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Andrea Monti

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  • Colour,  Daily photo,  Docks,  Rome,  Summer

    5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160

    July 11, 2024 /

    Tevere, the river that divides Rome in two, is one of my favourite places. No matter how much chaos there is in the ‘high places’: walking along the banks of the river puts you in another dimension, where time has no meaning and the pace slows down – Initially published on 35mmc.com Anchored boats stand still, in stark contrast to the fast-moving streets, crowded with cars, bicycles, pedestrians and tourists who have returned in droves once the pandemic is over. This is obviously a mirror image, but it looks as if it has been projected onto a digital screen. And here is what was mirrored: There are a lot of…

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    Andrea Monti

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    Waiting for the goal

    April 28, 2013

    Mind Your Way!

    May 28, 2013

    The Soul Of Politics

    July 17, 2014
  • Daily Video,  Docks

    The Expired Film Series – Episode 6 – Kodak Portra 400 – November 2016 shot in Sept. 2023

    June 5, 2024 /

    This is the sixth episode in a series documenting the use of expired film in various contexts. Episode 6 features a Kodak Portra 400 shot with a Nikon F4 and a Nikkor 105 F2 defocus at the dock of Pescara. The film was not overexposed, was processed with Affinity Photo 2.

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    Andrea Monti

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    Another Bridge

    September 23, 2019

    Zebra Crossing in Oslo… With Red Light

    October 12, 2014

    Waiting To Board

    February 4, 2013
  • Autumn,  Daily Video,  Docks

    The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023

    May 8, 2024 /

    This is the fifth episode in a series documenting the use of expired film in various contexts. Episode 5 features a Kodak Tri-x 400 shot with a Yashica Zoomate 105 at the Marina di Pescara. The film was not overexposed, was processed with Darktable’s Negadoctor module and finalised with Pixelmator Pro. The results are not, by far, definitive.

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    Andrea Monti

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    Just In Case

    June 9, 2014

    Drying Clothes

    March 9, 2021

    Street Crossing

    September 17, 2014
  • Autumn,  Colour,  Daily photo,  Docks

    Red Beam

    October 24, 2023 /

    Night photography has always been an exercise in restraint and patience. The camera sees differently than the human eye after dark — more unforgiving, more literal. This frame, taken with a Fuji X-T4 paired with the Viltrox XF 85/1.8, is my attempt to balance that literalness with the suggestion of stillness. The subject is minimal: a breakwater crowned by a small red beacon, its reflection trembling down the harbour water. Compositionally, it’s brutally simple — the light dead-centre, symmetry imposed on a chaotic environment. There’s an honesty to the stark framing; nothing distracts from the red flare and its molten trail on the surface. Technically, the exposure was a delicate…

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    Andrea Monti

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    Walking at Night, in Milan

    September 30, 2013

    Garbage Collection

    August 26, 2013

    Waiting for a Future to Tell

    April 18, 2013
  • Colour,  Daily photo,  Docks

    A Lighthouse

    October 11, 2023 /

    Another example of how the Viltrox XF 56/1.4 performs in very low light.To be honest, the Fuji X-T4’s X-Trans sensor played its part.

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    Andrea Monti

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    The Scooter

    March 1, 2013

    A Skull

    August 18, 2015

    Bulbs

    January 12, 2015
  • Autumn,  Colour,  Daily photo,  Docks

    Modern Moai?

    October 10, 2023 /

    Still pushing the Viltrox AF 56/1,4 XF on a Fuji X-T4.The limit has not been reached just yet.

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    Andrea Monti

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    After Heat, Structure

    November 12, 2021

    On Detachment. Or ‘If You Love Something, Set It Free’ (cit. Sting)

    June 17, 2025

    Even

    July 9, 2016
  • Autumn,  Colour,  Daily photo,  Docks

    Sailing Home

    October 4, 2023 /

    The quality of the Viltrox 56 1/4 XF never ceases to amaze me.This image was taken with an X-T4 at ISO1600, so the quality of the sensor plays a significant role in the overall result. However, as the lens is not supported in Affinity Photo 2, the image is wysiwyg in the sense that no profile-based corrections have been applied.

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    Andrea Monti

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    Did You Forget Something?

    October 3, 2016

    Reminiscenses From The Past

    September 7, 2013

    @ Mediterranean Beach Games 2015 – Beach Wrestlers

    October 21, 2015
  • B&W,  Boston,  Buildings,  Daily photo,  Docks,  Downtown,  Parks,  Streets&Squares,  Summer,  Travels

    From Waltham to Boston

    August 4, 2023 /

    ‘From Waltham to Boston’, an offshoot of a bigger project on documenting Boston’s pulse, is now available on Amazon as a Kindle e-book.

