-
Taking-Off
This is a test for the Viltrox AF 56/1,4 XF’s autofocus. The pidgeon took-off suddenly and I just had to point and shoot. The lens behave fairly.
-
A Fountain’s Jet
I took this shot with a Viltrox AF 56/1,4 XF at full aperture. The focus reacted swiftly, and the colours’ rendition is pretty accurate. There is minimal colour fringing. However, it is more likely caused by air bubbles rather than by the lens itself. Like its bigger sibling, the AF 85/1,8 XF, this lens is excellent.
-
A Street-Skater
-
Open Interior
-
Splinter
-
Drying Clothes
-
The Last Journey
-
Lava Nails
-
A Skater
Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.
-
A droplet
You May Also Like
The Soul Of Politics
When Colour Helps Composition
Skating on the streets of Milan
-
An Essay on Composition
-
Busker and Covid-19
-
Inside the Nazario Sauro
An important piece of history of the Italian Navy, at the anchor in the Port of Genova.
-
The Answer is On the Wall
A tribute to The Hitchkiker Guide to the Galaxy.
-
A Virtual Glance Dance
The essence of this photo is all in the glances of the protagonists. The man looks at the woman, the woman looks at the luxury car. The essence of this photo is all in the glances of the protagonists. The man looks at the woman, and the woman looks at the luxury car. It is this subtle game of glances that tells a story and turns the photography from a casual picture into something worth seeing. Once again, it is not relevant whether the people portrayed are actually involved in the “glance dance”, as what matters is the image to convey the meaning created by the overall result. This confirms…
-
Light as Meaning Shifter
The original idea behind this picture was to match the emptiness of the shop with the facelessness of the mannequin posing as a store clerk, to convey a general feeling of depersonalization. Unfortunately, the big lightblot represented by the poster close to the mannequin catches the observer’s attention and reduce the effectiveness of the composition. Instead of connecting the mannequin with the internal part of the store thus making sense of the whole picture, the eye just “sees” an ad poster.
-
Beer or Spritz?
-
Comarketing
-
What’s the Time?
-
Garbage as usual@Pantheon’s nearby
-
Another Bridge
-
A Bridge
-
Old Rolls, Immortal Style
-
Who Is The Machine?
