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A Boat
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A Bridge
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A London’s Skyline
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PI Room At Palais de la Découverte
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Bent
Shot with a Nikon F3 and a 16mm fisheye, this isn’t your typical curved-sky, skateboard-in-midair kind of photo. Instead of pushing the distortion to the front of the image, I let it sneak in at the edges—just enough to bend the rules. The subject is ordinary: a coastal bridge, a pedestrian path, the usual lampposts lining a curve. But the lens pulls the whole scene inward, gives it weight and sweep, turns a flat space into something that stretches, leans, folds in on itself. I like using fisheye glass this way—not as a gimmick, not for laughs, but to see how geometry shifts when you force perspective without centring it.…
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Noon on the Beach
Another experiment with the Nikkor 16mm F/3,5 Fish-Eye. Using this lens in a less conventional way is really challenging for the composition. Keep trying.
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Horizon Bending, Again
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Red Wine Makes Good Blood…
When it comes to food, Italians aren’t short of reasons to sit and eat!
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The Misplaced Buoy
This time I’ve enabled the lens correction feature so that the Nikkor 16mm F/3,5 Fish-Eye horizon doesn’t looked curved.
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Footprint
Still… wideing.
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On the Edge of the World
Still experimenting with a 1973-made Nikkor 16mm F/3,5 Fish-Eye.
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Bent
What’s wrong with this photo? Right, that’s one of the zillion’s, ubiquitous, boring rural landscape pictures. There is something, nevertheless, odd: panning from right to left everything starts bending. The foreground tree is vertical so is the red house, but when the road starts bending, the whole horizon does… The effect is achieved with no digital doctoring, just with a fish-eye (Nikon 16mm F/3,5) and a mindful composition.
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Rollercoaster (kind of)
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Lamp