Andrea Monti

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  • Bridges,  Colour,  Daily photo

    Lava Nails

    February 28, 2021 /

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    Andrea Monti

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    Red

    December 17, 2014

    Freeze!

    December 19, 2014

    Just In Case

    June 9, 2014
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    I-Ching

    October 27, 2015

    Wire Stylist

    January 31, 2015

    Chitchat under the rain

    March 10, 2013
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    Shin Pepper@Harajuku

    June 4, 2018

    Upcoming Call

    June 3, 2013

    Urgent Call

    May 15, 2017
  • Bridges,  Colour,  Daily photo,  Winter

    A droplet

    February 21, 2021 /

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    Andrea Monti

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    Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara

    December 16, 2022

    Ultras

    July 20, 2016

    Behind the Beer

    December 26, 2013
  • Colour,  Daily photo,  Gear,  Winter

    A Rudder

    February 19, 2021 /

    Pentax K-1/smc Pentax-A 135/2,8

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    Andrea Monti

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    Just Another Times Square View

    July 9, 2014

    Italian Track&Field Championship 2018 – The reportage

    September 12, 2018

    High Heels Ghost

    August 20, 2013
  • Colour,  Daily photo,  Visual,  Winter

    A Mesh

    February 16, 2021 /

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    Andrea Monti

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    Lunchtime

    February 18, 2013

    Lost Cellos

    August 30, 2014

    Street Of New York… possibly

    March 21, 2017
  • Colour,  Daily photo,  Fountains,  Visual,  Winter

    An Essay on Composition

    February 14, 2021 /

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    Andrea Monti

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    Seeking Directions

    March 18, 2013

    The Abused Balcony

    February 17, 2014

    Abstract

    May 9, 2023
  • Colour,  Daily photo,  Gear,  Summer,  Thoughts

    Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2

    February 9, 2021 /

    The left slice is taken with a Pentax K-1 and SMC-A 50/1,7, the centre with a Nikon D750 and a Nikkor 50/1,4, the right with a Fujifilm X-T3 and a Summicron 50/2. All the cameras were at their base ISO (100 for the Pentax and Nikon, 160 with the Fujifilm), at F2 and aperture priority. The K-1 and the X-T3 photos were shot in manual focus. Only the K-1 has IBIS stabilization. The jpg is taken in Affinity by slicing each OOC RAW file without post-processing.

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    Andrea Monti

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    An interesting reading

    May 13, 2013

    Fujifilm X-Pro 2: Does It Worth It? (Lost In Via Del Corso)

    January 16, 2016

    Hanging Clothes

    February 18, 2014
  • Colour,  Daily photo,  Winter

    A Lockheed C-130 Hercules

    January 31, 2021 /

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    Andrea Monti

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    Fujifilm X-T3 Video Cheat Sheet

    September 5, 2021

    The Taste Master

    March 2, 2014

    Galaxy S21 Ultra 5g. The difference between Marketing and Reality in Image Quality

    January 24, 2021
  • Colour,  Daily photo,  Kite Surf,  Seasons,  Sport,  Technique,  Winter

    Kite Surfer Under Duress

    January 29, 2021 /

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    Andrea Monti

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    Ready for lunch

    September 2, 2014

    The Seagull’s Rest

    December 18, 2013

    Slow Walk at Mulberry St.

    January 16, 2014
  • Artists,  Colour,  Daily photo,  Streets&Squares,  Winter

    Busker and Covid-19

    January 26, 2021 /

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    Andrea Monti

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    Shopping in Bruxelles

    December 20, 2013

    Late Night@Piazza San Babila

    March 9, 2022

    The Gas Station Attendant

    November 11, 2013
  • Colour,  Daily photo,  Gear,  Thoughts

    Galaxy S21 Ultra 5g. The difference between Marketing and Reality in Image Quality

