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Andrea Monti

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  • Cities,  Colour,  Daily photo,  Helsinki,  Seasons,  Spring

    Cultural Variety In Helsinki

    September 24, 2022 /

    Walking through Helsinki, I came across this street corner turned makeshift cultural diary. A column of posters, each one shouting louder than the next, all layered in a beautiful visual chaos. Music, theatre, design, protests — everything stuck side-by-side like a democratic collage of intent. No hierarchy, no curatorship — just pure public messaging. I framed this image straight on, keeping the grid of posters as symmetrical as the structure allowed. What interested me wasn’t just the content, but the juxtaposition — a sleek Ed Sheeran ad beside a hand-designed experimental flyer, a musical next to a political slogan. It’s a visual argument, but a peaceful one. Technically, this shot…

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    Andrea Monti

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    Marianna D’ama – Live

    December 2, 2018

    Welcome in the Twilight Zone

    January 3, 2014

    Avid Readers

    November 19, 2014
  • Autumn,  Beach&Shores,  Colour,  Daily photo

    The Compelling Power of Photography

    September 22, 2022 /

    The sandstorm came fast — the kind that scours your skin raw, leaves grit between your teeth, and makes you regret every bit of exposed flesh. I had the Pentax K-3 II with the DA* 50–135mm f/2.8 mounted and ready, but even the gear felt fragile in that wind. Eighty kilometres per hour doesn’t sound like much until it becomes horizontal. In the middle of that chaos, he walked in. No jacket, no hood, no camera gear — just shorts, sunglasses, and a phone. He stopped, planted his feet in the shifting sand, and took a photo. Not staged, not dramatic. Just a gesture. In the middle of discomfort, maybe…

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    Andrea Monti

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    5 Frames from our Tragic Past Shot with an iPhone 14 Pro Max

    April 4, 2025

    In the backstage

    May 10, 2013

    The Stupidity of Being Stubborn

    August 31, 2024
  • Autumn,  B&W,  Daily photo,  Visual

    Three Lamps

    September 19, 2022 /

    I made this photograph on a breezy afternoon, when the light fell just right across the row of straw-shaded lamps. The alignment was irresistible — three distinct forms in sequence, receding gently into the frame. I wanted the rhythm to pull the viewer’s eye through the image, from the sharp texture of the foreground shade to the softly blurred suggestion of the background structure. The Pentax K-3 II paired with the DA* 50-135 rendered the detail crisply; every strand of straw stands out against the muted backdrop. The lens’s rendering at f/2.8 helped create a shallow depth of field without obliterating context. The light bulbs, faintly glowing even in daylight,…

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    Andrea Monti

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    The Expired Film Series – Episode 7 – Kodak Portra 160 – June 2015 shot in Oct. 2023

    January 11, 2024

    Shopping in Bruxelles

    December 20, 2013

    Rockabilly

    September 15, 2013
  • Autumn,  Beach&Shores,  Colour,  Daily photo,  Photography

    Not AI-made…

    September 17, 2022 /

    The colour rendition of a photo taken with a Pentax (camera and lens) is unique. Taste is personal, and so is this opinion. One thing, however, is sure: the pictorial look of this photography is not made by an ‘AI’.

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    Andrea Monti

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    The Spanish Sense of Flesh – 1

    June 26, 2014

    Foto-Grafo admitted to the Persol Reflex Edition contest

    April 16, 2013

    The Penguin’s Feeder

    July 25, 2014
  • B&W,  Daily photo,  Photography,  Thoughts

    Is AI-generated art actually killing ‘real’ Art?

    September 16, 2022 /

    This picture is how Dall-e 2 interpreted a prompt like Kodak Tri-X 400 black and white sketch in the style of Andy Warhol of a scientist facing a hajime sorayama-like cyborg in a 1940 mad scientist sci-fi lab. Does that mean that —as everybody and his cousin keep repeating— that AI killed Art(ists)? Not very. AI-generated imagery serves to specific purposes and whether is creation or not is utterly irrelevant.

