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Andrea Monti

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  • B&W,  Daily photo,  Gear,  Visual

    VueScan and the missed Bits-per-pixel

    December 1, 2013 /

    Ed Hamrick’s VueScan is a great software that supports almost every scanner available, including out-of-production film scanner. Sometimes its interface behave in non documented way as in the case of the Bits-per-pixel option in the Input tab that disappears once the Infrared Clean option is enabled in the Filter tab. I wasn’t able to figure out the relationship between the two settings until Ed Hamrick himself kindly answered (lightfast, I would say) to my question. Kudos to him for that, but it would be nice to have this Infrared clean-Bits per pixel issue mentioned in the user guide :)

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    Andrea Monti

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    The Lost Lock

    June 12, 2014

    Histoire d’O

    November 11, 2014

    二千円

    December 20, 2023
  • Artists,  B&W,  Daily photo,  People,  Portraits

    Portrait of an Heavy Metal Singer

    November 21, 2013 /

    Devilish, isn’t it?

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    Andrea Monti

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    Portrait of a Cosplayer

    July 3, 2017

    Three’s Company

    November 14, 2014

    For Sale

    May 5, 2014
  • B&W,  Chairs&Seats,  Daily photo

    A Comfortable Chair

    November 8, 2013 /

    The circular seat, the elliptical opening, the chrome stem, and the disc base all offered clean geometry to work with. Seen from slightly above and centred, the chair becomes less an object of utility and more a composition of curves and reflections. This was shot on film, and that decision affects the final result. The tones fall into a gentle mid-range; the blacks aren’t aggressively deep, and the highlights aren’t forced. There is some visible grain and a bit of dust from the scan, which I chose not to remove. These imperfections remind me that photographs are physical objects before they are digital images. The chair’s glossy surface reflects its…

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    Andrea Monti

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    Happy New Year

    January 1, 2017

    A Couch in the Yard

    November 18, 2013

    Zombies

    March 4, 2021
  • B&W,  Daily photo,  Photo Journalism,  Street Photography,  Thoughts

    Italy, Street-Photography and the Law

    October 29, 2013 /

    Update – 2 On July 2014 the Polizia Municipale of Rome seized a street-photographer ‘s camera, but the Court bashed the seizure. Update – 1 Here is an A4 leaflet useful to stand your ground if your street-photography work is questioned by somebody else. Introduction* As there are few texts in English dealing with (street) photography and Italian laws, I’ve decided to put my lawyer‘s hat and sketch some toughts on the two main topics involving the Street-Photography: shooting candid and publishing them online. To cut a long story short, Italian law follows a similar approach to other Western jurisdictions and – in particular – of Articles 8 and 10…

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    Andrea Monti

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    A Rural View

    December 8, 2014

    The Sinking Giant

    December 6, 2013

    The Doorman

    September 1, 2013
  • Autumn,  B&W,  Daily photo,  People,  Portraits,  Projects

    Portrait of a young scholar

    October 28, 2013 /

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    Andrea Monti

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    Generations – I

    August 6, 2014

    Art Auction at Piazza Navona

    February 6, 2016

    Columns

    November 10, 2014
  • B&W,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Portraits,  Sport

    Portrait of a Wrestler

    October 27, 2013 /

    There’s a particular weight to portraits of athletes, especially those whose craft is as primal and disciplined as wrestling. When I took this photograph, I wanted to strip away the spectacle of the sport—no mats, no crowds, no action—and focus instead on the man behind the contest. The framing is deliberately close, the upper torso and head taking dominance in the composition. The subject’s direct gaze into the lens is neither aggressive nor performative; it’s a quiet, steady presence. The choice of black and white enhances this honesty, removing any distraction of colour and forcing the viewer to engage with form, texture, and light. In the background, out of focus,…

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    Andrea Monti

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    Just a Soccer Field… Part 1

