Andrea Monti

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Archives

  • Colour,  Daily photo,  Docks,  Rome,  Summer

    5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160

    July 11, 2024 /

    Tevere, the river that divides Rome in two, is one of my favourite places. No matter how much chaos there is in the ‘high places’: walking along the banks of the river puts you in another dimension, where time has no meaning and the pace slows down – Initially published on 35mmc.com Anchored boats stand still, in stark contrast to the fast-moving streets, crowded with cars, bicycles, pedestrians and tourists who have returned in droves once the pandemic is over. This is obviously a mirror image, but it looks as if it has been projected onto a digital screen. And here is what was mirrored: There are a lot of…

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    Andrea Monti

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    Max Gazzè Tour 2016 Live @Pescara

    February 1, 2016

    The Commuter

    July 24, 2017

    Is There Something At Tsipras’Left?

    June 8, 2014
  • Buildings,  Colour,  Daily photo,  Rome,  Spring

    A Hellish Look

    March 26, 2024 /

    It is quite common these days to see images of various kinds using the facade of a building as a screen. In the case of government or state buildings, a flag appears out of nowhere after dusk.The overall effect is quite spectacular, especially in Italy where the palaces of power are beautiful works of art. However, when photographed with a narrow field of view, the result can be disturbing, as in this case, where the building looks more like some sort of hell embassy.It wouldn’t be strange, though: doesn’t the Pope live on the other side of the Tevere River?

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    Andrea Monti

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    The Oslo Opera House

    October 24, 2014

    Marshmallow

    November 15, 2014

    Life Within the Post Office

    November 24, 2014
  • B&W,  Daily photo,  Travels

    A Stop in Reggio Emilia

    February 21, 2024 /

    On its way to Milan, the Freccia Rossa stops at Reggio Emilia, whose railway station is a masterpiece. It is worth taking the train just to have the chance to see some of its parts from a perspective that is otherwise forbidden.

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    Andrea Monti

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    Moon, hand-held

    April 30, 2021

    Last Puff Before the Ride

    December 26, 2015

    Rectangles

    March 12, 2015
  • B&W,  Daily photo,  Rome,  Winter

    An Antique Shop in via Cadorna

    December 10, 2023 /

    The overall quality of the black and white rendition is acceptable. However, it is still necessary to find how achieve colour consistency in multiple DSLR-scan.

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    Andrea Monti

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    Italy, Street-Photography and the Law

    October 29, 2013

    Ashtray

    February 12, 2017

    AI or not AI?

    October 3, 2023
  • B&W,  Daily photo,  Rome,  Streets&Squares,  Winter

    A jam in via Alessandria

    December 8, 2023 /

    Taking pictures with a fully manual camera is a way to keep practising the basics. Honestly, I would not use a film camera for a professional assignment —at least, not as the main one— but it’s worth doing it in a less challenging condition.As per the technicalities, waiting for the next batch of Ferrania Orto to arrive, I resorted to a Kodak Tri-X 400 roll, which is my favourite film at these ISOs.

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    Andrea Monti

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    Ramping Up

    September 16, 2014

    The Google Experiment

    February 1, 2014

    Beach Party

    January 22, 2022
  • B&W,  Daily photo,  Milan,  Photography,  Street Photography

    How Privacy Hysteria Killed Street-Photography

    October 22, 2023 /

    At other times I would have dismissed this image as ‘out of focus’ and unusable. Just another missed shot caused by poor focusing technique on a fully manual film camera. Nowadays, however, I have begun to change my attitude towards these kinds of blurred images because of the privacy hysteria affecting the practice of street photography. There have been cases where people have been found guilty of harassment for covertly taking pictures in public spaces, but street photography has nothing to do with criminal behaviour. There is a huge difference between taking sneaky, random, meaningless pictures of people on the street and trying to freeze sketches of life to tell…

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    Andrea Monti

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    Portrait of a young scholar

    October 28, 2013

    Weight Training @ Rome’s Stadio Olimpico

    October 9, 2018

    Intelligent Design

    October 26, 2018
  • Autumn,  B&W,  Daily photo,  Milan,  People

    Where to?

