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  • B&W,  Daily photo,  Daily Video,  Gear,  Winter

    The Ferrania Film Series – Episode 1 – Ferrania Orto shot on October/November 2023

    August 7, 2024 /

    This is the first episode in a series documenting the use of Ferrania film in various contexts. Episode 1 features a Ferrania Orto shot with a Nikon 35 TI in Japan, between 25 October and 1 November 2023.

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    Andrea Monti

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    (Not so) Intelligent Design

    October 26, 2018

    Fast Call

    December 28, 2013

    Upcoming Call

    June 3, 2013
  • Colour,  Daily photo,  Seasons,  Sport,  Track&Field,  Winter

    How to (Unconventionally) Shoot Track and Field Competitions

    July 30, 2024 /

    Having been given a LOC pass for the European Athletics Championships currently taking place in Rome, I was able to practice unusual compositions in sports photography – Initially published on 35mmc.com Usually, the pictures taken by professional photographers working for media companies, broadcasters or magazines inevitably focus on the umpteenth iteration of the same actions (the concentration before the start, the relay change, the exertion after a fast or long run, etc.). Add to this the fact that the photographers are all in the same part of the venue, the results are very similar, at least in terms of perspective and field of view. This is an example: I don’t…

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    Andrea Monti

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    Steve Hackett – Live@Teatro d’Annunzio

    July 8, 2017

    An Altar for the Propaganda Machine

    November 17, 2013

    Flashes’ Lost Powersuits

    April 11, 2014
  • B&W,  Daily photo,  Fighters,  Fighting Disciplines,  Summer

    Learning to Shoot Boxing Matches

    July 18, 2024 /

    Taking pictures in a boxing gym during regular training is a unique way to learn to understand when ‘the moment’ – a hit, a miss, a bob or a weave – is coming and develop an instinct for composition – Initially published on 35mmc.com This is important for two reasons. Firstly, as always with sports photography, you need to know the discipline you want to shoot and practice different options. But, in a classic Catch 22, if you don’t attend a fair number of bouts at ringisde, you won’t know the discipline and learn how to photograph it. Spending time in a gym, then, is the best second best option…

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    Andrea Monti

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    Weren’t a Smartphone and a Selfie Stick Enough?

    October 6, 2016

    二千円

    December 20, 2023

    Off-Duty Eurocrats in Bruxelles

    March 28, 2014
  • Colour,  Daily photo,  Docks,  Rome,  Summer

    5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160

    July 11, 2024 /

    Tevere, the river that divides Rome in two, is one of my favourite places. No matter how much chaos there is in the ‘high places’: walking along the banks of the river puts you in another dimension, where time has no meaning and the pace slows down – Initially published on 35mmc.com Anchored boats stand still, in stark contrast to the fast-moving streets, crowded with cars, bicycles, pedestrians and tourists who have returned in droves once the pandemic is over. This is obviously a mirror image, but it looks as if it has been projected onto a digital screen. And here is what was mirrored: There are a lot of…

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    Andrea Monti

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    A Cello’s Player

    February 8, 2015

    Out of Focus, again

    October 3, 2013

    EOS-M. Manual focus tips and results for Street-Photography and more

    August 9, 2013
  • B&W,  Daily photo,  Photography,  Spring,  Technique

    5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto

    June 28, 2024 /

    Working on a ‘project’ or ‘series’ is a well-known way of giving meaning to the act of taking photographs. It serves many purposes, such as training in a particular technique, familiarising oneself with a camera and/or lens, or exploring stylistic options. A project is usually planned in advance, though not necessarily in great detail. However, as in the case of these images, sometimes the idea of a common thread linking different images just happens. I was wandering around the suburbs of my home town with a Soviet-era Kiev 60 and its ‘kit lens’, the Volna 80/2.8, and a roll of Ferrania Orto when I noticed the oddity of a worn-out…

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    Andrea Monti

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    Too Noisy

    May 24, 2013

    A Seagull in Rome

    June 28, 2013

    Harley-Davidson

    December 24, 2018
  • Colour,  Daily photo,  Daily Video,  Road Running,  Summer

    National Road Running Championships 2023 – Portraits

    June 28, 2024 /

    These portraits are taken from a reportage made at the 2023 National Road Running Championships. These sample images are a good example of one possible way of ‘seeing’ sporting action. In some cases, the portrait is completely isolated from the background, revealing a particular ‘moment’ experienced by the athlete, such as extreme physical exertion, rest and recovery after the race, or enjoyment of the location. In other cases, a single person is still at the centre of the image, but the surrounding environment completes and enhances the overall meaning of the photograph. The ability to superimpose different layers of meaning, and to adjust the camera and lens accordingly, is what…

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    Andrea Monti

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    Abruzzo’s made Coke??