    February 3, 2014

    The Unconvinced Listener

    June 25, 2014

    Interior Design at Aurum

    May 26, 2013
  • B&W,  Daily photo,  People,  Portraits,  Summer

    Portrait of a politician – 1

    October 25, 2013 /

    There’s a certain pleasure in photographing with the Leica M9—a camera that rewards precision and patience rather than machine-gun bursts. This portrait was made in a crowded hall, the politician seated among an audience whose attention was turned toward the stage. The light was far from forgiving, a mix of weak ambient and uneven spot sources, but the M9’s sensor responded with a tonal richness that digital cameras often lose in harsh conditions. I chose to work wide open, which gave me the shallow depth of field needed to isolate his face from the visual chaos around him. The crowd dissolves into a swirl of shapes and tonal smudges, leaving…

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    Andrea Monti

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    Desolation

    May 13, 2015

    A Rusted Window

    September 11, 2014

    A Frame Within a Frame Within a Frame

    April 23, 2023
  • Autumn,  B&W,  Daily photo,  People,  Social Control

    Secret Beyond the Door

    October 24, 2013 /

    Who knows what they’re talking about?

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    Andrea Monti

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    Padua, a photographer’s goldmine

    October 31, 2024

    Who is the mannequin?

    April 11, 2013

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024
  • Autumn,  B&W,  Daily photo,  Paris

    The Way Out

    October 20, 2013 /

    There is something about an open window that always draws me in—not for what lies beyond, but for the threshold it represents. This frame was taken from inside a dimly lit room, the glass swung outward, offering a partial view of a Parisian-style zinc roof, punctuated by a small chimney vent. The decision to work in black and white came naturally; the textures and tonal contrasts were far more compelling than any colour the scene might have offered. The geometry of the roof panels and the window frame gave me strong lines to play with, and the skewed perspective from shooting slightly off-centre added a subtle tension to the composition.…

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    Andrea Monti

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    Up from the Waterline

    December 3, 2016

    Though Choice

    June 23, 2014

    The Expired Film Series – Episode 1 – Kodak BW400CN – Dec. 2014 shot in June 2023

    July 21, 2023
  • B&W,  Daily photo,  Paris,  Past&Relics

    The Double Helix

    October 13, 2013 /

    When I made this photograph, I was struck by the tension between form and function in the spiral staircase. The image does not seek drama or grandeur; instead, it isolates a fragment of everyday architecture and presents it as a study of rhythm and geometry. The curved underside of the staircase sweeps across the left of the frame, guiding the eye upward, while the metal railing introduces a vertical counterpoint. The steps themselves, worn and slightly uneven, add texture against the otherwise smooth surfaces. From a technical standpoint, I opted for a straightforward exposure, allowing the contrast between the whites of the wall and the greys of the steps to…

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    Andrea Monti

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    A Sailor’s Knot

    November 22, 2013

    Hard Spam

    April 1, 2013

    Vasa’s Ghost

    July 11, 2016
  • B&W,  Daily photo,  People,  Portraits

    Portrait of aTocaor

    October 8, 2013 /

    There is no audience in the frame, no dancer to mark the beat, no palmas to answer the rhythm—just the tocaor, alone with his guitar. The photograph is intimate, stripped of spectacle, and in that simplicity lies its strength. Shot in black and white, the image pares down the moment to texture and expression. The grain and contrast evoke the deep tradition of flamenco portraiture, where the absence of colour invites the viewer to listen with their eyes. The focus is on the face—eyes closed, lips resting in concentration—as the player leans toward the neck of the guitar. This is not a performance for the world but an inward conversation,…

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    Andrea Monti

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    Bus Driver

    September 16, 2016

    Downtown Pulse

    October 17, 2014

    Shooting Italian 5 birilli

    May 18, 2025
  • B&W,  Daily photo,  People,  Winter

    Portrait of a Lawyer

    October 5, 2013 /

    Not every portrait needs a full frame. Sometimes, it’s what’s just out of focus that tells the most. Shot close—uncomfortably close—this image doesn’t try to flatter. It doesn’t seek symmetry or polish. The man’s on the phone, mid-thought, caught between reaction and restraint. His eyes are sharp, but not fixed. His hand rises instinctively to his face, as if shielding or steadying something unspoken. The photograph is grainy, the depth shallow. One lens, one second, one expression pulled between two worlds: the one he’s hearing and the one he’s trying to shape with his response. You don’t hear the voice on the other end, but you can sense it—by the…

