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Pentax – In Praise of Usability of Cameras and Lenses
The Internet is full of columns and videos about why ‘I left brand X for brand Y’, magnifiying this or that ‘new feature’ that forced a photographer to ditch his previous setup in favour of a brand new one. Sometimes there is a genuine motivation behind such a choice, sometimes – often – it is just a clickbait set up by the need (or hope) to monetise a piece of content published on a social network. This long introduction violates the golden rule of journalistic writing – tell the reader what’s the matter in the first paragraph or so – but it was necessary because this article is exactly that:…
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Hidden in Plain Sight. A Japanese Journey
Although I have a lot of pictures from my various trips to Japan, organising them into a book is a challenge. The photos themselves are good enough to deserve publication. However, most of them are affected by a ‘déjà-vu’ effect. People on the subway, crowded crossroads, striking contrasts between modernity and the past, or between rural areas and highly urbanised ones, pop culture vs. business culture… no matter how hard I try, every single photo gives the feeling that someone has already done it. I am neither an anthropologist nor an expert on Japanese society, so I have no reasonable explanation for this feeling. Perhaps it is simply a matter…
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Nittele Tower
This photograph was taken on the move, from the Tokyo Monorail, aimed at the glass façade of Nittele Tower. Shooting through layers — the monorail’s own window and the tower’s reflective panels — created a composition that is equal parts interior, exterior, and abstraction. The grid of the building’s structure acts as both frame and subject, compartmentalising the scene into individual vignettes where people, staircases, and architectural lines intersect. The DA* 16-50 on the K-5 handled the mix of reflections and transparency better than I anticipated. Exposure was tricky: the overcast light outside diffused evenly, while the building’s interior lighting added warm pockets of contrast. I kept the balance slightly…
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Sun Worshipers
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Dark Omen
I photographed this scene in late winter, when the bare trees carried no leaves and the sky pressed low with heavy clouds. The flock of birds, startled into flight, scattered across the frame in uneven patterns. Their silhouettes against the pale backdrop gave the scene a sense of unease, as though the moment was charged with something more than simple movement. Compositionally, I placed the trees as anchors, their skeletal branches reaching upward and outward, filling much of the lower frame. They serve as both structure and stage, while the birds provide rhythm and unpredictability. The flock is not evenly distributed—clusters form and break apart, guiding the eye from one…
