Andrea Monti

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  • B&W,  Daily photo,  Observer Bias,  Photography

    AI or not AI?

    October 3, 2023 /

    The original title of this photograph was ‘When the wait to see the doctor is too long’, and it was intended to illustrate how the ‘framing’ of an image into a particular concept changes – or creates from scratch – its overall meaning.However, when a friend of mine saw it, he commented, ‘Is this made by AI?’ Making a pun with my initials, I replied ‘No, it is not AI, it is AM’.Joking aside, what made me think is that this image could not have been further from being AI-generated: it was shot on film, with a twenty-year-old point-and-shoot camera loaded with a fifteen-year-old Ilford HP5 400 roll, yet it…

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    Andrea Monti

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    When We Were Kids

    August 18, 2013

    Should I Stay or Should I Go?

    November 29, 2013

    Luck is an Attitude

    January 25, 2014
  • Colour,  Daily photo,  Downtown,  Observer Bias,  PhotoCritics,  Rome,  Winter

    Light as Meaning Shifter

    December 11, 2019 /

    The original idea behind this picture was to match the emptiness of the shop with the facelessness of the mannequin posing as a store clerk, to convey a general feeling of depersonalization. Unfortunately, the big lightblot represented by the poster close to the mannequin catches the observer’s attention and reduce the effectiveness of the composition. Instead of connecting the mannequin with the internal part of the store thus making sense of the whole picture, the eye just “sees” an ad poster.

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    Andrea Monti

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    Fujifilm X-T3 Video Cheat Sheet

    September 5, 2021

    @ Mediterranean Beach Games 2015 – Italian Beach Handball Female Team (and a primer on sport photography, part 3)

    September 30, 2015

    Cornermen

    June 4, 2013
  • Colour,  Daily photo,  Jewelry,  Observer Bias,  PhotoCritics,  Rome,  Winter

    Keep Out!

    November 30, 2019 /

    This photo conveys a message of “rejection”: first, a security guard who blocks access to the jewellery and then a signal of a prohibition of access reinforces the concept, thanks to a composition that guides the eye to a diagonal that goes from the bottom to the top, from left to right. Obviously, there is nothing “true” about all this because the overall result is the result of the organization of the spaces and the management of the perspective that allow connecting semantically elements that, in reality, have no relationship between them. It would have been enough to shoot from a different angle – or not juxtapose the security guard…

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    Andrea Monti

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    Shooting a Roller Derby Bout

    November 19, 2024

    A Dangerous Alley

    May 25, 2013

    Waiting For The Elections

    June 24, 2014
  • B&W,  Daily photo,  Observer Bias,  Odds,  Visual,  Winter

    Not A Rorschach Inkblot

    December 24, 2017 /

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    Andrea Monti

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    Lost in mumbling

    September 22, 2013

    Early Morning’s Cleanup

    July 21, 2013

    60×40 Borderless Printing with a HP Z3200ps 24

    May 11, 2014
  • Beach&Shores,  Colour,  Daily photo,  Observer Bias,  People,  Summer

    A Dragon Trainer?

    July 8, 2014 /

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    Andrea Monti

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    Couples

    May 17, 2013

    A Toilet of the Court of Rome

    March 11, 2014

    A Casual Walk

    March 6, 2015
  • Bottles&Cups,  Colour,  Daily photo,  Observer Bias,  Restaurants&Bar,  Spring,  WideAngle

    Red Wine Makes Good Blood…

    April 27, 2014 /

    I made this image at the end of a long lunch — the kind where conversation lingers long after the plates are cleared, and the table becomes less of a place to eat and more a canvas of what just happened. The residue of red wine had bled into the paper surface, leaving behind those familiar circular stains — not accidental, not staged, just there. And I leaned in, glass still in hand, and shot. Technically, this is an exercise in distortion and proximity. I used a wide lens, close focus, and a shallow depth of field. The resulting visual field is warped, but purposefully. You can see the sweep…

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    Andrea Monti

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    Comarketing

    October 10, 2019

    Killing Santa? Really?

