Andrea Monti

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  • Autumn,  Bruxelles,  Colour,  Daily photo,  Visual

    Washed

    November 22, 2015 /

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    Andrea Monti

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    Tough Enough

    January 27, 2013

    Cold Stuff

    November 28, 2015

    Very British

    October 29, 2016
  • Autumn,  B&W,  Daily photo,  Visual

    Seeing What Isn’t There

    October 27, 2015 /

    There’s no I Ching here. No coins. No symbols. No prophecy. And yet. This photo isn’t about what’s captured by the lens — it’s about what the mind decides is there. Three indistinct shadows above. Two sets of parallel lines below. That’s all. And yet, somewhere between them, something ancient is conjured. A trigram. A casting. A flipped coin in mid-air. Logic says: it’s a vent and the shadows of round objects on a backlit surface. But vision isn’t logic. It’s memory, pattern, story — all stitched together before you’re even aware you’re looking. Photography is often obsessed with truth. With freezing the real. But sometimes the most compelling images…

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    Andrea Monti

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    Fujifilm XF 100-400: a quick test

    January 12, 2018

    The Lost Hotel

    September 5, 2014

    @ Mediterranean Beach Games 2015 – Italian Beach Handball Female Team (and a primer on sport photography, part 3)

    September 30, 2015
  • B&W,  Daily photo,  Odds,  Summer,  Visual

    Shadow On The Wall

    August 30, 2015 /

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    Andrea Monti

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    How to Shoot Stand-up Paddle Competitions

    April 29, 2024

    Pensive

    June 13, 2015

    Serva padrona @ Teatro Marrucino

    October 1, 2023
  • Colour,  Daily photo,  Past&Relics,  Spring,  Visual

    Amex

    May 25, 2015 /

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    Andrea Monti

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    None of Your Business

    October 2, 2013

    Editing a photo taken with a Carl Zeiss Jena 135/4 Sonnar and a Fuji X-T3

    February 8, 2023

    The Businessman…

    February 9, 2013
  • B&W,  Daily photo,  Spring,  Visual

    Heater

    May 23, 2015 /

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    Andrea Monti

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    High Heels Ghost

    August 20, 2013

    The missing guest

    April 19, 2013

    John De Leo’s Grande Abarasse Orchestra – Live

    February 10, 2015
  • B&W,  Chairs&Seats,  Daily photo,  Spring,  Visual

    Absence in Three Acts

    May 21, 2015 /

    Empty chairs always speak louder than full ones. These three, bolted to the floor, stare back with a kind of institutional blankness that neither welcomes nor dismisses. They simply are—efficient, expressionless, durable. I wanted to see if the geometry could carry the whole frame, and it does. The repetition, interrupted only by the slight angle of the shot and the unavoidable play of light, creates rhythm without sentiment. Shot in black and white to emphasise the chrome’s edge and the mesh’s subtle gradients, the photograph hinges on texture and symmetry. The lighting is flat, but deliberately so: no shadows, no contrast drama—just presence. These are not chairs meant for rest;…

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    Andrea Monti

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    A Lonely Table

    March 8, 2015

    Hard Stare

    April 26, 2016

    Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’)

    December 19, 2024
  • B&W,  Daily photo,  Landscape,  Moon,  Spring,  Visual

    Lunar Network Or Snowy Mountain?

    May 5, 2015 /

    This image was made at high altitude, but it could have been taken on the Moon. That’s what initially drew my eye: the surreal minimalism of these snow-covered slopes interrupted by a line of utility poles, stretched tight against the vast emptiness. The illusion of a lunar landscape is heightened by the total absence of sky detail—pure black, a void—and the almost abstract texture of the snow, exaggerated by strong directional sunlight. The decision to shoot in black and white came naturally. Colour would have been a distraction from the harsh geometry, from the juxtaposition of natural emptiness and imposed structure. Each pole, evenly spaced, is both part of a…

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    Andrea Monti

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    The Lost Lock

    June 12, 2014

    Portrait of a Fin Swimmer

    June 5, 2021

    The Lost Garage

    July 8, 2013
  • Colour,  Daily photo,  Spring,  Visual

    Pipes in Colour

    May 1, 2015 /

    I photographed this section of wall for its unexpected interplay between infrastructure and colour. The rusted pipe, running vertically through the frame, is not remarkable in itself, yet in combination with the graffiti and stains, it becomes part of an improvised composition. The red spray paint, the rough blue marks, and the muted grey stone surface transform a functional corner of the street into an abstract tableau. The framing was deliberate: I aligned the pipe with the vertical axis to divide the picture almost in two, while allowing the barred window to creep in at the bottom left. That small intrusion anchors the image, reminding the viewer that this is…

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    Andrea Monti

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    Knocking on lion’s door

    April 22, 2013

    Rest on the lake

    April 29, 2013

    The Expired Film Series – Episode 7 – Kodak Portra 160 – June 2015 shot in Oct. 2023

