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Andrea Monti

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  • Colour,  Daily photo,  Past&Relics,  Rome,  Winter

    Windows XVIII … Century

    February 27, 2014 /

    This photograph came from an unplanned encounter while wandering through the corridors of a fading building in via del Governo Vecchio — the sort of place where time has done more than simply pass; it has settled in, quietly shaping every surface. The pane of glass here isn’t modern, nor mass-produced. Its circular impressions are the handiwork of an 18th-century glassmaker, each bubble imperfect, each one carrying the slight distortion of a craft long past. The Leica M9, with its full-frame CCD sensor, brought something special to the scene. That sensor has a way of rendering colour and micro-contrast that feels almost film-like, which was ideal for this subject. The…

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    Andrea Monti

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    Steve Hackett – Live@Teatro d’Annunzio

    July 8, 2017

    A Jazz-Manouche Guitar Player

    August 17, 2014

    Fujifilm X-Pro 2: Does It Worth It? (Lost In Via Del Corso)

    January 16, 2016
  • B&W,  Daily photo,  Gates&Fences,  Rome,  Winter

    An Inside Irongate

    February 26, 2014 /

    Inside and old building, in the heart of Rome.

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    Andrea Monti

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    Staying Behind

    November 28, 2013

    Harley-Davidson: Chrome And Presence

    December 24, 2018

    Staged?

    February 16, 2016
  • Colour,  Daily photo,  Garages&Labs,  People,  Portraits,  Rome,  Winter

    The Angel Maker

    February 25, 2014 /

    There are some things you only find in Rome. Down a narrow street behind the Teatro di Pompeo, inside a studio that smells of dust, turpentine and time, I watched a man restoring angels. Not metaphorically—literally. Plaster cherubs laid out across the table, grey with primer, one mid-stroke under his steady brush. The place looked more like a reliquary than a workshop. And in a way, it was. He’s a master restorer. The kind of figure you expect in an old Fellini film, surrounded by faded tapestries, cracked frames, and gold leaf so fine it breathes when you exhale near it. But this wasn’t a scene. This was a day’s…

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    Andrea Monti

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    A promenade

    February 24, 2013

    A Young Sailor in Open Sea

    August 11, 2014

    Nittele Tower

    April 25, 2022
  • Colour,  Daily photo,  Landscape,  Photography,  Winter

    Italy, Landscape Photography and the Law – Part Two

    February 23, 2014 /

    In a previous post I addressed some of the legal issues involved in Landscape Photography where copyright was willfully not mentioned: since copyright is an outcome of human creativity who might ever think of imposing it over a landscape? Well, as much as it sounds crazy, somebody did it: on 2o11 the Town of San Quirico d’Orcia, in Tuscany, passed a local regulation that copyrights landscape images and artistic, cultural, environmental and architectural “stuff”, making mandatory pro shooter to ask for an authorization before starting their sessions. This local regulation is simply illegal, because “copyright” implies an act of creativity, while the landscape in itself doesn’t (unless you believe in…

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    Andrea Monti

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    Don’t They Drink Tea, Instead?

    December 27, 2016

    Waiting For The Bus On Las Ramblas

    August 19, 2014

    How to Shoot Handball Matches

    April 14, 2024
  • Colour,  Daily photo,  Winter

    A Zen Garden?

    February 22, 2014 /

    Not very, actually…

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    Andrea Monti

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    Avvocati. A New Book

    October 11, 2015

    Serva padrona @ Teatro Marrucino

    October 1, 2023

    Supporter or Photographer?

    March 21, 2013
  • Colour,  Daily photo,  Garbage,  Past&Relics,  Winter

    The Arson

    February 21, 2014 /

    The wind had carried the scent long before I arrived—burnt resin, iron oxide, the telltale acridity of ash cooling under morning sun. What was once structure and story was now a cinder pile, framed awkwardly by two still-standing beams like broken arms. I didn’t need to ask what happened. I just raised the camera. This photograph leans into disorder. The eye stumbles across charred planks, twisted metal, and a scorched panel half-folded in retreat. It’s not elegant, and I didn’t want it to be. The strength of the frame lies in its refusal to sanitise. Destruction is inherently chaotic; presenting it neatly would be a betrayal of what it is.…

