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Andrea Monti

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  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Up from the Waterline

    December 3, 2016 /

    As a photographer, I have always been drawn to the power of perspective—how the choice of vantage point can turn a simple set of stairs into a visual narrative. Up from the Waterline achieves precisely this, transforming an ordinary urban ascent into a scene layered with mood, tension, and a touch of mystery. Framed from the bottom of the stairwell, the composition draws the eye upward in a natural, almost subconscious motion. The heavy shadows along the concrete walls create a narrowing funnel of light, directing attention to the top landing where a burst of colour—a pot of flowers—awaits. This sudden contrast between the dark, gritty stone and the warm,…

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    Andrea Monti

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    Fujifilm XF 18-120 just snapped in two

    September 10, 2023

    Welcome in the New (?) Year

    January 1, 2014

    One Shot Story: (Un)Available Coin Lockers at Shin Osaka Station

    December 22, 2024
  • Cities,  Colour,  Daily photo,  London,  People,  Seasons,  Summer

    Different Financial Transactions

    November 3, 2016 /

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    Andrea Monti

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    Zebra Crossing

    March 14, 2014

    As Time Goes By

    June 11, 2013

    When Colour Helps Composition

    February 7, 2020
  • Cities,  Colour,  Daily photo,  London,  People,  Seasons,  Streets&Squares,  Summer,  Urban Landscape

    Very British

    October 29, 2016 /

    Taken in London, this photograph distils a handful of instantly recognisable motifs into a single frame — the black cab, adorned with a Union Jack roof, easing forward past a red telephone box, with “Look Left” painted on the asphalt as a quiet instruction to visitors. The two women waiting at the kerb, one in tights and flats, the other in sandals and jeans, are caught mid-interaction, their body language suggesting either anticipation of crossing or casual conversation. From a compositional standpoint, the cab takes command of the foreground, placed fractionally off-centre to allow the eye to travel backwards along the street. The depth is reinforced by the layering of…

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    Andrea Monti

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    Multiple Peripheral Visions

    February 10, 2016

    Emanuele Cavallucci. The New Italian Pro Boxing Welterweight Champion

    March 9, 2019

    Landed

    December 19, 2013
  • Cars&Bikes,  Cities,  Colour,  Daily photo,  London,  Seasons,  Summer,  Visual

    London in Motion: A Night Ride in a Single Frame

    October 26, 2016 /

    A red double-decker bus slices through the night, leaving only its luminous ghost behind. In this fleeting moment, captured on a wet London street, the city reveals its rhythm—not through its buildings or its people, but through its constant movement. The bus doesn’t pause to announce itself. Its iconic shape is blurred into streaks of red and blue light, a reminder that in this city, life is always in transit. The wet pavement catches the glow of streetlamps and traffic signals, spreading the colours like brushstrokes across black asphalt. Even the green arrow on the traffic light seems to point the way forward, as if urging the scene along. Behind…

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    Andrea Monti

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    Spumante (Italian Champagne) ready to fuel the party

    May 29, 2013

    Balilla

    July 17, 2015

    Elishéva live@Faneuil Hall

    July 8, 2023
  • Cities,  Colour,  Daily photo,  London,  Odds,  People,  Summer,  Visual

    The Day of the Zombies

    October 23, 2016 /

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    Andrea Monti

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    Ray-Ban in Milan

    October 5, 2015

    Three Shadows

    November 11, 2016

    In a yellowtone…

    September 17, 2013
  • Cities,  Colour,  Daily photo,  London,  OutOfFocus,  People,  Summer

    Ghosts

    October 19, 2016 /

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    Andrea Monti

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    Snaps of a Flamenco recital…

    April 26, 2013

    Countersniping

    February 7, 2014

    A Beverage Dispenser

    November 21, 2014
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Half a Bridge

    October 16, 2016 /

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    Andrea Monti

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    Nick Beggs

    July 12, 2017

    Lockpicking Tools

    December 11, 2018

    Easy To Shoot?

