-
On Film Simulation or ‘is fiction more real than reality, and why should we care?’
Simulations have turned an inevitable fact —using the chosen brand and type of film for an entire roll— into an aesthetic tool allowing the selection of the most appropriate image rendition for each single exposure. Using simulations is like having all the different kinds of film in the same roll with all the convenience of digital technology, opening a huge number of creative possibilities. Initially published on 35mmc.com This is what the standard marketing claims for software simulations are based upon, but is that actually so? As a matter of fact, the answer is yes, but if we look at the matter from a different perspective, we should consider some…
-
Shooting Sanda (Chinese Kickboxing) Bouts
These photographs were taken during the 2025 Italian Sanda Championships as part of the sports photography course that I teach at the University of Chieti-Pescara in Italy. Initially published by 35mmc.com How the game works Sanda is a Chinese martial art belonging to the kickboxing family. As in kickboxing, fighters trade punches and kicks, but unlike in Thai boxing, they are not allowed to use their elbows or knees. A limited number of throws are permitted, including leg sweeps, reaps and souplexes. Each bout consists of three rounds, and winning two of them is sufficient for victory. However, this is easier said than done: the action is fast-paced, the fighters…
-
Shooting an Outdoor Volleyball Match
The 2025 IVVA European Veteran Volleyball Championship took place in my hometown of Pescara last May, so I took the opportunity to get the students on the sports photography course I teach at Chieti-Pescara University to practise. Here are some random thoughts about lessons learned. Initially published by 35mmc.com Focal length One of the main challenges of shooting sports such as soccer, basketball and —of course— volleyball, is the choice of the focal length. The IVVA Organising Committee granted us permission to stay in close proximity to the courts. This allowed the use of a 35mm —or so— lens to take ‘scenes’ documenting the whole dynamics of a ‘moment’. In this case,…
You May Also Like
Backstage, Before the Downbeat
Belgian Macarons
@Rome Maker Faire – 6. A Statue(?)
-
On Detachment. Or ‘If You Love Something, Set It Free’ (cit. Sting)
A number of philosophies and religions preach the virtue of detachment from things as a path to enlightenment. When applied to gear, this advice won’t only save your soul —if you believe there’s one— but also your money and, last but not least, your photograph experience. This means avoiding the development of ‘feelings’ towards a camera or a lens that shift from appreciating their value as a tool to some sort of ‘personal engagement’. Initially published on 35mmc.com As odd as it sounds, such an attitude towards an inanimate object is more frequent than one may imagine. A paradigmatic case is the attachment of AIBO’s owners to their robotic pets:…
-
On Tips’n Tricks to ‘take you photos to the next level’
I recently asked a friend, who works on the editorial side of the music industry, to share his thoughts on one of my photographs taken during a flamenco concert. His response was a deep and thorough analysis, which I will spare the readers in full. In brief, however, he praised the lighting as particularly effective for flamenco photography, noting how the chiaroscuro effect recalls the classical paintings of Caravaggio. Regarding the composition, he observed that the bailaora’s body fills the frame dynamically, without ever feeling cramped. In his conclusion, he remarked that the image captures the very soul of flamenco. As flattering as this commentary was, I must admit that none…
-
Shooting Italian 5 birilli
Thanks to the support of the Italian Federation of Sport Billiards, I had the opportunity to access the playing area of a billiards national competition with the students of the sports photography course I teach at my university. It was a very good opportunity to learn how to take photographs in an unusual environment for people more used to outdoor or ‘traditional’ disciplines. Initially published on 35mmc.com.
-
One Shot (Plus One) Story – All That Lasts
These three bags of rubble are all that remains of a ‘renovated’ building. By chance, though, I took a photo of the building as it was being demolished. The difference in the colours of the rooms caught my attention. I wondered why people had chosen to paint each room in different colours. Maybe the blue was for the children? And the green was for the kitchen? And what about the red and the yellow? These colours tell the story of a family, a story that just ended when their home was demolished.