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    Andrea Monti

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    A Silohuette on the Bridge

    March 3, 2014

    Walking at Night, in Milan

    September 30, 2013

    The Chicken

    September 10, 2014
  • Buildings,  Colour,  Daily photo,  Winter

    Hanging Clothes Waiting to Dry

    February 18, 2014 /

    I made this photograph on a terrace overlooking the valley, where the most ordinary of domestic acts — laundry drying in the sun — becomes unexpectedly theatrical. The line of garments stretches across the frame, their irregular shapes and colours set against the vast blue expanse of the background. The rural landscape below, softened by distance and haze, contrasts with the immediacy of cotton, wool, and synthetic fabric caught in the breeze. From a technical standpoint, the image is driven by colour and contrast. The saturation is high, which intensifies the reds, purples, and greens of the clothing and the terracotta of the terrace. Against the cool, almost painterly tones…

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    Andrea Monti

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    The Path To Freedom

    September 29, 2014

    Siamese Boats On the Seine River

    June 1, 2014

    Romeo’s Hideout

    December 16, 2015
  • Colour,  Daily photo,  Past&Relics,  Winter

    A Red Floating Crate

    February 15, 2014 /

    This was one of those photographs that almost didn’t happen. I walked past the red pot twice before realising what caught my eye wasn’t just its colour, but its suspension—hanging alone against a heavy, over-textured wall, oddly weightless. It looked like it shouldn’t be there. It looked like it shouldn’t stay. The light was low and indirect, which helped. A stronger contrast would’ve killed the subtlety of the textures. Instead, the stone’s relief held together—old, porous, grimy—but still distinct. The soft light allowed the red to vibrate just enough to isolate it from the grey-brown backdrop without turning it into a gimmick. Framing was tight. I didn’t want to include…

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    Andrea Monti

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    Under an Old Roof

    May 22, 2014

    @ Rome’s Maker Faire – 6. Lost In Texting

    November 23, 2014

    Feuer

    July 10, 2021
  • Colour,  Daily photo,  Docks,  Visual,  Winter

    Wrecked Hull

    February 14, 2014 /

    There’s something oddly compelling about the scars of a boat out of the water. Without the softening shimmer of the sea, the hull stands exposed — every scratch, blister, and patch telling a story of its time afloat. When I came across this one, propped up on its stand, the colours struck me first: the chalky off-white giving way to the battered turquoise, with angry flashes of red oxide bleeding through like old wounds reopening. I framed it tight, keeping the top and bottom of the hull cropped to remove any distraction from the shapes and textures. The horizontal divide of colour became my anchor, with the wooden prop jutting…

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    Andrea Monti

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    The Hamlet’s Dilemma

    May 20, 2014

    Even

    July 9, 2016

    Staged?

    February 16, 2016
  • Colour,  Daily photo,  People,  Rome,  Winter

    A Relaxed Call

    February 12, 2014 /

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    Andrea Monti

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    Silhouettes@Osaka Castle

    June 12, 2018

    Multiple Peripheral Visions

    February 10, 2016

    The Google Experiment

    February 1, 2014
  • Colour,  Daily photo,  Docks,  People,  Winter

    The Fisherman’s Knots

    February 11, 2014 /

    In an age of automation, efficiency, and scale, this image restores dignity to the gesture of the hand. The photograph captures a fisherman absorbed in the ancient ritual of mending his net—a task as old as seafaring itself. His fingers, calloused and sure, draw thread through mesh with the concentration of a craftsman rather than a labourer. There is no sea in sight, only scaffolding, plastic tape, and the anonymous infrastructure of a modern dock. Yet this contrast only strengthens the narrative: amid industrial noise, a human persists in doing things slowly, correctly, traditionally. The net becomes more than a tool—it is sustenance, memory, continuity. Every knot ties past to…

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    Andrea Monti

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    Portrait of a Cosplayer

    July 3, 2017

    The Actor’s Nightmare

    August 3, 2013

    Not A Rorschach Inkblot

    December 24, 2017
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Blowin in the Wind

    February 8, 2014 /

    Hopefully, he shouldn’t fall on the ground…

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    Andrea Monti

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    The Businessman…

    February 9, 2013

    Leaving Home

    December 5, 2014

    Walking at Night, in Milan

    September 30, 2013
  • B&W,  Daily photo,  Social Control,  Urban Landscape,  Winter

