Andrea Monti

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  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Up from the Waterline

    December 3, 2016 /

    As a photographer, I have always been drawn to the power of perspective—how the choice of vantage point can turn a simple set of stairs into a visual narrative. Up from the Waterline achieves precisely this, transforming an ordinary urban ascent into a scene layered with mood, tension, and a touch of mystery. Framed from the bottom of the stairwell, the composition draws the eye upward in a natural, almost subconscious motion. The heavy shadows along the concrete walls create a narrowing funnel of light, directing attention to the top landing where a burst of colour—a pot of flowers—awaits. This sudden contrast between the dark, gritty stone and the warm,…

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    Andrea Monti

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    An attempt at DSLR-made film digitization

    January 14, 2023

    So What?

    December 7, 2013

    The Last Icecream?

    October 30, 2013
  • Cities,  Colour,  Daily photo,  London,  People,  Seasons,  Summer

    Different Financial Transactions

    November 3, 2016 /

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    Andrea Monti

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    Off-Duty Eurocrats in Bruxelles

    March 28, 2014

    Franco Cerri. The Last Jazz Living Legend

    August 16, 2016

    The Lost Garage

    July 8, 2013
  • Cities,  Colour,  Daily photo,  London,  People,  Seasons,  Streets&Squares,  Summer,  Urban Landscape

    Very British

    October 29, 2016 /

    Taken in London, this photograph distils a handful of instantly recognisable motifs into a single frame — the black cab, adorned with a Union Jack roof, easing forward past a red telephone box, with “Look Left” painted on the asphalt as a quiet instruction to visitors. The two women waiting at the kerb, one in tights and flats, the other in sandals and jeans, are caught mid-interaction, their body language suggesting either anticipation of crossing or casual conversation. From a compositional standpoint, the cab takes command of the foreground, placed fractionally off-centre to allow the eye to travel backwards along the street. The depth is reinforced by the layering of…

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    Andrea Monti

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    On Air

    July 22, 2014

    Conversations, Silences, and Street Life

    August 5, 2014

    The El Prat’s Lounge

    June 5, 2014
  • Cars&Bikes,  Cities,  Colour,  Daily photo,  London,  Seasons,  Summer,  Visual

    London in Motion: A Night Ride in a Single Frame

    October 26, 2016 /

    A red double-decker bus slices through the night, leaving only its luminous ghost behind. In this fleeting moment, captured on a wet London street, the city reveals its rhythm—not through its buildings or its people, but through its constant movement. The bus doesn’t pause to announce itself. Its iconic shape is blurred into streaks of red and blue light, a reminder that in this city, life is always in transit. The wet pavement catches the glow of streetlamps and traffic signals, spreading the colours like brushstrokes across black asphalt. Even the green arrow on the traffic light seems to point the way forward, as if urging the scene along. Behind…

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    Andrea Monti

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    Everything is ready for the service

    July 2, 2013

    How to Shoot Handball Matches

    April 14, 2024

    Hard work

    February 13, 2013
  • Cities,  Colour,  Daily photo,  London,  Odds,  People,  Summer,  Visual

    The Day of the Zombies

    October 23, 2016 /

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    Andrea Monti

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    A Couch in the Yard

    November 18, 2013

    Catching the Tube in Paris

    June 11, 2014

    Right before the gig

    September 14, 2018
  • Cities,  Colour,  Daily photo,  London,  OutOfFocus,  People,  Summer

    Ghosts

    October 19, 2016 /

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    Andrea Monti

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    A

    March 30, 2014

    5 Frames from our Tragic Past Shot with an iPhone 14 Pro Max

    April 4, 2025

    The Hasselblad Way

    January 2, 2014
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Half a Bridge

    October 16, 2016 /

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    Andrea Monti

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    An Off Duty Anchor

    September 21, 2014

    Landscape

    December 21, 2012
    Copyright Foto AFP / Issouf Sanogo - ALL RIGHTS RESERVED

    A stupid quarrell

    April 7, 2013
  • Cities,  Colour,  Daily photo,  London,  People,  Summer

    Where Do I Go From Here?

