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Andrea Monti

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  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Up from the Waterline

    December 3, 2016 /

    As a photographer, I have always been drawn to the power of perspective—how the choice of vantage point can turn a simple set of stairs into a visual narrative. Up from the Waterline achieves precisely this, transforming an ordinary urban ascent into a scene layered with mood, tension, and a touch of mystery. Framed from the bottom of the stairwell, the composition draws the eye upward in a natural, almost subconscious motion. The heavy shadows along the concrete walls create a narrowing funnel of light, directing attention to the top landing where a burst of colour—a pot of flowers—awaits. This sudden contrast between the dark, gritty stone and the warm,…

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    Andrea Monti

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    Roots On The Roof

    September 6, 2015

    Last Puff Before the Ride

    December 26, 2015

    HeadButt

    August 5, 2023
  • Cities,  Colour,  Daily photo,  London,  People,  Seasons,  Summer

    Different Financial Transactions

    November 3, 2016 /

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    Andrea Monti

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    Just a soccer field… Part 3

    February 5, 2014

    Rocco Zifarelli, Jeff Berlin, Beth&Danny Gottlieb, Gabriela Sinagra

    June 10, 2013

    Pizza Maker@Ueno’s Park

    June 6, 2018
  • Cities,  Colour,  Daily photo,  London,  People,  Seasons,  Streets&Squares,  Summer,  Urban Landscape

    Very British

    October 29, 2016 /

    Taken in London, this photograph distils a handful of instantly recognisable motifs into a single frame — the black cab, adorned with a Union Jack roof, easing forward past a red telephone box, with “Look Left” painted on the asphalt as a quiet instruction to visitors. The two women waiting at the kerb, one in tights and flats, the other in sandals and jeans, are caught mid-interaction, their body language suggesting either anticipation of crossing or casual conversation. From a compositional standpoint, the cab takes command of the foreground, placed fractionally off-centre to allow the eye to travel backwards along the street. The depth is reinforced by the layering of…

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    Andrea Monti

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    YANE – Yet Another Nepal Exhibit

    March 23, 2015

    An Early Morning Fishing Expedition

    July 29, 2014

    Love is like a flower

    May 18, 2013
  • Cars&Bikes,  Cities,  Colour,  Daily photo,  London,  Seasons,  Summer,  Visual

    London in Motion: A Night Ride in a Single Frame

    October 26, 2016 /

    A red double-decker bus slices through the night, leaving only its luminous ghost behind. In this fleeting moment, captured on a wet London street, the city reveals its rhythm—not through its buildings or its people, but through its constant movement. The bus doesn’t pause to announce itself. Its iconic shape is blurred into streaks of red and blue light, a reminder that in this city, life is always in transit. The wet pavement catches the glow of streetlamps and traffic signals, spreading the colours like brushstrokes across black asphalt. Even the green arrow on the traffic light seems to point the way forward, as if urging the scene along. Behind…

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    Andrea Monti

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    Milan

    March 19, 2015

    The Expired Film Series – Episode 6 – Kodak Portra 400 – November 2016 shot in Sept. 2023

    June 5, 2024

    Three Legged?

    July 21, 2017
  • Cities,  Colour,  Daily photo,  London,  Odds,  People,  Summer,  Visual

    The Day of the Zombies

    October 23, 2016 /

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    Andrea Monti

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    A pouch for the Fuji XF 150-600

    May 16, 2023

    An Old School Workstation

    September 12, 2014

    Avid Readers

    November 19, 2014
  • Cities,  Colour,  Daily photo,  London,  OutOfFocus,  People,  Summer

    South Bank’s Ghosts

    October 19, 2016 /

    London South Bank is rarely empty. People drift between lights, half tourists, half ghosts. This frame captures that uncertainty — the outlines of figures walking up the steps, undefined, dissolving into atmosphere. The architecture and sky barely hold form. You feel motion, distance, and a certain anonymity. I shot this image in one of those in-between winter evenings when the light fades faster than your eyes adjust. I hadn’t planned the frame; it happened as I climbed the steps toward the river and saw a group of people silhouetted against the low, cloudy sky. I  missed focus entirely. What emerged, however, was a photograph that said more in blur than…

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    Andrea Monti

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    The Bodyguard in Red

    April 13, 2014

    Three Sprouts

    May 22, 2022

    The Argument

    December 27, 2012
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Half a Bridge

    October 16, 2016 /

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    Andrea Monti

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    The SoundMaster

    July 10, 2013

    A Rural View

    December 8, 2014

    What lasts after a party…

    April 25, 2013
  • Cities,  Colour,  Daily photo,  London,  People,  Summer

    Where Do I Go From Here?

