Andrea Monti

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  • Autumn,  Beach&Shores,  Colour,  Daily photo

    The Compelling Power of Photography

    September 22, 2022 /

    The sandstorm came fast — the kind that scours your skin raw, leaves grit between your teeth, and makes you regret every bit of exposed flesh. I had the Pentax K-3 II with the DA* 50–135mm f/2.8 mounted and ready, but even the gear felt fragile in that wind. Eighty kilometres per hour doesn’t sound like much until it becomes horizontal. In the middle of that chaos, he walked in. No jacket, no hood, no camera gear — just shorts, sunglasses, and a phone. He stopped, planted his feet in the shifting sand, and took a photo. Not staged, not dramatic. Just a gesture. In the middle of discomfort, maybe…

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    Andrea Monti

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    A Seagull

    May 10, 2021

    Humannequin

    January 10, 2013

    二千円

    December 20, 2023
  • Autumn,  Beach&Shores,  Colour,  Daily photo,  Photography

    Not AI-made…

    September 17, 2022 /

    The colour rendition of a photo taken with a Pentax (camera and lens) is unique. Taste is personal, and so is this opinion. One thing, however, is sure: the pictorial look of this photography is not made by an ‘AI’.

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    Andrea Monti

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    Inside the Garrison

    May 14, 2014

    A Rusted Window

    September 11, 2014

    Lunar Network Or Snowy Mountain?

    May 5, 2015
  • B&W,  Beach&Shores,  Daily photo,  People

    On Photography and Self-Delusion

    September 4, 2022 /

    Only travelling abroad gets exotic photos. No need to travel overseas to get unusual images. Shoot digital is the only way ‘to stay in the moment’. Going retro with film is the only way to stay ‘in the moment’. Get the latest gear you can find. No, use the cheapest stuff because photography is about the man, not the machine. Do not post process, do post process. Shoot colour; no shoot B&W. Use Midformat, no full-frame, no APS-C, no smartphone-size sensors… The list of advice coming from (self-professed) experts, journalists (most often, web content editors with no editorial clearance), and ‘seasoned’ (wannabe) photographers could grow forever.More often than not, these…

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    Andrea Monti

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    So Long, and Thank You for the Fish

    January 26, 2022

    One Coffee

    December 20, 2015

    Brain vs Camera

    April 19, 2014
  • B&W,  Beach&Shores,  Daily photo,  Winter

    Beach Party

    January 22, 2022 /

    Shot just after dawn, this image came together in seconds but tells a layered story of rivalry and instinct. The beach, in its usual emptiness, became a stage for the coarsely choreographed interaction between gulls and crows. I didn’t plan for a composition — I reacted to it. And yet, the result balances tension, motion, and rhythm better than many calculated frames. Technically, I leaned into softness rather than clarity. The overcast light pushed the colours into a muted palette, verging on monochrome. I let the flatness be, resisting contrast boosts in post, allowing the wet sand to mirror just enough detail without pulling the eye from the birds. Their…

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    Andrea Monti

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    Aren’t Tapas Spanish?

    June 29, 2015

    The Sharp Shooter

    March 10, 2015

    Between Sea and Sky

    February 12, 2015
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Sun Worshipers

    January 3, 2022 /

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    Andrea Monti

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    The SoundMaster

    July 10, 2013

    Busker and Covid-19

    January 26, 2021

    DSLR film scanning: episode three

    January 24, 2023
  • B&W,  Daily photo,  Landscape,  Winter

    Dark Omen

    December 31, 2021 /

    I photographed this scene in late winter, when the bare trees carried no leaves and the sky pressed low with heavy clouds. The flock of birds, startled into flight, scattered across the frame in uneven patterns. Their silhouettes against the pale backdrop gave the scene a sense of unease, as though the moment was charged with something more than simple movement. Compositionally, I placed the trees as anchors, their skeletal branches reaching upward and outward, filling much of the lower frame. They serve as both structure and stage, while the birds provide rhythm and unpredictability. The flock is not evenly distributed—clusters form and break apart, guiding the eye from one…