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    Andrea Monti

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    A Couple of Windows

    January 5, 2018

    Safe Living (?)

    July 28, 2016

    The three musket(b)eer

    May 11, 2013
  • Colour,  Daily photo,  Daily Video,  Docks,  Photography,  Winter

    Editing a photo taken with a Carl Zeiss Jena 135/4 Sonnar and a Fuji X-T3

    February 8, 2023 /

    A vintage Carl Zeiss Jena 135/4 Sonnar whose RF mount has been replaced with a Fuji X mount by Adriano Lolli (https://www.adrianololli.com).Coupled with a Fuji X-T3, it delivers pleasant results. Post production is highly subjective, so the final outcome might no be ‘acceptable’ to some taste. Still, the lens is very good.

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    Andrea Monti

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    Alive Or Not?

    February 16, 2013

    A Lost Towel

    July 3, 2013

    @Rome Maker Faire – 1

    October 9, 2014
  • Colour,  Daily photo,  Docks,  Winter

    The Silent Geometry of a Trabocco

    December 22, 2022 /

    This image came out of a walk I almost didn’t take. The light was beginning to fall into that uncertain hour, not quite golden but leaning into it, with a softness that flatters without deceiving. I was drawn to the trabocco — that wooden skeleton of fishing history jutting into the Adriatic like a forgotten broadcast antenna. Technically, the image lives and breathes in its lines. Everything points outward — cables, poles, railings — a quiet explosion of geometry pushing against the calmness of the sea. The house, slightly off-centre, serves as a visual anchor, balancing the thrust of the lines while allowing the scene to feel alive, not over-symmetrical.…

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    Andrea Monti

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    Just a Soccer Field… Part 1

    February 3, 2014

    Room 17 – VIXI

    March 27, 2015

    Inside a Lost Building

    February 16, 2014
  • Colour,  Daily photo,  Docks,  Winter

    Fisherman’s Fatigues

    December 19, 2022 /

    I shot this one late in the day, when the light had softened just enough to graze the worn textures without flattening them. The fatigue in the title isn’t poetic—these clothes, half-limp, half-hardened with salt and use, are the remnants of someone’s labour, someone likely still out at sea. I didn’t stage anything. These were just there, draped across makeshift wooden trestles, drying under the weight of their own exhaustion. What makes this image work technically, for me, is the tension between stillness and implication. Nothing moves in the frame, yet everything speaks of motion just ceased—pulling ropes, lifting crates, hours on a rolling deck. The shallow depth of field,…

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    Andrea Monti

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    Too Busy to Enjoy the Life…

    April 12, 2014

    Stairway to nothing

    September 18, 2013

    A Grocery Store in Rome

    November 5, 2014
  • Autumn,  Colour,  Daily photo,  Docks,  Helsinki

    A Vessel Moored on the Pier

    September 27, 2022 /

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    Andrea Monti

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    Dress Different

    March 15, 2015

    Staged?

    February 16, 2016

    Elishéva live@Faneuil Hall

    July 8, 2023
  • Colour,  Daily photo,  Docks,  Spring

    A Gull, Posing

    June 17, 2022 /

    A gull sits perched on a bollard by the water, its body angled just enough to suggest awareness of being seen. The rust-stained base, heavy and industrial, contrasts sharply with the lightness of the bird resting on top. It is a moment where function and chance converge, turning a docking post into a stage. Composition is centred and deliberate. The bollard fills the frame vertically, anchoring the image, while the gull becomes both subject and ornament. The blurred surface of the water behind isolates the scene, stripping away distraction so the viewer confronts the simple pairing of steel and feathers. Technically, exposure is well handled. The whites of the gull’s…

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    Andrea Monti

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    Faces in the Façade: A Ghostly Smile in Stone

    November 15, 2014

    Tour Saint-Jacques, Standby

    March 27, 2014

    Art Auction at Piazza Navona

    February 6, 2016
  • B&W,  Daily photo,  Docks,  Seasons,  Spring

    Three Sprouts

    May 22, 2022 /

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    Andrea Monti

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    A Gull, Posing

    June 17, 2022

    Underground Security RA(T)P

    June 5, 2015

    Hands of a Steward

    November 22, 2019
  • B&W,  Daily photo,  Docks

    Game Over

    April 15, 2022 /

    Photographs like Game Over remind me that sometimes the most direct visual statements are also the most loaded. Here, a simple, hastily spray-painted message on a makeshift surface is transformed into something more imposing by lens choice and framing. Shot on a Nikon F3 with a Nikkor 16mm fisheye, the image carries the unmistakable spatial distortion of that ultra-wide glass. The curvature of the edges pushes the wall and banner into a bowed shape, making the words bulge towards the viewer. It’s a subtle but effective way of amplifying the sense of confrontation—as though the message is leaning into us, impossible to ignore. Technically, the black-and-white treatment strips away distraction…