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    Andrea Monti

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    Sweet Dilemma

    November 4, 2015

    Portrait of an Heavy Metal Singer

    November 21, 2013

    The Stroller

    July 7, 2015
  • Autumn,  Colour,  Daily photo,  People,  Sport,  Track&Field

    A Spanish Long Jumper

    September 11, 2022 /

    This is one of the photos from the reportage on the Track & Field Mediterranean Championships – Pescara 2022. The Sigma 150-600 Contemporary proved to be a good lens, sufficiently versatile and with effective stabilization. However, used with the 1.4 teleconverter and full extension, it does not allow for high-speed focusing. In some cases, the Nikon D610 failed to lock onto the subject. This makes the lens/teleconverter pair somewhat inconvenient in sports photography. At that focal length, it is probably worth using prefocus. If you do not want to give up automatism, you can try to anticipate the moment of focusing by framing something close to where the athlete should…

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    Andrea Monti

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    A Fountain

    May 17, 2014

    Remainders in Prati

    December 4, 2013

    Rockabilly

    September 15, 2013
  • B&W,  Beach&Shores,  Daily photo,  People

    On Photography and Self-Delusion

    September 4, 2022 /

    Only travelling abroad gets exotic photos. No need to travel overseas to get unusual images. Shoot digital is the only way ‘to stay in the moment’. Going retro with film is the only way to stay ‘in the moment’. Get the latest gear you can find. No, use the cheapest stuff because photography is about the man, not the machine. Do not post process, do post process. Shoot colour; no shoot B&W. Use Midformat, no full-frame, no APS-C, no smartphone-size sensors… The list of advice coming from (self-professed) experts, journalists (most often, web content editors with no editorial clearance), and ‘seasoned’ (wannabe) photographers could grow forever.More often than not, these…

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    Andrea Monti

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    Luck is an Attitude

    January 25, 2014

    Mario Asks for it!

    April 9, 2014

    After the Party

    December 16, 2013
  • Colour,  Daily photo,  Doors&Windows,  Gear,  Photography,  Thoughts

    The Mystique of Film

    August 24, 2022 /

    I have resisted for a long time before giving out my two cents about the neverending debate ‘film vs digital’. I gave up after the next self-delusion I read in a well-known ‘semi-pro’ (purposely not linked) online photography magazine. It featured the umpteenth column explaining how shooting film ‘gets the experience back’, going full-manual ‘forces you thinking’, having limited exposures ‘pushes you to become more selective’, and all the usual motives connected with the choice of travelling on a horse-powered chariot instead of using a regular car. There is no need to shoot film to experience all that. Set the camera on full manual, disable OIS and IBIS, use a…

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    Andrea Monti

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    Bycicle Ride

    August 28, 2013

    A Shadow

    July 24, 2014

    Pensive

    November 28, 2014
  • Artists,  B&W,  Daily photo,  People,  Summer

    Alessandro Valle – Live@Anfiteatro La Civitella

    August 11, 2022 /

    When I cover singers’ concerts, I make a point of not leaving band members behind. On their shoulders lies the burden of getting the show right. Without them, there is not much a singer could do unless he is gifted with a beautiful voice and proper technique. Still, they often come unnoticed. Kudos to these musicians who make the magic happens.

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    Andrea Monti

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    A Relaxed Call

    February 12, 2014

    The Unconvinced Listener

    June 25, 2014

    Stylemaster

    August 22, 2014
  • Artists,  Colour,  Daily photo,  Reportage,  Summer

    Venditti&DeGregori – Live@Anfiteatro La Civitella

    August 11, 2022 /

    Here is the link at the gallery of the 10 August Antonello Venditti and Francesco De Gregori concert. A rather unpleasant experience, indeed. Photographers have been confined on the extreme left of the stage and not allowed to move. Of course the show comes first and any annoyance imperiling the performance must be prevented. A tad of flexibility for people who is there to work, though, would have been much appreciated.

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    Andrea Monti

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    Max Casacci – Live@Circolo Aternino, Pescara

    January 4, 2018

    Settled in the wrong place

    January 11, 2017

    The Chess Players

    October 10, 2013
  • Artists,  B&W,  Daily photo,  People,  Seasons,  Summer

    José Ignacio Franco – Live@Auditorium Petruzzi

    July 31, 2022 /

    He doesn’t need to sing. His fingers do it for him. Captured in mid-strum, tocaor José Franco radiates something far more profound than musical virtuosity: duende — that elusive spirit of flamenco, born of sorrow, defiance, and joy. His guitar is not just an instrument; it’s a second voice, one that speaks the unspoken, channeling generations of Andalusian lament and celebration. Notice the scene: the blurred silhouettes of fellow musicians in the foreground, the intimacy of a rehearsal or a small performance, where the bond between tocaores is more powerful than any spotlight. The photograph’s depth of field creates a natural hierarchy — we’re drawn not just to Franco’s position, but to his expression. His smile…

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    Andrea Monti

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    The Seagull’s Rest

    December 18, 2013

    Ninja-Turtles?

