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Arrested Behind the Door
Arrested inside. Don’t enter unless you can prove you’re (their) lawyer…
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Room 17 – VIXI
The steel doors of Aula 17 stand closed, expressionless. Matte black, scratched, impassive. Above them, a bureaucratic sign: 7ᵃ Sezione, Edificio B. On the right, a board once meant to list names and hearings is now empty—washed clean by time or intention. Seventeen is an unlucky number in Italy. Rearranged, the Roman numerals XVII form VIXI—”I have lived”, an epitaph. And so, Room 17 becomes more than a courtroom. It becomes a threshold. A place where the living confront endings. The end of freedom. The end of illusions. Sometimes, the end of justice itself. The symmetry of the composition tightens the tension. Every element is locked in place. Nothing moves, and nothing is random.…
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Legal Apartheid
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YANE – Yet Another Nepal Exhibit
This the poster of Yet Another Nepal Exhibit. It is hard to see the point in going to the other end of the world to take pictures that, as a Google Image Search shows, have already been shot zillions of time. In other words: taking original photos in Nepal is very hard. This teach a simple lesson: going overseas in the belief that the place makes the photo is wrong.
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The Street Photographer Dilemma: Film or Digital
To me Street-Photography is digital. I missed this shot because I wasn’t able to properly focus my full-manual kit, as I would have do with an average digital camera. There is no point in wasting film in an highly fault-rate activity such as Street Photography.
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Milan
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From Camera to Print…
This is what happens when a shot is not taken thinking of its final destination (or when a graphic editor doesn’t consider what the outcome would be once printed): a poor rendition.
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Dress Different
According to the fashion-photography standards this is a perfectly usable shot. To me, that’s simply a missed photo.
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Horizontal
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Rectangles
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Sharp Shooter
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A Lonely Table
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A Casual Walk
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The True Ironman
Not in a cave. Not in a suit. No arc reactor. Just grit, weight, and heat. This is a portrait of a welder—not fictional, not cinematic, but real. And yet, standing behind the mask, lit by the fierce white arc of molten metal, it’s hard not to think of Iron Man. Not the one flying through CGI skies, but the original scene: sparks, shadows, invention by necessity. But this isn’t fantasy. This is work. The man in the photo is sculpting structure with his hands, joining steel under blinding light. Every gesture is deliberate. Every spark, a fragment of labour. The mask doesn’t make him a superhero. It protects him—barely—from the…
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Stripes
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Out-of-Focus Once Again
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Last Wing Down
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Run Like Hell, Pinocchio!
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Workbench
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Phone Call – 2
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Phone Call – 1
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Inside an Old Gym
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Merleria Livia
Some signs don’t light up the street—they anchor it. This one simply says “MERLERIA LIVIA,” glowing white against the black. Not neon, not flashy. Just enough light to find your way back to something ordinary. Useful. Forgotten. Shot on a rainy night, the kind that turns every surface into a mirror. The pavement reflects the streetlamps like a memory trying to stay present. A man walks slowly, slightly hunched—not from age, maybe just the weather. Hands in pockets, coat zipped. Nothing urgent, nothing staged. The shop is closed. You can feel it. The shutters are down, but the sign is still doing its job. Reminding anyone passing that once, not…
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Between Sea and Sky