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    Andrea Monti

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    The Double Helix

    October 13, 2013

    Photopanning in Rome

    December 3, 2019

    Kite Surfing, Again

    February 19, 2017
  • Colour,  Daily photo,  Docks,  People,  Winter

    So Long, and Thank You for the Fish

    January 26, 2022 /

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    Andrea Monti

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    @ Mediterranean Beach Games 2015 – Italian Beach Volley Team – Marco Caminati (and a primer on sport photography, part 6)

    October 13, 2015

    5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160

    July 11, 2024

    A Dangerous Alley

    May 25, 2013
  • Colour,  Daily photo,  Docks,  People

    Soldering

    November 8, 2021 /

    Read More
    Andrea Monti

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    Don’t They Drink Tea, Instead?

    December 27, 2016

    The Drying Machine

    November 30, 2014

    An Antique Shop in via Cadorna

    December 10, 2023
  • Colour,  Daily photo,  Docks,  Winter

    Black Cat

    October 31, 2021 /

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    Andrea Monti

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    A moment of break…

    February 22, 2013

    Hanging

    January 19, 2015

    A Vessel

    December 18, 2015
  • Colour,  Daily photo,  Docks,  Summer

    Boats

    September 18, 2021 /

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    Andrea Monti

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    Thirthy years behind…

    April 6, 2013

    EOS-M. An Act of Fairness

    July 24, 2013

    Vinyl Never Dies

    September 2, 2013
  • Colour,  Daily photo,  Docks,  Garbage,  Winter

    Toxic Waste in Open Air

    August 31, 2021 /

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    Andrea Monti

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    Reasonable Privacy Expectation

    April 17, 2014

    A (Soon) Lost Banner

    November 1, 2018

    An Old Lady in Great Shape

    September 23, 2014
  • Colour,  Daily photo,  Docks,  Winter

    Fixing the ship

    August 18, 2021 /

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    Andrea Monti

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    London Swash

    September 3, 2014

    A creative approach to zone focusing with superfast manual lenses and mirrorless cameras in street photography

    September 28, 2024

    On Air

    July 22, 2014
  • Colour,  Daily photo,  Docks,  People,  Skating,  Winter

    A Street-Skater

    March 17, 2021 /

    I came across him by the harbour on a day when the wind carried the smell of salt and diesel from the moored fishing boats. He wasn’t performing for an audience—just skating alone, immersed in his own rhythm. His movements were sharp but fluid, somewhere between dance and martial art. I wanted to capture that moment when the body leans into balance, teetering on the edge of a fall but never crossing it. The setting presented an immediate visual contrast: the fluidity of his posture against the static, almost heavy backdrop of the docked ships. I framed him to the left, letting the background breathe, so that the masts, ropes,…

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    Andrea Monti

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    The Photo I Didn’t Shoot

    June 8, 2013

    Chitchat under the rain

    March 10, 2013

    Too Late

    April 10, 2015
  • Colour,  Daily photo,  Docks,  Exhibitions

    Inside the Nazario Sauro

    November 26, 2020 /

    An important piece of history of the Italian Navy, at the anchor in the Port of Genova.

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    Andrea Monti

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    Square One

    June 17, 2014

    A few test shots with an MC Cosinon T200/4

    January 14, 2024

    All Mobiles But One Book

    June 24, 2017
  • Colour,  Daily photo,  Docks,  Hamburg,  Spring,  Visual

    Pop Art Meets Industrial Hamburg

    April 24, 2018 /

    I shot this industrial skyline in Hamburg, initially as a stark monochrome—smoke billowing against a winter sun, the city bathed in a haze of latent threat. But the image called for more. So I bent it, digitally, into a quartet: one frame fractured into four, each processed through a brutalist lens of colour theory—red, green, cyan, monochrome. A nod to Warhol, sure. But also to those old weather warnings on analogue TVs, when the signal bent reality and your retina paid the price. Technically, the base image holds. The stack of buildings anchors the composition in rigid geometry—angular, postmodern, the kind of skyline that doesn’t beg for admiration but demands…

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    Andrea Monti

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    Phone Call – 2

    February 20, 2015

    Have fun…

    July 12, 2013

    Autumn Leaves

    September 8, 2014
1234

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