
Get Ready for The Duty
Twilight hits differently in industrial spaces — it smooths the sharp angles and softens the glare of primary colours. This shot, taken just outside the Stadio Adriatico, finds a firefighter in quiet preparation while the world behind him begins to stir. The fire engine’s bold typography — VIGILI DEL FUOCO — is less a design element than a declaration, slicing across the frame in a defiant horizontal.
I composed this frame to split the visual tension. On the right, a single man and a machine. On the left, a group of police officers huddled in conversation, their presence as much about routine as readiness. The stairs and monumental architecture climb into the background, anchoring the location without overwhelming it. Perspective lines from the structure and parked vehicles all draw back to the subject — it wasn’t planned, but it was used.
Technically, it was a balancing act. The light was fading fast. I pushed the ISO higher than I’d have liked, accepting a trade-off between some grain and the need to preserve the dynamic range. The red of the fire truck and the cool tones of dusk gave me a colour contrast that didn’t need much post-processing help. I slightly underexposed to hold the blues, trusting the RAW file to carry the rest.
This isn’t a dramatic image. It’s not meant to scream. But if you stand still in front of it, you’ll see the real tempo of readiness: quiet, methodical, human.

