Artists
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Max Casacci – Live@Circolo Aternino, Pescara
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Los niños y el tocaor
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Ramón Jarque, tocaor
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Interpreti Veneziani – Vivaldi’s Four Seasons Live@San Vidal
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Gary O’ Toole
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Nick Beggs
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Nad Sylvan
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Steve Hackett – Live@Teatro d’Annunzio
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Genta Fukue live@Sakura Terrace – Kyoto
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A Cello Player
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Play It Again, Sam!
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The Choir Master
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Interplay
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A Sad Violinist
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A Bad Experiment
I had to cover “in emergency” a date of the musical Notre-Dame de Paris and found myself “unarmed” (no camera available whatsoever), so I have been forced to fall back on my mobile. While, at the end of the day and with great difficulty, I have been able to shoot something vaguely useful, this experience blew away any possible plan to use a mobile’s camera to handle an assignment. Simply put, mobile’s cameras suck, unless you go for (very)close or cheap shots. This should have been pretty obvious without the need of looking for hard evidence. Nevertheless, out of necessity, I have been able to test and learn on my…
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Antonio Onorato
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Franco Cerri. The Last Jazz Living Legend
Ninety year’s old and still grooving!
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Distraction
Why the hell do people attend a live show, when wasting time on their mobile? 人々がコンサートに行きます でも時間を失います携帯電話を使用して、 音楽を聴きません
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Alex Britti – Live@Cinema teatro Massimo – Pescara
Another concert, another reportage. これらは マキシム劇場のペスカーラでアレックス Brittiのコンサートの写真です, ローマで ブルースと ポップの 音楽家です.
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Daniele Silvestri – Live@Cinema teatro Massimo – Pescara
Be Canon, Nikon or whatever, when the assignment is demanding, there is no substitute for a DSLR. I kept taking with me a Fuji (mainly, an X-E2 with the 18-55 and sometimes an X100s) as a wide-angle camera. The results are very good but, in a scenario like a theater, can’t possibly match the versatility of a 5D Mk III with the mighty Canon EF 100-400. Enjoy the pictures!
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A Sound Engineer
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Gigi Cifarelli Guitar Solo (feat. Michele Di Toro) – Live@Florian Espace Pescara
This the reportage I did on behalf of Rockol.it with a Canon 5d Mk III and the venerable Canon EF 70-200/2,8. The theater was small and few were the angles to be exploited. Thus I’ve decided to focus on close-ups and american shots.
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Who Can It Be Now?
The ubiquitous smartphone never let its owner (or slave?) free to enjoy a few time offline, not even during a concert …
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Staged?
This pictures portrays Max Gazzè 2016 tour’s official photographer asking the crowd to raise and wave the hands. Although the picture is staged (meaining: the photographer “created” the “moment” instead of waiting for it) the outcome is not, since is the result of the dialog between the photographer and the people.
