Andrea Monti

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  • Daily photo,  Portfolio,  Street Photography,  Travels,  Urban Landscape

    Hidden in Plain Sight. A Japanese Journey

    June 26, 2022 /

    Upcoming…

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    Andrea Monti

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    Sweet Dilemma

    November 4, 2015

    Not AI-made…

    September 17, 2022

    Three Legged?

    July 21, 2017
  • Daily photo,  Daily Video,  Technique,  Winter

    Unattainable 1:1 magnification with the JJC FDA S-1 and Micro Nikkor 60 2,8

    January 29, 2023 /

    The JJC FDA S-1 does not allow a 1:1 magnification with the Micro Nikkor 60 2,8. It only reaches a smaller factor (about 80%.The probable reason is the excessive lenght of the original step-down ring.Using a thinner step-down ring, as it has been done in this video, does not improve the outcome.

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    Andrea Monti

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    Good Manners

    September 29, 2013

    Late Night@Piazza San Babila

    March 9, 2022

    Hard SPAM

    April 1, 2013
  • Daily Video,  Photography,  Technique,  Winter

    Processing a DSLR Digitised Black and White Film with Affinity Photo

    January 24, 2023 /

    This videos shows how to process a Black and White film digitised with a DSLR camera.The process starts from opening the RAW file in Affinity Photo’s Develop Persona. In short and in order, the steps are:

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    Andrea Monti

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    Under the Bridge

    November 6, 2013

    Nico Cilli Band Live@Città Sant’Angelo

    October 23, 2013

    Unattainable 1:1 magnification with the JJC FDA S-1 and Micro Nikkor 60 2,8

    January 29, 2023
  • B&W,  Daily photo,  People,  Stockholm,  Summer,  Technique,  Travels

    DSLR film scanning: episode three

    January 24, 2023 /

    This is, by far, the most pleasing result I have ever had from digitising a film negative with a DSLR.Contrary to many suggestions found on Youtube, I did not invert the negative RAW curve by tweaking the Master RGB option. I did it, instead, channel-bychannel minding each clipping point. This approach allowed for a better reproduction of the grey tones, and in the end a fair result.

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    Andrea Monti

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    In the backstage

    May 10, 2013

    Inside an Old Gym

    February 16, 2015

    A Waiter in via Sardegna

    September 26, 2015
  • B&W,  Daily photo,  Downtown,  Gear,  Stockholm,  Summer

    Another attempt at DLSR film scanning

    January 21, 2023 /

    Still trying.I digitised the negative with a Pentax K-1 and the FA 100 2.8 Macro lens using the JJC clone of Nikon ES-2. Postproduction is done in Pixelmator Pro. I used a Nikon 35TI and a Kodak BW400CN to take the original photo. Strangely enough, the JJC does not allow a 1:1 ratio with the Micro Nikkor 60 2.8.The instructions advise to mount the 62mm to 52mm step-down ring, the #2 52mm barrel-shaped tube and finally the film holder. These instructions are clearly wrong, as it is not possible to get 1:1 magnification with this setup.So I removed the tube and mounted the film carrier directly on the 62mm to…

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    Andrea Monti

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    Tough Enough

    January 27, 2013

    A Modern Nazca?

    December 4, 2014

    The Eye

    April 25, 2014
  • B&W,  Daily photo,  Gear,  People,  Seasons,  Summer,  Technique

    An attempt at DSLR-made film digitization

    January 14, 2023 /

    This is the first usable result of the attempt to DSLR-scan films. I tried several approaches, including the standard tripod holding the camera perpendicularly to a flat, LED-lighted surface. However, I finally went for a different solution: a horizontal rig with two moving plates, a micrometric head holding the film and three-axis and a panoramic head holding the camera.