    December 12, 2020
  • Cities,  Colour,  Daily photo,  London,  People,  Summer

    Where Do I Go From Here?

    October 13, 2016 /

    I made this photo in the middle of a transit hall—hard surfaces, glass glare, and the quiet choreography of people mid-journey. The woman in the foreground walks with purpose, but her eyes betray hesitation. She’s holding a ticket, a folded coat, a bag slung forward in a way that suggests she’s not fully settled. That moment of uncertainty, brief as a blink, is what locked this frame for me. The Leica M9 isn’t forgiving in high-contrast light like this. Dynamic range is limited, and if you blow your highlights, they’re gone for good. I underexposed slightly, prioritising detail in the skin and clothing, knowing I’d have to manage the blown…

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    Andrea Monti

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    Late-afternoon’s snack

    April 15, 2013

    5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160

    July 11, 2024

    School of Mathematics@Sapienza University of Rome

    November 10, 2018
  • Cities,  Colour,  Daily photo,  Docks,  London,  People,  Summer

    Killing Time

    October 10, 2016 /

    I took this shot on a warm afternoon along the South Bank, a place that constantly offers small theatres of human behaviour. What caught my attention wasn’t just the variety of people, but the choreography they seemed to form without knowing it. On the left, a couple stand, the man in mid-turn, the woman absorbed in her phone. In the middle, four figures sit on the pavement, each lost in their own world—two immersed in digital screens, two in books. To the right, two women converse, bodies leaning slightly inward. The visual anchor is the large poster behind them: an intricate illustration of a face framed by peacock feathers. It…

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    Andrea Monti

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    On Photography and Self-Delusion

    September 4, 2022

    Romeo’s Hideout

    December 16, 2015

    Personal Musing On Monochrome Digital Cameras

    September 11, 2025
  • Cities,  Colour,  Daily photo,  Docks,  London,  People,  Summer

    Weren’t a Smartphone and a Selfie Stick Enough?

    October 6, 2016 /

    I came across this scene by the river, a curious reminder of how professional video production still insists on carrying a certain visual gravitas—bulky cameras, tripods, cables trailing like stubborn vines, a producer juggling a laptop in the open air. The subject, immaculately dressed in black with a luxury backpack and gold-accented shoes, seemed to embrace the contrast: part street style, part broadcast formality. From a photographic standpoint, I framed the shot to capture the triangle of interaction: presenter, cameraman, producer. The bridge in the background, softened by a wide aperture, hints at location without intruding. The muted palette of the surroundings lets the splashes of colour—those gold shoes and…

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    Andrea Monti

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    A Calm Person

    January 8, 2014

    Waiting for The Flight

    July 14, 2013

    One Coffee

    December 20, 2015
  • Cities,  Colour,  Daily photo,  Fighters,  London,  People,  Summer

    Did You Forget Something?

    October 3, 2016 /

    Two Guardsmen march in precise step, the scarlet of their tunics and the gleam of polished boots cutting sharply against the muted stone façade behind them. The one at the rear carries the regimental colour, upright and immovable, while the man in front moves with equal discipline but empty-handed. It’s this absence — that invisible weight where a ceremonial object should be — that transforms a moment of rigid tradition into something quietly humorous. I composed the frame to isolate the pair mid-stride, ensuring both figures were given enough breathing space to let the eye move between them. The shallow depth of field was intentional; I wanted the bystanders in…

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    Andrea Monti

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    Splinter

    March 13, 2021

    Walking at Night, in Milan

    September 30, 2013

    Let’s get the party started…

    January 20, 2014
  • Buildings,  Cities,  Colour,  Daily photo,  London,  Summer

    The Financial Times at Night

    October 1, 2016 /

    Photographing office buildings after dark often reveals more than the day ever will. In this frame, the Financial Times offices stand illuminated against the void of a London night, each lit rectangle a stage, each desk a silent prop. The bright interiors are clean and geometric, their fluorescent light pouring through the grid of windows, set into the modernist rhythm of the façade. The composition is precise, aligned so the vertical and horizontal lines of the structure carry the weight of the frame. A slight foreground intrusion — the blurred metal fence — reminds the viewer that the vantage point is from the street, outside looking in. This physical separation…

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    Andrea Monti

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    Stadio Olimpico, seen from Tribuna Monte Mario

    October 1, 2022

    Bicycle

    February 2, 2015

    A quiet watchdog or long-time friend who enjoys some rest??

