• Home
  • Daily photo
  • Colour
  • B&W
  • Landscape
  • Cities
  • People
  • Sport
  • FAQ
  • About
  • Conctact
Andrea Monti

Photos, not gear

  • Home
  • Daily photo
  • Colour
  • B&W
  • Landscape
  • Cities
  • People
  • Sport
  • FAQ
  • About
  • Conctact
Menu
  • Home
  • Daily photo
  • Colour
  • B&W
  • Landscape
  • Cities
  • People
  • Sport
  • FAQ
  • About
  • Conctact
  • Home
  • Daily photo
  • Colour
  • B&W
  • Landscape
  • Cities
  • People
  • Sport
  • FAQ
  • About
  • Conctact

No Widgets found in the Sidebar Alt!

  • B&W,  Daily photo,  Rome,  Spring,  Streets&Squares

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024 /

    I managed to grab a few rolls of the very first batch of Ferrania’s brand new P33 film, so I wasted no time in putting it to work with a Nikon F3 and the glorious Nikkor 50 f2. I won’t go into the technical details of this film, firstly because I can’t claim to be an authority on the subject, and secondly because Ferrania’s website has plenty of information. There is only one thing to know: the canister is not DX-coded, so shooting is only possible in full manual mode. This may change in the future, but for now this is the state of the art. Finally, a transparency note:…

    Read More
    Andrea Monti

    You May Also Like

    Leo Gullotta – Bartleby lo scrivano@Teatro Marrucino

    March 15, 2022

    A Lighthouse

    October 11, 2023

    Falling Tree

    May 8, 2014
  • B&W,  Daily photo,  People,  Technique,  Winter

    Coats

    March 19, 2023 /

    Getting rid of film noise is a recurring necessity when shooting film at (relatively) high ISO.In this photo the negative was digitised using a Pentax K-1 Mark I and a Pentax FA 100/2,8 Macro. Then, before inverting the curves to make a positive, it was fed into DxO PureRaw3 (by the way, it properly recognized the camera and lens). Finally, in Affinity Photo Develop Persona’s Details tab, once the curves were inverted, it was necessary to tweak the Noise Reduction options by setting Luminance to 50% and Luminance Details to 0.

    Read More
    Andrea Monti

    You May Also Like

    Gigi Cifarelli Guitar Solo (feat. Michele Di Toro) – Live@Florian Espace Pescara

    March 8, 2016

    Justice measured as the distance between Words and Facts

    July 10, 2023

    The Sentinel

    August 13, 2013
  • Bridges,  Colour,  Daily photo,  Odds,  Winter

    Stairway to Hell

    January 9, 2022 /

    This photograph emerged from a fascination with how architecture shifts once stripped of its context. What the lens captured here is, in essence, a flight of stairs. Yet under the harsh saturation of artificial red light and the obliteration of all surrounding detail into deep black, it becomes a surreal passage, one that feels less like a functional structure and more like an allegorical descent—or ascent, depending on how one reads it. The title, of course, plays on that ambiguity. From a compositional standpoint, the image relies heavily on abstraction. The staircase cuts diagonally across the frame, its curve creating a dynamic tension with the void beside it. Negative space…

    Read More
    Andrea Monti

    You May Also Like

    Zebra Crossing

    March 14, 2014

    A Silohuette on the Bridge

    March 3, 2014

    Niccolò Fabi – Meno Per Meno Tour 2023 – Live@Teatro Massimo, Pescara

    May 7, 2023

Projects

  • Daily photo (1,443)
    • B&W (286)
    • Colour (1,142)
  • Daily Video (17)
  • Portfolio (2)
  • Projects (1,357)
    • Airport (15)
    • Bottles&Cups (12)
    • Cars&Bikes (45)
    • Chairs&Seats (19)
    • Cities (473)
      • Barcelona (16)
      • Boston (11)
      • Bruxelles (67)
      • Hamburg (3)
      • Helsinki (2)
      • Kyoto (4)
      • London (27)
      • Milan (50)
      • Nagasaki (2)
      • Nagoro (1)
      • Nagoya (8)
      • New York (9)
      • Nikko (1)
      • Osaka (3)
      • Oslo (17)
      • Padua (1)
      • Paris (31)
      • Rome (156)
      • Stockholm (11)
      • Tokyo (32)
      • Tsukuba (2)
      • Venice (23)
      • Yokohama (1)
    • Court (23)
    • Landscape (99)
      • Beach&Shores (78)
    • Lines (19)
    • Marketing (6)
    • Moon (7)
    • Observer Bias (14)
    • Odds (22)
    • OutOfFocus (13)
    • Parks (6)
    • Past&Relics (60)
    • People (639)
      • Actors (19)
      • Artists (92)
      • Fighters (30)
      • Portraits (43)
    • Seasons (966)
      • Autumn (151)
      • Spring (194)
      • Summer (274)
      • Winter (367)
    • Shops (171)
      • Barber&HairStylist (1)
      • Bookstores (10)
      • Brand Stores (1)
      • Fashion Shops (17)
      • Garages&Labs (12)
      • Groceries (3)
      • Jewellery (3)
      • Patisserie (11)
      • Restaurants&Bar (94)
      • Street Markets (16)
      • Tobacconists (2)
    • Social Control (53)
    • Travels (19)
    • Urban Landscape (315)
      • Boulevards (12)
      • Bridges (7)
      • Buildings (24)
      • Docks (75)
      • Doors&Windows (27)
      • Downtown (35)
      • Exhibitions (14)
      • Fountains (8)
      • Garbage (18)
      • Gates&Fences (12)
      • Parks (21)
      • Streets&Squares (78)
      • Works (2)
    • Visual (70)
    • WideAngle (13)
  • Reportage (20)
  • Sport (75)
    • Beach Handball (1)
    • Beach Volley (5)
    • Billiard (1)
    • Body Builiding (1)
    • Cycling (1)
    • Fighting Disciplines (25)
    • Handball (3)
    • Kite Surf (4)
    • Road Running (1)
    • Roller Derby (1)
    • Rowing (3)
    • Shooting (11)
    • Skating (5)
    • Soccer (6)
    • Swimming (Fin) (1)
    • Track&Field (5)
  • Thoughts (245)
    • Gear (76)
    • Photo Journalism (7)
    • PhotoCritics (23)
    • Photography (70)
    • Street Photography (86)
    • Technique (32)
© 2026 Andrea Monti - all rights reserved