    October 13, 2016 /

    I made this photo in the middle of a transit hall—hard surfaces, glass glare, and the quiet choreography of people mid-journey. The woman in the foreground walks with purpose, but her eyes betray hesitation. She’s holding a ticket, a folded coat, a bag slung forward in a way that suggests she’s not fully settled. That moment of uncertainty, brief as a blink, is what locked this frame for me. The Leica M9 isn’t forgiving in high-contrast light like this. Dynamic range is limited, and if you blow your highlights, they’re gone for good. I underexposed slightly, prioritising detail in the skin and clothing, knowing I’d have to manage the blown…

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    Andrea Monti

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    Out-of-Focus

    September 24, 2013

    Trento, After Dark

    June 23, 2013

    A view of the Bologna’s Station

    April 28, 2019
  • Cities,  Colour,  Daily photo,  Docks,  London,  People,  Summer

    Killing Time

    October 10, 2016 /

    I took this shot on a warm afternoon along the South Bank, a place that constantly offers small theatres of human behaviour. What caught my attention wasn’t just the variety of people, but the choreography they seemed to form without knowing it. On the left, a couple stand, the man in mid-turn, the woman absorbed in her phone. In the middle, four figures sit on the pavement, each lost in their own world—two immersed in digital screens, two in books. To the right, two women converse, bodies leaning slightly inward. The visual anchor is the large poster behind them: an intricate illustration of a face framed by peacock feathers. It…

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    Andrea Monti

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    Seeing What Isn’t There

    October 27, 2015

    (Not so) Intelligent Design

    October 26, 2018

    Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino

    March 29, 2022
  • Cities,  Colour,  Daily photo,  Docks,  London,  People,  Summer

    Weren’t a Smartphone and a Selfie Stick Enough?

    October 6, 2016 /

    I came across this scene by the river, a curious reminder of how professional video production still insists on carrying a certain visual gravitas—bulky cameras, tripods, cables trailing like stubborn vines, a producer juggling a laptop in the open air. The subject, immaculately dressed in black with a luxury backpack and gold-accented shoes, seemed to embrace the contrast: part street style, part broadcast formality. From a photographic standpoint, I framed the shot to capture the triangle of interaction: presenter, cameraman, producer. The bridge in the background, softened by a wide aperture, hints at location without intruding. The muted palette of the surroundings lets the splashes of colour—those gold shoes and…

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    Andrea Monti

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    Leaving The Actor’s Studio

    January 14, 2014

    Belgian Chocolate – Neuhaus

    November 16, 2015

    Giorgio Pasotti – Racconti disumani@Teatro Marrucino

    February 28, 2022
  • Cities,  Colour,  Daily photo,  Fighters,  London,  People,  Summer

    Did You Forget Something?

    October 3, 2016 /

    Two Guardsmen march in precise step, the scarlet of their tunics and the gleam of polished boots cutting sharply against the muted stone façade behind them. The one at the rear carries the regimental colour, upright and immovable, while the man in front moves with equal discipline but empty-handed. It’s this absence — that invisible weight where a ceremonial object should be — that transforms a moment of rigid tradition into something quietly humorous. I composed the frame to isolate the pair mid-stride, ensuring both figures were given enough breathing space to let the eye move between them. The shallow depth of field was intentional; I wanted the bystanders in…

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    Andrea Monti

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    A solitary journey

    December 24, 2012

    Serva padrona @ Teatro Marrucino

    October 1, 2023

    Walking Table in via Cornaggia

    March 22, 2014
  • Buildings,  Cities,  Colour,  Daily photo,  London,  Summer

    The Financial Times at Night

    October 1, 2016 /

    Photographing office buildings after dark often reveals more than the day ever will. In this frame, the Financial Times offices stand illuminated against the void of a London night, each lit rectangle a stage, each desk a silent prop. The bright interiors are clean and geometric, their fluorescent light pouring through the grid of windows, set into the modernist rhythm of the façade. The composition is precise, aligned so the vertical and horizontal lines of the structure carry the weight of the frame. A slight foreground intrusion — the blurred metal fence — reminds the viewer that the vantage point is from the street, outside looking in. This physical separation…

