Using a 1960 Leica Elmarit 90/2,8 on a Fuji X-T3
In short The Leica Elmarit 90/2,8 works flawlessly on a Fujifilm X-T3, also with third-party adapters having no electronic connection with the camera. It provides excellent results, notwithstanding its age. Using this lens for street photography requires using focus-peaking or zone focus. In this latter case, proper training is necessary to correctly assess the distance…
Pensive
Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.
A Skater
Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.
Easy To Shoot?
This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper…
Il barbiere di Siviglia – Don Bartolo mad at Rosina
A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino
Meaning in Photography
In this picture, taken during the reportage I did for the Teatro Marrucino’s I Miserabili, an old and exhausted fighter rests while a young citoyen waves the French flag defying the fire of the royalists. The strength of the picture is in the dialectics created by the two protagonists, hinting at a “relay” between an…
Denegata Justitia
Sometimes a picture acquires a meaning that goes beyond the original intent of the photographer. In this case, taken from a reportage I did for Victor Hugo’s Les Miserables featured at Teatro Marrrucino, in Chieti, the photography becomes the archetype of the denegata Justitia. The defendant asks to speak, the justice stares elsewhere.
Breaking the Fourth Wall
Shooting a play is challenging because you must be ready to seize ‘the moment’ and, at the very same time, think of unusual compositions to avoid the boring ‘frontal’ perspective. Shooting part of the reportage from the backstage of Hamlet, with Giorgio Pasotti and Mariangela D’Abbraccio directed by Francesco Tavassi I had the possibility to…
Counter-intuitive Focus
This photo I took during a reportage for a theatre hosting a concert of Uto Ughi shows a counter-intuitive use of focusing. Rather than go for the obvious option, the attention is shifted on the two musicians in the background capturing their concentration, with the leading violin blurred and conceptually, thus, ‘left behind’. The global…
When Colour Helps Composition
This photo I took during a reportage of Miseria e nobiltà – a classic of the Neapolitan comedy by Eduardo Scarpetta – in the mise en scene of Lello Arena e Luciano Melchionna gives a lot of insights on how composition works. The triangle designed by the two actors on the sides and the taller…
On “timing the moment”
This photo I took during an assignment for a reportage on the theatre drama called “Le Signorine” with Giuliana De Sio and Isa Danieli is an excellent example of the “Timing the moment” concept. “Timing the moment” is a skill any event-based photographer should develop (or hone, if he’s gifted enough to have been born…
Deadly Bored
Once again, the meaning of this picture is counter intuitive and “made up” by the composition. The scene is seen from the perspective of the mannequin: at the end of a hard day spent sitting on the street-front, it (or he?) looks deadly bored and tries to kill the time before the shop closes by…
A Virtual Glance Dance
The essence of this photo is all in the glances of the protagonists. The man looks at the woman, the woman looks at the luxury car. The essence of this photo is all in the glances of the protagonists. The man looks at the woman, and the woman looks at the luxury car. It is…
The Power of Underexposing
Properly mastering underexposure helps to obtain pleasant results in challenging light conditions. I took this picture of a soprano by lowering the camera exposure by two stops, thus preserving skin tones burning, and “fading” the background to black. A proper in-camera under-exposure has the advantage of requiring lesser work in post to toggle clarity, temperature…
Good Plan, Poor Execution
The idea behind the composition is entirely correct. The mannequins and the girl form a triangle, as does the direction of the stares, conveying both a sense of symmetry and counterposing the liveness of a human being to the puppets’ lack of. A poor execution, though, led to the mannequins’ head cut, turning a visually…
Hands of a Steward
Shooting up and close in confined space. A skill every street-photographer should hone.
Evolution in Red
This is another example of how purely visual (the color red) and factual (a stroller on the far left, and an adult on the far right) elements create in the mind of the observer a semantic connection (in this case: the transition from childhood to adulthood) that does not exist in reality.