    March 26, 2013

    Real Time Update

    February 20, 2016

    Stylish

    March 16, 2014
  • Daily Video,  Summer

    The Real-Life Lens Test Series – Episode 1: Viltrox XF 56/1,4 AF

    June 6, 2024 /

    This is a series documenting the real-life use of various lenses. The first episode features a Viltrox XF 56/1.4 AF mounted on a Fuji X-T4.

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    Andrea Monti

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    Suspicious

    September 8, 2013

    Waiting for the match…

    December 28, 2012

    Next Time, Maybe…

    January 12, 2014
  • B&W,  Daily photo,  Handball,  Sport,  Spring,  Technique

    How to Shoot an Handball Match with a Film Camera

    May 25, 2024 /

    Shooting an handball match between Italy and France, unfortunately with an unhappy ending for my Country, was an opportunity to bring back to life the rugged Canon Eos 1V, the mighty fifty and a roll of a (unexpired) Kodak Tri-X 400. When I shoot sports and, in general, events where shutter noise is not an issue, I made a point, indeed, to always carry a film camera, so this time it was Canon’s turn. Shooting handball matches is quite challenging for a number of reasons. The first thing to stick in mind is that the ball is everything: if you miss it, the shot is more often than not a…

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    Andrea Monti

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    Zebra Crossing in Oslo… With Red Light

    October 12, 2014

    Nice Drink

    July 11, 2015

    Half a Bridge

    October 16, 2016
  • Autumn,  Daily Video,  Docks

    The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023

    May 8, 2024 /

    This is the fifth episode in a series documenting the use of expired film in various contexts. Episode 5 features a Kodak Tri-x 400 shot with a Yashica Zoomate 105 at the Marina di Pescara. The film was not overexposed, was processed with Darktable’s Negadoctor module and finalised with Pixelmator Pro. The results are not, by far, definitive.

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    Andrea Monti

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    The Last Icecream?

    October 30, 2013

    An illuminated escape path will help you to reach the exits …

    November 10, 2013

    The Seagull’s Rest

    December 18, 2013
  • Autumn,  B&W,  Colour,  Daily photo,  Seasons,  Spring,  Summer,  Technique,  Winter

    Yet Another WDISF Post

    May 5, 2024 /

    Yes, this is another ‘why do I shoot film’ post, and no, the answers are not ‘because it slows me down’, ‘because it connects me to the act of taking pictures’, ‘because I love the unique feeling of analogue images’, ‘because the inherent limitations of a film camera inspire creativity’, ‘why not?’ or any of the other common (and perfectly legitimate) reasons usually associated with the question. In addition, the wide range of post-processing options available to make a digital image look like an analogue one, even in terms of film emulsion, satisfies the need to produce an image with the ‘personality’ of a specific film. So, even the idea…

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    Andrea Monti

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    The Answer is On the Wall

    August 28, 2020

    AI or not AI?

    October 3, 2023

    A (Soon) Lost Banner

    November 1, 2018
  • B&W,  Daily photo,  Rome,  Spring,  Streets&Squares

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024 /

    I managed to grab a few rolls of the very first batch of Ferrania’s brand new P33 film, so I wasted no time in putting it to work with a Nikon F3 and the glorious Nikkor 50 f2. I won’t go into the technical details of this film, firstly because I can’t claim to be an authority on the subject, and secondly because Ferrania’s website has plenty of information. There is only one thing to know: the canister is not DX-coded, so shooting is only possible in full manual mode. This may change in the future, but for now this is the state of the art. Finally, a transparency note:…

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    Andrea Monti

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    Portrait of aTocaor

    October 8, 2013

    Lost In Barcelona’s Beauty

    June 13, 2014

    Reflexes

    December 30, 2015
  • Colour,  Daily photo,  Spring,  Technique

    How to Shoot Stand-up Paddle Competitions

    April 29, 2024 /

    Shooting Stand-Up paddle is complicated because, like in motor sports, things go on largely even until, all of a sudden action erupts. In other words, boredom is the first and foremost enemy of the photographer: it shuts down concentration because it is not possible to keep the focus (pun unintended) for too long. It may worth shooting a single athlete, for instance capturing an intense moment or a fall. However the final result will become more interesting if there is something (or somebody) else in the composition. The first key moment in an SUP challegne is the start. Once the signal is given, the athletes start running a few steps…

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    Andrea Monti

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    A Cello’s Player

    February 8, 2015

    An Old Wi(n)dow

    November 17, 2014

    Vive La France, The Oslo’s Way

    October 7, 2014
  • Artists,  Autumn,  Colour,  Daily photo,  Fighters,  Spring,  Summer,  Technique,  Winter