    October 21, 2023 /

    Unlike my previous shots, this is a ‘normal’ analogue image. The film – Ferrania P30 – was not expired and the camera was fully manual – a Voigtländer Bessa R2A with a Voigtländer Nokton Classic 35 1.4.

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    Andrea Monti

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    A London’s Skyline

    September 13, 2016

    Boat Dock Bumpers

    October 26, 2014

    Kite Surfers

    October 16, 2021
  • Daily photo,  Portfolio,  Street Photography,  Travels,  Urban Landscape

    Hidden in Plain Sight. A Japanese Journey

    August 3, 2023 /

    Although I have a lot of pictures from my various trips to Japan, organising them into a book is a challenge. The photos themselves are good enough to deserve publication. However, most of them are affected by a ‘déjà-vu’ effect. People on the subway, crowded crossroads, striking contrasts between modernity and the past, or between rural areas and highly urbanised ones, pop culture vs. business culture… no matter how hard I try, every single photo gives the feeling that someone has already done it. I am neither an anthropologist nor an expert on Japanese society, so I have no reasonable explanation for this feeling. Perhaps it is simply a matter…

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    Andrea Monti

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    Tough Enough

    January 27, 2013

    In the backstage

    May 10, 2013

    The Stare of a T800

    August 4, 2015
  • B&W,  Daily photo,  Daily Video,  Photography,  Rome

    The Expired Film Series – Episode 2 – Ilford XP2Super 400 – Nov. 2017 shot in May 2023

    July 25, 2023 /

    This is the second episode in a series documenting the use of expired film in various contexts (mainly in Rome, Italy). Episode 2 features an Ilford XP2Super 400 shot with a Voigtlander Bessa R2 and a Voigtlander Nokton 35/1,4 in Rome (IT), between Colle del Quirinale and Piazza di Montecitorio. Also in this case, but this time by mistake, film’s ISO and the exposure compensation were not adapted to allow more light to impress the film. Once again, the blacks lack detail and show severe grain.

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    Andrea Monti

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    A jam in via Alessandria

    December 8, 2023

    Davide Grotta – Live

    December 8, 2018

    Creativity vs Originality

    March 11, 2024
  • B&W,  Daily photo,  Rome,  Summer

    Guarding Democracy

    June 14, 2023 /

    Maybe it is just me, but I couldn’t get the best out of the Ilford XP2 Super 400.

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    Andrea Monti

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    Beach in black

    January 5, 2013

    Writer Inspiration’s Tools

    April 17, 2015

    5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI

    February 28, 2024
  • B&W,  Daily photo,  People,  Rome,  Spring

    Partner in Glam

    May 3, 2023 /

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    Andrea Monti

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    Thirthy years behind…

    April 6, 2013

    Hard Worker

    February 9, 2014

    An attempt at DSLR-made film digitization

    January 14, 2023
  • B&W,  Daily photo,  People,  Rome,  Spring,  Technique

    Tell me something I do not know…!

    April 23, 2023 /

    This hip shot is the result of a complicated process. It was taken with an expired Ilford XP2 Super 400, a Voigtländer Bessa R2 and a Voigtländer Nokton 35mm f/1.4. Focus was at infinity. There was no time to frame it properly, so in post it was necessary to rearrange the composition with a generous crop.Digitising the film with my homemade rig required 2 stops of underexposure with plus or minus 1 stop of bracketing.The DNG was first processed through DXO Pure Raw, then adjusted and cropped in Affinity Photo, and finally adjusted for simmetry in DXO Viewpoint.

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    Andrea Monti

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    Right before the gig

    September 14, 2018

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024

    Even

    July 9, 2016
  • B&W,  Daily photo,  Doors&Windows,  Gear,  Winter

    Powermeters

    February 18, 2023 /

    This photo was taken with an Ilford XP2 Super 400, a Voigtländer Bessa R2 and a Voigtländer 35mm f/1.4 II lens. The film was digitised using a Pentax K-1 and a Pentax FA 100/2.8 Marco mounted on a custom-built rig. The resulting raw was processed in Affinity Photo. In Develop Persona, first the image was turned in black and white, then the master curve was intverted and finally exposure, contrast and other parameters were tweaked.

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    Andrea Monti

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    As much as you’re far from home…

    April 5, 2013

    Portrait of aTocaor

    October 8, 2013

    5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

    March 19, 2025

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