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    Andrea Monti

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    LP – Live@Anfiteatro La Civitella – The photogallery

    July 11, 2022

    Earbuds

    December 22, 2015

    Galaxy S21 Ultra 5g. The difference between Marketing and Reality in Image Quality

    January 24, 2021
  • B&W,  Daily photo,  People,  Summer

    Barbarians at the Gates

    September 21, 2013 /

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    Andrea Monti

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    Snaps of a Flamenco recital…

    April 26, 2013

    The Leica M9 CCDgate Outrageous Case

    December 11, 2014

    Visual

    January 18, 2013
  • B&W,  Daily photo,  Doors&Windows,  Gear

    EOS-M. Tips and Results For Street-Photography

    August 9, 2013 /

    In the quest for an acceptable use of my Canon EOS-M I think I’ve finally found a way to exploit my M-mount lenses after the poor experience with the LCD focus. The last two exposures posted, this and this, have been shot with a Carl Zeiss T* Biogon 35/2,8 through zone-focusing, while the picture of this post has been manually focused using the EOS-M’s 5x magnification feature. In both cases the results are more than acceptable, giving a new life to this severely limited camera. All I can say is that is true what seasoned photographers use to say about the cameras: as soon as you get acquainted with your…

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    Andrea Monti

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    7Artisans 35mm 0.95 – Testing this Fujifilm X Mount Lens in a Demanding Environment

    December 22, 2024

    Stylish

    March 16, 2014

    A Dragon Trainer?

    July 8, 2014
  • B&W,  Beach&Shores,  Daily photo,  People,  Seasons,  Summer

    Early Morning Shaving on The Beach

    August 6, 2013 /

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    Andrea Monti

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    The Wild Bunch

    September 30, 2014

    Stylemaster

    August 22, 2014

    A Mini At The Garage

    June 16, 2013
  • B&W,  Colour,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Projects,  Sport

    The Referees

    June 6, 2013 /

    Shot in a break between rounds. Two officials—one in the ring, one just outside—pass the scorecard without a word. The exchange is procedural, yet visually precise. One hand extends up, the other down. The gesture anchors the frame. I placed myself at shoulder height, slightly off centre, to keep the ropes intersecting cleanly across the image. The ring’s horizontal lines break the vertical repetition of the gym’s back wall and audience. Geometry does the work—no crop needed. Lighting was mixed. Industrial overheads with a cold cast, ambient spill from the crowd, spot highlights off the shirts. Monochrome strips it back. No distractions. Just action and structure. ISO 1600 to hold…

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    Andrea Monti

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    Happy New Year

    January 1, 2017

    When the parking’s lost

    May 16, 2013

    The Day of the Zombies

    October 23, 2016
  • B&W,  Colour,  Daily photo,  Fighters,  Fighting Disciplines,  People,  Projects,  Sport

    Cornermen

    June 4, 2013 /

    There’s a rhythm to these images — a quiet, almost ritualistic interlude in a sport otherwise defined by its violence. The corners of a boxing ring are not just places of rest; they are theatres of strategy, whispered advice, and sometimes silent reproach. In each frame, the fighter is turned inward — literally and figuratively — toward those who bear no gloves but shoulder equal weight in the outcome. From a photographic standpoint, these are intimate studies taken from the same vantage point, the ropes acting as both boundary and compositional anchor. The repetition of the ring’s geometry — horizontal ropes, vertical corner post — frames each scene with a…

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    Andrea Monti

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    The Bored Bassman

    March 16, 2013

    Under the Arc of the Seine

    June 9, 2015

    Just Another Piccadilly Circus’ View

    September 20, 2016
  • B&W,  Cities,  Daily photo,  Doors&Windows,  Projects,  Rome

