor state of a rowing teams’ dock. The idea was to praise the passion of this small group, who in the indifference of the general public, keep this discipline alive in a town, where soccer reigns supreme. However, when I saw the photo, it was the composition that attracted my attention: a classic example of the use of converging lines to drive the eye of the viewer. My only regret is that I failed to frame the small boat on the right, missing its bow. Had I been shooting digitally, I would have checked the result and retake the photo. Film, by…

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    Andrea Monti

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    A useless photo

    July 23, 2013

    Rollercoaster (kind of)

    April 3, 2014

    A Moment Of Rest

    June 17, 2013
  • Autumn,  B&W,  Boulevards,  Daily photo,  Marketing,  Rome,  Seasons,  Urban Landscape

    Iphone 15 Billboard in Via XX Settembre

    February 14, 2024 /

    This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast.

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    Andrea Monti

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    Posing

    June 17, 2022

    On Composition. Or: the eye sees what the mind is prepared to comprehend

    September 11, 2023

    Mediterranean Games 2009

    June 28, 2015
  • B&W,  Daily photo,  Nagasaki,  People

    Nagasaki Biker

    February 13, 2024 /

    Sometimes carrying a camera with a slow autofocus, slow shutter and low ISO can be a hindrance. Had I had a better camera and a faster film, this photo would have been much better.However, it is the eye that is to blame, not the old Nikon 35TI.I realised too late that what I was looking at could have been an image and had to react within a few seconds. In those conditions, the camera did what it could, but if I had been aware of my surroundings, I would have been ready at the right moment. So I paid the price for my bad habit of relying on gear rather…

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    Andrea Monti

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    L’estate sta finendo…

    September 13, 2013

    @Rome Maker Faire – 3. Stare Of The Mechanical Man

    October 13, 2014

    Stand-up, Sugar!

    March 8, 2014
  • Colour,  Daily photo,  Gear,  Photography,  Technique

    A few test shots with an MC Cosinon T200/4

    January 14, 2024 /

    This lens has several shortcomings. It has a pronounced coma and the focus barrel requires a considerable amount of turning to get it right, thus making it challenging to fast focus when you need to. Camera sensor clearly influences colours’ rendition. Despite the ‘personality’ of this lens, the overall picture’s feel is clearly (to me, at least) that of the classic ‘cold’, slightly bluish Pentax (or, should I say, Sony) sensor. At f4 (all the images published here were taken at this aperture), the bokeh is pleasant. Nothing exceptional, but for a lens that sells for around 15 euros, the results are good enough. That said, a core question, asked…

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    Andrea Monti

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    Peeping the misery

    September 4, 2013

    Having Sax

    February 6, 2015

    Kime in photography

    June 9, 2013
  • Airport,  Autumn,  B&W,  Daily photo,  People,  Photography,  Technique,  Tokyo

    Different Stories

    December 30, 2023 /

    Taking ‘static’ pictures, such as those of buildings and other architectural structures, can be quite challenging, as it is easy to fall into obvious, already seen compositions that rob the shot of any individuality.One of the things that can make an otherwise dull image more interesting is the presence of some kind of action that blends in with the stillness of the environment.In this case, the woman on the phone is in exactly the same position as the model on the billboard. Only they are telling two different stories.

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    Andrea Monti

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    The Ghost

    February 15, 2013

    A Bookstore in the Gallery

    December 22, 2013

    Cold Night, Hot Drink

    January 13, 2014
  • B&W,  Bookstores,  Daily photo,  Winter

    二千円

    December 20, 2023 /

    The 2,000 yen note is something of a rarity even for the Japanese. As Japan is mainly a cash-based society (at least for everyday life), I made sure to carry enough money on my recent trip to the Kyushu region.The bank gave me a wad of brand new ¥2,000 notes, which were so unusual that they attracted the attention of many people I exchanged them with. The photo was taken with a КИЕВ 60 TTL and a волна 80/2.8, the film was a Ferrania P30.

