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5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400
The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter. Initially published on 35mmc.com. As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the…
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Selling Italian Ice in Boston
Sales culture is one of the most distinctive traits of American anthropology. The foundations of modern marketing strategies date back to forerunners such as P.T. Barnum’s ‘have a little something for everybody’ slogan and Edward Bernays, the father of public relations. It is ingrained in popular culture phenomena such as garage sales, lemonade stands ran by kids and jokes about used cars salesmen. Sales culture is also paired with customer (not consumer) culture, as in the ubiquitous mantra ‘customer is king’, which ‘shapes’ people’s attitudes in terms of demanding fairness and a proper ‘bang for the bucks’. – Initially published on 35mmc.com When it comes to selling, creativity knows no…
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5 Frames with various cameras – Ferrari On The Road(s)
Sports car photography usually happens in specific settings such as motorshows, official events, race tracks etc., where lights, crowds, fences and limited access to restricted areas are an issue. Doing the same on the street, however, is no less challenging as things happen unpredictably and, unless taking photograph of parked vehicles, there is no time to compose – Initially published on 35mmc.com In this photograph of a Ferrari F8 Tributo, the framing makes the car the focal point, and even though the door on the left adds a bit of visual clutter, it doesn’t detract from the overall result. The following image illustrate the trade-offs of reacting in real time…
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One Shot Story: Behind the Fence
There is nothing special about this photo in itself, but when placed in context, it changes the way we may look at it – Initially published on 35mmc.com The photo was taken in the fishing neighbourhood of my home town. Behind the fence erected by the developers were the fishermen’s small one-storey houses. Once a testament to the hard life they endured, over time the neighbourhood was abandoned and the houses gradually fell into disrepair. Now, for security reasons, it is not possible to look through the fence and see what the developers are planning to build in place of this small part of the neighbourhood. I could ask the…
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7Artisans 35mm 0.95 – Testing this Fujifilm X Mount Lens in a Demanding Environment
So far I have been very happy with the 7Artisans 35mm 0.95 in X-mount, but I have only tested it in non-demanding conditions. Although the results were promising at first sight, only a real test could give a definitive verdict (at least for me). So I decided to put it on trial last December 13, shooting ‘La Cenerentola’, Gioacchino Rossini’s melodrama at the Teatro Marrucino in Chieti (IT), together with the ‘battle-tested’ Fujifilm XF 18-120. Initially published on 35mmc.com Did it work out? Let me spoil the conclusions: I really like this lens in absolute terms and not because of its value for money. The colour reproduction is excellent, the resolving…
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One Shot Story: (Un)Available Coin Lockers at Shin Osaka Station
コインロッカー, the coin-operated lockers, are fundamental to travel around Japan: this is the first lesson any first-timer to this Country should learn beforehand. – Initially publishd on 35mmc.com Almost ubiquitous, they are plentiful in train stations and airports and are a convenient way to get rid of your luggage for a few hours or days while you are on a stopover. Until a few years ago, finding an empty コインロッカー was not such a daunting task, even when there were large numbers of tourists. Now, however, things have changed for the worse. Recently, on my way to Tokyo from Kyushu, I did —as the automatic PA system of the Shinkansen likes…
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A Night at the Opera – Plays and Opera Photography
This is an abbreviated version of a talk I gave to a local chapter of the Italian Federation of Amateur Photographers (FIAF) on the challenges of photographing in a Teatro all’italiana environment. A word to the wise: this post has just a few pictures because it talks about what happens behind the camera and not about what happens in front of it Initially published by 35mmc.com To approach professional photography in Italian-style theatres, it is essential to understand and deal with a series of difficulties and critical issues that characterise this particular environment. The Italian-style theatre, with its architectural structure, lighting layout and show dynamics, imposes a series of technical and…
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Gioacchino Rossini – La Cenerentola@Teatro Marrucino