    Photography and the Importance of a Proper Training

    April 23, 2024 /

    In photography, among the various activities falling under the ‘preparation’ label, training is oftend underevaluated. Just as many newcomers to the world of guns think that buying expensive equipment will make them better shooters, many photographers think that mastering a bunch of exoteric camera settings will be enough to get decent pictures. This is summed up in a common piece of advice to novice shooters (of both guns and cameras): get out there and shoot. Results will just happen. I have nothing against a ‘Zen’ approach to things, based on instinct and intuition, but my Western, Benthamite mind does not allow me to forget that preparation is necessary to achieve…

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    Andrea Monti

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    Street Crossing

    September 17, 2014

    Too Late

    April 10, 2015

    Is This Photo Illegal?

    March 20, 2014
  • Colour,  Daily photo,  Handball,  Sport,  Spring

    How to Shoot Handball Matches

    April 14, 2024 /

    Photographing handball matches presents an array of challenges, requiring a high level of expertise, quick reflexes and a deep understanding of the sport’s dynamics. Central to the art of capturing these fast-paced events is the fundamental principle that the ball is the focal point of every shot. Failing to capture the ball likely produces a picture lacking relevance and impact. The presence of the ball not only indicates the focal point of the action, but also gives the image a sense of purpose and narrative coherence. Handball’s court is a hive of activity where players are constantly jostling for position, trying to break through defensive barriers or thwart an advancing…

    Read More
    Andrea Monti

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    Shooting a Roller Derby Bout

    November 19, 2024

    Full Moon

    May 9, 2017

    Legal Apartheid

    March 25, 2015
  • Buildings,  Colour,  Daily photo,  Rome,  Spring

    A Hellish Look

    March 26, 2024 /

    It is quite common these days to see images of various kinds using the facade of a building as a screen. In the case of government or state buildings, a flag appears out of nowhere after dusk.The overall effect is quite spectacular, especially in Italy where the palaces of power are beautiful works of art. However, when photographed with a narrow field of view, the result can be disturbing, as in this case, where the building looks more like some sort of hell embassy.It wouldn’t be strange, though: doesn’t the Pope live on the other side of the Tevere River?

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    Andrea Monti

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    The Last Icecream?

    October 30, 2013

    The Silent Dialog

    August 31, 2013

    A Casual Walk

    March 6, 2015
  • Actors,  Autumn,  B&W,  Bruxelles,  Colour,  Daily photo,  Fighters,  Fighting Disciplines,  Photography,  Spring,  Summer,  Winter

    What Does ‘Professional’ Mean in Photography?

    March 19, 2024 /

    Pro’ is the photographer’s blessing and curse. It is the status we all – well, many of us – aspire to. It is the marketing gimmick created by the exploiters of the Gear Acquisition Syndrome to make people believe that tools make the craftsman. ‘Amateur’, on the other hand, is a word associated with casual photographers, ‘wannabe’ artists, and people who want to make you believe that tools make the craftsman. I have always been unconvinced that such a difference exists, at least in the general meaning associated with the words ‘pro’ and ‘amateur’, and in relation to the idea that the equipment used or the quality of the shots…

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    Andrea Monti

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    The Leica M9 CCDgate Outrageous Case

    December 11, 2014

    Just a Bench (or a Sacrificial Altar?)

    January 11, 2017

    Footprint

    April 24, 2014
  • Autumn,  B&W,  Daily photo,  Fighters,  Gear,  Spring,  Summer,  Thoughts,  Winter

    Pentax – In Praise of Usability of Cameras and Lenses

    March 3, 2024 /

    The Internet is full of columns and videos about why ‘I left brand X for brand Y’, magnifiying this or that ‘new feature’ that forced a photographer to ditch his previous setup in favour of a brand new one. Sometimes there is a genuine motivation behind such a choice, sometimes – often – it is just a clickbait set up by the need (or hope) to monetise a piece of content published on a social network. This long introduction violates the golden rule of journalistic writing – tell the reader what’s the matter in the first paragraph or so – but it was necessary because this article is exactly that:…

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    Andrea Monti

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    Heater

    May 23, 2015

    Skating at Palais de Tokyo

    June 11, 2015

    An Old Motorcade

    August 10, 2015
  • B&W,  Daily photo,  Photography,  Rowing,  Technique,  Winter

    An Exercise in Composition (was: Rowing Boats)

