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An update on the poor Canon EOS-M autofocus
It seems that by setting the autofocus mode on FlexiZoneAF centered the performance of the camera improves slightly. Still far from being usable for street-photography, though.
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Enough Is Enough…
The man in the blue windbreaker is not just leaning on a railing — he’s leaning on a lifetime. I caught him mid-pause, his posture tilted forward yet anchored, as if he had been running but something — or perhaps nothing — made him stop. Behind him, others drift along the walkway, anonymous shapes in dark jackets, contrasting with his bright, almost defiant blue. Compositionally, I wanted the railing to serve as a visual guide, leading the viewer’s eye from the man into the horizon, creating a kind of bridge not just in space but in thought. The diagonal sweep of the barrier, with its graffiti and padlocks, speaks of…
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Kudos to Ricoh
I lost the external plastic ring covering the electronic contacts of my Ricoh GR Digital III. After an unsuccessful quest around the Net to find a spare part, as last hope (or desperate move) I sent a mail to Ricoh customer support asking where to find a replacement. To my enormous surprise, they answered fast and, since the part is not for sale as such, they offered to send it nevertheless. THIS is customer care. Kudos to you, Ricoh. You gained a customer and a supporter.
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Quis Custodiet…
I photographed these two men standing guard outside a government building, their uniforms marking the distinction between routine policing and ceremonial presence. The man on the left, in standard attire, leans casually, his stance relaxed. The man on the right, draped in a cape and holding a sword, maintains rigidity, his posture ceremonial, as though embodying an institution rather than an individual. Compositionally, I framed them against the imposing stone architecture, the vertical columns echoing the upright form of the ceremonial guard. The iron gate behind them adds depth and formality, while the shadows creeping into the arch contrast with the brightness of the façade. The pairing of the two…
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Yet Another Dawn
Yet Another Dawn Picture. There is a snobbish attitude among “real-photographer” (those tough guys that know all about cameras, lenses, optics, chemistry, physics, hardware, software, journalism, fine-art, landscape, portrait and, finally, Leica – and that barely shot a frame or two once at year) that photo like this one shouldn’t be taken at all. If you need an exposure of a dawn – I’ve read on a website whose link I’ve lost – you’d better go to Google image. I disagree for two reasons: first: shooting is a personal need. If somebody feels like exposing a dawn, a sunset or whatever banal… well that’s matter to him and is none…