-
One Shot Story – Soulless Places
Official brand stores are a powerful way to assert a company’s presence. They are a bold statement of strength and confidence. They send a message to the customers and to those who aren’t yet: look! whenever you go we’re there for you(r wallett). Admittedly, when travelling abroad it is sometimes reassuring to find a ‘familiar’ place – a cafeteria, a fast food, an electronic gadget shop – where everything works ‘as it should’. On the other hand, though, this strength has a serious downfall. Where was this picture taken? Of course, you may guess the location from a few clues (for instance, it was likely taken in a small Italian…
-
5 frames exploring the Sporting Gun Culture in Italy
Firearms and gun culture are a very sensitive issue. Privately owned weapons are associated to mass shooting and individual killings, street violence and law enforcement abuses. When confronted with the killing of innocent people, talk is cheap and it is perfectly reasonable to invoke restrictions and even outright bans. There are, however, many people who are not involved in ‘prepper’ or ‘zombie apocalypse is coming’ state of mind, and who only want to practice a sport or foster their interest in military history, mechanics or other types of knowledge related to building and handling of a weapon. So, whatever the view on the matter, from the absolute opposition to any…
-
DSLR-like…?
I decided to write this post after having stumbled across the next ethusiast review of a smartphone published on a reputable magazine, claiming that the device can deliver ‘DSLR-like’ photos. In fact, as is often the case with ‘camera experts’ who work for a magazine or earn money by posting videos making funny faces on social networks, it was just a rewrite of the manufacturer’s product specifications and promotional material. There are few things, in photography, I dislike more than than these ‘DSLR-like’ claims made in the advertising of smartphones and compact cameras because ‘DSLR-like’ is the archetype of a meaningless statement made to lure people into using an arbitrary benchmark…
-
5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400
The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter. Initially published on 35mmc.com. As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the…
-
Selling Italian Ice in Boston
Sales culture is one of the most distinctive traits of American anthropology. The foundations of modern marketing strategies date back to forerunners such as P.T. Barnum’s ‘have a little something for everybody’ slogan and Edward Bernays, the father of public relations. It is ingrained in popular culture phenomena such as garage sales, lemonade stands ran by kids and jokes about used cars salesmen. Sales culture is also paired with customer (not consumer) culture, as in the ubiquitous mantra ‘customer is king’, which ‘shapes’ people’s attitudes in terms of demanding fairness and a proper ‘bang for the bucks’. – Initially published on 35mmc.com When it comes to selling, creativity knows no…
-
5 Frames with various cameras – Ferrari On The Road(s)
Sports car photography usually happens in specific settings such as motorshows, official events, race tracks etc., where lights, crowds, fences and limited access to restricted areas are an issue. Doing the same on the street, however, is no less challenging as things happen unpredictably and, unless taking photograph of parked vehicles, there is no time to compose – Initially published on 35mmc.com In this photograph of a Ferrari F8 Tributo, the framing makes the car the focal point, and even though the door on the left adds a bit of visual clutter, it doesn’t detract from the overall result. The following image illustrate the trade-offs of reacting in real time…
-
One Shot Story: Behind the Fence
There is nothing special about this photo in itself, but when placed in context, it changes the way we may look at it – Initially published on 35mmc.com The photo was taken in the fishing neighbourhood of my home town. Behind the fence erected by the developers were the fishermen’s small one-storey houses. Once a testament to the hard life they endured, over time the neighbourhood was abandoned and the houses gradually fell into disrepair. Now, for security reasons, it is not possible to look through the fence and see what the developers are planning to build in place of this small part of the neighbourhood. I could ask the…
-
7Artisans 35mm 0.95 – Testing this Fujifilm X Mount Lens in a Demanding Environment
So far I have been very happy with the 7Artisans 35mm 0.95 in X-mount, but I have only tested it in non-demanding conditions. Although the results were promising at first sight, only a real test could give a definitive verdict (at least for me). So I decided to put it on trial last December 13, shooting ‘La Cenerentola’, Gioacchino Rossini’s melodrama at the Teatro Marrucino in Chieti (IT), together with the ‘battle-tested’ Fujifilm XF 18-120. Initially published on 35mmc.com Did it work out? Let me spoil the conclusions: I really like this lens in absolute terms and not because of its value for money. The colour reproduction is excellent, the resolving…
-
One Shot Story: (Un)Available Coin Lockers at Shin Osaka Station
