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Don Giovanni@Teatro Marrucino
Yesterday night I was on the (back)stage of Teatro Marrucino for the premiere of Mozart’s Don Giovanni. Director Paul-Émile Fourny had a brilliant idea: to portray Don Giovanni as a vampire. This choice was essentially coherent with Don Giovanni’s ‘predatory’ attitude, while maintaining a visual style for the mise en scène that was consistent with the time in which the story was set. The lighting design by Patrick Meeus and the video design by Mario Spinaci created a dark overall mood without losing the play’s main characteristic: the alternation between drama and humour.
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The Rise And Fall of Pizzeria Liceo – One Shot Story
For decades, it was established in 1963, not only the students of the Liceo Classico on the other side of Via Venezia, but almost all the inhabitants of my hometown, paid a visit to Pizzeria Liceo (aptly named after the aforementioned school). Truant students often chose it to spend a few hours waiting to come back home, cheating their parents about their daily chores. New romances began and couples broke up. Lonely young men — and adults, too — would stop by and mumble to themselves about their bad luck in love, family or work. On the way home after a tiring day at work, it wasn’t uncommon to stop by and…
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On Prizes and Awards (a Long and Tiring Musing)
Prizes and awards are ubiquitous also in the photography world. There is an award for everything, and I wouldn’t be suprised to discover an award for the best photo award as well. When we’re just starting out on our photographic journey, it’s natural to think about entering a competition. I am not an exception, in fact I tried a few myself and I also got one honorable mention for the photo featuring this post in a competition organised by a local chapter of the Italian Photoamateur Association (FIAF).
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A Moto Guzzi Falcone and an Expired Kodak Portra 160 Roll
Shot with a Pentax SMC FA 50/1,4 and a Pentax Z-20 loaded with an expired Kodak Portra 160, this photo portrays a Moto Guzzi Falcone. The Falcone has a special place in the history of Italian motor industry. It was successful in both the civilian market and the military/law enfrocement sector. So strong was its appeal in this latter community that the Polizia Stradale (roughly, the highway patrol) kept it in service until the seventies despite the official manufacturing ceased at the end of the sixties.
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Saturday Night Fight Fever
On October 18, I was ringside to shoot the European Boxing Union‘s female super-lightweight European title fight. The crown vas vacant and the two contenders were both Italians. Silvia Bortot, a former two-time European champion, and Sonia Fracassi, the Italian champion. The match was pretty intense. All along the 10 rounds of the bout, Fracassi put her opponent under a great deal of pressure, and she responded with equal energy. Ultimately, Bortot emerged victorious. However, the close referee scores (96-95, 96-95 and 97-93) show that the two fighters were closely matched, and that Fracassi could have won if she had thrown a few more punches, or if the match had been…
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Autumn, Colour, Daily photo, PhotoCritics, Photography, Spring, Street Photography, Summer, Technique, Winter
Make Sense (or: Meaning is in the Eye of the Beholder)
I am a big fan of Jim Hall. A god of the Jazz Olympus, he was an amazing guitar player and played (i.e. lived) according to a simple but effective maxim: make musical sense. He jotted it on a scrap of paper and stashed it in his guitar case, so, whenever he took the instrument out, he was reminded to follow the advice. And he did it. This is an excellent advice also in photography and I do my best to follow it, also if I don’t always get it right for a number of reasons, the main one being that meaning is in the eye of the beholder as…
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Zeiss ZK Planar T* 50mm F/1.4 – Test Shots and an Unpleasant Incident
I am a huge fan of Zeiss lenses, and I have made sure to own at least one of them for each camera system I have used over the years. To be honest, my only regret when switching to Pentax and ditching Leica, Nikon and Canon was that Zeiss lenses in K mount weren’t as widely available as they are for other platforms. Sure, eBay has plenty of them, but I didn’t want to risk the consequences of overseas shipping. Eventually, however, I managed to get a Planar T* 50 mm f/1.4, and last night I went out for the first time to try it with a Pentax K-1.
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A Few More Shots From An Urban Exploration Trip
Hip-hoppers and skateboarders are often seen together in many urban landscapes. Actually, these performing arts come from different US social and geographical milieus. However, in a world where different paths of life, cultures and traditions matter less and less, and everything is a ‘fusion’, this doesn’t look like an issue. So, while wandering around in search of some subject to test a 50mm Summicron M mounted on a Fuji X-T4, I was fortunate enough to kill two birds with one stone.