    April 30, 2014

    The Expired Film Series – Episode 1 – Kodak BW400CN – Dec. 2014 shot in June 2023

    July 21, 2023
  • Artists,  Colour,  Daily photo,  People,  Seasons,  Summer

    LP – Live@Anfiteatro La Civitella

    July 22, 2022 /

    More pictures available on Rockol’s Gallery section.

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    Andrea Monti

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    L’estate sta finendo…

    September 13, 2013

    A Banner

    November 29, 2014

    The TelcoMan

    January 26, 2015
  • Artists,  Colour,  Daily photo,  Summer

    LP – Live@Anfiteatro La Civitella – The photogallery

    July 11, 2022 /

    This is the full photogallery of July 22 LP’s concert at the Anfiteatro La Civitella. I was covering the event on behalf of Rockol.it.

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    Andrea Monti

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    Damned Pidgeons…

    October 8, 2017

    Sergey Krylov live@Teatro Marrucino

    February 21, 2022

    Every Single Day

    June 28, 2017
  • Colour,  Daily photo,  Docks,  Spring

    A Gull, Posing

    June 17, 2022 /

    A gull sits perched on a bollard by the water, its body angled just enough to suggest awareness of being seen. The rust-stained base, heavy and industrial, contrasts sharply with the lightness of the bird resting on top. It is a moment where function and chance converge, turning a docking post into a stage. Composition is centred and deliberate. The bollard fills the frame vertically, anchoring the image, while the gull becomes both subject and ornament. The blurred surface of the water behind isolates the scene, stripping away distraction so the viewer confronts the simple pairing of steel and feathers. Technically, exposure is well handled. The whites of the gull’s…

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    Andrea Monti

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    Alien Veins

    December 3, 2014

    A new camera and the quest for the missed information

    December 18, 2012

    And Justice For All

    May 15, 2015
  • Colour,  Daily photo,  People,  Rome,  Spring

    Red Fan

    June 14, 2022 /

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    Andrea Monti

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    Landing

    December 4, 2021

    Is AI-generated art actually killing ‘real’ Art?

    September 16, 2022

    Segway Chase in Villa Borghese

    April 27, 2013
  • B&W,  Daily photo,  Parks,  Past&Relics,  Summer

    Three Lamposts

    June 11, 2022 /

    Sometimes the simplest subjects offer the richest visual rhythms. This photograph of three lampposts along a shaded path is a study in repetition, perspective, and the gentle irregularities that occur when human-made structures meet the slow reclamation of nature. The posts lean — not dramatically, but enough to betray years of shifting soil and seasonal wear — and that subtle tilt gives the image a quiet tension. The composition is carefully observed. The frame leads the eye from foreground to background in a gentle S-curve: the path winds left, the lampposts march back into the trees, and the play of shadow and sunlight dapples both ground and foliage. The staggered…

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    Andrea Monti

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    Alone, Together…

    June 19, 2013

    Lost in mumbling

    September 22, 2013

    Cold Stuff

    November 28, 2015
  • Colour,  Cycling,  Daily photo,  Seasons,  Spring

    Over There!

