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Andrea Monti

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  • Beach&Shores,  Colour,  Daily photo,  Gear,  Technique

    In praise of ‘cheap’ lenses for ‘pro’ works

    April 4, 2021 /

    Full disclosure: I have no relationship with Viltrox. I purchased the lenses with my own money and did not receive any request to write this post. I have recently discovered Viltrox, a Chinese manufacturer of lenses for the Fujifilm X-system. I am using the AF 85/1,8 II XF and the AF 56/1,4 XF and I am very satisfied by their performance. They are very good for ‘professional’ sessions, however, there are many online reviews that snobbishly rate these lenses as ‘amateur’, ‘non-professional’ or ‘first time portrait photography enthusiasts’ grade. I think that these reviews are unfair and here is why: What does ‘better’ mean? It is a known fact that…

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    Andrea Monti

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    Portrait of a Judo Master

    November 14, 2013

    Portrait with Skewers

    December 6, 2014

    An Essay on Composition

    February 14, 2021
  • Buildings,  Colour,  Daily photo,  Gates&Fences,  Winter

    Open Interior

    March 14, 2021 /

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    Andrea Monti

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    Nagoya’s reportage featured in The Good Life

    October 29, 2020

    Before The Match

    October 20, 2014

    After a Tough Day

    January 30, 2016
  • Colour,  Daily photo,  Doors&Windows,  Winter

    Drying Clothes

    March 9, 2021 /

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    Andrea Monti

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    Niccolò Fabi – Meno Per Meno Tour 2023 – Live@Teatro Massimo, Pescara

    May 7, 2023

    Mirror

    January 17, 2013

    Rest on the lake

    April 29, 2013
  • Bridges,  Colour,  Daily photo

    Lava Nails

    February 28, 2021 /

    The first thing that struck me when I looked at this photograph was the title — Lava Nails. It’s an evocative phrase, one that instantly conjures visions of volcanic rock cooling into jagged forms. In reality, of course, what we’re looking at is far more prosaic: rows of rusty rivets or bolts on a weathered surface. Yet, the camera has transformed the mundane into the dramatic. The composition is built on strong linear perspective. The rivets march away from the viewer, converging toward a vanishing point that lies just outside the frame’s blurred horizon. This forced depth, amplified by a shallow depth of field, isolates the tactile detail of the…

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    Andrea Monti

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    A solitary journey

    December 24, 2012

    Lost Cellos

    August 30, 2014

    Kite Surfers

    October 16, 2021
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    Il barbiere di Siviglia – Don Bartolo mad at Rosina

    November 28, 2020

    The Audience (Not a Rock Concert, Indeed)

    September 23, 2013

    The Suit

    July 15, 2013
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    A Relaxed Call

    February 12, 2014

    Davide Grotta – Live

    December 8, 2018

    When We Were Kids

    August 18, 2013
  • Bridges,  Colour,  Daily photo,  Winter

    A Droplet

    February 21, 2021 /

    Sometimes the most unassuming subjects hold the greatest visual intrigue. A Droplet invites us to pause before a corroded pipe, its mouth fringed with moss and decay, and notice the minute beads of water suspended in time. The scene is humble, even neglected, yet it carries a quiet dignity — a testament to the slow, unrelenting processes of nature reclaiming the man-made. From a compositional standpoint, the photographer has made the astute decision to centre the pipe, drawing the eye directly to the mossy rim and the droplets. The shallow depth of field isolates the subject from the textured wall behind it, giving the image a pleasing three-dimensionality. The fine…

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    Andrea Monti

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    Absence in Three Acts

    May 21, 2015

    A Different Passion…

    June 12, 2016

    The Spinners

    June 13, 2013
  • Colour,  Daily photo,  Gear,  Winter

    A Rudder

    February 19, 2021 /

    Pentax K-1/smc Pentax-A 135/2,8

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    Andrea Monti

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    @Rome Maker Faire – 7. Mobile Rest

    October 23, 2014

    Frames for Sale at Via Margutta

    May 2, 2016

    Becoming a Human Tripod

    January 9, 2017
  • Colour,  Daily photo,  Visual,  Winter

    A Mesh

    February 16, 2021 /

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    Andrea Monti

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    Thirsty

    June 10, 2014

    Stripes of Light and Decay

    March 2, 2015

    Passage Lost

    August 9, 2014
  • Colour,  Daily photo,  Fountains,  Visual,  Winter

    An Essay on Composition

    February 14, 2021 /

    This photograph began with geometry, but it ended up being about contradiction. Sand, marble, sea—each a distinct texture, each performing under different rules. It’s not a landscape and it’s not abstract, but it borrows from both. The diagonal lines, the flattened depth, the conflict between order and erosion—all deliberate, but not staged. I rotated the frame on purpose. The eye expects a horizon, some gravitational anchor, but here that’s denied. The marble slabs—cold, precise, quarried and arranged—seem to float or fall, depending on how you orient yourself. The band of sand running diagonally across the frame interrupts their perfection with a tactile, natural disorder: dunes formed by wind, not by…

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    Andrea Monti

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    Alien Veins

    December 3, 2014

    Off-Duty Eurocrats in Bruxelles

    March 28, 2014

    The Arson

    February 21, 2014

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