    January 11, 2024
  • B&W,  Daily photo,  Lines,  Spring,  Visual

    Stripes in B&W

    April 29, 2015 /

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    Andrea Monti

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    Abstract

    May 9, 2023

    Fast Roping

    October 21, 2021

    Hanging News

    June 18, 2013
  • B&W,  Daily photo,  Lines,  Visual,  Winter

    Horizontal

    March 14, 2015 /

    I was walking past this building when I noticed how the afternoon light chiselled into the façade, pulling out volume from what is, in essence, a flat geometric rhythm. The composition demanded no embellishment — the image resolved itself into horizontal bands almost on its own. I didn’t crop for symmetry; I simply took the time to level the camera and wait for the shadows to deepen just enough to add a graphic weight. What you see is pure form. No context, no clutter — just tone, line and light. It’s often said that black and white photography strips away distraction, but in truth, it doesn’t simplify. It sharpens. Here,…

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    Andrea Monti

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    One Shot Story: Behind the Fence

    January 3, 2025

    Same Seats, Different Lifes

    April 14, 2014

    A Shooter

    December 8, 2017
  • B&W,  Daily photo,  Lines,  Visual,  Winter

    Rectangles

    March 12, 2015 /

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    Andrea Monti

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    Phone Call – 2

    February 20, 2015

    Lamp

    April 2, 2014

    High-Tech Elder Care Tool

    April 2, 2013
  • Colour,  Daily photo,  People,  Visual,  Winter

    Yellow

    December 15, 2014 /

    The photograph hinges on the interplay between colour, geometry, and omission. By keeping the frame cropped tightly, I remove any narrative context — no faces, no full figures, just the assertive yellow of work trousers, the partial arc of a bicycle wheel, and the tiled pavement as stage. The absence of a complete subject forces the eye to wander across shapes and lines rather than fixating on identity. The composition is built diagonally, with the wheel anchoring the right edge and the worker’s feet drawing the gaze upward and left. The black tile bands slice the frame, adding structure and contrast to the more neutral beige of the pavement. It’s…

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    Andrea Monti

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    Creativity vs Originality

    March 11, 2024

    Isolation in Public Spaces

    November 10, 2023

    Walking at Night, in Milan

    September 30, 2013
  • B&W,  Daily photo,  Visual,  Winter

    A Modern Nazca?

    December 4, 2014 /

    This image is one of those moments when photography abandons literalism and moves into interpretation. What you’re looking at is, in fact, a stretch of pavement and asphalt intersected by strong shadows—but the shallow depth of field and the grain structure render it unmoored from immediate recognition. The blurred lines could be mistaken for ancient geoglyphs seen from above, hence the tongue-in-cheek title. The parallel bands, intersecting curves, and sudden diagonals call to mind aerial archaeology, even though the camera was barely a metre from the ground. The ambiguity invites a double take, and in that pause, the viewer starts to reconstruct meaning. Technically, this is a photograph of deliberate…

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    Andrea Monti

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    Meaning in Photography

    March 4, 2020

    Reminiscenses From The Past

    September 7, 2013

    The Glassmaster

    September 4, 2017
  • Colour,  Daily photo,  Odds,  Visual,  Winter

    Alien Veins

    December 3, 2014 /

    It could be a close-up from a science fiction set—a fragment of skin stretched over something alive, the faint ridges and channels mapping a circulatory system not of this Earth. The blue-grey surface is both organic and mineral, a texture that resists quick identification. The lines that run across it, some deeper, some fading into the background, suggest veins—arteries carrying whatever fluid an alien physiology might depend on. They seem to rise and sink, as if the surface itself were breathing. The faint crosshatch pattern interrupts the flow, adding to the unease: is this grown or manufactured? In reality, the subject might be utterly mundane. But in photography, truth is…

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    Andrea Monti

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    Winter Leaves

    December 9, 2014

    Seeking Directions

    March 18, 2013

    Friends

    August 3, 2014
  • Autumn,  Colour,  Daily photo,  Odds,  Visual

    Into The Cube

    November 18, 2014 /

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    Andrea Monti

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    The Sharp Shooter

    March 10, 2015

    Trespassed

    May 3, 2015

    Photopanning in Rome

    December 3, 2019
  • Autumn,  B&W,  Bruxelles,  Daily photo,  Visual

    Histoire d’O

    November 11, 2014 /

    Photography has a curious relationship with meaning. Sometimes it offers us a direct line to an obvious narrative; other times, it teases us with ambiguity, compelling the mind to reach for significance where perhaps none exists. This image—an aged, weathered architectural oval, framed in peeling plaster—belongs firmly in the latter category. Its title, Histoire d’O, borrows knowingly from the controversial novel of the same name, inviting the viewer to read into its form, its texture, and its emptiness. Technically, the photograph demonstrates a strong command of tonal control. The black-and-white treatment emphasises the interplay between texture and shadow, revealing the rough grain of the plaster, the fine cracks tracing across…