    May 29, 2022 /

    The cyclist in the foreground owns the frame at first glance—muscles taut, gaze fixed, body leaning into the effort. His jersey clings to him like a second skin, the curve of his shoulders telling the story of miles already conquered. Two red water bottles glint against the blue of the bike, bright punctuation in a palette of muted earth and grey. And yet, the real tension of the image unfolds in the background. There, slightly blurred but unmistakable, a man stands with his arm extended, finger pointing decisively to the right. It is not a casual gesture—it is direction, command, certainty. In that single movement lies the unspoken pact of…

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    Andrea Monti

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    An Altar for the Propaganda Machine

    November 17, 2013

    @ Mediterranean Beach Games 2015 – Italian Female Rowing Team

    October 25, 2015

    Quality Check. Try Before You Buy

    April 10, 2014
  • B&W,  Daily photo,  Docks,  Seasons,  Spring

    Three Sprouts

    May 22, 2022 /

    Read More
    Andrea Monti

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    A creative approach to zone focusing with superfast manual lenses and mirrorless cameras in street photography

    September 28, 2024

    Do Not Disturb the News Reader

    February 24, 2014

    Under The Bridge

    June 27, 2016
  • B&W,  Daily photo,  Past&Relics,  Spring,  Visual

    Three Tires

    May 18, 2022 /

    Read More
    Andrea Monti

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    A Japanese Luthier and a Fingerstyle Player from My Home Region (and My Past) – A One shot story

    January 22, 2025

    Damned Autofocus

    April 20, 2014

    Rockabilly

    September 15, 2013
  • Actors,  Colour,  Daily photo,  People

    Pino Ammendola – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 13, 2022 /

    Read More
    Andrea Monti

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    Learning to Fly

    August 23, 2018

    Longtime Abandoned

    May 30, 2014

    The Sprint Before the Ride

    August 8, 2013
  • Artists,  Colour,  Daily photo,  People,  Spring

    Piero Mazzocchetti – L’ultima notte di Bonfiglio Liborio

    May 12, 2022 /

    I made this photograph in the dim backstage of Teatro Marrucino, just minutes before the curtain would rise. The air was thick with that familiar mix of anticipation and quiet focus. The man sat in his chair, bent slightly forward, pen in hand, making final notes on the score under the stark glow of a music stand lamp. The rest of the stage was swallowed by darkness. Shooting with the Fuji X-T3 and the Fujinon XF 16-80 gave me the flexibility I needed in such a cramped and poorly lit space. The lens handled the low light surprisingly well, though I had to work at the edge of its capabilities…

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    Andrea Monti

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    Accidental Precision

    February 12, 2016

    The Boat That Never Left

    September 26, 2019

    A Fujifilm X-E1 Annoyance

    April 15, 2014
  • Actors,  Colour,  Daily photo,  People,  Spring

    Alessandro Blasioli – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 9, 2022 /

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    Andrea Monti

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    Slow Walk at Mulberry St.

    January 16, 2014

    Distraction

    April 6, 2016

    Busy (again)

    February 2, 2013
  • Colour,  Daily photo,  Tokyo,  Travels

    Nittele Tower

    April 25, 2022 /

    This photograph was taken on the move, from the Tokyo Monorail, aimed at the glass façade of Nittele Tower. Shooting through layers — the monorail’s own window and the tower’s reflective panels — created a composition that is equal parts interior, exterior, and abstraction. The grid of the building’s structure acts as both frame and subject, compartmentalising the scene into individual vignettes where people, staircases, and architectural lines intersect. The DA* 16-50 on the K-5 handled the mix of reflections and transparency better than I anticipated. Exposure was tricky: the overcast light outside diffused evenly, while the building’s interior lighting added warm pockets of contrast. I kept the balance slightly…

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    Andrea Monti

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    Photography and the dangers of ethics

    April 17, 2013

    A Mesh

    February 16, 2021

    Floating

    February 5, 2023
  • B&W,  Daily photo,  Docks

    Game Over

    April 15, 2022 /

    Photographs like Game Over remind me that sometimes the most direct visual statements are also the most loaded. Here, a simple, hastily spray-painted message on a makeshift surface is transformed into something more imposing by lens choice and framing. Shot on a Nikon F3 with a Nikkor 16mm fisheye, the image carries the unmistakable spatial distortion of that ultra-wide glass. The curvature of the edges pushes the wall and banner into a bowed shape, making the words bulge towards the viewer. It’s a subtle but effective way of amplifying the sense of confrontation—as though the message is leaning into us, impossible to ignore. Technically, the black-and-white treatment strips away distraction…

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    Andrea Monti

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    The Real-Life Lens Test Series – Episode 1: Viltrox XF 56/1,4 AF

    June 6, 2024

    Under The Rocks

    August 14, 2014

    Horizon Bending, Again

    April 28, 2014
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