コインロッカー, the coin-operated lockers, are fundamental to travel around Japan: this is the first lesson any first-timer to this Country should learn beforehand. – Initially publishd on 35mmc.com Almost ubiquitous, they are plentiful in train stations and airports and are a convenient way to get rid of your luggage for a few hours or days while you are on a stopover. Until a few years ago, finding an empty コインロッカー was not such a daunting task, even when there were large numbers of tourists. Now, however, things have changed for the worse. Recently, on my way to Tokyo from Kyushu, I did —as the automatic PA system of the Shinkansen likes…
-
A Night at the Opera – Plays and Opera Photography
This is an abbreviated version of a talk I gave to a local chapter of the Italian Federation of Amateur Photographers (FIAF) on the challenges of photographing in a Teatro all’italiana environment. A word to the wise: this post has just a few pictures because it talks about what happens behind the camera and not about what happens in front of it Initially published by 35mmc.com To approach professional photography in Italian-style theatres, it is essential to understand and deal with a series of difficulties and critical issues that characterise this particular environment. The Italian-style theatre, with its architectural structure, lighting layout and show dynamics, imposes a series of technical and…
-
Gioacchino Rossini – La Cenerentola@Teatro Marrucino
This is part of a reportage I did on December 13, 2024 for the Teatro Marrucino in Chieti (IT) during the performance of Gioacchino Rossini’s La Cenerentola. Gear: Fujifilm X-T4 and X-T5 cameras, Fujinon XF 18-120 F4, 7-Artisans 35/0,95 X-Mount Find out more at https://andrea.monti.photography
-
Portraits in Skating
In sports photography, portraits are as important as snapshots of crucial moments such as a win, a loss or an unpredictable event, for they are an excellent way to capture the humanity of the athletes, often and mistakenly seen – especially in high-level competitons and before the start – as soulless cyborgs. Initially published on 35mmc.com The very first moments after the game is over are a gold mine. Athletes are still full of adrenaline and eager to discuss their performance with their teammates. Before they shower, before they change into normal clothes, before they return to ordinary life their focus is on what went right or wrong. And when…
-
Shooting a Roller Derby Bout
Of all the disciplines at the 2024 World Skate Games, which took place in Italy last September, roller derby is probably one of the lesser known, but also one of the most difficult to photograph. A contact sport, roller derby takes place in a very small space, in a very short time and at a very high speed. Once combined together, these three factors give the photographer a pretty hard time Initially published on 35mmc.com. Having been given a full access media pass to all the venues and the court, I was able to stay in a privileged position to take the shots. However, although in the past I have taken pictures of high…
-
Shooting Fast Alfa Romeo on a Race Track
“The Citroen went into second and remained there; slowly we puffed up the long ascent. We had gone about a mile, when we became aware of a noise coming up from the valley, a noise like the noise of massed machine-guns. It grew louder and louder. A minute later a huge red Alfa Romeo road racer, looking suspiciously like the machine that had just won the Grand Prix d’ Europe, roared past at a speed that cannot have been less than fifty miles an hour. It was evidently being driven by a genius; for, looking up, we saw the scarlet monster negotiating turn after hairpin turn in the zigzag road…
-
Shooting Kite Surfing
Kite surfing is quite spectacular but difficult to photograph. As with any water sport, the main difference that affects the results is whether or not the photographer is embedded in the organisation. In the former case, being allowed to stay on the official boats allows him to be closer to the action and get better shots. In the other case, the photographer must essentially rely on a telephoto lens (the longer the better) at the expense of depth of field – Initially published on 35mmc.com. Jumps and the flight phase are the most spectacular moments to capture. However, as the next two photos show, it is essential that the autofocus works…
-
The Stupidity of Being Stubborn
I knew exactly that I was going to fail, but I did it anyway, irrationally thinking that for some not well clear reason the law of physics and optics could be defied by the sacred mission of the photographer. Thus, contrary to basic common sense, a few weeks ago I brought a Nikon 35TI loaded with a Ferrania P33 (ISO160) to a jazz manouche concert of the Tchavolo Schmitt trio at the French Embassy in Rome. The outcomes, as it was easy to predict, were just (euphemistically) poor – Initially published on 335mmc.com Let’s start with a test shot to ascertain if there was some issue with the hardware: Apart…
-
Shooting Historical European Martial Arts (HEMA)-like Events
Historical reenactments are everywhere, and the volunteers who keep alive the memory of our past deserve our highest praise. Along with pure re-enactments, where the fate of the participants is already predetermined by history, and HEMA, where athletes compete using European weaponry and armour, there is a middle-ground discipline that is gaining momentum in Italy: Sport Reenactment – Initially published by 35mmc.com In short, SR players take part in reenactment events wearing faithful replica of the coats and arms of ancient Italian, Greek, Celtic and German tribes. But they also meet in forests and mountains to fight following a ruleset but without knowing in advance who is going to win. The…