    January 24, 2021 /

    To put it short, this is what you get by purchasing a Galaxy S21 Ultra 5g using the standard camera app: access to all four lenses is limited to jpg, 108megapixel resolution is limited to one lens (the one Samsung calls ‘wide’ or ‘1x’), RAW format is only availble in ‘PRO’ mode, limited to ‘ultrawide’ (0,6x) and ‘wide’ (1x), with no access to 108megpixel resolution. Samsung advertises the Galaxy S21 Ultra 5g by spinning its 108 megapixel camera. However, it does not make clear that the 108 megapixel resolution is not available in “PRO” mode, the only that records in raw. By contrast, this super resolution is available in normal…

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    Andrea Monti

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    Before The Match

    October 20, 2014

    The Curious Mushroom

    November 16, 2013

    A videographer…

    February 27, 2013
  • Colour,  Daily photo,  Photography

    A Fix for the Wikipedia Photos’ Copyright Scams?

    December 19, 2020 /

    As reported by Petapixel, a new form of copyright (better, ‘moral rights of author) scam hits photographer: the credit stealing on Wikipedia. In a nutshell, as everything on Wikipedia is editable, somebody started changing the photos’ ownership information from the original author to somebody else who, as Petapixel writes, get a series of ‘benefit’. As bad as it sounds, copyright protection on the Internet is a lost battle for an individual. Some services like Unsplash “turned the problem into an opportunity”. However it did not solve the issue in general terms. I’m seriously considering if just going back to a print-only sharing is a better way to handle pictures’ copyright,…

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    Andrea Monti

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    A moment of break…

    February 22, 2013

    Path of Life

    May 17, 2017

    Early Morning’s Cleanup

    July 21, 2013
  • Actors,  B&W,  Daily photo,  Gear,  PhotoCritics,  Portraits,  Technique,  Winter

    Easy To Shoot?

    December 12, 2020 /

    This picture might look “ordinary” but for the fact that I shot it with a rangefinder film camera (guess which?) during the scene change between to acts of a theatre play. Scene assistants were placing the furnitures, actors were trying to focus on their parts, there was no time (and place) to design a proper composition and set the camera. No autofocus, no real-time exposure and white-balance setting. Maybe I have been lucky capturing the match flame close to the cigar, maybe it was because of “muscle memory”, but I did it nonetheless. Problem is that I could not be sure if I succeeded until, one week later, I saw…

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    Andrea Monti

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    Giorgio Pasotti – Racconti disumani@Teatro Marrucino

    February 28, 2022

    Shooting Historical European Martial Arts (HEMA)-like Events

    August 15, 2024

    @Rome Maker Faire – 5. Pensive

    October 18, 2014
  • Bookstores,  Colour,  Daily photo,  Tokyo

    Tsutaya Bookstore@Ginza

    December 6, 2020 /

    This is a photo I took insude the Tsutaya bookstore in Tokyo. When faced with something like this, Amazon can’t win because no remote purchase can replace the experience of spending time in such a place (and the photo doesn’t do justice to the context, by the way).

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    Andrea Monti

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    5 frames with a Canon R6 Mk II and its RF 50/1,2 L USM

    September 28, 2024

    The Spanish Sense of Flesh – 1

    June 26, 2014

    @ Mediterranean Beach Games 2015 – Italian Beach Volley Team – Marco Caminati, Enzo Rossi

    October 29, 2015
  • Bookstores,  Colour,  Daily photo,  Kyoto,  Summer

    Dai Shodo@Kyoto

    December 2, 2020 /

    Kyoto ‘s Teramachi-dori is full of suprises. Amidst shops of the most different kind and attire, booklovers can find this small gem.

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    Andrea Monti

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    EOS-M. An act of fairness

    July 24, 2013

    Beach in black

    January 5, 2013

    Early Leave at Bruxelles-Midi

    March 23, 2014
  • Actors,  Artists,  Colour,  Daily photo,  Reportage,  Winter

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020 /

    A shot from the mise en scene of the Il Barbiere di Siviglia I did as a scene-photgrapher for the Teatro Marrucino

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    Andrea Monti

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    StreetPizza@Ueno

    August 4, 2018

    Street Compass Rose

    September 25, 2013

    Waiting for (Supreme) Justice

    February 14, 2017
  • Colour,  Daily photo,  Docks,  Exhibitions

    Inside the Nazario Sauro

    November 26, 2020 /

    An important piece of history of the Italian Navy, at the anchor in the Port of Genova.