    February 18, 2024 /

    Initially, I took this photo to document the poor state of a rowing teams’ dock. The idea was to praise the passion of this small group, who in the indifference of the general public, keep this discipline alive in a town, where soccer reigns supreme. However, when I saw the photo, it was the composition that attracted my attention: a classic example of the use of converging lines to drive the eye of the viewer. My only regret is that I failed to frame the small boat on the right, missing its bow. Had I been shooting digitally, I would have checked the result and retake the photo. Film, by…

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    Andrea Monti

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    Lost Bottles

    January 27, 2014

    5 Frames from our Tragic Past Shot with an iPhone 14 Pro Max

    April 4, 2025

    Waiting for the Fish

    December 18, 2021
  • Autumn,  B&W,  Boulevards,  Daily photo,  Marketing,  Rome,  Seasons,  Urban Landscape

    Iphone 15 Billboard in Via XX Settembre

    February 14, 2024 /

    This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast. This isn’t about the billboard. Not really. Yes, there’s a giant child smiling over Rome, her face stretched across several metres of vinyl, captured “with an iPhone 15,” if we’re to believe the tagline. She’s luminous, playful, part of a campaign you’ve probably already seen before you’ve even looked at it. But the photograph is something else. This was shot on orthocromatic film—intentionally. Shadows are carved in deeper than they should be. Highlights flare and collapse detail. The tonal scale isn’t flattering, and it isn’t faithful. It’s limited.…

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    Andrea Monti

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    Stairway to Hell

    January 9, 2022

    Red Bag, Black Shoes

    November 27, 2014

    No, You Don’t Need To Change Your Glasses

    June 14, 2014
  • Autumn,  Daily Video,  Fighting Disciplines

    The Expired Film Series – Episode 7 – Kodak Portra 160 – June 2015 shot in Oct. 2023

    January 11, 2024 /

    This is the seventh episode in a series documenting the use of expired film in various contexts. Episode 6 features a Kodak Portra 160 shot with a Canon Eos 1V and a Canon EF 50 1,8 at the Trofeo Judo Italia. The film was not overexposed, and processed with Affinity Photo 2 .

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    Andrea Monti

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    Reasonable Privacy Expectation

    April 17, 2014

    Daniele Silvestri – Live@Cinema teatro Massimo – Pescara

    March 21, 2016

    TelcoMan

    January 26, 2015
  • Airport,  Autumn,  B&W,  Daily photo,  People,  Photography,  Technique,  Tokyo

    Different Stories

    December 30, 2023 /

    Taking ‘static’ pictures, such as those of buildings and other architectural structures, can be quite challenging, as it is easy to fall into obvious, already seen compositions that rob the shot of any individuality.One of the things that can make an otherwise dull image more interesting is the presence of some kind of action that blends in with the stillness of the environment.In this case, the woman on the phone is in exactly the same position as the model on the billboard. Only they are telling two different stories.

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    Andrea Monti

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    Arrested Behind the Door

    March 29, 2015

    Tour Saint-Jacques, Standby

    March 27, 2014

    Ready for lunch

    September 2, 2014
  • B&W,  Bookstores,  Daily photo,  Winter

    二千円

    December 20, 2023 /

    The 2,000 yen note is something of a rarity even for the Japanese. As Japan is mainly a cash-based society (at least for everyday life), I made sure to carry enough money on my recent trip to the Kyushu region.The bank gave me a wad of brand new ¥2,000 notes, which were so unusual that they attracted the attention of many people I exchanged them with. The photo was taken with a КИЕВ 60 TTL and a волна 80/2.8, the film was a Ferrania P30.

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    Andrea Monti

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    A Grocery Store

    November 5, 2014

    Mind Your Business…

    January 9, 2013

    Norina shouts at Don Pasquale

    December 12, 2022
  • B&W,  Daily photo,  Rome,  Winter

    An Antique Shop in via Cadorna

    December 10, 2023 /

    The overall quality of the black and white rendition is acceptable. However, it is still necessary to find how achieve colour consistency in multiple DSLR-scan.

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    Andrea Monti

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    Hangmen

    May 21, 2013

    Alone

    December 31, 2017

    A Rusted Window

    September 11, 2014
  • B&W,  Daily photo,  Rome,  Streets&Squares,  Winter

    A jam in via Alessandria

    December 8, 2023 /

    Taking pictures with a fully manual camera is a way to keep practising the basics. Honestly, I would not use a film camera for a professional assignment —at least, not as the main one— but it’s worth doing it in a less challenging condition.As per the technicalities, waiting for the next batch of Ferrania Orto to arrive, I resorted to a Kodak Tri-X 400 roll, which is my favourite film at these ISOs.

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    Andrea Monti

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    A Standup Paddleboarder

    August 25, 2014

    Bent

    July 13, 2014

    What Lasts of Last Summer

    May 30, 2013
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