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    Andrea Monti

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    On The Rocks

    August 13, 2014

    @Rome Maker Faire – 3. Stare Of The Mechanical Man

    October 13, 2014

    Sala degli Onori @ Triennale di Milano

    May 19, 2017
  • Cities,  Colour,  Daily photo,  London,  People,  Restaurants&Bar,  Summer

    Late Night Conversation at Cardinal’s Wharf

    September 29, 2016 /

    I took this from across the street, handheld in the dark, balancing shutter speed against the pulse in my wrist. Inside, lit by that unmistakable domestic glow, a group leaned into conversation — not performative, not loud, just steady voices behind glass. I didn’t need to hear them. The posture told enough: bodies turned, heads dipped, attention fixed. The architecture did the framing. Georgian windowpanes divide the scene into grids, slicing the figures into segments — fragments of intimacy seen from a public path. The deep contrast between the warm interior and the cool, shadowed exterior gave the photo its form. This wasn’t voyeurism. It was a study in separation…

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    Andrea Monti

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    Traffic Jam in Bruxelles

    April 7, 2014

    An Old Boxing Gym

    February 22, 2016

    Hidden in Plain Sight. A Japanese Journey

    August 3, 2023
  • Cities,  Colour,  Daily photo,  London,  Summer

    Skull of Glass at the London Science Museum

    September 26, 2016 /

    Standing in front of this glass skull, I was struck by the tension between its physical transparency and the opacity of its meaning. Photographically, the object invites a very particular challenge — how to capture something that both reflects and refracts its surroundings while retaining a sense of sculptural form. I approached the composition head-on, embracing the symmetry of the human face while allowing the slight distortions of the glass to play across its features. The choice of a tight crop eliminates environmental distractions, forcing the viewer into a direct confrontation with the piece. The reflections — faintly revealing the space beyond — create subtle secondary layers, adding context without…

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    Andrea Monti

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    As Deep As The Ocean

    April 15, 2016

    Unattainable 1:1 magnification with the JJC FDA S-1 and Micro Nikkor 60 2,8

    January 29, 2023

    Out-of-Focus Once Again

    February 28, 2015
  • Cities,  Colour,  Daily photo,  London,  People,  Summer

    A Single(‘s) Call

    September 24, 2016 /

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    Andrea Monti

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    Close up of an Ethnic Chessboard

    September 1, 2018

    A ‘Trabocco’ on the Adriatic Sea

    April 20, 2021

    In the Rain, A Helping Hand

    July 10, 2019
  • Cities,  Colour,  Daily photo,  Docks,  London,  Summer

    Blackfriars Train Station Banner

    September 22, 2016 /

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    Andrea Monti

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    Having Sax

    February 6, 2015

    A Fountain’s Jet

    April 12, 2021

    Moon, hand-held

    April 30, 2021
  • Autumn,  Colour,  Daily photo,  London,  Seasons,  Streets&Squares

    Just Another Piccadilly Circus’ View

    September 20, 2016 /

    There’s a temptation, when standing in the middle of London’s Piccadilly Circus, to think that you’ve seen it all before. And in a way, you have. This is one of the most photographed corners of the city—neon-lit, traffic-heavy, forever brimming with tourists. Which is precisely why I wanted to make this frame. Not to reinvent the wheel, but to quietly acknowledge its inevitability. I chose a slightly elevated position, letting the sweep of Regent Street’s curve pull the viewer’s eye into the frame. The red double-decker is exactly where it should be—almost a cliché—but here it works as a punctuation mark in the composition, tying in with the bold McDonald’s…

