Andrea Monti

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  • B&W,  Daily photo,  People,  Stockholm,  Summer,  Technique,  Travels

    DSLR film scanning: episode three

    January 24, 2023 /

    This is, by far, the most pleasing result I have ever had from digitising a film negative with a DSLR.Contrary to many suggestions found on Youtube, I did not invert the negative RAW curve by tweaking the Master RGB option. I did it, instead, channel-bychannel minding each clipping point. This approach allowed for a better reproduction of the grey tones, and in the end a fair result.

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    Andrea Monti

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    Snorkeling

    August 24, 2014

    Moonshot with a handheld Fuji XF150-600 and a Fuji X-T3

    April 24, 2023

    Las Ramblas’ Lifestyle

    April 18, 2014
  • B&W,  Daily photo,  Downtown,  Gear,  Stockholm,  Summer

    Another attempt at DLSR film scanning

    January 21, 2023 /

    Still trying.I digitised the negative with a Pentax K-1 and the FA 100 2.8 Macro lens using the JJC clone of Nikon ES-2. Postproduction is done in Pixelmator Pro. I used a Nikon 35TI and a Kodak BW400CN to take the original photo. Strangely enough, the JJC does not allow a 1:1 ratio with the Micro Nikkor 60 2.8.The instructions advise to mount the 62mm to 52mm step-down ring, the #2 52mm barrel-shaped tube and finally the film holder. These instructions are clearly wrong, as it is not possible to get 1:1 magnification with this setup.So I removed the tube and mounted the film carrier directly on the 62mm to…

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    Andrea Monti

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    Life Within the Post Office

    November 24, 2014

    Belgian Ghosts

    May 2, 2014

    The Compelling Power of Photography

    September 22, 2022
  • B&W,  Daily photo,  Gear,  People,  Seasons,  Summer,  Technique

    An attempt at DSLR-made film digitization

    January 14, 2023 /

    This is the first usable result of the attempt to DSLR-scan films. I tried several approaches, including the standard tripod holding the camera perpendicularly to a flat, LED-lighted surface. However, I finally went for a different solution: a horizontal rig with two moving plates, a micrometric head holding the film and three-axis and a panoramic head holding the camera.

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    Andrea Monti

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    A Pensive Nun

    December 14, 2016

    A Maserati GranTurismo

    July 15, 2023

    Run Like Hell, Pinocchio!

    February 24, 2015
  • Colour,  Daily photo,  Gear,  Winter

    Pixelmator Pro Debanding and Electronic Shutter

    December 24, 2022 /

    Pixelmator Pro Deband feature does not work on banding caused by the well known electronic shutter lag. The Deband feature has not been advertised as working also with ES-induced banding, so the fact that it can not handle it is not a bug. However, this limit seriously reduces the appeal of the new feature. I have flagged the issue to Pixelmator Pro Support: currently, they are out of work, but eventually, they should get back to me with some news. Good news, hopefully.

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    Andrea Monti

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    Slow Walk at Mulberry St.

    January 16, 2014

    Perfect Strangers

    April 5, 2014

    DSLR-like…?

    March 21, 2025
  • Colour,  Daily photo,  Docks,  Winter

    Ten Years Ago

    December 22, 2022 /

    Exactly ten years ago I started my career as a photograper.

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    Andrea Monti

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    An illuminated escape path will help you to reach the exits …

    November 10, 2013

    Ghosts

    October 19, 2016

    A Ryanair Aircraft

    August 21, 2018
  • Colour,  Daily photo,  Docks,  Winter

    Fisherman’s Fatigue

    December 19, 2022 /

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    Andrea Monti

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    The Empty Stage

    November 25, 2013

    Suspicious

    December 2, 2014

    Yet Another WDISF Post

    May 5, 2024
  • Artists,  Colour,  Daily photo,  People,  Winter

    Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara

    December 16, 2022 /

    This is the Daniele Silvestri’s Teatri 2022 coverage I did on behalf of Rockol.it using good old Nikons (a D610 with the Sigma 150-600 contemporary and a D750 with a Nikkor 24-120). As a matter of personal taste, I still like a reflex more than a mirrorless camera. The possibility offered by the latter to shoot in total silence with the Electronic Shutter is invaluable in specific contexts such as classical concerts or theatrical plays, nowthistanding the downfalls (banding and distorted images). However (and, once again, this is a matter of personal opinion), a reflex still allow a better connection with the environment at least thanks to the optical viewfinder.…