    January 25, 2013

    Processing a DSLR Digitised Black and White Film with Affinity Photo

    January 24, 2023
  • B&W,  Bruxelles,  Daily photo,  Observer Bias,  Spring,  Visual

    The Eye

    April 25, 2014 /

    Another example of the constant brain’s meaning quest in the things the eye sees. It wasn’t supposed to look back. This is the underside of a building’s curved overhang, a detail most people would never glance up to see. Shot from the ground in perfect alignment, it becomes something else entirely: an iris of steel and shadow, a lens with no glass, watching the world below. I titled it The Eye not just for the shape, but for the feeling. The symmetry is strict—deliberate, almost mechanical—yet the reflection in the polished granite softens it, turning precision into something poetic. A full circle emerges where there’s only a half. What’s solid becomes imagined.…

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    Andrea Monti

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    An Antique Shop in via Cadorna

    December 10, 2023

    Pre Colombian Artwork

    September 27, 2013

    Bored

    March 7, 2013
  • Colour,  Daily photo,  Observer Bias,  Spring,  WideAngle

    On the Edge of the World

    April 22, 2014 /

    This image is the outcome of a technical test as much as it is a commentary on environment and perception. I wanted to see how the venerable 1973 Nikkor 16mm f/3.5 fisheye would behave on the full-frame sensor of a Nikon D700. The result is a picture pulled to its edges, both optically and metaphorically. What this lens gives in distortion, it returns in expressive tension. The beach curves like the edge of a planet. The sky presses down as if it’s wrapping itself around the scene. A single line of debris cuts through the frame, pulling the eye toward a loosely gathered group of people, whose presence feels both…

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    Andrea Monti

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    Alone, Together…

    June 19, 2013

    Square Two

    June 18, 2014

    A Sailors’ Warehouse

    September 9, 2014
  • Colour,  Daily photo,  Observer Bias,  Spring,  WideAngle

    Bent

    April 21, 2014 /

    When I first lifted the camera to my eye for this shot, the Nikkor 16mm fisheye was not the lens you’d expect for such a pastoral, rolling landscape. Fisheyes, after all, are often the tools of cramped interiors, extreme sports, or deliberately surreal perspectives. Yet here, in the middle of vineyard country, I wanted to see what would happen if I let its inherent distortion play with the natural undulations of the hills. The result is a scene that feels almost elastic. The road on the right curves away more dramatically than it does in reality, while the vineyard rows tilt into an exaggerated arc, their geometry bending to the…

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    Andrea Monti

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    Portrait of a Judo Master

    November 14, 2013

    Portfolio

    February 24, 2014

    The Naughty Customer’s Place

    September 28, 2013
  • Colour,  Daily photo,  Milan,  Observer Bias,  People,  Photography,  Spring

    Brain vs Camera

    April 19, 2014 /

    The picture on the left is what the camera saw. The picture on the right is what I had in mind while shooting. Thanks to Photoshop I’ve been able to bend the “objectivity” of the camera along the line of my creativity.

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    Andrea Monti

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    Sunny Afternoon

    January 22, 2013

    Aren’t Tapas Spanish?

    June 29, 2015

    An interesting reading

    May 13, 2013
  • Colour,  Daily photo,  Observer Bias,  Spring,  WideAngle

    Lamp

    April 2, 2014 /

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    Andrea Monti

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    Whithin The Cage

    October 22, 2014

    The Hasselblad Way

    January 2, 2014

    Italy, Street-Photography and the Law

    October 29, 2013
  • Colour,  Daily photo,  Observer Bias,  Visual

    Ni

    January 26, 2014 /

    I photographed this wall for its simplicity: two scraps of weathered wood fixed to rough concrete, nothing more. Yet in their placement they formed a minimal composition, two marks on a textured surface that immediately reminded me of the Japanese character for “two” (二). It was not intended, but the resonance was unavoidable once I saw it through the viewfinder. The surface itself does much of the work. The granular, uneven wall contrasts sharply with the grain of the old planks. The top piece, broader and darker, bears the scars of age—splits, nails, faint stains. The lower fragment, smaller and lighter, almost echoes it, as if the two are in…

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    Andrea Monti

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    Portrait of a Wrestler

    October 27, 2013

    Merleria Livia

    February 14, 2015

    Becoming a Human Tripod

    January 9, 2017
  • Colour,  Daily photo,  Observer Bias,  People,  Photography

    Multiple Meaning

    December 10, 2013 /

    We do see, in a picture, what we want to see. While the vast majority would focus on the dynamics between the shooter with the hoodie and the man with spectacles, those familiar with the inner circle of photography in Pescara will immediately spot, behind the man, Mrs. Franca Cauti, the Big Boss at Ohmasa Foto Video…

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    Andrea Monti

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    Just A Bird

    July 1, 2014

    A sample of the Carl Zeiss Jena 135/F4 Sonnar and a Fuji X-T3

    February 5, 2023

    Dark Omen

    December 31, 2021
  • Artists,  Daily photo,  Observer Bias,  Photography,  Thoughts

    When The Passion Is Gone (thank to a sneaky photographer)

    August 21, 2013 /

    The close-up delivers a feeling of hot passion, as often tangueros do. But a wider view, including that sneaky photographer, kills the mood.

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    Andrea Monti

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    A Toilet of the Court of Rome

    March 11, 2014

    Red

    December 17, 2014

    When We Were Kids

    August 18, 2013

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