Shot with a Nikon F3 and a 16mm fisheye, this isn’t your typical curved-sky, skateboard-in-midair kind of photo. Instead of pushing the distortion to the front of the image, I let it sneak in at the edges—just enough to bend the rules. The subject is ordinary: a coastal bridge, a pedestrian path, the usual lampposts lining a curve. But the lens pulls the whole scene inward, gives it weight and sweep, turns a flat space into something that stretches, leans, folds in on itself. I like using fisheye glass this way—not as a gimmick, not for laughs, but to see how geometry shifts when you force perspective without centring it.…