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    Andrea Monti

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    Big Brother Enhanced

    May 1, 2013

    Accidental Precision

    February 12, 2016

    A Ryanair Aircraft

    August 21, 2018
  • Autumn,  Cities,  Colour,  Daily photo,  Docks,  London

    A Boat Under The Bridge

    September 18, 2016 /

    There’s something inherently cinematic about the Thames at night. The water becomes a restless mirror, fractured and stitched together by the city’s lights. In this photograph, taken beneath one of London’s bridges, the play of colour is what first arrests the eye: deep blues and purples flood the steel framework, punctuated by warm reds and yellows that seem almost to breathe against the cold tones. From a compositional standpoint, the arch of the bridge acts as a powerful leading line, drawing the viewer’s gaze toward the illuminated boat gliding quietly in the background. The layering here — water in the foreground, the bridge’s underbelly at mid-frame, and the distant boat…

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    Andrea Monti

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    Billiard On The Field

    November 2, 2014

    Behind the Beer

    December 26, 2013

    Safe Living (?)

    July 28, 2016
  • Autumn,  Cities,  Colour,  Daily photo,  London,  People

    Bus Driver

    September 16, 2016 /

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    Andrea Monti

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    What Lasts of a Saturday Night Party

    January 24, 2014

    Floating Flower

    May 19, 2015

    Room 17 – VIXI

    March 27, 2015
  • Autumn,  Colour,  Daily photo,  London,  WideAngle

    A London’s Skyline

    September 13, 2016 /

    London at night has an entirely different pulse. From the South Bank, the city stretches across the Thames in a jumble of modern glass and steel, its towers blinking like an impatient circuit board. In this frame, the Walkie Talkie leans imposingly to the right, while the jagged edges of the Cheesegrater and other high-rises punctuate the skyline. The Millennium Bridge slices across the scene, leading the eye to that bright cube of light floating on the river—a beacon, a question mark, perhaps both. Technically, this was a balancing act. Night photography in an urban environment often tempts you to overexpose the lights or lose detail in the shadows. Here,…

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    Andrea Monti

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    Portrait of an Heavy Metal Singer

    November 21, 2013

    Splinter

    March 13, 2021

    Open Window

    February 4, 2015
  • Autumn,  Colour,  Daily photo,  London,  OutOfFocus

    London Swash

    September 3, 2014 /

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    Andrea Monti

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    At the theater, between two scenes

    June 15, 2015

    Gloves

    October 19, 2014

    A Ferrari 812 GTS in Boston

    July 14, 2023
  • Airport,  B&W,  Daily photo,  London,  Visual

    Stantsted Lounge’s Chairs

    December 31, 2013 /

    I took this photo just after the final boarding call echoed through the terminal, the kind of stillness that only follows a rush. The lounge was cleared in minutes — all urgency gone, replaced by silence. The chairs, once wrapped in the inertia of travel, now stood like architectural punctuation against the faux-wood paneling, waiting for the next wave of restless travellers. I framed the shot at a low angle, intentionally compressing the line of stools to push a rhythm into the scene — one repetition after the other. It’s a simple structure, but the legs of the stools, criss-crossing over each other, create a mesh of shadow geometry on…

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    Andrea Monti

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    Waiting for the goal

    April 28, 2013

    Game Over

    April 15, 2022

    Columns

    November 10, 2014
  • Colour,  Daily photo,  London,  Visual,  Winter

    London Panning

    December 30, 2013 /

    Pure Luck. Sometimes happens.

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    Andrea Monti

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    Who Can It Be Now?

    February 18, 2016

    Hands of a Steward

    November 22, 2019

    PizzaPizza

    January 12, 2013
  • Colour,  Daily photo,  London,  People

    Fast Call

    December 28, 2013 /

    Clients are waiting, still, an urgent call needs to be done.

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    Andrea Monti

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    W Verdi

    January 29, 2014

    A Rudder

    February 19, 2021

    Belgian Ghosts

    May 2, 2014
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