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    Andrea Monti

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    Two Beers, One Cigarette

    April 23, 2014

    A Lighthouse

    October 11, 2023

    Red Lock At Genova’s Dock Arsenal

    August 8, 2014
  • Actors,  Colour,  Daily photo,  People,  Winter

    Norina shouts at Don Pasquale

    December 12, 2022 /

    This picture is part of the reportage I did for Gaetano Donizetti’s Don Pasquale, featured on December 11, 2022, at Teatro Marrucino. It has been the chance to experiment a few tricks to avoid the banding effect caused by the LED pulse frequency and the sensor’s delay in EFC is used. I chose to go for time rather than aperture priority mode. I also set the shutter speed at 1/50, as suggested in many forums, and the trick worked. In some cases, banding was still present, but it was insignificant. I also tried to shoot in full manual (leaving only the focus in auto.) Some pictures ended up overexposed, and…

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    Andrea Monti

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    Three Lamposts

    June 11, 2022

    The Commuter

    July 24, 2017

    The Boared Bassman

    March 16, 2013
  • Bruxelles,  Colour,  Daily photo,  Fashion Shops,  Seasons,  Winter

    Cleaning the Tabernacle

    November 26, 2022 /

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    Andrea Monti

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    Silent Reader

    July 17, 2016

    The Businessman…

    February 9, 2013

    Life, the Universe and Everything

    July 28, 2013
  • Daily photo

    DxO Pure Raw empirical test

    November 22, 2022 /

    This photo is a ‘before-and-after’ merge of a picture I took during the premiere of Cavalleria Rusticana at Teatro Marrucino, processed with DxO’s Pure Raw. As an empirical test, it has no specific goal but to provide a real-life example of how the software works.Overall, the results are reasonably good; however software’s ‘heavy hand’ is apparent in the visibly smudged areas. Pure Raw can not work miracles, although it proved to be a valuable tool to rescue photos shot in poor light.

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    Andrea Monti

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    Addicted to (Nintendo) Switch

    July 6, 2017

    Arrested Behind the Door

    March 29, 2015

    Wet Socks

    July 19, 2014
  • Actors,  Colour,  Daily photo,  Winter

    Turiddu repeals Santuzza

    November 19, 2022 /

    This is a photo taken from the reportage I made for the Teatro Marrucino during the première of Cavalleria Rusticana by Pietro Mascagni. It captures the moment Turiddu (Piero Giuliacci) abandons Santuzza (Alessandra Di Giorgio), who —in turns— begs him in vain to change his mind. Image quality isn’t exceptional: unlike other cases, where the Fuji X-T3/Fujinon XF 16-80 pairing provided excellent results, this time it didn’t perform at its best, probably due to the choices on the scene lights.On the contrary, the composition is particularly successful.Turiddu is in the centre of the upper part of the picture. The railings of the staircase lead the eye towards him. Stantuzza’s dynamic…

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    Andrea Monti

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    Junk Food

    January 16, 2013

    A manual-focus atteimpt on a moving target

    July 26, 2013

    Giorgio Pasotti – Racconti disumani@Teatro Marrucino

    February 28, 2022
  • Actors,  Autumn,  Colour,  Daily photo,  People,  Reportage

    The Death of Cio-Cio san

    October 15, 2022 /

    The final scene of yesterday’s Madama Butterfly’s ‘Prima’ at Teatro Marrucino. For this reportage I used an X-T3 and a Fujinon XF 100-400 that did an excellent job.

