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Buying Chocolate
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2015 Italian Beach Volley Team – Marco Caminati, Enzo Rossi
Shot this with the Canon 5D Mark II paired to the EF 100-400—reliable combo when you need to stay off court and still frame clean, controlled tension. This isn’t peak action. No sand flying, no bodies mid-air. But it’s still competition—quiet, simmering, focused. Marco Caminati holds the ball like it weighs more than it does. Not physically—psychologically. Shoulders squared, gaze dropped. The light from above slicks off his skin, catching just enough detail in the sweat without turning it into gloss. I didn’t correct the warmth much in post. The yellowish cast from the stadium lighting is honest, and artificial as it looks, that’s what the court gave me. Enzo…
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Seeing What Isn’t There
There’s no I Ching here. No coins. No symbols. No prophecy. And yet. This photo isn’t about what’s captured by the lens — it’s about what the mind decides is there. Three indistinct shadows above. Two sets of parallel lines below. That’s all. And yet, somewhere between them, something ancient is conjured. A trigram. A casting. A flipped coin in mid-air. Logic says: it’s a vent and the shadows of round objects on a backlit surface. But vision isn’t logic. It’s memory, pattern, story — all stitched together before you’re even aware you’re looking. Photography is often obsessed with truth. With freezing the real. But sometimes the most compelling images…
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@ Mediterranean Beach Games 2015 – Italian Female Rowing Team
Conclusions As much as knowing your way through the photography maze populated by ISO settings, lens choice, (auto)focus performance and so on, successfully shooting sport competitions requires a lot of background work and social skills, as well as stamina and concentration. You’re not supposed to attend a Marines bootcamp, a con men conference and a crash course in volleyball, rowing or whatever the sport you have to work with to develop such specific capabilities. But it would definitive helps… Part 1 – Intro, Before the event, getting your media pass Part 2 – Before the event, having your media pass working for you Part 3 – During the event, get…
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Macarons. Again
I made this photograph inside a pâtisserie, focusing on a glass bowl overflowing with pastel-coloured macarons. The shallow depth of field brings the confectionery into crisp attention while softening the background, where figures and shelves dissolve into warm blur. The arrangement of sweets, piled almost carelessly, conveys abundance rather than the rigid order usually associated with patisserie display. Technically, the image works through contrast of light and tone. The reflective surface of the glass bowl catches highlights, while the soft illumination keeps the delicate textures of the macarons intact. The exposure holds steady despite mixed lighting, managing both the bright surfaces of the sweets and the darker recesses of the…
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@ Mediterranean Beach Games 2015 – Beach Wrestlers
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Belgian Hats
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@ Mediterranean Beach Games 2015 – Italian Beach Volley Female Team – Laura Giombini, Giulia Toti
In beach volleyball, there is no hiding place. The court is small, the sand unforgiving, and every move is laid bare in the sun. This frame captures the Italian National Beach Volleyball Team mid-assault, in that heartbeat where effort and instinct fuse into pure action. The player lunging forward is all tensile strength and precision—shoulders squared, arms extended, eyes locked on the ball as if it were the only thing in existence. Her teammate hovers just behind, reading the play, ready to carry the attack forward. The sand tells its own story—scattered divots from past dives, streaks from sudden stops, a textured record of the match’s ebb and flow. The…
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Belgian Gloves
There’s a certain satisfaction in encountering a composition that seems to have arranged itself for the camera, as though the visual world conspired to present its colours and forms in perfect order. Belgian Gloves offers just that: a tight row of leather gloves, each perched on a mannequin hand, marching in a perfect gradient from cool blues through greens, yellows, oranges, and finally deep reds. It is at once commercial display and chromatic study. From a compositional perspective, the image benefits enormously from its frontal, symmetrical framing. By positioning the gloves parallel to the camera, the photographer creates a sense of order that invites the eye to travel along the…
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@ Mediterranean Beach Games 2015 – Italian Beach Volley Team – Marco Caminati (and a primer on sport photography, part 6)
Part 1 – Intro, Before the event, getting your media pass Part 2 – Before the event, having your media pass working for you Part 3 – During the event, get ready for the show Part 4 – During the event, how to choose which event attend to Part 5 – During the event, shooting the game After the event “Enjoying” the field days doesn’t end up the assignment because the selection and post processing part is as important as taking proper pictures. 1 – Selection and post processing Depending by the assignment, you might be required to (select, process and) send your employer the pictures in real time or…
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Avvocati. A New Book
I’ve just finished the project I’ve been working in the past months. Lawyers’ human and private face.
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@ Mediterranean Beach Games 2015 – Wrestling, Italy vs France (And a primer on sport photography – Part 5)
Part 1 – Intro, Before the event, getting your media pass Part 2 – Before the event, having your media pass working for you Part 3 – During the event, get ready for the show Part 4 – During the event, how to choose which event attend to 3 – Shooting the game As I said before, the chances of getting a good exposure greatly improve if you are (or have become) comfortable with the game. But knowing how the ball rolls worth nothing if you’re not in the right position to take the shot. a – Reclaiming your space from other photographers Event (and thus sport) photography is a…
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@ Mediterranean Beach Games 2015 – Italian Female Rowing Team
I made this photograph during the Mediterranean Beach Games, following the Italian women’s rowing team in competition. What drew me in was not the finish line or the celebratory gesture, but the moment immediately after exertion, when effort is still written on the body and concentration has not yet dissolved into relief or disappointment. The composition is built around proximity and tension. One athlete occupies the foreground, turned slightly away, her back marked by mud and effort, the word Italia acting as both identifier and graphic element. The second rower remains just behind her, partially out of focus, her expression strained and searching. This staggered arrangement creates depth while reinforcing…
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Ray-Ban in Milan
It’s not just about what sits on the roof—it’s about what it says without blinking. Shot in the heart of Milan, this image captures a building that has seen eras come and go, crowned by a brand that has spent decades convincing the world to look cool while blocking out the light. The lettering floats above the stone like graffiti gentrified by permanence. I framed the photo dead-on, as if to let the architecture and the logo negotiate their own contrast. The façade is neoclassical, orderly, almost too proud to wear an ad. But there it is—Ray-Ban—scribbled in neon above cornices and keystones, as defiant as it is inevitable. Black…
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@ Mediterrean Beach Games 2015 – Italian Beach Soccer Team (and a primer on sport-photography, part 4)
Part 1 – Intro, Before the event, getting your media pass Part 2 – Before the event, having your media pass working for you Part 3 – During the event, get ready for the show 2 – How to choose which event attend to Possibly the most difficult thing to handle in multi-competition events is how to select the sport and the stage (qualifications, semi-finals, first-second place final etc.) Unless you’re working for a specific team as its official photographer or asked to mainly portrait sponsor’s banner (yes, this happens in sport-photography: athletes are just a way to channel the eyes on a chocolate bar or a bottle of wine),…
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Shaken
The frame is a study in disarray — not in subject matter alone, but in its very execution. The scene, taken on a busy street, is blurred throughout: the figures, the car, the elegant repetition of arches behind them. Whether caused by an unsteady hand, a slow shutter, or a deliberate choice, the result is an image where nothing stands still enough to become the focal point. Two figures anchor the composition: one in the foreground to the left, caught mid-turn, the other to the right, hunched over something in his hands. Their outlines dissolve into the tonal softness, denying the viewer access to facial expression or fine detail. The…
