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The BatFire
A butterfly with wings of fire. 火の翼を持つ蝶
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Hard Stare
Bad day, or much too bright the sunlight? 付いてない日 又は あまりにも多くの日光
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What Could I Do?
Don’t be afraid to do a mistake, but fear its consequences… 失敗を恐れていません でも 結果を恐れて
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As Deep As The Ocean
Sometimes the bag of a woman is as deep as the ocean. 時々女性のバッグ 海のように深いです
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Distraction
Why the hell do people attend a live show, when wasting time on their mobile? 人々がコンサートに行きます でも時間を失います携帯電話を使用して、 音楽を聴きません
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Alex Britti – Live@Cinema teatro Massimo – Pescara
Another concert, another reportage. これらは マキシム劇場のペスカーラでアレックス Brittiのコンサートの写真です, ローマで ブルースと ポップの 音楽家です.
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Daniele Silvestri – Live@Cinema teatro Massimo – Pescara
Be Canon, Nikon or whatever, when the assignment is demanding, there is no substitute for a DSLR. I kept taking with me a Fuji (mainly, an X-E2 with the 18-55 and sometimes an X100s) as a wide-angle camera. The results are very good but, in a scenario like a theater, can’t possibly match the versatility of a 5D Mk III with the mighty Canon EF 100-400. Enjoy the pictures!
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A Sound Engineer
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A Lamp in an Old Teather
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Gigi Cifarelli Guitar Solo (feat. Michele Di Toro) – Live@Florian Espace Pescara
This the reportage I did on behalf of Rockol.it with a Canon 5d Mk III and the venerable Canon EF 70-200/2,8. The theater was small and few were the angles to be exploited. Thus I’ve decided to focus on close-ups and american shots.
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Portrait of a Law Professor (and Free Climber…)
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Portrait of a Gunsmith
Shot with a Pentax ME Super, a SMC Pentax 50/1,7, a 400 ISO Ilford XP2.
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An Old Boxing Gym
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Real Time Update
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Who Can It Be Now?
The ubiquitous smartphone never let its owner (or slave?) free to enjoy a few time offline, not even during a concert …
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Staged?
This pictures portrays Max Gazzè 2016 tour’s official photographer asking the crowd to raise and wave the hands. Although the picture is staged (meaining: the photographer “created” the “moment” instead of waiting for it) the outcome is not, since is the result of the dialog between the photographer and the people.
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Crowd Control
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Inked
This is a real photo and not the result of a Photoshop filter. Reality always win against software emulation…
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Distraction
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Carabinieri:To Serve And Protect
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Art Auction at Piazza Navona
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A coffee at Saint Eustachio’s
This photo is taken with an X-E2 coupled with a Zeiss Planar 50/1,5, manually focused. Although the visible purple shift in the face of the barman is still visible, it doesn’t change the quality of the colours rendition.
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Action! (beware of Fuji X-Pro 2)
I’ve shot this picture with a Fujifilm X-E2 and a Zeiss C Sonnar T* 1,5/50 ZM. The split-image manual focus confirmation worked properly (though with a strong light it’s more difficult to handle it) and the resulting file in term of size and quality is fairly satisfying. Enter the X-Pro2 with a bigger resolution and new RAW format. While a 24 Megapixel APS-C sensor creates file that can be handled by most of the computer currently in place, the new RAW format will require the latest Photoshop CC/Lightroom update. So, if you chose not to enter into the mud of a subscription-based software licensing model, all of a sudden you…
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Max Gazzè Tour 2016 Live @Pescara
For this reportage I’ve borrowed a Canon 5D Mk III coupled with a EF 100-400mm f/4.5-5.6 L IS USM and my Fuji X-E2 with the XF 18-55 f/2.8-4R LM OIS. Of course, I got no operational problems with the 5D (if you know how to overcome its limits) and the lens performed very good, but I must admit that I’ve been surprised by the quality of the X-E2 images, taken at ISO 3200. Does this means that is time to trash the Canon and go for a “Fuji-only” setup? I don’t think so, in particular if telephotos are a recurring presence in the jobs. True, now Fujifilm too has a…
