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Andrea Monti

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  • Colour,  Daily photo,  Docks,  Rome,  Summer

    5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160

    July 11, 2024 /

    Tevere, the river that divides Rome in two, is one of my favourite places. No matter how much chaos there is in the ‘high places’: walking along the banks of the river puts you in another dimension, where time has no meaning and the pace slows down – Initially published on 35mmc.com Anchored boats stand still, in stark contrast to the fast-moving streets, crowded with cars, bicycles, pedestrians and tourists who have returned in droves once the pandemic is over. This is obviously a mirror image, but it looks as if it has been projected onto a digital screen. And here is what was mirrored: There are a lot of…

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    Andrea Monti

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    5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

    March 19, 2025

    The Choir Master

    December 24, 2016

    Galaxy S21 Ultra 5g. The difference between Marketing and Reality in Image Quality

    January 24, 2021
  • Daily Video,  Docks

    The Expired Film Series – Episode 6 – Kodak Portra 400 – November 2016 shot in Sept. 2023

    June 5, 2024 /

    This is the sixth episode in a series documenting the use of expired film in various contexts. Episode 6 features a Kodak Portra 400 shot with a Nikon F4 and a Nikkor 105 F2 defocus at the dock of Pescara. The film was not overexposed, was processed with Affinity Photo 2.

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    Andrea Monti

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    Italian Stardust

    April 6, 2015

    Milan

    March 19, 2015

    A Few Shots with the 7Artisans 35mm f/0.95 in X-Mount

    October 24, 2024
  • Autumn,  Daily Video,  Docks

    The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023

    May 8, 2024 /

    This is the fifth episode in a series documenting the use of expired film in various contexts. Episode 5 features a Kodak Tri-x 400 shot with a Yashica Zoomate 105 at the Marina di Pescara. The film was not overexposed, was processed with Darktable’s Negadoctor module and finalised with Pixelmator Pro. The results are not, by far, definitive.

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    Andrea Monti

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    Street-Photographer’s eye side effect

    April 8, 2014

    Restaurant or Hellgate?

    June 21, 2013

    A Puff of Smoke

    August 29, 2013
  • Autumn,  Colour,  Daily photo,  Docks

    Red Beam

    October 24, 2023 /

    Night photography has always been an exercise in restraint and patience. The camera sees differently than the human eye after dark — more unforgiving, more literal. This frame, taken with a Fuji X-T4 paired with the Viltrox XF 85/1.8, is my attempt to balance that literalness with the suggestion of stillness. The subject is minimal: a breakwater crowned by a small red beacon, its reflection trembling down the harbour water. Compositionally, it’s brutally simple — the light dead-centre, symmetry imposed on a chaotic environment. There’s an honesty to the stark framing; nothing distracts from the red flare and its molten trail on the surface. Technically, the exposure was a delicate…

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    Andrea Monti

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    Late Night@Piazza San Babila

    March 9, 2022

    Portrait of a Judo Master

    November 14, 2013

    Skating at Palais de Tokyo

    June 11, 2015
  • Colour,  Daily photo,  Docks

    A Lighthouse

    October 11, 2023 /

    Another example of how the Viltrox XF 56/1.4 performs in very low light.To be honest, the Fuji X-T4’s X-Trans sensor played its part.

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    Andrea Monti

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    A Street Dancer In Sakae

    August 9, 2019

    A true friend

    March 29, 2013

    Inside The Palace of Power

    September 17, 2015
  • Autumn,  Colour,  Daily photo,  Docks

    Modern Moai?

    October 10, 2023 /

    Still pushing the Viltrox AF 56/1,4 XF on a Fuji X-T4.The limit has not been reached just yet.

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    Andrea Monti

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    A Lamppost

    November 26, 2014

    Waiting for the hearing

    February 19, 2013

    A Spanish Long Jumper

    September 11, 2022
  • Autumn,  Colour,  Daily photo,  Docks

    Sailing Home

    October 4, 2023 /

    The quality of the Viltrox 56 1/4 XF never ceases to amaze me.This image was taken with an X-T4 at ISO1600, so the quality of the sensor plays a significant role in the overall result. However, as the lens is not supported in Affinity Photo 2, the image is wysiwyg in the sense that no profile-based corrections have been applied.

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    Andrea Monti

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    Shooting an Outdoor Volleyball Match

    June 19, 2025

    Splinter

    March 13, 2021

    Same Seats, Different Lifes

    April 14, 2014
  • B&W,  Boston,  Buildings,  Daily photo,  Docks,  Downtown,  Parks,  Streets&Squares,  Summer,  Travels

    From Waltham to Boston

    August 4, 2023 /

    ‘From Waltham to Boston’, an offshoot of a bigger project on documenting Boston’s pulse, is now available on Amazon as a Kindle e-book.