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    Andrea Monti

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    Enough…

    March 2, 2013

    The Skeptical Listener

    May 26, 2014

    Early Morning’s Cleanup

    July 21, 2013
  • B&W,  Daily photo,  Rome,  Winter

    An Antique Shop in via Cadorna

    December 10, 2023 /

    The overall quality of the black and white rendition is acceptable. However, it is still necessary to find how achieve colour consistency in multiple DSLR-scan.

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    Andrea Monti

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    Settled in the wrong place

    January 11, 2017

    Spectral Lotus

    July 19, 2015

    Pino Ammendola – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 13, 2022
  • B&W,  Daily photo,  Rome,  Streets&Squares,  Winter

    A jam in via Alessandria

    December 8, 2023 /

    Taking pictures with a fully manual camera is a way to keep practising the basics. Honestly, I would not use a film camera for a professional assignment —at least, not as the main one— but it’s worth doing it in a less challenging condition.As per the technicalities, waiting for the next batch of Ferrania Orto to arrive, I resorted to a Kodak Tri-X 400 roll, which is my favourite film at these ISOs.

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    Andrea Monti

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    Belgian Macarons

    November 2, 2015

    Venditti&DeGregori – Live@Anfiteatro La Civitella

    August 11, 2022

    Upcoming Call

    June 3, 2013
  • Autumn,  B&W,  Boston,  Daily photo,  Photography,  Tokyo

    As Seen on Ferrania Film’ Stories section…

    December 4, 2023 /

    A selection of the pictures I took this year in Boston and Tokyo has been published on the official Film Ferrania website, in the ‘Stories’ section.

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    Andrea Monti

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    Good Manners

    September 29, 2013

    Mind The Gap!

    July 5, 2014

    Powermeters

    February 18, 2023
  • Artists,  Colour,  Daily photo,  Winter

    Frank Gambale All Stars – Live@Teatro Marrucino

    November 22, 2023 /

    Rockol has just published a gallery with some of the photos I took at the Frank Gambale All Stars concert last 20 November.I’ve been a fan of Gambale’s for a long time and meeting him was a very nice experience: friend, easygoing, positive attitude despite the stress of the Italian tour: a great human being (and I can’t say the same about many of the ‘artists’ I’ve met in my career as a photographer and interpreter). On the technical side, the X-T4 and the lenses (Fujinon XF150-600 and an XF18-120) worked well. At ISO3200, the images have more than acceptable noise, which becomes almost invisible when the shadows are pushed.…

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    Andrea Monti

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    A Lamppost

    November 26, 2014

    StreetPizza@Ueno

    August 4, 2018

    When Venus meets the Moon

    October 2, 2023
  • B&W,  Daily photo,  People,  Tokyo,  Winter

    Ghosts of Ginza

    November 14, 2023 /

    Another shot from my last visit to Japan, taken with a Nikon 35TI and a Ferrania Orto in the corridors of the Ginza subway station, Tokyo.

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    Andrea Monti

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    Justice measured as the distance between Words and Facts

    July 10, 2023

    Busy

    December 24, 2015

    Waiting for the match…

    December 28, 2012
  • B&W,  Daily photo,  People,  Tokyo,  Winter

    Isolation in public spaces

    November 10, 2023 /

    This photo is an interesting representation of what it looks like to isolate oneself from one’s surroundings. In close proximity, inwardly each of the three people could not be further apart, each in a peculiar state of mind. The photo was taken with a Nikon 35TI and a Ferrania Orto in the Tokyo subway. Admittedly, the Orto is not the film of choice for street photography due to its harsh contrast and blue sensitivity. But then, rules are made to be broken, aren’t they?