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    Andrea Monti

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    Do Not Disturb the News Reader

    February 24, 2014

    @Rome Maker Faire – 5. Pensive

    October 18, 2014

    Italian Stardust

    April 6, 2015
  • Colour,  Daily photo,  Seasons,  Summer,  Track&Field

    A Step Ahead

    October 8, 2022 /

    Another photo from the Track & Field Mediterranean Championships – Pescara 2022 reportage featured on the website of Chieti-Pescara university’s Scienze Motorie degree. Also in this case the Sigma 150-600 Contemporary did not fail.

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    Andrea Monti

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    A Call

    December 16, 2014

    Hard SPAM

    April 1, 2013

    An Attentive Listener

    July 18, 2014
  • Autumn,  Colour,  Daily photo,  Rome,  Soccer,  Sport

    Stadio Olimpico, seen from Tribuna Monte Mario

    October 1, 2022 /

    The picture of Rome’s Stadio Olimpico has been shot from a very exclusive vantage point: Tribuna Monte Mario. Light conditions were so unmanageable that the only option to get an interesting photo was a heavy, borderline unrealistic post-production

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    Andrea Monti

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    EOS-M. Manual focus tips and results for Street-Photography and more

    August 9, 2013

    Ceci n’est pas un cadre

    December 29, 2013

    Portrait of a Master luthier

    October 26, 2013
  • Autumn,  Colour,  Daily photo,  Docks,  Helsinki

    A Vessel Moored on the Pier

    September 27, 2022 /

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    Andrea Monti

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    Soldering

    November 8, 2021

    二千円

    December 20, 2023

    5 Frames with a Praktica MTL5B, a Pentacon 50/1,8 and a Roll of Portra 400 (expired in 2011)

    June 20, 2024
  • Cities,  Colour,  Daily photo,  Helsinki,  Seasons,  Spring

    Cultural Variety

    September 24, 2022 /

    Helsinki is a place where culture matters. It is almost impossible having a taste that can not be satisfied.

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    Andrea Monti

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    Max Casacci – Live@Circolo Aternino, Pescara

    January 4, 2018

    The last flower

    May 20, 2013

    Never Trust the Autofocus (not only) in Street-Photography

    July 20, 2013
  • Autumn,  Beach&Shores,  Colour,  Daily photo

    The Compelling Power of Photography

    September 22, 2022 /

    This is a picture taken while a storm was coming. The wind was expected to blow at about 80 km-per-hour. It turned the sand into a myriad of micro-bullets, pricking all exposed body parts and filling the lungs. Nonetheless, a man took his chance, went to the shore and shot a picture with his smartphone. He is no professional, nor had a particular reason to do that. He just wanted to freeze a moment. This is the power of photography. p.s. Pentax K II and the DA* 50-135 2,8 went through the sandstorm brilliantly and survived without consequences.

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    Andrea Monti

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    Serva padrona @ Teatro Marrucino

    October 1, 2023

    Outside the Courthall

    April 15, 2015

    Another experiment, now with a Kodak Portra 400

    May 4, 2023
  • Autumn,  B&W,  Daily photo,  Visual

    Three Lamps

    September 19, 2022 /

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    Andrea Monti

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    An Unplausable Perspective

    May 6, 2014

    Mario Asks for it!

    April 9, 2014

    Rush Hours

    March 10, 2014
  • Autumn,  Beach&Shores,  Colour,  Daily photo,  Photography

    Not AI-made…

    September 17, 2022 /

    The colour rendition of a photo taken with a Pentax (camera and lens) is unique. Taste is personal, and so is this opinion. One thing, however, is sure: the pictorial look of this photography is not made by an ‘AI’.

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    Andrea Monti

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    Just Another Times Square View

    July 9, 2014

    One Coffee

    December 20, 2015

    Right before the gig

    September 14, 2018
  • B&W,  Daily photo,  Photography,  Thoughts

    Is AI-generated art actually killing ‘real’ Art?