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Personal Musing On Monochrome Digital Cameras
I was thinking of exploring the world of black-and-white digital photography so I started looking into the available options. Currently, only the Leica Monochrom and the Pentax K-3 III Monochrom are still the only native monochrome digital cameras availble, targeting photographers interested in maximising the potential for ‘true’ black-and-white photography compared to converted colour images. Many experts in the field justify the existence of this particular camera by citing the same manufacturers’ marketing claims, such as better overall image quality and the superior performance of a custom-built sensor. However, I am a photographer, not an electronics engineer or software programmer, so I care more about the final results than the technicalities.…
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Gravity on Pause
This a casual shot taken while I was wandering around without actually thinking about taking photographs. Setting aside the photographic quality of the image for a moment, I was amazed that it looks far better in black and white than it did when it was initially shot in colour.
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An Asian Lion Guarding an Italian Town – One Shot Story
Ofena is a small town located within the Abruzzo National Park of Gran Sasso and Monti della Laga, in Italy, Hit by the 2009 earthquake, Ofena is still struggling to recover. Life came back to its ordinary pulse thank to the inhabitants who showed strong resilience. However, wandering around these wounded places I didn’t feel inclined to take photos as I felt like I was exploiting the enduring consequences of the tragedy that hit this community.
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Al Di Meola, Peo Alfonsi, Sergio Martinez – Live @ Teatro della Villa Comunale – Roseto degli Abruzzi
Last night I “covered” the Abruzzo leg of Al Di Meola’s tour, where he performed in a trio with Peo Alfonsi (second guitar) and Sergio Martinez (percussion). As a musician, I wore out the vinyl records of his albums through sheer use, and I later met him over twenty years ago when I acted as his interpreter during a tour with Chris Carrington and Arto Tunçboyacıyan—the World Sinfonia Tour, which marked his acoustic turn after epic electric albums such as Elegant Gypsy, Casino, and Electric Rendezvous. Work aside, it was a pleasure to see him again and exchange a few words, even if, understandably, he couldn’t remember anything about that past meeting. The gallery…
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Inside a Master Luthier’s Workshop
Craftsmanship is fascinating. It’s almost magical how we can see things in our head and make them happen. This is true for every bit of wisdom that humans have come up with, but musical instruments – and guitars, in particular – are among the best examples of this skill. There’s nothing more unnecessary than music and musical instruments, but we —well, at least many of us— can’t live without them. So, it comes naturally to those who enjoy an active relationship with music to begin learning how to play an instrument and, therefore, to become familiar with the technical side of the story. This is why, sooner than later, one…
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On Film Simulation or ‘is fiction more real than reality, and why should we care?’
Simulations have turned an inevitable fact —using the chosen brand and type of film for an entire roll— into an aesthetic tool allowing the selection of the most appropriate image rendition for each single exposure. Using simulations is like having all the different kinds of film in the same roll with all the convenience of digital technology, opening a huge number of creative possibilities. Initially published on 35mmc.com This is what the standard marketing claims for software simulations are based upon, but is that actually so? As a matter of fact, the answer is yes, but if we look at the matter from a different perspective, we should consider some…
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Shooting Sanda (Chinese Kickboxing) Bouts
These photographs were taken during the 2025 Italian Sanda Championships as part of the sports photography course that I teach at the University of Chieti-Pescara in Italy. Initially published by 35mmc.com How the game works Sanda is a Chinese martial art belonging to the kickboxing family. As in kickboxing, fighters trade punches and kicks, but unlike in Thai boxing, they are not allowed to use their elbows or knees. A limited number of throws are permitted, including leg sweeps, reaps and souplexes. Each bout consists of three rounds, and winning two of them is sufficient for victory. However, this is easier said than done: the action is fast-paced, the fighters…
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Shooting an Outdoor Volleyball Match
The 2025 IVVA European Veteran Volleyball Championship took place in my hometown of Pescara last May, so I took the opportunity to get the students on the sports photography course I teach at Chieti-Pescara University to practise. Here are some random thoughts about lessons learned. Initially published by 35mmc.com Focal length One of the main challenges of shooting sports such as soccer, basketball and —of course— volleyball, is the choice of the focal length. The IVVA Organising Committee granted us permission to stay in close proximity to the courts. This allowed the use of a 35mm —or so— lens to take ‘scenes’ documenting the whole dynamics of a ‘moment’. In this case,…
