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Andrea Monti

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  • Boston,  Colour,  Daily photo,  Downtown,  Street Markets,  Summer

    A Cornhole Board – Independence Day Edition

    July 8, 2023 /

    I took this photograph in Boston on July 4th, and for me, it captures a small but telling fragment of the day’s celebrations. No fireworks, no parade—just a simple cornhole board dressed in the American flag, surrounded by scattered red and blue beanbags on a sunlit brick pavement. It’s an image that speaks to the quieter, more tactile traditions that sit alongside the grand spectacle. Compositionally, I let the board occupy the upper right of the frame, its diagonal placement adding a sense of movement and inviting the viewer’s eye from the legs toward the target hole. The wooden box in the foreground balances the frame and anchors the bottom…

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    Andrea Monti

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    Fuji X-T2 records audio at 16bit/48Khz

    October 11, 2020

    Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2

    February 9, 2021

    Kudos to Ricoh

    February 8, 2013
  • Artists,  Boston,  Colour,  Daily photo,  People,  Seasons,  Summer

    Elishéva live@Faneuil Hall

    July 8, 2023 /

    Boston is an incredibly vibrant city and hosts many live events in theatres and outdoor venues. At Boston’s Faneuil Hall, I took some pictures of Elishéva, a soulful jazz singer, while she was rehearsing. Boston in summer has its own rhythm—a blend of footsteps, street chatter, and, if you’re lucky, the pulse of live music spilling into the air. I took this photograph during one of those moments when the city seems to pause and listen. The singer, shaded under her cap and oversized sunglasses, leans into the microphone with an intimacy that draws you in, while her guitarist locks eyes with her, an unspoken conversation carried through chords. From a…

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    Andrea Monti

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    Imitation of Banksi

    November 1, 2021

    A Sad Afternoon

    October 7, 2013

    The Spanish Sense of Flesh – 2

    June 28, 2014
  • Boston,  Colour,  Daily photo,  Exhibitions,  Summer

    Tesla Coils@Boston Science Museum

    July 4, 2023 /

    Capturing a Tesla coil mid-discharge is less about speed and more about timing. The arcs of electricity, chaotic and brief, demand an intuitive trigger finger and a dose of luck. I didn’t want the image to become a science illustration; I wanted it to hold some tension between spectacle and control, between the purity of mathematics and the danger of raw power. The coils themselves form a natural anchor in the bottom third of the frame, giving structure to what would otherwise be an abstract burst of energy. I shot through a safety mesh, letting it subtly ghost across the image, a reminder of the physical danger involved in what…

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    Andrea Monti

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    Staring At The Infinite

    August 22, 2013

    Galaxy S21 Ultra 5g. The difference between Marketing and Reality in Image Quality

    January 24, 2021

    Stand-up, Sugar!

    March 8, 2014
  • Colour,  Daily photo,  Gear

    Helios 40-2 85/1,5 and Fuji X-T5: a sample

    June 21, 2023 /

    Shooting with the Helios 40-2 is always a slightly unpredictable experience, and that’s part of the charm. Mounted on the Fuji X-T5, the combination produces a character you simply don’t get from clinically perfect modern glass — here, the swirly background bokeh and slightly dreamlike rendering are as much a statement as the subject itself. This fishing boat  sat in just the right light to make the most of the lens’ quirks. The midday sun was still high, harsh enough to create deep shadows but angled enough to give the hull and rigging a degree of texture. The exposure leaned toward protecting highlights on the water and white paint, which…

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    Andrea Monti

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    Bikers

    July 14, 2014

    Inside the Nazario Sauro

    November 26, 2020

    Scarf’s Meeting

    March 5, 2014
  • Colour,  Daily photo,  Gear

    FUJIFILM X-T5 RAF have problems with Affinity Photo 2.1

    June 11, 2023 /

    As this video shows, when opened in Affinity Photo 2.1, an RAF generated by a Fujifilm X-T5 shows a vertical stripe and a slightly higher resolution. The problem does not occur if the file is pre-processed with Iridient Transformer and converted to DNG, or if the file is processed with Pixelmator Pro 3, Lightroom Classic or the latest version of Capture One.

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    Andrea Monti

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    The Bodyguard in Red

    April 13, 2014

    Waiting For A Customer To Come

    July 27, 2014

    Settled in the wrong place

    January 11, 2017
12

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