Rome
-
Distraction
-
Carabinieri:To Serve And Protect
-
Art Auction at Piazza Navona
-
A coffee at Saint Eustachio’s
This photo is taken with an X-E2 coupled with a Zeiss Planar 50/1,5, manually focused. Although the visible purple shift in the face of the barman is still visible, it doesn’t change the quality of the colours rendition.
-
Action! (beware of Fuji X-Pro 2)
I’ve shot this picture with a Fujifilm X-E2 and a Zeiss C Sonnar T* 1,5/50 ZM. The split-image manual focus confirmation worked properly (though with a strong light it’s more difficult to handle it) and the resulting file in term of size and quality is fairly satisfying. Enter the X-Pro2 with a bigger resolution and new RAW format. While a 24 Megapixel APS-C sensor creates file that can be handled by most of the computer currently in place, the new RAW format will require the latest Photoshop CC/Lightroom update. So, if you chose not to enter into the mud of a subscription-based software licensing model, all of a sudden you…
-
Sales Force
-
Without Glasses @ via del Corso
This picture is a mistake. The X100s auto-focus didn’t work properly and I got this result that, nevertheless, I quite like.
-
Should I Buy It? (Best Taken With an 85mm)
…but actually with a 23mm (35mm equivalent, cropped.)
-
The Watchman (Street-Photography Shortcuts)
As every thing under the sun, Street-Photography too has its own shortcuts: freaky street-portraits are one of those. It’s easy to have your pictures noticed when your subject is a 60-years old Brit-Punk, an implausible-color dressed man or whatever alike: these subjects do the work on your behalf and it is very hard to obtain such kind of picture AND conveying actual meaning. Personally I like photos that – alone or made meaningful by a title – can tell a story. This way I can try to (pretend to) make “unique” shots, that stand with dignity in front of the zillions of 500px/Instagram/Flickr’s great images that are often perfect but…
-
True Leather (Saved by Photoshop’s Crop)
A 35mm focal length is definitely much too wide for my kind of street-photography, but I must admit that the advantages of using a Fujifilm X100s in terms of efficiency and portability, beat any other issue related to the wideness of the lens. And the X100s’ resolution is good enough to obtain a good composition through Photoshop’s crop feature.
-
Fujifilm X-Pro 2: Does It Worth It? (Lost In Via Del Corso)
As a Fujifilm camera early adopter (during time I got the X-pro 1, X100, X100s, X-E1 and X-E2) I was waiting for the X-Pro 2 to come and when that finally happened I didn’t feel so compelled to trash my (now) old cameras to do the switch. Long gone are the days of GAS (Gear Acquisition Syndrome), so I shall not buy this new piece of electronics because it doesn’t do anything that I can’t do with my actual set up (in particular, with the X100s and the X-E2.) The only actual point of interest, to me, are the dual-slot card and the weather sealed body: but I never needed…
-
A Nikon’s Portrait Made With a Fuji
-
Traffic Jam in Rome
-
The Coffin
-
Priority Pass Lounge at Fiumicino Airport
-
A Waiter in via Sardegna
-
Inside The Palace of Power
-
Trial Docks Waiting for the Justice to Come
-
Final Arrangements Before the Hearing
-
Outside the Courthall
-
Behind the Glass
-
Arrested Behind the Door
Arrested inside. Don’t enter unless you can prove you’re (their) lawyer…
-
Room 17
Unlucky number for an unlucky day
-
Legal Apartheid