    October 13, 2016 /

    I made this photo in the middle of a transit hall—hard surfaces, glass glare, and the quiet choreography of people mid-journey. The woman in the foreground walks with purpose, but her eyes betray hesitation. She’s holding a ticket, a folded coat, a bag slung forward in a way that suggests she’s not fully settled. That moment of uncertainty, brief as a blink, is what locked this frame for me. The Leica M9 isn’t forgiving in high-contrast light like this. Dynamic range is limited, and if you blow your highlights, they’re gone for good. I underexposed slightly, prioritising detail in the skin and clothing, knowing I’d have to manage the blown…

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    Andrea Monti

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    Side by Side, Ready to Ride

    July 21, 2015

    The Violinist

    July 1, 2015

    Meaning in Photography

    March 4, 2020
  • Cities,  Colour,  Daily photo,  Docks,  London,  People,  Summer

    Killing Time

    October 10, 2016 /

    I took this shot on a warm afternoon along the South Bank, a place that constantly offers small theatres of human behaviour. What caught my attention wasn’t just the variety of people, but the choreography they seemed to form without knowing it. On the left, a couple stand, the man in mid-turn, the woman absorbed in her phone. In the middle, four figures sit on the pavement, each lost in their own world—two immersed in digital screens, two in books. To the right, two women converse, bodies leaning slightly inward. The visual anchor is the large poster behind them: an intricate illustration of a face framed by peacock feathers. It…

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    Andrea Monti

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    Seeking Directions – Where Do I Go From Here?

    September 10, 2013

    Alive Or Not?

    February 16, 2013

    Missed Airplane

    December 4, 2017
  • Cities,  Colour,  Daily photo,  Docks,  London,  People,  Summer

    Weren’t a Smartphone and a Selfie Stick Enough?

    October 6, 2016 /

    I came across this scene by the river, a curious reminder of how professional video production still insists on carrying a certain visual gravitas—bulky cameras, tripods, cables trailing like stubborn vines, a producer juggling a laptop in the open air. The subject, immaculately dressed in black with a luxury backpack and gold-accented shoes, seemed to embrace the contrast: part street style, part broadcast formality. From a photographic standpoint, I framed the shot to capture the triangle of interaction: presenter, cameraman, producer. The bridge in the background, softened by a wide aperture, hints at location without intruding. The muted palette of the surroundings lets the splashes of colour—those gold shoes and…

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    Andrea Monti

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    A Little Of Thailand In Rome

    August 3, 2013

    The Pulse of Passion: A Story Told in Red

    August 9, 2018

    Walking Table in via Cornaggia

    March 22, 2014
  • Cities,  Colour,  Daily photo,  Fighters,  London,  People,  Summer

    Did You Forget Something?

    October 3, 2016 /

    Two Guardsmen march in precise step, the scarlet of their tunics and the gleam of polished boots cutting sharply against the muted stone façade behind them. The one at the rear carries the regimental colour, upright and immovable, while the man in front moves with equal discipline but empty-handed. It’s this absence — that invisible weight where a ceremonial object should be — that transforms a moment of rigid tradition into something quietly humorous. I composed the frame to isolate the pair mid-stride, ensuring both figures were given enough breathing space to let the eye move between them. The shallow depth of field was intentional; I wanted the bystanders in…

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    Andrea Monti

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    On the Edge of the World

    April 22, 2014

    Three’s Company

    November 14, 2014

    No time for lunch at Piazza Fiume …

    February 20, 2013
  • Buildings,  Cities,  Colour,  Daily photo,  London,  Summer