    May 23, 2013
  • Cities,  Colour,  Daily photo,  London,  People,  Restaurants&Bar,  Summer

    Late Night Conversation at Cardinal’s Wharf

    September 29, 2016 /

    I took this from across the street, handheld in the dark, balancing shutter speed against the pulse in my wrist. Inside, lit by that unmistakable domestic glow, a group leaned into conversation — not performative, not loud, just steady voices behind glass. I didn’t need to hear them. The posture told enough: bodies turned, heads dipped, attention fixed. The architecture did the framing. Georgian windowpanes divide the scene into grids, slicing the figures into segments — fragments of intimacy seen from a public path. The deep contrast between the warm interior and the cool, shadowed exterior gave the photo its form. This wasn’t voyeurism. It was a study in separation…

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    Andrea Monti

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    Lightblade

    September 6, 2013

    Downtown Pulse

    October 17, 2014

    A Rudder

    February 19, 2021
  • Colour,  Daily photo,  London,  Summer

    Skull of Glass at the London Science Museum

    September 27, 2016 /

    Standing in front of this glass skull, I was struck by the tension between its physical transparency and the opacity of its meaning. Photographically, the object invites a very particular challenge — how to capture something that both reflects and refracts its surroundings while retaining a sense of sculptural form. I approached the composition head-on, embracing the symmetry of the human face while allowing the slight distortions of the glass to play across its features. The choice of a tight crop eliminates environmental distractions, forcing the viewer into a direct confrontation with the piece. The reflections — faintly revealing the space beyond — create subtle secondary layers, adding context without…

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    Andrea Monti

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    Hey Mister!

    June 25, 2015

    Gloves

    October 19, 2014

    Flashes’ Forgotten Powersuits

    April 11, 2014
  • Cities,  Colour,  Daily photo,  London,  People,  Summer

    A Single(‘s) Call

    September 24, 2016 /

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    Andrea Monti

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    Waiting For The Bus On Las Ramblas

    August 19, 2014

    Vasa’s Ghost

    July 11, 2016

    WTF Are They Looking At?

    May 7, 2014
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Blackfriars Train Station Banner

    September 22, 2016 /

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    Andrea Monti

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    A Splash of Colour

    November 13, 2013

    On The Rocks

    August 13, 2014

    Silhouettes@Osaka Castle

    June 12, 2018
  • Autumn,  Colour,  Daily photo,  London,  Seasons,  Streets&Squares

    Just Another Piccadilly Circus’ View

    September 20, 2016 /

    There’s a temptation, when standing in the middle of London’s Piccadilly Circus, to think that you’ve seen it all before. And in a way, you have. This is one of the most photographed corners of the city—neon-lit, traffic-heavy, forever brimming with tourists. Which is precisely why I wanted to make this frame. Not to reinvent the wheel, but to quietly acknowledge its inevitability. I chose a slightly elevated position, letting the sweep of Regent Street’s curve pull the viewer’s eye into the frame. The red double-decker is exactly where it should be—almost a cliché—but here it works as a punctuation mark in the composition, tying in with the bold McDonald’s…

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    Andrea Monti

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    One Shot Story – Soulless Places