This is part of a reportage I did on December 13, 2024 for the Teatro Marrucino in Chieti (IT) during the performance of Gioacchino Rossini’s La Cenerentola. Gear: Fujifilm X-T4 and X-T5 cameras, Fujinon XF 18-120 F4, 7-Artisans 35/0,95 X-Mount Find out more at https://andrea.monti.photography
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Portraits in Skating
In sports photography, portraits are as important as snapshots of crucial moments such as a win, a loss or an unpredictable event, for they are an excellent way to capture the humanity of the athletes, often and mistakenly seen – especially in high-level competitons and before the start – as soulless cyborgs. Initially published on 35mmc.com The very first moments after the game is over are a gold mine. Athletes are still full of adrenaline and eager to discuss their performance with their teammates. Before they shower, before they change into normal clothes, before they return to ordinary life their focus is on what went right or wrong. And when…
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Shooting a Roller Derby Bout
Of all the disciplines at the 2024 World Skate Games, which took place in Italy last September, roller derby is probably one of the lesser known, but also one of the most difficult to photograph. A contact sport, roller derby takes place in a very small space, in a very short time and at a very high speed. Once combined together, these three factors give the photographer a pretty hard time Initially published on 35mmc.com. Having been given a full access media pass to all the venues and the court, I was able to stay in a privileged position to take the shots. However, although in the past I have taken pictures of high…
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Shooting Fast Alfa Romeo on a Race Track
“The Citroen went into second and remained there; slowly we puffed up the long ascent. We had gone about a mile, when we became aware of a noise coming up from the valley, a noise like the noise of massed machine-guns. It grew louder and louder. A minute later a huge red Alfa Romeo road racer, looking suspiciously like the machine that had just won the Grand Prix d’ Europe, roared past at a speed that cannot have been less than fifty miles an hour. It was evidently being driven by a genius; for, looking up, we saw the scarlet monster negotiating turn after hairpin turn in the zigzag road…
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Shooting Kite Surfing
Kite surfing is quite spectacular but difficult to photograph. As with any water sport, the main difference that affects the results is whether or not the photographer is embedded in the organisation. In the former case, being allowed to stay on the official boats allows him to be closer to the action and get better shots. In the other case, the photographer must essentially rely on a telephoto lens (the longer the better) at the expense of depth of field – Initially published on 35mmc.com. Jumps and the flight phase are the most spectacular moments to capture. However, as the next two photos show, it is essential that the autofocus works…
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The Stupidity of Being Stubborn
I knew exactly that I was going to fail, but I did it anyway, irrationally thinking that for some not well clear reason the law of physics and optics could be defied by the sacred mission of the photographer. Thus, contrary to basic common sense, a few weeks ago I brought a Nikon 35TI loaded with a Ferrania P33 (ISO160) to a jazz manouche concert of the Tchavolo Schmitt trio at the French Embassy in Rome. The outcomes, as it was easy to predict, were just (euphemistically) poor – Initially published on 335mmc.com Let’s start with a test shot to ascertain if there was some issue with the hardware: Apart…
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Shooting Historical European Martial Arts (HEMA)-like Events
Historical reenactments are everywhere, and the volunteers who keep alive the memory of our past deserve our highest praise. Along with pure re-enactments, where the fate of the participants is already predetermined by history, and HEMA, where athletes compete using European weaponry and armour, there is a middle-ground discipline that is gaining momentum in Italy: Sport Reenactment – Initially published by 35mmc.com In short, SR players take part in reenactment events wearing faithful replica of the coats and arms of ancient Italian, Greek, Celtic and German tribes. But they also meet in forests and mountains to fight following a ruleset but without knowing in advance who is going to win. The…
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The Ferrania Film Series – Episode 1 – Ferrania Orto shot on October/November 2023
This is the first episode in a series documenting the use of Ferrania film in various contexts. Episode 1 features a Ferrania Orto shot with a Nikon 35 TI in Japan, between 25 October and 1 November 2023.
