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Colour, Daily photo, Downtown, Nagasaki, Osaka, Photography, Streets&Squares, Thoughts, Tokyo, Travels, Yokohama
Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’)
What do these pictures have in common (apart from having been taken in various places in Japan)? No, they don’t have the same look and feel, composition or use of light, nor they convey a particular meaning. What they have in common is that they’re just dull and boring —meaningless, indeed. This picture of the Yokohama’s Chinatown Dragon is hardly different than the others available on the Internet. Initially published on 35mmc.com It shares a similar fate with this one, taken last Mid November in Osaka, and, as Google Lens mercylessly shows, with this one, shot in Omura, near Nagasaki. One can hardly say that this is a never-seen-before view of Tokyo’s Kyu-Shiba-rikyū Gardens, or of…
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From Waltham to Boston
‘From Waltham to Boston’, an offshoot of a bigger project on documenting Boston’s pulse, is now available on Amazon as a Kindle e-book.
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A Ferrari 812 GTS in Boston
Amid the urban thrum of a bustling boulevard in Boston, a Ferrari 812 GTS rests with theatrical poise, like a tenor waiting for the curtain to rise. Its rosso corsa bodywork catches the sun like a blade, slicing through the cluttered backdrop of imitation, of diluted Italian flair printed onto shirts, menus, slogans. But here—here is the real thing. This image captures more than automotive power. It embodies the burden and brilliance of authenticity in a world obsessed with mimicry. The Ferrari’s uncompromising lines, forged in Maranello, don’t shout. They assert. In contrast to the busy street and distracted passers-by, the car is still, composed, sovereign. It doesn’t need motion…
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A Cornhole Board – Independence Day Edition
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Floating
The Panasonic TZ100 is a very good travel camera. Its one-inch sensor allows a fair balance between performance and portability. Being slightly bigger of trendy smartphones, this camera delivers a way more better results.
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Another attempt at DLSR film scanning
Still trying.I digitised the negative with a Pentax K-1 and the FA 100 2.8 Macro lens using the JJC clone of Nikon ES-2. Postproduction is done in Pixelmator Pro. I used a Nikon 35TI and a Kodak BW400CN to take the original photo. Strangely enough, the JJC does not allow a 1:1 ratio with the Micro Nikkor 60 2.8.The instructions advise to mount the 62mm to 52mm step-down ring, the #2 52mm barrel-shaped tube and finally the film holder. These instructions are clearly wrong, as it is not possible to get 1:1 magnification with this setup.So I removed the tube and mounted the film carrier directly on the 62mm to…
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Technogym Milan@Night
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Light as Meaning Shifter
The original idea behind this picture was to match the emptiness of the shop with the facelessness of the mannequin posing as a store clerk, to convey a general feeling of depersonalization. Unfortunately, the big lightblot represented by the poster close to the mannequin catches the observer’s attention and reduce the effectiveness of the composition. Instead of connecting the mannequin with the internal part of the store thus making sense of the whole picture, the eye just “sees” an ad poster.
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Beer or Spritz?
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Comarketing
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What’s the Time?
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Garbage as usual@Pantheon’s nearby
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Driving Around a Rainy Tokyo
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Shin Pepper@Harajuku
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Das Feuerwehr
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Light Dance in Hamburg
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We Are All Made of Stars
The street is slick with rain, fenced for works in progress, cluttered with signs and barriers. Yet above it all, the stars have returned — bright, geometric, electric — heralding the slow, luminous arrival of Christmas in Brussels. A lone figure walks toward the camera, wrapped in a scarf and his own thoughts. He is grounded, ordinary, human. But above him, a constellation of neon dreams stretches deep into the vanishing point, inviting passersby to look up, to believe, even if just for a moment. This photograph captures the paradox of the urban winter: cold, messy, fractured — and yet luminous with potential. The construction fences are still up, the…
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Renovating Milan
Milan, November 2017. A construction site—not the kind that demands attention, but the quiet kind that hides behind fabric and scaffolding. I took this photo walking past it for the third or fourth time. What stopped me wasn’t the building itself, but its ghost. Behind the mesh screen, the silhouette of the old façade still lingered, like a memory bleeding through fabric. Chimneys, outlines, the suggestion of windows. The city behind the curtain. At the bottom, the standard construction notice: printed bureaucracy stapled to metal, a reminder that change is always sanctioned, scheduled, structured. But the rest of the image resists clarity. Straight lines waver, verticals drift. Even the fence…
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Red Cross
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Late Evening Break In Piazza Dante
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Intelligence Contest
A pane of glass separates two worlds. On one side, the hyper-stylised gaze of a model — digital, sculpted, aloof. His stare pierces outward from an ad inside a hair salon, promising precision, control, curated masculinity at €21. Behind the glossy veneer, real people go about their routines, dwarfed by the giant printed face that symbolises a synthetic ideal. On the other side, a cluster of balloons—soft, round, unformed—calls out with its own clumsy presence. Unintended perhaps, but visually evocative, the column of latex orbs resembles a puppet or caricature. In their simplicity, they reflect something the model cannot: humanity, imperfection, absurdity. The composition turns into theatre. A confrontation of…
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The Quest for Belgian Chocolate…
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Street Of New York… possibly
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Frames for Sale at Via Margutta