    Just a soccer field… Part 3

    February 5, 2014 /

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    Andrea Monti

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    Portrait of aTocaor

    October 8, 2013

    Too Noisy

    May 24, 2013

    Ni État Ni Patron

    June 8, 2014
  • B&W,  Daily photo,  Photography,  Reportage,  Social Control,  Urban Landscape,  Winter

    Just a soccer field… Part 2

    February 4, 2014 /

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    Andrea Monti

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    One Shot Story: Behind the Fence

    January 3, 2025

    Lost Bag

    December 8, 2016

    Full Moon

    May 9, 2017
  • B&W,  Daily photo,  Parks,  Reportage,  Social Control,  Winter

    Just a Soccer Field… Part 1

    February 3, 2014 /

    Just a soccer field… the only place where freedom lasts, but just for the time of a match.

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    Andrea Monti

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    Distraction

    April 6, 2016

    Al Di Meola, Peo Alfonsi, Sergio Martinez – Live @ Teatro della Villa Comunale – Roseto degli Abruzzi

    July 30, 2025

    Hard Choice In Quai de la Corse

    March 21, 2014
  • B&W,  Daily photo,  Docks,  Visual,  Winter

    In-Eye

    February 2, 2014 /

    Photography has a curious way of leading the mind into patterns — an instinctive search for meaning, even when none exists. We are hardwired to interpret shapes and juxtapositions, to anthropomorphise objects, to find faces in clouds and stories in shadows. This image is one such case: a seemingly simple shot of a ship seen through a weathered window, yet the geometry conspires to suggest something far more figurative. Here, the diamond-shaped porthole becomes an eyelid, its corroded frame the brow, and beyond it, the bow of the ship forms an unmistakable iris and pupil. It’s a quiet trick of composition — one I noticed only after the fact —…

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    Andrea Monti

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    So What?

    December 7, 2013

    While Waiting for the Food

    September 3, 2013

    Turiddu repeals Santuzza

    November 19, 2022
  • B&W,  Daily photo,  Photography,  Winter

    Good Idea

    January 31, 2014 /

    … bad execution. The shot would have been acceptable if the head of the fisherman had the sky as a background instead of the bow.

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    Andrea Monti

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    RedLight

    November 6, 2015

    Ninja-Turtles?

    April 30, 2014

    Springtime

    April 23, 2015
  • B&W,  Daily photo,  Docks,  People,  Winter

    Against the Tide

    January 30, 2014 /

    There’s a stillness in this frame that caught me before I even thought about the technical side. A lone figure on a bicycle, paused at the edge of the pier, framed by the unbroken horizon and the muted textures of concrete and water. The light is soft, almost hesitant — no harsh shadows, no dazzling highlights — as if the scene itself wanted to remain understated. I worked to keep the composition balanced but not too neat. The lamp post on the right anchors the image without overpowering it, while the figure sits almost at the centre, enough to draw the eye but still letting the expanse of sea and…

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    Andrea Monti

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    Photography and the dangers of ethics

    April 17, 2013

    Urgent Calls Only

    May 15, 2017

    The Elders’ Council

    June 29, 2013
  • B&W,  Daily photo,  Milan,  People,  Winter

    W Verdi

    January 29, 2014 /

    Milan rewards you when you walk slowly. I turned a corner and found a living quotation mark to a poster: an elderly man paused beneath a billboard of a stern, bearded face—Giuseppe Verdi by way of contemporary graphic design. The likeness was uncanny enough to make the old slogan in my head—Viva Verdi—mutate into “W Verdi,” a wink at how public imagery and real life can rhyme. I built the frame around that rhyme. The poster anchors the top-right quadrant while the man occupies the lower-left, a diagonal conversation that keeps the eye ping-ponging across the picture. I left generous negative space to let the pairing breathe; too tight and…

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    Andrea Monti

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    St. Peter in Background

    December 5, 2013

    The Expired Film Series – Episode 2 – Ilford XP2Super 400 – Nov. 2017 shot in May 2023