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    Andrea Monti

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    Romeo’s Hideout

    December 16, 2015

    The Way Out

    October 20, 2013

    Fantozzi’s chairs

    May 4, 2013
  • Colour,  Daily photo,  Gear,  Winter

    Pixelmator Pro Debanding and Electronic Shutter

    December 24, 2022 /

    Pixelmator Pro Deband feature does not work on banding caused by the well known electronic shutter lag. The Deband feature has not been advertised as working also with ES-induced banding, so the fact that it can not handle it is not a bug. However, this limit seriously reduces the appeal of the new feature. I have flagged the issue to Pixelmator Pro Support: currently, they are out of work, but eventually, they should get back to me with some news. Good news, hopefully.

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    Andrea Monti

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    Traffic Jam in Bruxelles

    April 7, 2014

    Noon on the Beach

    May 1, 2014

    Italian Boxing Amateur Championship 2018. The Reportage

    December 18, 2018
  • Colour,  Daily photo,  Docks,  Winter

    Ten Years Ago

    December 22, 2022 /

    Exactly ten years ago I started my career as a photograper.

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    Andrea Monti

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    The Temple of Justice

    February 25, 2017

    Rusted Platform

    April 25, 2015

    Inside The Palace of Power

    September 17, 2015
  • Colour,  Daily photo,  Docks,  Winter

    Fisherman’s Fatigue

    December 19, 2022 /

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    Andrea Monti

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    Black Cat

    October 31, 2021

    Are you Sure?

    July 9, 2015

    Urgent Call

    May 15, 2017
  • Artists,  Colour,  Daily photo,  People,  Winter

    Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara

    December 16, 2022 /

    This is the Daniele Silvestri’s Teatri 2022 coverage I did on behalf of Rockol.it using good old Nikons (a D610 with the Sigma 150-600 contemporary and a D750 with a Nikkor 24-120). As a matter of personal taste, I still like a reflex more than a mirrorless camera. The possibility offered by the latter to shoot in total silence with the Electronic Shutter is invaluable in specific contexts such as classical concerts or theatrical plays, nowthistanding the downfalls (banding and distorted images). However (and, once again, this is a matter of personal opinion), a reflex still allow a better connection with the environment at least thanks to the optical viewfinder.…

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    Andrea Monti

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    José Ignacio Franco – Live@Auditorium Petruzzi

    July 31, 2022

    Piero Mazzocchetti – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 12, 2022

    A Cello Player

    April 24, 2017
  • Actors,  Colour,  Daily photo,  People,  Winter

    Norina shouts at Don Pasquale

    December 12, 2022 /

    This picture is part of the reportage I did for Gaetano Donizetti’s Don Pasquale, featured on December 11, 2022, at Teatro Marrucino. It has been the chance to experiment a few tricks to avoid the banding effect caused by the LED pulse frequency and the sensor’s delay in EFC is used. I chose to go for time rather than aperture priority mode. I also set the shutter speed at 1/50, as suggested in many forums, and the trick worked. In some cases, banding was still present, but it was insignificant. I also tried to shoot in full manual (leaving only the focus in auto.) Some pictures ended up overexposed, and…

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    Andrea Monti

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    Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino

    March 29, 2022

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020

    Alessandro Blasioli – L’ultima notte di Bonfiglio Liborio@Teatro Marrucino

    May 9, 2022
  • Bruxelles,  Colour,  Daily photo,  Fashion Shops,  Seasons,  Winter

    Cleaning the Tabernacle

    November 26, 2022 /

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    Andrea Monti

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    Belgian Macarons

    November 2, 2015

    Ceci N’Est Pas Une Pipe

    September 27, 2014

    Late Afternoon Workers

    December 23, 2013
  • Daily photo

    DxO Pure Raw empirical test

    November 22, 2022 /

    This photo is a ‘before-and-after’ merge of a picture I took during the premiere of Cavalleria Rusticana at Teatro Marrucino, processed with DxO’s Pure Raw. As an empirical test, it has no specific goal but to provide a real-life example of how the software works.Overall, the results are reasonably good; however software’s ‘heavy hand’ is apparent in the visibly smudged areas. Pure Raw can not work miracles, although it proved to be a valuable tool to rescue photos shot in poor light.