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    Andrea Monti

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    Harley-Davidson: Chrome And Presence

    December 24, 2018

    The Glassmaster

    September 4, 2017

    Very British

    October 29, 2016
  • Beach&Shores,  Colour,  Daily photo,  Seasons,  Winter

    Gliding Away

    December 21, 2021 /

    I caught this shot as the gull moved past me, wings stretched in an elegant curve, pulling away from the frame almost as quickly as I brought the camera to my eye. Tracking birds in flight with the DA* 50-135 on the K-3 II is always a test of reflexes and technique, especially when the background is a shifting plane of textured water. The lens handled the contrast well, keeping the bird distinct enough from the muted greens and greys of the sea, though the fine detail in the wingtips fell just short of crisp — a reminder that a fractionally faster shutter speed might have been the better choice.…

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    Andrea Monti

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    Garbage Collection

    August 26, 2013

    Ni État Ni Patron

    June 8, 2014

    Tables and Chairs, at Night

    May 7, 2013
  • Beach&Shores,  Colour,  Daily photo,  People,  Seasons,  Winter

    Waiting for the Fish

    December 18, 2021 /

    There’s a particular kind of pleasure in using the Pentax K-3 II paired with the DA* 50-135mm f/2.8—a combination that rewards patience much like the fisherman in this frame. The lens’s rendering and microcontrast gave me exactly what I wanted here: a clean separation between subject and background without the look feeling forced. The weather was brooding, the horizon hazy, and the colours naturally muted, so the camera’s sensor, with its well-known dynamic range, had plenty of tonal nuance to work with. The man in the red hoodie became my obvious focal point—a striking colour contrast against the cooler palette of sea and sky. His posture, hands clasped behind his…

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    Andrea Monti

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    Hey Mister!

    June 25, 2015

    A Night at the Opera – Plays and Opera Photography

    December 21, 2024

    Next, please!

    October 31, 2013
  • Beach&Shores,  Colour,  Daily photo,  Seasons,  Winter

    Should I Seat?

    December 15, 2021 /

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    Andrea Monti

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    Late

    December 31, 2012

    Where Do I Go From Here?

    October 13, 2016

    Hair Cut

    July 19, 2013
  • Beach&Shores,  Colour,  Daily photo,  People

    Man in Trenchcoat

    November 20, 2021 /

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    Andrea Monti

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    The Urban Chase

    April 10, 2013

    Wave Riders

    September 20, 2013

    Guest Are Welcome!

    December 1, 2014
  • Beach&Shores,  Colour,  Daily photo,  Lines

    Barbarians At the Beach

    August 30, 2021 /

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    Andrea Monti

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    Pouring Water Since About 300 Years

    December 23, 2014

    Busker and Covid-19

    January 26, 2021

    The SoundMaster

    July 10, 2013
  • Beach&Shores,  Colour,  Daily photo,  Winter

    A ‘Trabocco’ on the Adriatic Sea

    April 20, 2021 /

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    Andrea Monti

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    Quality Check. Try Before You Buy

    April 10, 2014

    Landing

    December 4, 2021

    Roots On The Roof

    September 6, 2015
  • Beach&Shores,  Colour,  Daily photo,  Gear,  People,  Technique

    Using a 1960 Leica Elmarit 90/2,8 on a Fuji X-T3

    April 5, 2021 /

    In short The Leica Elmarit 90/2,8 works flawlessly on a Fujifilm X-T3, also with third-party adapters having no electronic connection with the camera. It provides excellent results, notwithstanding its age. Using this lens for street photography requires using focus-peaking or zone focus. In this latter case, proper training is necessary to correctly assess the distance from the subject. Image quality On the X-T3 the lens preserves its unique identity. Its colour rendering gives pictures a distinctive ‘retro’ character. The Elmarit shows an excellent resolving power: thin lines are visible and well defined. Chromatic aberration is visible at F2,8. It disappears from F4 and ahead. Anyway, the lens profile is well…

