Andrea Monti

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Archives

  • Colour,  Daily photo,  Docks,  Rome,  Summer

    5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160

    July 11, 2024 /

    Tevere, the river that divides Rome in two, is one of my favourite places. No matter how much chaos there is in the ‘high places’: walking along the banks of the river puts you in another dimension, where time has no meaning and the pace slows down – Initially published on 35mmc.com Anchored boats stand still, in stark contrast to the fast-moving streets, crowded with cars, bicycles, pedestrians and tourists who have returned in droves once the pandemic is over. This is obviously a mirror image, but it looks as if it has been projected onto a digital screen. And here is what was mirrored: There are a lot of…

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    Andrea Monti

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    Caged?

    June 6, 2014

    A Japanese Luthier and a Fingerstyle Player from My Home Region (and My Past) – A One shot story

    January 22, 2025

    An Evening Chat

    July 30, 2013
  • Buildings,  Colour,  Daily photo,  Rome,  Spring

    A Hellish Look

    March 26, 2024 /

    It is quite common these days to see images of various kinds using the facade of a building as a screen. In the case of government or state buildings, a flag appears out of nowhere after dusk.The overall effect is quite spectacular, especially in Italy where the palaces of power are beautiful works of art. However, when photographed with a narrow field of view, the result can be disturbing, as in this case, where the building looks more like some sort of hell embassy.It wouldn’t be strange, though: doesn’t the Pope live on the other side of the Tevere River?

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    Andrea Monti

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    A Portrait on the Nasdaq Building

    January 18, 2014

    An Unplausable Perspective

    May 6, 2014

    Life Within the Post Office

    November 24, 2014
  • B&W,  Daily photo,  Travels

    A Stop in Reggio Emilia

    February 21, 2024 /

    On its way to Milan, the Freccia Rossa stops at Reggio Emilia, whose railway station is a masterpiece. It is worth taking the train just to have the chance to see some of its parts from a perspective that is otherwise forbidden.

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    Andrea Monti

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    The Double Helix

    October 13, 2013

    And Justice For All

    May 15, 2015

    Busy

    December 24, 2015
  • B&W,  Daily photo,  Rome,  Winter

    An Antique Shop in via Cadorna

    December 10, 2023 /

    The overall quality of the black and white rendition is acceptable. However, it is still necessary to find how achieve colour consistency in multiple DSLR-scan.

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    Andrea Monti

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    Zombie

    March 4, 2021

    Abstract

    May 9, 2023

    Having Sax

    February 6, 2015
  • B&W,  Daily photo,  Rome,  Streets&Squares,  Winter

    A jam in via Alessandria

    December 8, 2023 /

    Taking pictures with a fully manual camera is a way to keep practising the basics. Honestly, I would not use a film camera for a professional assignment —at least, not as the main one— but it’s worth doing it in a less challenging condition.As per the technicalities, waiting for the next batch of Ferrania Orto to arrive, I resorted to a Kodak Tri-X 400 roll, which is my favourite film at these ISOs.

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    Andrea Monti

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    Inside The Clocktower

    August 22, 2015

    Pensive

    June 13, 2015

    Masters of Propaganda

    July 18, 2023
  • B&W,  Daily photo,  Milan,  Photography,  Street Photography

    How Privacy Hysteria Killed Street-Photography

    October 22, 2023 /

    At other times I would have dismissed this image as ‘out of focus’ and unusable. Just another missed shot caused by poor focusing technique on a fully manual film camera. Nowadays, however, I have begun to change my attitude towards these kinds of blurred images because of the privacy hysteria affecting the practice of street photography. There have been cases where people have been found guilty of harassment for covertly taking pictures in public spaces, but street photography has nothing to do with criminal behaviour. There is a huge difference between taking sneaky, random, meaningless pictures of people on the street and trying to freeze sketches of life to tell…

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    Andrea Monti

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    Having Sax

    February 6, 2015

    Three Sprouts

    May 22, 2022

    A jam in via Alessandria

    December 8, 2023
  • Autumn,  B&W,  Daily photo,  Milan,  People

    Where to?

    October 21, 2023 /

    Unlike my previous shots, this is a ‘normal’ analogue image. The film – Ferrania P30 – was not expired and the camera was fully manual – a Voigtländer Bessa R2A with a Voigtländer Nokton Classic 35 1.4.