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    Andrea Monti

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    Canon EOS-M. Useless for Street-Photography

    March 28, 2013

    Walking in the Rain

    February 14, 2015

    So what?

    April 9, 2013
  • Actors,  Colour,  Daily photo,  Winter

    Turiddu repeals Santuzza

    November 19, 2022 /

    This is a photo taken from the reportage I made for the Teatro Marrucino during the première of Cavalleria Rusticana by Pietro Mascagni. It captures the moment Turiddu (Piero Giuliacci) abandons Santuzza (Alessandra Di Giorgio), who —in turns— begs him in vain to change his mind. Image quality isn’t exceptional: unlike other cases, where the Fuji X-T3/Fujinon XF 16-80 pairing provided excellent results, this time it didn’t perform at its best, probably due to the choices on the scene lights.On the contrary, the composition is particularly successful.Turiddu is in the centre of the upper part of the picture. The railings of the staircase lead the eye towards him. Stantuzza’s dynamic…

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    Andrea Monti

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    Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino

    March 29, 2022

    Giorgio Pasotti – Racconti disumani@Teatro Marrucino

    February 28, 2022

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020
  • Actors,  Autumn,  Colour,  Daily photo,  People,  Reportage

    The Death of Cio-Cio san

    October 15, 2022 /

    The final scene of yesterday’s Madama Butterfly’s ‘Prima’ at Teatro Marrucino. For this reportage I used an X-T3 and a Fujinon XF 100-400 that did an excellent job.

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    Andrea Monti

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    Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino

    March 29, 2022

    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020

    Easy To Shoot?

    December 12, 2020
  • Colour,  Daily photo,  Seasons,  Summer,  Track&Field

    A Step Ahead

    October 8, 2022 /

    Another photo from the Track & Field Mediterranean Championships – Pescara 2022 reportage featured on the website of Chieti-Pescara university’s Scienze Motorie degree. Also in this case the Sigma 150-600 Contemporary did not fail.

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    Andrea Monti

    You May Also Like

    Mistress Of Puppets

    April 30, 2017

    The Heart Of Giulietta

    October 30, 2014

    A (Soon) Lost Banner

    November 1, 2018
  • Autumn,  Colour,  Daily photo,  Rome,  Soccer,  Sport

    Stadio Olimpico, seen from Tribuna Monte Mario

    October 1, 2022 /

    The picture of Rome’s Stadio Olimpico has been shot from a very exclusive vantage point: Tribuna Monte Mario. Light conditions were so unmanageable that the only option to get an interesting photo was a heavy, borderline unrealistic post-production

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    Andrea Monti

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    Before The Match

    October 20, 2014

    Into The Cube

    November 18, 2014

    Comarketing

    October 10, 2019
  • Autumn,  Colour,  Daily photo,  Docks,  Helsinki

    A Vessel Moored on the Pier

    September 27, 2022 /

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    Andrea Monti

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    An Athlete@Stadio Marmi, Rome

    October 11, 2018

    Into The Cube

    November 18, 2014

    Deadly Bored

    January 6, 2020
  • Cities,  Colour,  Daily photo,  Helsinki,  Seasons,  Spring

    Cultural Variety

    September 24, 2022 /

    Helsinki is a place where culture matters. It is almost impossible having a taste that can not be satisfied.

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    Andrea Monti

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    The Financial Times at Night

    October 1, 2016

    Hanging Bottle

    October 11, 2014

    Vive La France, The Oslo’s Way

    October 7, 2014
  • Autumn,  Beach&Shores,  Colour,  Daily photo

    The Compelling Power of Photography

    September 22, 2022 /

    This is a picture taken while a storm was coming. The wind was expected to blow at about 80 km-per-hour. It turned the sand into a myriad of micro-bullets, pricking all exposed body parts and filling the lungs. Nonetheless, a man took his chance, went to the shore and shot a picture with his smartphone. He is no professional, nor had a particular reason to do that. He just wanted to freeze a moment. This is the power of photography. p.s. Pentax K II and the DA* 50-135 2,8 went through the sandstorm brilliantly and survived without consequences.