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    Andrea Monti

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    Quality Check. Try Before You Buy

    April 10, 2014

    Addicted to (Nintendo) Switch

    July 6, 2017

    An Attentive Listener

    July 18, 2014
  • Colour,  Daily photo,  Daily Video,  Docks,  Photography,  Winter

    Editing a photo taken with a Carl Zeiss Jena 135/4 Sonnar and a Fuji X-T3

    February 8, 2023 /

    A vintage Carl Zeiss Jena 135/4 Sonnar whose RF mount has been replaced with a Fuji X mount by Adriano Lolli (https://www.adrianololli.com).Coupled with a Fuji X-T3, it delivers pleasant results. Post production is highly subjective, so the final outcome might no be ‘acceptable’ to some taste. Still, the lens is very good.

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    Andrea Monti

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    Lightspeed

    August 6, 2015

    On Photography and Self-Delusion

    September 4, 2022

    The Way Out

    October 20, 2013
  • Colour,  Daily photo,  Docks,  Winter

    The Silent Geometry of a Trabocco

    December 22, 2022 /

    This image came out of a walk I almost didn’t take. The light was beginning to fall into that uncertain hour, not quite golden but leaning into it, with a softness that flatters without deceiving. I was drawn to the trabocco — that wooden skeleton of fishing history jutting into the Adriatic like a forgotten broadcast antenna. Technically, the image lives and breathes in its lines. Everything points outward — cables, poles, railings — a quiet explosion of geometry pushing against the calmness of the sea. The house, slightly off-centre, serves as a visual anchor, balancing the thrust of the lines while allowing the scene to feel alive, not over-symmetrical.…

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    Andrea Monti

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    A Winter Outdoor Chat

    December 17, 2013

    Duel Inside The Cage

    November 20, 2014

    Kristina Miller live@Teatro Marrucino

    February 21, 2022
  • Colour,  Daily photo,  Docks,  Winter

    Fisherman’s Fatigues

    December 19, 2022 /

    I shot this one late in the day, when the light had softened just enough to graze the worn textures without flattening them. The fatigue in the title isn’t poetic—these clothes, half-limp, half-hardened with salt and use, are the remnants of someone’s labour, someone likely still out at sea. I didn’t stage anything. These were just there, draped across makeshift wooden trestles, drying under the weight of their own exhaustion. What makes this image work technically, for me, is the tension between stillness and implication. Nothing moves in the frame, yet everything speaks of motion just ceased—pulling ropes, lifting crates, hours on a rolling deck. The shallow depth of field,…

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    Andrea Monti

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    Desolation

    May 13, 2015

    Just A Cat

    June 29, 2014

    Portrait of The Alfa Romeo Guru

    September 25, 2014
  • Autumn,  Colour,  Daily photo,  Docks,  Helsinki

    A Vessel Moored on the Pier

    September 27, 2022 /

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    Andrea Monti

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    My camera’s early test shots

    December 20, 2012

    Forgotten Bike In A Forgotten House

    April 3, 2013

    The Naughty Customer’s Place

    September 28, 2013
  • Colour,  Daily photo,  Docks,  Spring

    A Gull, Posing

    June 17, 2022 /

    A gull sits perched on a bollard by the water, its body angled just enough to suggest awareness of being seen. The rust-stained base, heavy and industrial, contrasts sharply with the lightness of the bird resting on top. It is a moment where function and chance converge, turning a docking post into a stage. Composition is centred and deliberate. The bollard fills the frame vertically, anchoring the image, while the gull becomes both subject and ornament. The blurred surface of the water behind isolates the scene, stripping away distraction so the viewer confronts the simple pairing of steel and feathers. Technically, exposure is well handled. The whites of the gull’s…

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    Andrea Monti

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    School of Mathematics@Sapienza University of Rome

    November 10, 2018

    Some odd outcomes from a photo recovering attempt using an AI

    July 13, 2025

    Los Niños y El Tocaor

    October 30, 2017
  • B&W,  Daily photo,  Docks,  Seasons,  Spring

    Three Sprouts

    May 22, 2022 /

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    Andrea Monti

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    Much Too Short a Ladder

    October 17, 2013

    Should I Buy It? (Best Taken With an 85mm)