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On Detachment. Or ‘If You Love Something, Set It Free’ (cit. Sting)
A number of philosophies and religions preach the virtue of detachment from things as a path to enlightenment. When applied to gear, this advice won’t only save your soul —if you believe there’s one— but also your money and, last but not least, your photograph experience. This means avoiding the development of ‘feelings’ towards a camera or a lens that shift from appreciating their value as a tool to some sort of ‘personal engagement’. Initially published on 35mmc.com As odd as it sounds, such an attitude towards an inanimate object is more frequent than one may imagine. A paradigmatic case is the attachment of AIBO’s owners to their robotic pets:…
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On Tips’n Tricks to ‘take you photos to the next level’
I recently asked a friend, who works on the editorial side of the music industry, to share his thoughts on one of my photographs taken during a flamenco concert. His response was a deep and thorough analysis, which I will spare the readers in full. In brief, however, he praised the lighting as particularly effective for flamenco photography, noting how the chiaroscuro effect recalls the classical paintings of Caravaggio. Regarding the composition, he observed that the bailaora’s body fills the frame dynamically, without ever feeling cramped. In his conclusion, he remarked that the image captures the very soul of flamenco. As flattering as this commentary was, I must admit that none…
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Shooting Italian 5 birilli
Thanks to the support of the Italian Federation of Sport Billiards, I had the opportunity to access the playing area of a billiards national competition with the students of the sports photography course I teach at my university. It was a very good opportunity to learn how to take photographs in an unusual environment for people more used to outdoor or ‘traditional’ disciplines. Initially published on 35mmc.com.
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One Shot (Plus One) Story – All That Lasts
These three bags of rubble are all that remains of a ‘renovated’ building. By chance, though, I took a photo of the building as it was being demolished. The difference in the colours of the rooms caught my attention. I wondered why people had chosen to paint each room in different colours. Maybe the blue was for the children? And the green was for the kitchen? And what about the red and the yellow? These colours tell the story of a family, a story that just ended when their home was demolished.
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One Shot Story – Soulless Places
Official brand stores are a powerful way to assert a company’s presence. They are a bold statement of strength and confidence. They send a message to the customers and to those who aren’t yet: look! whenever you go we’re there for you(r wallett). Admittedly, when travelling abroad it is sometimes reassuring to find a ‘familiar’ place – a cafeteria, a fast food, an electronic gadget shop – where everything works ‘as it should’. On the other hand, though, this strength has a serious downfall. Where was this picture taken? Of course, you may guess the location from a few clues (for instance, it was likely taken in a small Italian…
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5 frames exploring the Sporting Gun Culture in Italy
Firearms and gun culture are a very sensitive issue. Privately owned weapons are associated to mass shooting and individual killings, street violence and law enforcement abuses. When confronted with the killing of innocent people, talk is cheap and it is perfectly reasonable to invoke restrictions and even outright bans. There are, however, many people who are not involved in ‘prepper’ or ‘zombie apocalypse is coming’ state of mind, and who only want to practice a sport or foster their interest in military history, mechanics or other types of knowledge related to building and handling of a weapon. So, whatever the view on the matter, from the absolute opposition to any…
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DSLR-like…?
I decided to write this post after having stumbled across the next ethusiast review of a smartphone published on a reputable magazine, claiming that the device can deliver ‘DSLR-like’ photos. In fact, as is often the case with ‘camera experts’ who work for a magazine or earn money by posting videos making funny faces on social networks, it was just a rewrite of the manufacturer’s product specifications and promotional material. There are few things, in photography, I dislike more than than these ‘DSLR-like’ claims made in the advertising of smartphones and compact cameras because ‘DSLR-like’ is the archetype of a meaningless statement made to lure people into using an arbitrary benchmark…
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5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400
The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter. Initially published on 35mmc.com. As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the…
