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5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI
The photographer is a peculiar type of social being, characterised by a ‘rules are meant to be broken’ attitude in the search for the perfect exposure. So, sooner or later, all the dogmas about composition, hyperfocal, zone system, rule of thirds, etc. will be put aside to try something ‘different’. This is what happened with these five images, taken at night in Piazza Venezia and Via Salaria in Rome with a Ferrania Orto on a Nikon 35TI; a rather strange choice given the inherent limitations of an orthocromatic film and a 2,8 35mm lens of a compact camera in this scenario. Against all odds the 35TI performed well (especially in…
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A Stop in Reggio Emilia
I was on the Freccia Rossa, heading north, not looking to make a photograph — but then the train slowed. It always does here. Reggio Emilia AV, Calatrava’s cathedral of transit. Seen from inside a carriage, the station transforms into a cinematic abstraction: rhythm, shadow, tension. You’re not meant to get this view. You can’t stand still inside it, only pass through. This frame came with no time to compose. I raised the camera, guessed exposure, shot through a tinted window, and trusted instinct. The image that resulted is harsh, grainy, flawed — and I kept it that way. A perfect rendition would have dulled it. What mattered was the…
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An Exercise in Composition (was: Rowing Boats)
Initially, I took this photo to document the poor state of a rowing teams’ dock. The idea was to praise the passion of this small group, who in the indifference of the general public, keep this discipline alive in a town, where soccer reigns supreme. However, when I saw the photo, it was the composition that attracted my attention: a classic example of the use of converging lines to drive the eye of the viewer. My only regret is that I failed to frame the small boat on the right, missing its bow. Had I been shooting digitally, I would have checked the result and retake the photo. Film, by…
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Iphone 15 Billboard in Via XX Settembre
This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast. This isn’t about the billboard. Not really. Yes, there’s a giant child smiling over Rome, her face stretched across several metres of vinyl, captured “with an iPhone 15,” if we’re to believe the tagline. She’s luminous, playful, part of a campaign you’ve probably already seen before you’ve even looked at it. But the photograph is something else. This was shot on orthocromatic film—intentionally. Shadows are carved in deeper than they should be. Highlights flare and collapse detail. The tonal scale isn’t flattering, and it isn’t faithful. It’s limited.…
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Nagasaki Biker
Sometimes carrying a camera with a slow autofocus, slow shutter and low ISO can be a hindrance. Had I had a better camera and a faster film, this photo would have been much better.However, it is the eye that is to blame, not the old Nikon 35TI. I realised too late that what I was looking at could have been an image and had to react within a few seconds. In those conditions, the camera did what it could, but if I had been aware of my surroundings, I would have been ready at the right moment. So I paid the price for my bad habit of relying on gear…