    The Financial Times at Night

    October 1, 2016 /

    Photographing office buildings after dark often reveals more than the day ever will. In this frame, the Financial Times offices stand illuminated against the void of a London night, each lit rectangle a stage, each desk a silent prop. The bright interiors are clean and geometric, their fluorescent light pouring through the grid of windows, set into the modernist rhythm of the façade. The composition is precise, aligned so the vertical and horizontal lines of the structure carry the weight of the frame. A slight foreground intrusion — the blurred metal fence — reminds the viewer that the vantage point is from the street, outside looking in. This physical separation…

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    Andrea Monti

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    A Ryanair Aircraft

    August 21, 2018

    A Mesh

    February 16, 2021

    Stylish

    March 16, 2014
  • Cities,  Colour,  Daily photo,  London,  People,  Restaurants&Bar,  Summer

    Late Night Conversation at Cardinal’s Wharf

    September 29, 2016 /

    I took this from across the street, handheld in the dark, balancing shutter speed against the pulse in my wrist. Inside, lit by that unmistakable domestic glow, a group leaned into conversation — not performative, not loud, just steady voices behind glass. I didn’t need to hear them. The posture told enough: bodies turned, heads dipped, attention fixed. The architecture did the framing. Georgian windowpanes divide the scene into grids, slicing the figures into segments — fragments of intimacy seen from a public path. The deep contrast between the warm interior and the cool, shadowed exterior gave the photo its form. This wasn’t voyeurism. It was a study in separation…

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    Andrea Monti

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    Hard Spam

    April 1, 2013

    Portrait of a young guitar player

    May 4, 2014

    Oh…MG!

    July 23, 2015
  • Colour,  Daily photo,  London,  Summer

    Skull of Glass at the London Science Museum

    September 27, 2016 /

    Standing in front of this glass skull, I was struck by the tension between its physical transparency and the opacity of its meaning. Photographically, the object invites a very particular challenge — how to capture something that both reflects and refracts its surroundings while retaining a sense of sculptural form. I approached the composition head-on, embracing the symmetry of the human face while allowing the slight distortions of the glass to play across its features. The choice of a tight crop eliminates environmental distractions, forcing the viewer into a direct confrontation with the piece. The reflections — faintly revealing the space beyond — create subtle secondary layers, adding context without…

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    Andrea Monti

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    Purple Haze

    January 3, 2013

    Three Shadows

    November 11, 2016

    Portfolio

    February 24, 2014
  • Cities,  Colour,  Daily photo,  London,  People,  Summer

    A Single(‘s) Call

    September 24, 2016 /

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    Andrea Monti

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    A Missed Pricetag?

    January 29, 2013

    Lunar Network Or Snowy Mountain?

    May 5, 2015

    An Old Motorcade At Night

    August 10, 2015
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Blackfriars Train Station Banner

    September 22, 2016 /

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    Andrea Monti

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    Close up of an Ethnic Chessboard

    September 1, 2018

    Lost Cellos

    August 30, 2014

    Saturday Night’s Ice Cream

    August 19, 2013
  • Autumn,  Colour,  Daily photo,  London,  Seasons,  Streets&Squares

    Just Another Piccadilly Circus’ View

    September 20, 2016 /

    There’s a temptation, when standing in the middle of London’s Piccadilly Circus, to think that you’ve seen it all before. And in a way, you have. This is one of the most photographed corners of the city—neon-lit, traffic-heavy, forever brimming with tourists. Which is precisely why I wanted to make this frame. Not to reinvent the wheel, but to quietly acknowledge its inevitability. I chose a slightly elevated position, letting the sweep of Regent Street’s curve pull the viewer’s eye into the frame. The red double-decker is exactly where it should be—almost a cliché—but here it works as a punctuation mark in the composition, tying in with the bold McDonald’s…

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    Andrea Monti

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    Getting In The Zone Before the Shot

    November 28, 2016

    Who Said That Music Is Relaxing?

    August 14, 2013

    Supporter or Photographer?