    January 23, 2016

    Hanging

    January 19, 2015
  • B&W,  Daily photo,  Docks

    Game Over

    April 15, 2022 /

    Photographs like Game Over remind me that sometimes the most direct visual statements are also the most loaded. Here, a simple, hastily spray-painted message on a makeshift surface is transformed into something more imposing by lens choice and framing. Shot on a Nikon F3 with a Nikkor 16mm fisheye, the image carries the unmistakable spatial distortion of that ultra-wide glass. The curvature of the edges pushes the wall and banner into a bowed shape, making the words bulge towards the viewer. It’s a subtle but effective way of amplifying the sense of confrontation—as though the message is leaning into us, impossible to ignore. Technically, the black-and-white treatment strips away distraction…

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    Andrea Monti

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    Get Ready, Set, Go

    February 2, 2022

    Garbage Collection

    August 26, 2013

    Fishing Shelter Under The Bridge

    September 4, 2014
  • Colour,  Daily photo,  Docks,  People,  Winter

    So Long, and Thank You for the Fish

    January 26, 2022 /

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    Andrea Monti

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    Kudos to Ricoh

    February 8, 2013

    A Step Ahead

    October 8, 2022

    The Silent Ceremony

    November 2, 2017
  • Colour,  Daily photo,  Docks,  People

    Soldering

    November 8, 2021 /

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    Andrea Monti

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    A Fujifilm X-E1 Annoyance

    April 15, 2014

    The Ferrania Film Series – Episode 1 – Ferrania Orto shot on October/November 2023

    August 7, 2024

    Just a Soccer Field… Part 1

    February 3, 2014
  • Colour,  Daily photo,  Docks,  Winter

    Black Cat

    October 31, 2021 /

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    Andrea Monti

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    An Early Morning Fishing Expedition

    July 29, 2014

    Fixing the ship

    August 18, 2021

    Not AI-made…

    September 17, 2022
  • Colour,  Daily photo,  Docks,  Summer

    Boats

    September 18, 2021 /

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    Andrea Monti

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    Protected: Prova Aurum

    April 25, 2014

    Small Talk

    February 10, 2014

    The Financial Times at Night

    October 1, 2016
  • Colour,  Daily photo,  Docks,  Garbage,  Winter

    Toxic Waste in Open Air

    August 31, 2021 /

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    Andrea Monti

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    Who Said That Music Is Relaxing?

    August 14, 2013

    Square Two

    June 18, 2014

    Much Too Short a Ladder

    October 17, 2013
  • Colour,  Daily photo,  Docks,  Winter

    Fixing the ship

    August 18, 2021 /

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    Andrea Monti

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    Ninja-Turtles?

    April 30, 2014

    A Single(‘s) Call

    September 24, 2016

    Nagasaki Biker

    February 13, 2024
  • Colour,  Daily photo,  Docks,  People,  Skating,  Winter

    A Street-Skater

    March 17, 2021 /

    I came across him by the harbour on a day when the wind carried the smell of salt and diesel from the moored fishing boats. He wasn’t performing for an audience—just skating alone, immersed in his own rhythm. His movements were sharp but fluid, somewhere between dance and martial art. I wanted to capture that moment when the body leans into balance, teetering on the edge of a fall but never crossing it. The setting presented an immediate visual contrast: the fluidity of his posture against the static, almost heavy backdrop of the docked ships. I framed him to the left, letting the background breathe, so that the masts, ropes,…

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    Andrea Monti

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    The Worst Moment to Fix a Shoe’s Problem

    April 14, 2013

    The Ubiquitous Mobile

    July 14, 2016

    Three Lamps

    September 19, 2022
  • Colour,  Daily photo,  Docks,  Exhibitions

    Inside the Nazario Sauro

    November 26, 2020 /

    An important piece of history of the Italian Navy, at the anchor in the Port of Genova.

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    Andrea Monti

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    Urban Desolation

    September 18, 2014

    Gotcha!

    August 16, 2013

    Not A Photography Anymore

    September 22, 2014
  • Colour,  Daily photo,  Docks,  Hamburg,  Spring,  Visual

    Pop Art Meets Industrial Hamburg

    April 24, 2018 /

    I shot this industrial skyline in Hamburg, initially as a stark monochrome—smoke billowing against a winter sun, the city bathed in a haze of latent threat. But the image called for more. So I bent it, digitally, into a quartet: one frame fractured into four, each processed through a brutalist lens of colour theory—red, green, cyan, monochrome. A nod to Warhol, sure. But also to those old weather warnings on analogue TVs, when the signal bent reality and your retina paid the price. Technically, the base image holds. The stack of buildings anchors the composition in rigid geometry—angular, postmodern, the kind of skyline that doesn’t beg for admiration but demands…

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    Andrea Monti

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    Antonio Onorato

    August 20, 2016

    Business people in Rome

    February 23, 2013

    Counter-intuitive Focus

    February 9, 2020
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