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How to (Unconventionally) Shoot Track and Field Competitions
Having been given a LOC pass for the European Athletics Championships currently taking place in Rome, I was able to practice unusual compositions in sports photography – Initially published on 35mmc.com Usually, the pictures taken by professional photographers working for media companies, broadcasters or magazines inevitably focus on the umpteenth iteration of the same actions (the concentration before the start, the relay change, the exertion after a fast or long run, etc.). Add to this the fact that the photographers are all in the same part of the venue, the results are very similar, at least in terms of perspective and field of view. This is an example: I don’t…
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Learning to Shoot Boxing Matches
Taking pictures in a boxing gym during regular training is a unique way to learn to understand when ‘the moment’ – a hit, a miss, a bob or a weave – is coming and develop an instinct for composition – Initially published on 35mmc.com This is important for two reasons. Firstly, as always with sports photography, you need to know the discipline you want to shoot and practice different options. But, in a classic Catch 22, if you don’t attend a fair number of bouts at ringisde, you won’t know the discipline and learn how to photograph it. Spending time in a gym, then, is the best second best option…
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5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160
Tevere, the river that divides Rome in two, is one of my favourite places. No matter how much chaos there is in the ‘high places’: walking along the banks of the river puts you in another dimension, where time has no meaning and the pace slows down – Initially published on 35mmc.com Anchored boats stand still, in stark contrast to the fast-moving streets, crowded with cars, bicycles, pedestrians and tourists who have returned in droves once the pandemic is over. This is obviously a mirror image, but it looks as if it has been projected onto a digital screen. And here is what was mirrored: There are a lot of…
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5 frames with a Kiev 60, a Volna 80/2,8 and a Ferrania Orto
Working on a ‘project’ or ‘series’ is a well-known way of giving meaning to the act of taking photographs. It serves many purposes, such as training in a particular technique, familiarising oneself with a camera and/or lens, or exploring stylistic options. A project is usually planned in advance, though not necessarily in great detail. However, as in the case of these images, sometimes the idea of a common thread linking different images just happens. I was wandering around the suburbs of my home town with a Soviet-era Kiev 60 and its ‘kit lens’, the Volna 80/2.8, and a roll of Ferrania Orto when I noticed the oddity of a worn-out…
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National Road Running Championships 2023 – Portraits
These portraits are taken from a reportage made at the 2023 National Road Running Championships. These sample images are a good example of one possible way of ‘seeing’ sporting action. In some cases, the portrait is completely isolated from the background, revealing a particular ‘moment’ experienced by the athlete, such as extreme physical exertion, rest and recovery after the race, or enjoyment of the location. In other cases, a single person is still at the centre of the image, but the surrounding environment completes and enhances the overall meaning of the photograph. The ability to superimpose different layers of meaning, and to adjust the camera and lens accordingly, is what…
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The Real-Life Lens Test Series – Episode 1: Viltrox XF 56/1,4 AF
This is a series documenting the real-life use of various lenses. The first episode features a Viltrox XF 56/1.4 AF mounted on a Fuji X-T4.
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How to Shoot an Handball Match with a Film Camera
Shooting an handball match between Italy and France, unfortunately with an unhappy ending for my Country, was an opportunity to bring back to life the rugged Canon Eos 1V, the mighty fifty and a roll of a (unexpired) Kodak Tri-X 400. When I shoot sports and, in general, events where shutter noise is not an issue, I made a point, indeed, to always carry a film camera, so this time it was Canon’s turn. Shooting handball matches is quite challenging for a number of reasons. The first thing to stick in mind is that the ball is everything: if you miss it, the shot is more often than not a…
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The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023
This is the fifth episode in a series documenting the use of expired film in various contexts. Episode 5 features a Kodak Tri-x 400 shot with a Yashica Zoomate 105 at the Marina di Pescara. The film was not overexposed, was processed with Darktable’s Negadoctor module and finalised with Pixelmator Pro. The results are not, by far, definitive.
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Yet Another WDISF Post
Yes, this is another ‘why do I shoot film’ post, and no, the answers are not ‘because it slows me down’, ‘because it connects me to the act of taking pictures’, ‘because I love the unique feeling of analogue images’, ‘because the inherent limitations of a film camera inspire creativity’, ‘why not?’ or any of the other common (and perfectly legitimate) reasons usually associated with the question. In addition, the wide range of post-processing options available to make a digital image look like an analogue one, even in terms of film emulsion, satisfies the need to produce an image with the ‘personality’ of a specific film. So, even the idea…
