Andrea Monti

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  • Artists,  Colour,  Daily photo,  People

    Another experiment, now with a Kodak Portra 400

    May 4, 2023 /

    This is a DSLR scan of an old Kodak Portra 400 roll of film shot during a 2015 concert by John De Leo Grande Abarasse. The editing with Affinity Photo was quite challenging, however, the result is a fair rendition of the film aesthetic.

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    Andrea Monti

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    Elishéva live@Faneuil Hall

    July 8, 2023

    In the backstage

    May 10, 2013

    Caparezza – Live@Palamaggetti Roseto degli Abruzzi

    February 18, 2018
  • B&W,  Daily photo,  People,  Rome,  Spring

    Partner in Glam

    May 3, 2023 /

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    Andrea Monti

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    The Gate to the Appeal

    October 10, 2021

    Out Of Focus, Once More

    October 6, 2014

    Coats

    March 19, 2023
  • B&W,  Daily photo,  Rome,  Technique

    Processing DSLR-digitized film with and without Pentax K-1 Monochrome Custom Image profile

    April 30, 2023 /

    Digital Camera Utility 5.0 is a pain to use on a Mac with Monterey. It is slow and laggy. Its only use is to get the photo as shot, with the custom image profiles embedded in a K-1 (and other recent Pentax DSLRs), and export it as a 16-bit tiff for further processing.One might wonder, however, whether editing a RAW file without going through the DCU —and thus losing the custom image profile— would produce lower quality results. We are about to find out.The test is quite demanding, as it starts with a shot from an Ilford SP2 Super 400 (note: this is not a true B&W film, as it…

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    Andrea Monti

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    From Waltham to Boston

    August 4, 2023

    Legal Apartheid

    March 25, 2015

    Having Sax

    February 6, 2015
  • B&W,  Daily photo,  People,  Rome,  Spring,  Technique

    Tell me something I do not know…!

    April 23, 2023 /

    This hip shot is the result of a complicated process. It was taken with an expired Ilford XP2 Super 400, a Voigtländer Bessa R2 and a Voigtländer Nokton 35mm f/1.4. Focus was at infinity. There was no time to frame it properly, so in post it was necessary to rearrange the composition with a generous crop.Digitising the film with my homemade rig required 2 stops of underexposure with plus or minus 1 stop of bracketing.The DNG was first processed through DXO Pure Raw, then adjusted and cropped in Affinity Photo, and finally adjusted for simmetry in DXO Viewpoint.

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    Andrea Monti

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    Outside the Courthall

    April 15, 2015

    A

    March 30, 2014

    Legal Apartheid

    March 25, 2015
  • B&W,  Daily photo,  People,  Stockholm,  Summer,  Technique,  Travels

    DSLR film scanning: episode three

    January 24, 2023 /

    This is, by far, the most pleasing result I have ever had from digitising a film negative with a DSLR.Contrary to many suggestions found on Youtube, I did not invert the negative RAW curve by tweaking the Master RGB option. I did it, instead, channel-bychannel minding each clipping point. This approach allowed for a better reproduction of the grey tones, and in the end a fair result.

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    Andrea Monti

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    Interior Design at Aurum

    May 26, 2013

    Three Shadows

    November 11, 2016

    Zombie

    March 4, 2021
  • B&W,  Daily photo,  Downtown,  Gear,  Stockholm,  Summer

    Another attempt at DLSR film scanning

    January 21, 2023 /

    Still trying.I digitised the negative with a Pentax K-1 and the FA 100 2.8 Macro lens using the JJC clone of Nikon ES-2. Postproduction is done in Pixelmator Pro. I used a Nikon 35TI and a Kodak BW400CN to take the original photo. Strangely enough, the JJC does not allow a 1:1 ratio with the Micro Nikkor 60 2.8.The instructions advise to mount the 62mm to 52mm step-down ring, the #2 52mm barrel-shaped tube and finally the film holder. These instructions are clearly wrong, as it is not possible to get 1:1 magnification with this setup.So I removed the tube and mounted the film carrier directly on the 62mm to…

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    Andrea Monti

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    Pensive

    June 13, 2015

    Powermeters

    February 18, 2023

    Pentax – In Praise of Usability of Cameras and Lenses

    March 3, 2024

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