    September 16, 2022 /

    This picture is how Dall-e 2 interpreted a prompt like Kodak Tri-X 400 black and white sketch in the style of Andy Warhol of a scientist facing a hajime sorayama-like cyborg in a 1940 mad scientist sci-fi lab. Does that mean that —as everybody and his cousin keep repeating— that AI killed Art(ists)? Not very. AI-generated imagery serves to specific purposes and whether is creation or not is utterly irrelevant.

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    Andrea Monti

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    Mid-Morning Break at Place Jourdan

    March 24, 2014

    One Shot Story: Behind the Fence

    January 3, 2025

    Last Puff Before the Ride

    December 26, 2015
  • Autumn,  Colour,  Daily photo,  People,  Sport,  Track&Field

    A Spanish Long Jumper

    September 11, 2022 /

    This is one of the photos from the reportage on the Track & Field Mediterranean Championships – Pescara 2022. The Sigma 150-600 Contemporary proved to be a good lens, sufficiently versatile and with effective stabilization. However, used with the 1.4 teleconverter and full extension, it does not allow for high-speed focusing. In some cases, the Nikon D610 failed to lock onto the subject. This makes the lens/teleconverter pair somewhat inconvenient in sports photography. At that focal length, it is probably worth using prefocus. If you do not want to give up automatism, you can try to anticipate the moment of focusing by framing something close to where the athlete should…

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    Andrea Monti

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    Shadow On The Wall

    August 30, 2015

    Pipes in Colour

    May 1, 2015

    The Last Barrell

    December 10, 2015
  • B&W,  Beach&Shores,  Daily photo,  People

    On Photography and Self-Delusion

    September 4, 2022 /

    Only travelling abroad gets exotic photos. No need to travel overseas to get unusual images. Shoot digital is the only way ‘to stay in the moment’. Going retro with film is the only way to stay ‘in the moment’. Get the latest gear you can find. No, use the cheapest stuff because photography is about the man, not the machine. Do not post process, do post process. Shoot colour; no shoot B&W. Use Midformat, no full-frame, no APS-C, no smartphone-size sensors… The list of advice coming from (self-professed) experts, journalists (most often, web content editors with no editorial clearance), and ‘seasoned’ (wannabe) photographers could grow forever.More often than not, these…

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    Andrea Monti

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    The Skeptical Listener

    May 26, 2014

    Beer or Spritz?

    November 1, 2019

    The Rise of the Mutant Spiders?

    November 4, 2013
  • Colour,  Daily photo,  Doors&Windows,  Gear,  Photography,  Thoughts

    The Mystique of Film

    August 24, 2022 /

    I have resisted for a long time before giving out my two cents about the neverending debate ‘film vs digital’. I gave up after the next self-delusion I read in a well-known ‘semi-pro’ (purposely not linked) online photography magazine. It featured the umpteenth column explaining how shooting film ‘gets the experience back’, going full-manual ‘forces you thinking’, having limited exposures ‘pushes you to become more selective’, and all the usual motives connected with the choice of travelling on a horse-powered chariot instead of using a regular car. There is no need to shoot film to experience all that. Set the camera on full manual, disable OIS and IBIS, use a…

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    Andrea Monti

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    A Little Of Thailand In Rome

    August 2, 2013

    Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino

    March 29, 2022

    Life, the Universe and Everything

    July 28, 2013
  • Artists,  B&W,  Daily photo,  People,  Summer

    Alessandro Valle – Live@Anfiteatro La Civitella

    August 11, 2022 /

    When I cover singers’ concerts, I make a point of not leaving band members behind. On their shoulders lies the burden of getting the show right. Without them, there is not much a singer could do unless he is gifted with a beautiful voice and proper technique. Still, they often come unnoticed. Kudos to these musicians who make the magic happens.

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    Andrea Monti

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    Servicing a Beretta 98FS

    October 13, 2019

    Interplay

    December 22, 2016

    Autumn Leaves

    September 8, 2014
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