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    Andrea Monti

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    An Essay on Composition

    February 14, 2021

    Man in Trenchcoat

    November 20, 2021

    Foto-Grafo featured on Yanidel.net

    March 20, 2013
  • Beach&Shores,  Colour,  Daily photo,  Gear,  Technique

    In praise of ‘cheap’ lenses for ‘pro’ works

    April 4, 2021 /

    Full disclosure: I have no relationship with Viltrox. I purchased the lenses with my own money and did not receive any request to write this post. I have recently discovered Viltrox, a Chinese manufacturer of lenses for the Fujifilm X-system. I am using the AF 85/1,8 II XF and the AF 56/1,4 XF and I am very satisfied by their performance. They are very good for ‘professional’ sessions, however, there are many online reviews that snobbishly rate these lenses as ‘amateur’, ‘non-professional’ or ‘first time portrait photography enthusiasts’ grade. I think that these reviews are unfair and here is why: What does ‘better’ mean? It is a known fact that…

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    Andrea Monti

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    Everything is ready for the service

    July 2, 2013

    Walking Table in via Cornaggia

    March 22, 2014

    A Night at the Opera – Plays and Opera Photography

    December 21, 2024
  • Beach&Shores,  Colour,  Daily photo,  Seasons,  Spring

    Footprints

    March 27, 2021 /

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    Andrea Monti

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    Tiles

    October 31, 2014

    Sega Codemaster

    November 21, 2017

    Lightblade

    September 6, 2013
  • B&W,  Beach&Shores,  Daily photo,  People

    Zombies

    March 4, 2021 /

    It was one of those winter mornings where the fog doesn’t just obscure — it swallows. Standing on the shoreline with the Nikon D610 and my trusty Nikkor 105mm f/2.5, I could barely see ten metres ahead. Figures emerged slowly from the haze, walking towards me in silence, their features lost in the grey void. The effect was unsettling enough that, reviewing the shots later, I couldn’t help but think of a scene from a low-budget horror film — the title wrote itself. Technically, this photograph is a study in embracing limitation. Autofocus in such conditions is almost pointless, and it wasn’t a problem since the lens is full-manual; I…

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    Andrea Monti

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    Out Of Focus, Once More

    October 6, 2014

    Technogym Milan@Night

    April 3, 2022

    Suspicious

    September 8, 2013
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Uninterested

    March 2, 2021 /

    No glance. No nod. Just two people moving through the same space, as if the other didn’t exist. This was taken on a beach that should have felt wide open, maybe even freeing—but something about the moment made it feel small, enclosed. The boy looks down at his phone. The girl walks past him, eyes fixed forward. Neither slows. Neither turns. They’re metres apart, yet orbiting separate worlds. I didn’t ask for this scene. It unfolded on its own. A brief choreography of disconnection. Their postures say enough: one drawn into a screen, the other into her own stride. There’s no hostility here—just absence. A quiet kind of loneliness, the…

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    Andrea Monti

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    Menu Meditation

    February 16, 2018

    Halt!

    December 28, 2017

    Mind The Gap!

    July 5, 2014
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    Lonely cart

    March 4, 2013

    Fashionable’s shots

    May 3, 2013

    The Casual Observer

    September 5, 2013
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Travels,  Winter

    Hope after the Storm

    January 8, 2020 /

    The sea hadn’t quite calmed when I made this frame—the wind still cut the crests sharp, and the noise of the waves clashing against the pilings of the trabocco was thick, physical. I waited for a break in the light, not hoping for much, and then the rainbow broke into view—just briefly—and gave the scene a tension it was missing. Not the kitsch kind of rainbow, but the kind that appears in defiance of ruin. The trabocco—an ancient fishing machine precariously perched on stilts—has always struck me as the embodiment of resilience. I framed it slightly to the left to leave space for the arc, letting the rainbow anchor the…

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    Andrea Monti

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    Rocco Zifarelli, Jeff Berlin, Beth&Danny Gottlieb, Gabriela Sinagra

    June 10, 2013

    RedLight

    November 6, 2015

    Learning to Shoot Boxing Matches

    July 18, 2024
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Summer

    Learning to Fly

    August 23, 2018 /

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    Andrea Monti

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    Not A Rorschach Inkblot

    December 24, 2017

    Why on Earth people, in Italy, still eat junk food?