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    Andrea Monti

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    Deadly Bored

    January 6, 2020

    Imitation of Banksi

    November 1, 2021

    Avvocati. A New Book

    October 11, 2015
  • Autumn,  B&W,  Daily photo,  Visual

    Three Lamps

    September 19, 2022 /

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    Andrea Monti

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    A Lamp

    November 14, 2015

    A Sailors’ Warehouse

    September 9, 2014

    London Swash

    September 3, 2014
  • Autumn,  Beach&Shores,  Colour,  Daily photo,  Photography

    Not AI-made…

    September 17, 2022 /

    The colour rendition of a photo taken with a Pentax (camera and lens) is unique. Taste is personal, and so is this opinion. One thing, however, is sure: the pictorial look of this photography is not made by an ‘AI’.

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    Andrea Monti

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    RedLight

    November 6, 2015

    Full Moon

    September 30, 2018

    @Rome Maker Faire – 3. Stare Of The Mechanical Man

    October 13, 2014
  • B&W,  Daily photo,  Photography,  Thoughts

    Is AI-generated art actually killing ‘real’ Art?

    September 16, 2022 /

    This picture is how Dall-e 2 interpreted a prompt like Kodak Tri-X 400 black and white sketch in the style of Andy Warhol of a scientist facing a hajime sorayama-like cyborg in a 1940 mad scientist sci-fi lab. Does that mean that —as everybody and his cousin keep repeating— that AI killed Art(ists)? Not very. AI-generated imagery serves to specific purposes and whether is creation or not is utterly irrelevant.

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    Andrea Monti

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    A Casual Walk

    March 6, 2015

    A Silohuette on the Bridge

    March 3, 2014

    Urban Desolation

    September 18, 2014
  • Autumn,  Colour,  Daily photo,  People,  Sport,  Track&Field

    A Spanish Long Jumper

    September 11, 2022 /

    This is one of the photos from the reportage on the Track & Field Mediterranean Championships – Pescara 2022. The Sigma 150-600 Contemporary proved to be a good lens, sufficiently versatile and with effective stabilization. However, used with the 1.4 teleconverter and full extension, it does not allow for high-speed focusing. In some cases, the Nikon D610 failed to lock onto the subject. This makes the lens/teleconverter pair somewhat inconvenient in sports photography. At that focal length, it is probably worth using prefocus. If you do not want to give up automatism, you can try to anticipate the moment of focusing by framing something close to where the athlete should…

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    Andrea Monti

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    Empty Street in Rome

    September 13, 2014

    Too Young to Spend Time Watching the Ducks in the Pond

    October 22, 2013

    Washed

    November 22, 2015
  • B&W,  Beach&Shores,  Daily photo,  People

    On Photography and Self-Delusion

    September 4, 2022 /

    Only travelling abroad gets exotic photos. No need to travel overseas to get unusual images. Shoot digital is the only way ‘to stay in the moment’. Going retro with film is the only way to stay ‘in the moment’. Get the latest gear you can find. No, use the cheapest stuff because photography is about the man, not the machine. Do not post process, do post process. Shoot colour; no shoot B&W. Use Midformat, no full-frame, no APS-C, no smartphone-size sensors… The list of advice coming from (self-professed) experts, journalists (most often, web content editors with no editorial clearance), and ‘seasoned’ (wannabe) photographers could grow forever.More often than not, these…

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    Andrea Monti

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    In Hoc Signo

    August 20, 2015

    Desolation

    May 13, 2015

    Pipeline

    February 13, 2014
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