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    Andrea Monti

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    Iphone 15 Billboard in Via XX Settembre

    February 14, 2024

    Comarketing

    October 10, 2019

    Into The Cube

    November 18, 2014
  • Daily photo,  Portfolio,  Street Photography,  Travels,  Urban Landscape

    Hidden in Plain Sight. A Japanese Journey

    August 3, 2023 /

    Although I have a lot of pictures from my various trips to Japan, organising them into a book is a challenge. The photos themselves are good enough to deserve publication. However, most of them are affected by a ‘déjà-vu’ effect. People on the subway, crowded crossroads, striking contrasts between modernity and the past, or between rural areas and highly urbanised ones, pop culture vs. business culture… no matter how hard I try, every single photo gives the feeling that someone has already done it. I am neither an anthropologist nor an expert on Japanese society, so I have no reasonable explanation for this feeling. Perhaps it is simply a matter…

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    Andrea Monti

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    Cold Night, Hot Drink

    January 13, 2014

    Hope after the Storm

    January 8, 2020

    5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

    March 19, 2025
  • B&W,  Daily photo,  Daily Video,  Photography,  Rome

    The Expired Film Series – Episode 2 – Ilford XP2Super 400 – Nov. 2017 shot in May 2023

    July 25, 2023 /

    This is the second episode in a series documenting the use of expired film in various contexts (mainly in Rome, Italy). Episode 2 features an Ilford XP2Super 400 shot with a Voigtlander Bessa R2 and a Voigtlander Nokton 35/1,4 in Rome (IT), between Colle del Quirinale and Piazza di Montecitorio. Also in this case, but this time by mistake, film’s ISO and the exposure compensation were not adapted to allow more light to impress the film. Once again, the blacks lack detail and show severe grain.

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    Andrea Monti

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    Learning to Shoot Boxing Matches

    July 18, 2024

    5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

    March 19, 2025

    Small Talk

    February 10, 2014
  • B&W,  Daily photo,  Rome,  Summer

    Guarding Democracy

    June 14, 2023 /

    Maybe it is just me, but I couldn’t get the best out of the Ilford XP2 Super 400.

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    Andrea Monti

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    Processing DSLR-digitized film with and without Pentax K-1 Monochrome Custom Image profile

    April 30, 2023

    As much as you’re far from home…

    April 5, 2013

    Romeo’s Hideout

    December 16, 2015
  • B&W,  Daily photo,  People,  Rome,  Spring

    Partner in Glam

    May 3, 2023 /

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    Andrea Monti

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    A Skull

    August 18, 2015

    A Haunted(?) House

    September 19, 2014

    A Stop in Reggio Emilia

    February 21, 2024
  • B&W,  Daily photo,  People,  Rome,  Spring,  Technique

    Tell me something I do not know…!

    April 23, 2023 /

    This hip shot is the result of a complicated process. It was taken with an expired Ilford XP2 Super 400, a Voigtländer Bessa R2 and a Voigtländer Nokton 35mm f/1.4. Focus was at infinity. There was no time to frame it properly, so in post it was necessary to rearrange the composition with a generous crop.Digitising the film with my homemade rig required 2 stops of underexposure with plus or minus 1 stop of bracketing.The DNG was first processed through DXO Pure Raw, then adjusted and cropped in Affinity Photo, and finally adjusted for simmetry in DXO Viewpoint.

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    Andrea Monti

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    Raus

    May 12, 2013

    An urgent phone call?

    December 15, 2013

    Inside The Clocktower

    August 22, 2015
  • B&W,  Daily photo,  Doors&Windows,  Gear,  Winter

    Powermeters

    February 18, 2023 /

    This photo was taken with an Ilford XP2 Super 400, a Voigtländer Bessa R2 and a Voigtländer 35mm f/1.4 II lens. The film was digitised using a Pentax K-1 and a Pentax FA 100/2.8 Marco mounted on a custom-built rig. The resulting raw was processed in Affinity Photo. In Develop Persona, first the image was turned in black and white, then the master curve was intverted and finally exposure, contrast and other parameters were tweaked.

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    Andrea Monti

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    Masters of Propaganda

    July 18, 2023

    Why a Longterm Relationship (with your camera) Makes You Feel Good

    March 26, 2025

    Zebra Crossing in Oslo… With Red Light

    October 12, 2014

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