    July 25, 2023

    Rocco Zifarelli, Jeff Berlin, Beth&Danny Gottlieb, Gabriela Sinagra

    June 10, 2013
  • Colour,  Daily photo,  Garbage,  Milan,  Winter

    Lost Cigarettes at Piazza Affari

    January 22, 2014 /

    The Milan Stock-Exchange is just closed, another stressful day is gone, so are the cigarettes. The Milan Stock Exchange has just closed. Another day of trading — of numbers, speculation, tension, and relief — is over. The square begins to exhale. The crowds thin, footsteps fade, and the traces of human presence remain in small, almost invisible ways. Here, in a shallow puddle on the cobblestones of Piazza Affari, the day’s residue is quietly recorded: cigarette butts, scraps, and the inverted grandeur of a neoclassical façade. I was drawn to the way the water held both the building’s form and the detritus of the day in a single frame. The reflection, sharp…

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    Andrea Monti

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    Up Where the World Unfolds

    November 16, 2013

    Ramping Up

    September 16, 2014

    The Three Musketeers

    October 16, 2013
  • Beach&Shores,  Colour,  Daily photo,  Docks,  Winter

    Let’s get the party started…

    January 20, 2014 /

    Fishing boats have a way of announcing themselves well before they reach the harbour wall. The sound of the engine carries over the water, but it’s the birds that really give them away — a moving cloud of wings and calls, circling, swooping, waiting for the scraps that will inevitably be thrown overboard. This shot catches the “Nuova Zita” in that precise moment of return, driving straight toward me, bow cutting through the water, foam rising in a perfect V. I chose a dead-centre composition, a choice some might consider too rigid, but here it felt essential. The boat’s symmetry — red trim framing the white hull, the vertical mast…

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    Andrea Monti

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    The Heart Of Giulietta

    October 30, 2014

    A Fence

    November 6, 2014

    Portrait of a young guitar player

    May 4, 2014
  • Colour,  Daily photo,  Winter

    The Guardian

    January 19, 2014 /

    Not scaring as a Pitbull would, but still deserving to be handled with care… He didn’t move. Not even when I approached with the camera. Not even when I paused to adjust the lens. He just stared—calm, unblinking, sure of his place. This photo was taken outside a closed wooden structure. Maybe a seasonal shack, maybe a beachside store. The railings were weathered, the wood silvered by sun and salt. Everything about the setting felt unfinished, in-between. Except for him. The black cat sat at the centre like he’d been assigned the role. Not hiding, not curious—just there. Positioned perfectly in the geometry of the fence, flanked by empty space…

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    Andrea Monti

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    A Roller Coaster… A Kind Of

    April 3, 2014

    A true cricket?

    September 16, 2013

    Boats

    September 18, 2021
  • B&W,  Daily photo,  People,  Winter

    Late Night Arrival at Bertinoro’s Castle

    January 15, 2014 /

    There’s something about fog that eats light and sound in equal measure. At Bertinoro that night, the mist rolled in thick and silent, swallowing the medieval walls until they were no more than looming shapes. The only figure breaking the gloom was this woman, striding toward the castle gate with a purpose that suggested she hoped — perhaps against reason — that someone inside might still be awake. I shot this in black and white not as an afterthought, but because the scene demanded it. Colour would have been irrelevant here — the atmosphere was all about tonal gradation, shadow, and grain. Yes, grain. This isn’t the crisp, low-noise look…

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    Andrea Monti

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    A Bookstore in the Gallery

    December 22, 2013

    Pentax – In Praise of Usability of Cameras and Lenses

    March 3, 2024

    Columns

    November 10, 2014
  • Colour,  Daily photo,  Docks,  Winter

    Fisherman’s Friend

    January 10, 2014 /

    When the course is set back to the dock, especially at night, there is no better companion than the reassuring glow of the harbour’s twin beacons. These masts, painted in unmistakable red and green, have long served as silent guides, their geometry as familiar to mariners as the constellations above. This photograph, titled Fisherman’s Friend, plays not only on a brand name but on the enduring role of such structures in the choreography of safe returns. From a compositional standpoint, the image centres on the red mast, giving it commanding presence against a pastel-hued evening sky. The placement is deliberate—slightly forward and to the left of the green twin in…

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    Andrea Monti

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    HeadButt

    August 5, 2023

    One Shot Story: (Un)Available Coin Lockers at Shin Osaka Station

    December 22, 2024

    The Racers

    December 7, 2014
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