    January 16, 2013

    Early Leave at Bruxelles-Midi

    March 23, 2014
  • Colour,  Daily photo,  Landscape,  Moon,  Spring

    Full Moon

    May 9, 2017 /

    Photographing the moon is a deceptively simple task — at least until you try it. What I wanted was the cold, silvery sharpness of our nearest celestial neighbour, etched against a black void. What I ended up with was something quite different, but not without merit: a moody study of the moon as seen through a gauzy veil of fast-moving clouds. The composition is almost entirely dictated by nature. The moon sits dead-centre, surrounded by concentric ripples of light refracted through water vapour. The clouds swirl and twist in soft greys, catching the pale light and turning it into a painterly texture. In the very heart, there’s a thin halo…

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    Andrea Monti

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    Lotus Tweak

    July 31, 2015

    Wasted Shot Because iPhone 7 Poor Low-Light Handling

    January 22, 2019

    Last Puff Before the Ride

    December 26, 2015
  • B&W,  Beach&Shores,  Daily photo,  Winter

    The Flying Dutchman… a sort of

    March 19, 2017 /

    I made this shot standing at the edge of a small harbour after midnight, the kind of hour where everything becomes abstract unless it’s lit. The boat, isolated and slightly listing, sat in complete stillness, half-moored, half-abandoned. It wasn’t moving, but it didn’t feel settled either. That in-betweenness is what caught my attention. The frame leaned heavily on underexposure—on purpose. I wanted the boat to emerge from the blackness like a memory, not an object. I metered for the faintest highlights and let the rest fall into noise and void. What the image lacks in tonal range, it gains in atmosphere. The blacks are thick, the shadows granular, and the…

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    Andrea Monti

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    Small Talk in Las Ramblas

    June 4, 2014

    Garbage Collection

    August 26, 2013

    Niccolò Fabi – Meno Per Meno Tour 2023 – Live@Teatro Massimo, Pescara

    May 7, 2023
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Winter

    Settled in the wrong place

    January 11, 2017 /

    There’s a jolt in seeing something so deeply tied to heat and aridity draped in snow. The prickly pear cactus, its fleshy paddles dusted white, looks almost embarrassed – as if caught wearing the wrong clothes for the season. This is a photograph about displacement, but not in a melodramatic sense; rather, it’s a quiet document of the absurdities nature sometimes hands us. From a compositional standpoint, the image benefits from its layered structure. The cactus dominates the foreground on the left, its irregular shapes and textures pulling the viewer in. Mid-ground, a smaller shrub offers a softer counterpoint, while the horizon – faint and blurred – separates the white…

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    Andrea Monti

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    Sky Patrol

    September 12, 2021

    Hanging News

    June 18, 2013

    What a odd couple of bipedals…

    February 26, 2013
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Where Are Skilifts Supposed to Be?

    January 7, 2017 /

    I took this photograph on a surreal winter morning when the Adriatic coastline had been transformed into something closer to the Alps than a seaside promenade. The skier, moving steadily away from me, became the anchor for the scene — his posture calm, almost resigned, as though he knew full well there would be no skilifts waiting for him ahead. From a compositional standpoint, I wanted the perspective lines to work hard here. The lamp posts, the pavement edges, even the faint ski tracks converge toward the centre, guiding the eye deeper into the image. The figure is positioned just off-centre, allowing the street to breathe while still holding the…

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    Andrea Monti

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    Just A Bird

    July 1, 2014

    Secret Beyond the Door

    October 24, 2013

    Lost in iPhone while the wind blows

    January 23, 2013
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