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    Andrea Monti

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    Inside an Old Gym

    February 16, 2015

    The Arson

    February 21, 2014

    Room 17

    March 27, 2015
  • Colour,  Daily photo,  Marketing,  Nagoya,  Reportage,  Travels

    Nagoya’s reportage featured in The Good Life

    October 29, 2020 /

    The Good Life‘s October issue features my photoreportage of Nagoya.

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    Andrea Monti

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    Portrait of a politician – 1

    October 25, 2013

    A Relaxed Call

    February 12, 2014

    Modern Times

    January 6, 2013
  • Daily photo,  Gear

    Fuji X-T2 records audio at 16bit/48Khz

    October 11, 2020 /

    Neither the user manual, nor the Youtube ‘experts’ tell this open secret: the X-T2 samples audio at 16bit. Although the sample rate is 48khz (a standard in video production) 16bit may not be enough to record (a minimum) professional grade audio. This is not a big deal for the rest of the humans, but If you want to ‘go pro’ or need to unleash your Gear Addiction Syndrome be advised that to have 24bit/48Khz audio you must switch to the X-T3.

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    Andrea Monti

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    Inside the Garrison

    May 14, 2014

    Late Afternoon Workers

    December 23, 2013

    DxO Pure Raw empirical test

    November 22, 2022
  • Colour,  Daily photo,  Doors&Windows,  Past&Relics,  Summer

    The Answer is On the Wall

    August 28, 2020 /

    A tribute to The Hitchkiker Guide to the Galaxy.

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    ContentEditor

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    Shooting Historical European Martial Arts (HEMA)-like Events

    August 15, 2024

    A Couple of Windows

    January 5, 2018

    Workbench

    February 22, 2015
  • Actors,  Colour,  Daily photo,  People,  PhotoCritics

    Meaning in Photography

    March 4, 2020 /

    In this picture, taken during the reportage I did for the Teatro Marrucino’s I Miserabili, an old and exhausted fighter rests while a young citoyen waves the French flag defying the fire of the royalists. The strength of the picture is in the dialectics created by the two protagonists, hinting at a “relay” between an old man that “gave all”, resting while a young man steps in.

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    Andrea Monti

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    The missing guest

    April 19, 2013

    The Answer is On the Wall

    August 28, 2020

    Stantsted Lounge’s Chairs

    December 31, 2013
  • Colour,  Daily photo,  People,  PhotoCritics,  Reportage,  Winter

    Denegata Justitia

    March 2, 2020 /

    Sometimes a picture acquires a meaning that goes beyond the original intent of the photographer. In this case, taken from a reportage I did for Victor Hugo’s Les Miserables featured at Teatro Marrrucino, in Chieti, the photography becomes the archetype of the denegata Justitia. The defendant asks to speak, the justice stares elsewhere.

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    Andrea Monti

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    A Lockheed C-130 Hercules

    January 31, 2021

    Friendship is Forever

    March 6, 2014

    Interior Design at Aurum

    May 26, 2013
  • Colour,  Daily photo,  People,  PhotoCritics,  Technique,  Winter

    Breaking the Fourth Wall

    February 17, 2020 /

    Shooting a play is challenging because you must be ready to seize ‘the moment’ and, at the very same time, think of unusual compositions to avoid the boring ‘frontal’ perspective. Shooting part of the reportage from the backstage of Hamlet, with Giorgio Pasotti and Mariangela D’Abbraccio directed by Francesco Tavassi I had the possibility to experiment the breaking of the fourth wall. This picture is one of the results.

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    Andrea Monti

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    Trick or Treat?

    June 14, 2013

    Late Afternoon Shopping

    March 1, 2014

    Glancing Books

    November 12, 2015
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