    April 17, 2025

    Addicted to (Nintendo) Switch

    July 6, 2017

    Americana Skating – Italian National Championship 2019

    February 4, 2019
  • Autumn,  Cities,  Colour,  Daily photo,  Docks,  London

    A Boat Under The Bridge

    September 18, 2016 /

    There’s something inherently cinematic about the Thames at night. The water becomes a restless mirror, fractured and stitched together by the city’s lights. In this photograph, taken beneath one of London’s bridges, the play of colour is what first arrests the eye: deep blues and purples flood the steel framework, punctuated by warm reds and yellows that seem almost to breathe against the cold tones. From a compositional standpoint, the arch of the bridge acts as a powerful leading line, drawing the viewer’s gaze toward the illuminated boat gliding quietly in the background. The layering here — water in the foreground, the bridge’s underbelly at mid-frame, and the distant boat…

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    Andrea Monti

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    Lost In Barcelona’s Beauty

    June 13, 2014

    Christmas Time at Covent Garden

    December 25, 2013

    Histoire d’O

    November 11, 2014
  • Autumn,  Cities,  Colour,  Daily photo,  London,  People

    Bus Driver

    September 16, 2016 /

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    Andrea Monti

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    Countersniping

    February 7, 2014

    Helios 40-2 85/1,5 and Fuji X-T5: a sample

    June 21, 2023

    Waiting for the Justice to Arrive

    March 11, 2013
  • Autumn,  Colour,  Daily photo,  London,  WideAngle

    A London’s Skyline

    September 13, 2016 /

    London at night has an entirely different pulse. From the South Bank, the city stretches across the Thames in a jumble of modern glass and steel, its towers blinking like an impatient circuit board. In this frame, the Walkie Talkie leans imposingly to the right, while the jagged edges of the Cheesegrater and other high-rises punctuate the skyline. The Millennium Bridge slices across the scene, leading the eye to that bright cube of light floating on the river—a beacon, a question mark, perhaps both. Technically, this was a balancing act. Night photography in an urban environment often tempts you to overexpose the lights or lose detail in the shadows. Here,…

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    Andrea Monti

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    Nightlife

    June 20, 2013

    Caparezza – Live@Palamaggetti Roseto degli Abruzzi

    February 12, 2018

    While the kids grow-up…

    July 25, 2013
  • Autumn,  Colour,  Daily photo,  London,  OutOfFocus

    London Swash

    September 3, 2014 /

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    Andrea Monti

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    An Old Boxing Gym

    February 22, 2016

    The Kiev 60 and a fix for the frame spacing issue

    October 8, 2023

    Argument on the Range

    November 7, 2016
  • Airport,  B&W,  Daily photo,  London,  Visual

    Stantsted Lounge’s Chairs

    December 31, 2013 /

    I took this photo just after the final boarding call echoed through the terminal, the kind of stillness that only follows a rush. The lounge was cleared in minutes — all urgency gone, replaced by silence. The chairs, once wrapped in the inertia of travel, now stood like architectural punctuation against the faux-wood paneling, waiting for the next wave of restless travellers. I framed the shot at a low angle, intentionally compressing the line of stools to push a rhythm into the scene — one repetition after the other. It’s a simple structure, but the legs of the stools, criss-crossing over each other, create a mesh of shadow geometry on…

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    Andrea Monti

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    The dilemma

    January 11, 2013

    Scarf’s Meeting

    March 5, 2014

    The Financial Times at Night

    October 1, 2016
  • Colour,  Daily photo,  London,  Visual,  Winter

    London Panning

    December 30, 2013 /

    Pure Luck. Sometimes happens.

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    Andrea Monti

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    @ Rome’s Maker Faire – 6. Lost In Texting

    November 23, 2014

    A Fisherman

    August 29, 2014

    The Flying Dutchman… a sort of

    March 19, 2017
  • Colour,  Daily photo,  London,  People

    Fast Call

    December 28, 2013 /

    Clients are waiting, still, an urgent call needs to be done.

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    Andrea Monti

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    Three Lamps

    September 19, 2022

    Seats

    September 11, 2017

    Where Are Skilifts Supposed to Be?

    January 7, 2017
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