    Behind The Shaft

    June 1, 2013 /

    Taken from inside one of those old Roman elevators—small, slow, caged in iron. The kind you find tucked into the corner of a 19th-century palazzo, where the wood creaks and everything smells faintly of dust and time. This photo looks outward, through the gate. But in a way, it also looks inward. The gridded metal frame keeps your focus close. The world beyond is blurred just enough to feel distant. Stairs curve down somewhere out of view. The light is natural, soft, diffused. The rest is silence. There’s no action here. No drama. Just the texture of the old ironwork, hand-forged patterns now worn smooth by a hundred years of…

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    Andrea Monti

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    A Blue Vespa

    November 3, 2014

    Rest in peace

    March 13, 2013

    Stairway to Nothing

    March 9, 2014
  • B&W,  Daily photo,  Parks,  Seasons,  Spring

    Rest under a tree

    May 31, 2013 /

    Resting under a tree, on a sunny afternoon, in springtime.

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    Andrea Monti

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    Waiting for the Shinkansen – 1

    June 25, 2017

    The Teleferic de Montjiuc

    May 28, 2014

    Did You Forget Something?

    October 3, 2016
  • B&W,  Chairs&Seats,  Daily photo,  Projects

    Interior Design at Aurum

    May 26, 2013 /

    Is this couch a piece of art or just a sitting? Two benches, back-to-back, occupy the precise centre of the frame, their symmetry so exact it becomes almost architectural. The polished wooden floor stretches endlessly in all directions, its warm texture rendered in monochrome tones that transform the scene into a study of lines, surfaces, and repetition. The absence of people only sharpens the sense of stillness, making the furniture itself the protagonist. From a compositional standpoint, the central placement works because the subject’s geometry demands order. The verticals of the bench legs and back supports anchor the frame, while the horizontal lines of the seats echo the floor’s pattern.…

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    Andrea Monti

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    Does It Worth It?

    May 22, 2017

    Purple Haze

    January 3, 2013

    A Smoker

    September 2, 2015
  • B&W,  Daily photo,  Streets&Squares,  Urban Landscape

    A Dangerous Alley

    May 25, 2013 /

    A parking entrance at night. A dangerous place.

    Read More
    Andrea Monti

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    RedLight

    November 6, 2015

    LP – Live@Anfiteatro La Civitella

    July 22, 2022

    The Fisherman’s Knots

    February 11, 2014
  • B&W,  Daily photo,  People,  Streets&Squares,  Urban Landscape

    Couples

    May 17, 2013 /

    Two couples in a square. One seeks rest, the other, food.

    Read More
    Andrea Monti

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    Evolution in Red

    November 20, 2019

    When the Tide Recedes

    December 8, 2013

    After Heat, Structure

    November 12, 2021
  • B&W,  Daily photo,  Social Control

    Raus

    May 12, 2013 /

    I took this photograph on a quiet street where the stillness of the scene clashed violently with the venom of the message sprayed across the wall. The phrase, written in crude, hurried strokes, is not a remnant from some distant, darker chapter of history but a fresh reminder that intolerance continues to thrive. The frame is stripped of distraction: a textured wall, a single small window with broken panes, and the shadow of a streetlamp reaching across the surface. The composition leans heavily on the tension between emptiness and statement. Placing the graffiti off-centre allows the cracked window to act as a counterweight, both visually and metaphorically—two forms of damage,…

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    Andrea Monti

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    Same Seats, Different Lifes

    April 14, 2014

    A Lockheed C-130 Hercules

    January 31, 2021

    Full Moon

    May 9, 2017
  • Artists,  B&W,  Daily photo

    In the backstage

    May 10, 2013 /

    There’s a kind of quiet tension in the way they lean against the wall. No people in sight. No instruments visible. Just the outlines of music, sleeping inside their forms. As a photographer, that’s the kind of silence you try to listen to. The room was dark, lit only from one side. The light caught the curve of one case and slipped off the edge of the other. Texture came forward. Shape. Memory. You could almost hear the faint creak of clasps, the echo of strings long since gone quiet. Sometimes the most expressive shots come when nothing is happening. No performance, no sound—just the pause in between. These cases…

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    Andrea Monti

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    Knowledge in the Atelier (or: The First Shot of 2026)

    January 1, 2026

    What (or Who) Are These Hangs For?

    May 21, 2013

    The Casual Observer

    September 5, 2013
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