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Personal Musing On Monochrome Digital Cameras
I was thinking of exploring the world of black-and-white digital photography so I started looking into the available options. Currently, only the Leica Monochrom and the Pentax K-3 III Monochrom are still the only native monochrome digital cameras availble, targeting photographers interested in maximising the potential for ‘true’ black-and-white photography compared to converted colour images. Many experts in the field justify the existence of this particular camera by citing the same manufacturers’ marketing claims, such as better overall image quality and the superior performance of a custom-built sensor. However, I am a photographer, not an electronics engineer or software programmer, so I care more about the final results than the technicalities.…
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Shooting Sanda (Chinese Kickboxing) Bouts
These photographs were taken during the 2025 Italian Sanda Championships as part of the sports photography course that I teach at the University of Chieti-Pescara in Italy. Initially published by 35mmc.com How the game works Sanda is a Chinese martial art belonging to the kickboxing family. As in kickboxing, fighters trade punches and kicks, but unlike in Thai boxing, they are not allowed to use their elbows or knees. A limited number of throws are permitted, including leg sweeps, reaps and souplexes. Each bout consists of three rounds, and winning two of them is sufficient for victory. However, this is easier said than done: the action is fast-paced, the fighters…
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Portraits in Skating
In sports photography, portraits are as important as snapshots of crucial moments such as a win, a loss or an unpredictable event, for they are an excellent way to capture the humanity of the athletes, often and mistakenly seen – especially in high-level competitons and before the start – as soulless cyborgs. Initially published on 35mmc.com The very first moments after the game is over are a gold mine. Athletes are still full of adrenaline and eager to discuss their performance with their teammates. Before they shower, before they change into normal clothes, before they return to ordinary life their focus is on what went right or wrong. And when…
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How to Shoot Handball Matches
Photographing handball matches presents an array of challenges, requiring a high level of expertise, quick reflexes and a deep understanding of the sport’s dynamics. Central to the art of capturing these fast-paced events is the fundamental principle that the ball is the focal point of every shot. Failing to capture the ball likely produces a picture lacking relevance and impact. The presence of the ball not only indicates the focal point of the action, but also gives the image a sense of purpose and narrative coherence. Handball’s court is a hive of activity where players are constantly jostling for position, trying to break through defensive barriers or thwart an advancing…
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Pentax – In Praise of Usability of Cameras and Lenses
The Internet is full of columns and videos about why ‘I left brand X for brand Y’, magnifiying this or that ‘new feature’ that forced a photographer to ditch his previous setup in favour of a brand new one. Sometimes there is a genuine motivation behind such a choice, sometimes – often – it is just a clickbait set up by the need (or hope) to monetise a piece of content published on a social network. This long introduction violates the golden rule of journalistic writing – tell the reader what’s the matter in the first paragraph or so – but it was necessary because this article is exactly that:…
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Questioning the Referee
Sports photography is all about the moment. Freezing the moments of success – a win, a comeback or a try – as well as failure – a miss, a fall or an injury – is what usually attracts photographers’ attention. But there are many other stories to be told during a competition, and the complex relationship between coaches and referees is one of the most interesting – and overlooked. In this picture, taken during a national judo tournament, I captured the moment when a referee decided to stop talking to a complaining coach. Technical note: I took this picture with a Pentax K-3 II and a Pentax DA* 80-200/2.8. Maybe…
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Three Lamposts
Sometimes the simplest subjects offer the richest visual rhythms. This photograph of three lampposts along a shaded path is a study in repetition, perspective, and the gentle irregularities that occur when human-made structures meet the slow reclamation of nature. The posts lean — not dramatically, but enough to betray years of shifting soil and seasonal wear — and that subtle tilt gives the image a quiet tension. The composition is carefully observed. The frame leads the eye from foreground to background in a gentle S-curve: the path winds left, the lampposts march back into the trees, and the play of shadow and sunlight dapples both ground and foliage. The staggered…
