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  • Beach&Shores,  Colour,  Daily photo,  Gear,  Technique

    In praise of ‘cheap’ lenses for ‘pro’ works

    April 4, 2021 /

    Full disclosure: I have no relationship with Viltrox. I purchased the lenses with my own money and did not receive any request to write this post. I have recently discovered Viltrox, a Chinese manufacturer of lenses for the Fujifilm X-system. I am using the AF 85/1,8 II XF and the AF 56/1,4 XF and I am very satisfied by their performance. They are very good for ‘professional’ sessions, however, there are many online reviews that snobbishly rate these lenses as ‘amateur’, ‘non-professional’ or ‘first time portrait photography enthusiasts’ grade. I think that these reviews are unfair and here is why: What does ‘better’ mean? It is a known fact that…

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    Andrea Monti

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    The Crew’s Rest

    July 20, 2014

    Segway Chase in Villa Borghese

    April 27, 2013

    Renovating Milan

    November 18, 2017
  • Buildings,  Colour,  Daily photo,  Gates&Fences,  Winter

    Open Interior

    March 14, 2021 /

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    Andrea Monti

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    Good Idea

    January 31, 2014

    A few test shots with an MC Cosinon T200/4

    January 14, 2024

    Planetarium

    May 30, 2015
  • Colour,  Daily photo,  Doors&Windows,  Winter

    Drying Clothes

    March 9, 2021 /

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    Andrea Monti

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    Just A Bird

    July 1, 2014

    A Fence

    November 6, 2014

    The Expired Film Series – Episode 4 – Ferrania Solaris 100 – Dec. 2006 shot in August 2023

    September 3, 2023
  • Bridges,  Colour,  Daily photo

    Lava Nails

    February 28, 2021 /

    The first thing that struck me when I looked at this photograph was the title — Lava Nails. It’s an evocative phrase, one that instantly conjures visions of volcanic rock cooling into jagged forms. In reality, of course, what we’re looking at is far more prosaic: rows of rusty rivets or bolts on a weathered surface. Yet, the camera has transformed the mundane into the dramatic. The composition is built on strong linear perspective. The rivets march away from the viewer, converging toward a vanishing point that lies just outside the frame’s blurred horizon. This forced depth, amplified by a shallow depth of field, isolates the tactile detail of the…

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    Andrea Monti

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    The Expired Film Series – Episode 7 – Kodak Portra 160 – June 2015 shot in Oct. 2023

    January 11, 2024

    Too Busy to Enjoy the Life…

    April 12, 2014

    Waiting for the hearing

    February 19, 2013
  • Beach&Shores,  Colour,  Daily photo,  People,  Winter

    Pensive

    February 26, 2021 /

    Manual focus needs practice. This photo would have been better if I framed also the top of the cabin and focused better the person.

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    Andrea Monti

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    Ray-Ban in Milan

    October 5, 2015

    Staring At The Infinite (While Waiting For The Fishes)

    August 1, 2014

    Snorkeling

    August 24, 2014
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    Watch My Back

    January 15, 2013

    Inside a Lost Building

    February 16, 2014

    A Fishnet – 2

    October 29, 2014
  • Bridges,  Colour,  Daily photo,  Winter

    A Droplet

    February 21, 2021 /

    Sometimes the most unassuming subjects hold the greatest visual intrigue. A Droplet invites us to pause before a corroded pipe, its mouth fringed with moss and decay, and notice the minute beads of water suspended in time. The scene is humble, even neglected, yet it carries a quiet dignity — a testament to the slow, unrelenting processes of nature reclaiming the man-made. From a compositional standpoint, the photographer has made the astute decision to centre the pipe, drawing the eye directly to the mossy rim and the droplets. The shallow depth of field isolates the subject from the textured wall behind it, giving the image a pleasing three-dimensionality. The fine…

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    Andrea Monti

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    RedLight

    November 6, 2015

    The Violinist

    July 1, 2015

    Wrecked Ship

    November 23, 2013
  • Colour,  Daily photo,  Gear,  Winter

    A Rudder

    February 19, 2021 /

    Pentax K-1/smc Pentax-A 135/2,8

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    Andrea Monti

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    Small Talk

    February 10, 2014

    Close up of an Ethnic Chessboard

    September 1, 2018

    The Modern Preacher

    November 14, 2016
  • Colour,  Daily photo,  Visual,  Winter

    A Mesh

    February 16, 2021 /

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    Andrea Monti

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    Pixelmator Pro Debanding and Electronic Shutter

    December 24, 2022

    A Japanese Luthier and a Fingerstyle Player from My Home Region (and My Past) – A One shot story

    January 22, 2025

    Same Space, Different Worlds

    October 18, 2013
  • Colour,  Daily photo,  Fountains,  Visual,  Winter

    An Essay on Composition

    February 14, 2021 /

    This photograph began with geometry, but it ended up being about contradiction. Sand, marble, sea—each a distinct texture, each performing under different rules. It’s not a landscape and it’s not abstract, but it borrows from both. The diagonal lines, the flattened depth, the conflict between order and erosion—all deliberate, but not staged. I rotated the frame on purpose. The eye expects a horizon, some gravitational anchor, but here that’s denied. The marble slabs—cold, precise, quarried and arranged—seem to float or fall, depending on how you orient yourself. The band of sand running diagonally across the frame interrupts their perfection with a tactile, natural disorder: dunes formed by wind, not by…

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    Andrea Monti

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    The Straycat

    December 3, 2013

    Justice measured as the distance between Words and Facts

    July 10, 2023

    Side by Side, Ready to Ride

    July 21, 2015

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