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    Andrea Monti

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    TicTacToe

    September 1, 2014

    True Leather (Saved by Photoshop’s Crop)

    January 18, 2016

    The Arson

    February 21, 2014
  • Autumn,  Cars&Bikes,  Colour,  Daily photo,  Photography,  Tokyo

    An experiment with Dall-E, ChatGPT and a Nissan S8

    November 4, 2023 /

    This is an experiment based on a picture of a Nissan S8 taken at the Nissan Crossing in Ginza.First, I asked Dall-E to describe what he ‘sees’. Then I started asking questions to locate the place where the showroom should be, being careful not to give any hints.ChatGPT did not give a correct answer on the first try, but eventually it did. Me: Describe this photo ChatGPT: This photo features a futuristic-looking race car displayed indoors, presumably within a showroom or an exhibition space. The car is designed with an aggressive aerodynamic shape, with large, protruding front winglets and an expansive rear wing, characteristic of high-speed, high-performance vehicles, possibly a…

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    Andrea Monti

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    Alone, Together…

    June 19, 2013

    Red Tears

    June 7, 2013

    Fashionable’s shots

    May 3, 2013
  • Autumn,  Colour,  Daily photo,  Docks

    Red Beam

    October 24, 2023 /

    The Viltrox XF 85 F1.8 II is a very capable lens. Here is a shot taken with a Fuji X-T4 in difficult lighting conditions.

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    Andrea Monti

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    An Evening Chat

    July 30, 2013

    Waiting for the Shinkansen – 1

    June 25, 2017

    Alessandro Valle – Live@Anfiteatro La Civitella

    August 11, 2022
  • B&W,  Daily photo,  Milan,  Photography,  Street Photography

    How Privacy Hysteria Killed Street-Photography

    October 22, 2023 /

    At other times I would have dismissed this image as ‘out of focus’ and unusable. Just another missed shot caused by poor focusing technique on a fully manual film camera. Nowadays, however, I have begun to change my attitude towards these kinds of blurred images because of the privacy hysteria affecting the practice of street photography. There have been cases where people have been found guilty of harassment for covertly taking pictures in public spaces, but street photography has nothing to do with criminal behaviour. There is a huge difference between taking sneaky, random, meaningless pictures of people on the street and trying to freeze sketches of life to tell…

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    Andrea Monti

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    Footprints

    March 27, 2021

    Justice measured as the distance between Words and Facts

    July 10, 2023

    So Long, Eos-M

    January 17, 2014
  • Autumn,  B&W,  Daily photo,  Milan,  People

    Where to?

    October 21, 2023 /

    Unlike my previous shots, this is a ‘normal’ analogue image. The film – Ferrania P30 – was not expired and the camera was fully manual – a Voigtländer Bessa R2A with a Voigtländer Nokton Classic 35 1.4.

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    Fun

    November 12, 2014

    Kudos to Ricoh

    February 8, 2013

    Content Creators

    July 20, 2023
  • Colour,  Daily photo,  Docks

    A Lighthouse

    October 11, 2023 /

    Another example of how the Viltrox XF 56/1.4 performs in very low light.To be honest, the Fuji X-T4’s X-Trans sensor played its part.

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    Andrea Monti

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    The Godfather

    July 23, 2014

    Bus Driver

    September 16, 2016

    Scarf’s Meeting

    March 5, 2014
  • Autumn,  Colour,  Daily photo,  Docks

    Modern Moai?

    October 10, 2023 /

    Still pushing the Viltrox AF 56/1,4 XF on a Fuji X-T4.The limit has not been reached just yet.

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    Andrea Monti

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    And Justice For All

    May 15, 2015

    Landing

    December 4, 2021

    Caparezza – Live@Palamaggetti Roseto degli Abruzzi

    February 12, 2018
  • Colour,  Daily photo,  Gear

    The Kiev 60 and a fix for the frame spacing issue

    October 8, 2023 /

    There are several fixes for the Kiev 60‘s frame spacing problem, from taping the film spool to making it thicker to fine-tuning the film transport mechanism. However, while these solutions may work well, they are not guaranteed to work all the time.Master Adriano Lolli found the Columbus egg in one of his masterstrokes: he drilled a hole in the back of the camera in the exact position where the frame number appears and applied a red filter, just in case. In this way, after the first full exposure, the shutter could be cocked in tiny increments until the film number appeared in the hole. The only drawback of this solutions…

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    Andrea Monti

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    Back Home

    December 5, 2014

    Who Said That Music Is Relaxing?

    August 14, 2013

    Close up of a chessboard

    September 1, 2018
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