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    Andrea Monti

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    Every Single Day

    June 28, 2017

    Conversations, Silences, and Street Life

    August 5, 2014

    High Heels Ghost

    August 20, 2013
  • B&W,  Daily photo,  Visual

    Tiles

    October 31, 2014 /

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    Andrea Monti

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    A Skateboarder

    November 23, 2021

    Nightlife in Bruxelles

    June 27, 2014

    Rest on the lake

    April 29, 2013
  • Autumn,  Bottles&Cups,  Colour,  Daily photo,  Visual

    Not A Photography Anymore

    September 22, 2014 /

    I approached this shot with the intention of exploring the point at which photography begins to lose its documentary role and drifts into the territory of constructed image-making. The Leica M9, with its CCD sensor, is unforgiving in its rendering of highlights, and here I chose to exploit that to push the tones far beyond their natural state. The result is an image that wears its artificiality openly. The composition is rigidly symmetrical: three vases, evenly spaced, under a line of metallic coffee pots and creamers. The symmetry is disrupted only by the interplay of colours — magenta, amber, and white — and the bold shadows they cast. These shadows…

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    Andrea Monti

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    The dilemma

    January 11, 2013

    Soldering

    November 8, 2021

    Bronine Volkit Camera Hub. Mixed feelings

    November 30, 2021
  • B&W,  Daily photo,  Visual,  Winter

    Ramping Up

    September 16, 2014 /

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    Andrea Monti

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    An Intense Conversation

    October 9, 2013

    In the backstage

    May 10, 2013

    A Priest Walking Through the Graffiti Streets

    October 19, 2019
  • B&W,  Daily photo,  Doors&Windows,  Visual

    Windows

    September 15, 2014 /

    The photograph isolates a stark interior: two narrow barred windows flanking a central wall, and above them, a single rectangular window letting in pale light. Geometry dominates—verticals and horizontals align, while the bars break symmetry with their irregular grid. The result is a study in confinement and release, the eye inevitably drawn upward toward the light source. Composition is strict, almost architectural. The side windows anchor the lower frame, their darkness reinforcing the weight of the walls. The brighter upper window, positioned centrally, becomes both focal point and escape. Depth is minimal; the flatness of the surfaces intensifies the sensation of enclosure. Technically, the black and white treatment enhances austerity.…

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    Andrea Monti

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    @ Mediterranean Beach Games 2015 – Italy Beach Soccer Team’s Goalkeeper (and a primer on sport photography, part 2)

    September 24, 2015

    EOS-M. Tips and Results For Street-Photography

    August 9, 2013

    @ Mediterranean Beach Games 2015 – Wrestling, Italy vs France (And a primer on sport photography – Part 5)

    October 9, 2015
  • Colour,  Daily photo,  OutOfFocus,  Paris,  People,  Spring,  Visual

    No, You Don’t Need To Change Your Glasses

    June 14, 2014 /

    This was intentional. No missed autofocus, no technical glitch. I set the lens manually, focused nowhere, and waited for someone to walk into the blur. He did—carrying two bright yellow bags, dressed sharply but casually, perfectly unremarkable in the sharp world we expect from street photography. The concept was simple: remove clarity and see what remains. What I found was structure. Colour. Gait. Gesture. A kind of abstraction that doesn’t erase the human, just detaches it from identification. No face. No detail. But still a presence. Technically, the image defies critique by design. It isn’t sharp—at all. The highlights push into soft bloom, the street dissolves into haze, and the…

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    Andrea Monti

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    A perfect match

    February 1, 2013

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024

    Chitchat under the rain

    March 10, 2013
  • B&W,  Daily photo,  Visual

    Time Runs Fast

    May 21, 2014 /

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    Andrea Monti

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    The Way Out

    October 20, 2013

    Behind the News

    June 25, 2013

    The Ferrania Film Series – Episode 1 – Ferrania Orto shot on October/November 2023

    August 7, 2024
  • Colour,  Daily photo,  Spring,  Visual

    Somewhere in Japan

    May 19, 2014 /

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    Andrea Monti

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    Staring At The Infinite

    August 22, 2013

    The Quest for Belgian Chocolate…

    April 11, 2017

    5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI

    February 28, 2024
  • Beach&Shores,  Colour,  Daily photo,  Gear,  Photography,  Spring,  Visual,  WideAngle

    Noon on the Beach

    May 1, 2014 /

    this image hinges on simplicity and distortion. The sun was directly overhead, leaving the shadow of the pole as a near-perfect sundial, slicing the centre of the frame from bottom to vanishing point. That shadow was the whole reason to shoot: absolute verticality rendered into graphic contrast on a near-featureless plane. The lens dictates the structure. At 16mm, lines bow. The horizon curves. Perspective exaggerates. I leaned into it—there’s no attempt to correct distortion in post. The intention was not to imitate a rectilinear frame, but to emphasise space as abstraction. The beach becomes a sphere, the sky a ceiling, and the tiny trace of buildings at the perimeter only…

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    Andrea Monti

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    A Sound Engineer

    March 10, 2016

    Under The Bridge

    June 27, 2016

    Lost in Le Puglie

    December 2, 2015
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