    March 21, 2013
  • Autumn,  Cities,  Colour,  Daily photo,  Docks,  London

    A Boat Under The Bridge

    September 18, 2016 /

    There’s something inherently cinematic about the Thames at night. The water becomes a restless mirror, fractured and stitched together by the city’s lights. In this photograph, taken beneath one of London’s bridges, the play of colour is what first arrests the eye: deep blues and purples flood the steel framework, punctuated by warm reds and yellows that seem almost to breathe against the cold tones. From a compositional standpoint, the arch of the bridge acts as a powerful leading line, drawing the viewer’s gaze toward the illuminated boat gliding quietly in the background. The layering here — water in the foreground, the bridge’s underbelly at mid-frame, and the distant boat…

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    Andrea Monti

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    Via Collina, Empty, From Above

    September 13, 2014

    While the kids grow-up…

    July 25, 2013

    Footprints

    May 19, 2013
  • Autumn,  Cities,  Colour,  Daily photo,  London,  People

    Bus Driver

    September 16, 2016 /

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    Andrea Monti

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    Barbarians At the Beach

    August 30, 2021

    Creativity vs Originality

    March 11, 2024

    Padua, a photographer’s goldmine

    October 31, 2024
  • Autumn,  Colour,  Daily photo,  London,  WideAngle

    A London’s Skyline

    September 13, 2016 /

    London at night has an entirely different pulse. From the South Bank, the city stretches across the Thames in a jumble of modern glass and steel, its towers blinking like an impatient circuit board. In this frame, the Walkie Talkie leans imposingly to the right, while the jagged edges of the Cheesegrater and other high-rises punctuate the skyline. The Millennium Bridge slices across the scene, leading the eye to that bright cube of light floating on the river—a beacon, a question mark, perhaps both. Technically, this was a balancing act. Night photography in an urban environment often tempts you to overexpose the lights or lose detail in the shadows. Here,…

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    Andrea Monti

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    So long and thank you for the fish

    February 6, 2014

    Very British

    October 29, 2016

    To Do or To Own? (or the Photographer’s Dilemma)

    March 2, 2025
  • Autumn,  Colour,  Daily photo,  London,  OutOfFocus

    London Swash

    September 3, 2014 /

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    Andrea Monti

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    Nagoya’s reportage featured in The Good Life

    October 29, 2020

    @ Mediterranean Beach Games 2015 – Italian Female Rowing Team

    October 25, 2015

    Just A Bird

    July 1, 2014
  • Airport,  B&W,  Daily photo,  London,  Visual

    Stantsted Lounge’s Chairs

    December 31, 2013 /

    I took this photo just after the final boarding call echoed through the terminal, the kind of stillness that only follows a rush. The lounge was cleared in minutes — all urgency gone, replaced by silence. The chairs, once wrapped in the inertia of travel, now stood like architectural punctuation against the faux-wood paneling, waiting for the next wave of restless travellers. I framed the shot at a low angle, intentionally compressing the line of stools to push a rhythm into the scene — one repetition after the other. It’s a simple structure, but the legs of the stools, criss-crossing over each other, create a mesh of shadow geometry on…

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    Andrea Monti

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    Is This My Breakfast? (Kirobo, the new Pinocchio)

    December 14, 2014

    A Zeppelin in The New York Sky

    July 2, 2014

    Fixing the ship

    August 18, 2021
  • Colour,  Daily photo,  London,  Visual,  Winter

    London Panning

    December 30, 2013 /

    Pure Luck. Sometimes happens.

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    Andrea Monti

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    Fisherman’s Fatigues

    December 19, 2022

    Nagasaki Biker

    February 13, 2024

    The three musket(b)eer

    May 11, 2013
  • Colour,  Daily photo,  London,  People

    Fast Call

    December 28, 2013 /

    Clients are waiting, still, an urgent call needs to be done.

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    Andrea Monti

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    Plenty of Chairs in Via Veneto

    December 2, 2013

    Another attempt at DLSR film scanning

    January 21, 2023

    Where Are Skilifts Supposed to Be?

    January 7, 2017
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