Andrea Monti

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  • B&W,  Boulevards,  Bruxelles,  Daily photo,  Streets&Squares,  Winter

    5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

    March 19, 2025 /

    The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter. Initially published on 35mmc.com. As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the…

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    Andrea Monti

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    Reasonable Privacy Expectation

    April 17, 2014

    Waiting to Go Home

    December 21, 2013

    Christmas Time at Covent Garden

    December 25, 2013
  • Colour,  Daily photo,  Streets&Squares,  Winter

    One Shot Story: Behind the Fence

    January 3, 2025 /

    There is nothing special about this photo in itself, but when placed in context, it changes the way we may look at it – Initially published on 35mmc.com The photo was taken in the fishing neighbourhood of my home town. Behind the fence erected by the developers were the fishermen’s small one-storey houses. Once a testament to the hard life they endured, over time the neighbourhood was abandoned and the houses gradually fell into disrepair. Now, for security reasons, it is not possible to look through the fence and see what the developers are planning to build in place of this small part of the neighbourhood. I could ask the…

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    Andrea Monti

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    Different Financial Transactions

    November 3, 2016

    Underground Security RA(T)P

    June 5, 2015

    Shooting a Roller Derby Bout

    November 19, 2024
  • Colour,  Daily photo,  Downtown,  Nagasaki,  Osaka,  Photography,  Streets&Squares,  Thoughts,  Tokyo,  Travels,  Yokohama

    Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’)

    December 19, 2024 /

    What do these pictures have in common (apart from having been taken in various places in Japan)? No, they don’t have the same look and feel, composition or use of light, nor they convey a particular meaning. What they have in common is that they’re just dull and boring —meaningless, indeed. This picture of the Yokohama’s Chinatown Dragon is hardly different than the others available on the Internet. Initially published on 35mmc.com It shares a similar fate with this one, taken last Mid November in Osaka, and, as Google Lens mercylessly shows, with this one, shot in Omura, near Nagasaki. One can hardly say that this is a never-seen-before view of Tokyo’s Kyu-Shiba-rikyū Gardens, or of…

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    Andrea Monti

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    Copyright Foto AFP / Issouf Sanogo - ALL RIGHTS RESERVED

    A stupid quarrell

    April 7, 2013

    Daniele Silvestri – Teatri 2022 – Live@Teatro Massimo, Pescara

    December 16, 2022

    Seeing What Isn’t There

    October 27, 2015
  • B&W,  Daily photo,  Rome,  Spring,  Streets&Squares

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024 /

    I managed to grab a few rolls of the very first batch of Ferrania’s brand new P33 film, so I wasted no time in putting it to work with a Nikon F3 and the glorious Nikkor 50 f2. I won’t go into the technical details of this film, firstly because I can’t claim to be an authority on the subject, and secondly because Ferrania’s website has plenty of information. There is only one thing to know: the canister is not DX-coded, so shooting is only possible in full manual mode. This may change in the future, but for now this is the state of the art. Finally, a transparency note:…

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    Andrea Monti

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    Powermeters

    February 18, 2023

    Alone

    December 31, 2017

    Not A Rorschach Inkblot

    December 24, 2017
  • B&W,  Daily photo,  Rome,  Streets&Squares

    5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI

    February 28, 2024 /

    The photographer is a peculiar type of social being, characterised by a ‘rules are meant to be broken’ attitude in the search for the perfect exposure. So, sooner or later, all the dogmas about composition, hyperfocal, zone system, rule of thirds, etc. will be put aside to try something ‘different’. This is what happened with these five images, taken at night in Piazza Venezia and Via Salaria in Rome with a Ferrania Orto on a Nikon 35TI; a rather strange choice given the inherent limitations of an orthocromatic film and a 2,8 35mm lens of a compact camera in this scenario. Against all odds the 35TI performed well (especially in…

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    Andrea Monti

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    How to Shoot Stand-up Paddle Competitions

    April 29, 2024

    Waiting for (Supreme) Justice

    February 14, 2017

    Waiting for the match…

    December 28, 2012
  • B&W,  Daily photo,  Rome,  Streets&Squares,  Winter

    A jam in via Alessandria

    December 8, 2023 /

    Taking pictures with a fully manual camera is a way to keep practising the basics. Honestly, I would not use a film camera for a professional assignment —at least, not as the main one— but it’s worth doing it in a less challenging condition.As per the technicalities, waiting for the next batch of Ferrania Orto to arrive, I resorted to a Kodak Tri-X 400 roll, which is my favourite film at these ISOs.

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    Andrea Monti

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    @Rome Maker Faire – 1

    October 9, 2014

    The Expired Film Series – Episode 2 – Ilford XP2Super 400 – Nov. 2017 shot in May 2023

    July 25, 2023

    So What?

    December 7, 2013
  • B&W,  Boston,  Buildings,  Daily photo,  Docks,  Downtown,  Parks,  Streets&Squares,  Summer,  Travels

    From Waltham to Boston

    August 4, 2023 /

    ‘From Waltham to Boston’, an offshoot of a bigger project on documenting Boston’s pulse, is now available on Amazon as a Kindle e-book.

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    Andrea Monti

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    What Souvenirs Say About Rome (and Your Attitude Toward Life)

    August 6, 2025

    George Braque

    October 11, 2013

    Windows

    September 15, 2014
  • B&W,  Boston,  Cars&Bikes,  Daily photo,  Streets&Squares,  Summer

    UnortORTOdox (Ferrania)

    July 22, 2023 /

    This is an unorthodox use of an orthochromatic film (namely, Ferrania Orto.) It is not supposed to be the first choice for reportage or travel photography, but rules are made to be broken, aren’t they? As per the photo, it was taken in North End, Boston’s Little Italy.

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    Andrea Monti

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    A Lamp

    November 14, 2015

    Keep Out!

    November 30, 2019

    Mario Asks for it!

    April 9, 2014
  • Boston,  Cars&Bikes,  Colour,  Streets&Squares,  Winter

    A Maserati GranTurismo

    July 15, 2023 /

    Another piece of Italy in Boston…

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    Andrea Monti

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    Content Creators

    July 20, 2023

    Spectrum

    March 12, 2017

    Mulberry Street, When Benito II Was Still There…

    July 7, 2014
  • Colour,  Daily photo,  Milan,  Streets&Squares,  Winter

    Late Night@Piazza San Babila

    March 9, 2022 /

    Working with a compact camera like the Panasonic TZ-100 at night is a reminder that you don’t always need a full-frame monster to tell a story — but you do need to understand and embrace the camera’s limitations. The TZ-100’s one-inch sensor is not built for clean, clinical low-light work. Push the ISO and it will show noise quickly; underexpose, and shadow recovery will fall apart. But here, those very traits help carry the mood. The composition rests on a central axis — the illuminated corridor pulling the viewer inward, flanked by the Binova and Ivano Redaelli showrooms. Their glowing interiors act like bookends, framing the pathway and setting a…

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    Andrea Monti

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    The Godfather

    July 23, 2014

    Snorkeling

    August 24, 2014

    A Few Shots with the 7Artisans 35mm f/0.95 in X-Mount

    October 24, 2024
  • Colour,  Daily photo,  Rome,  Social Control,  Streets&Squares,  Summer

    Dark Cloud Over San Pietro

    August 27, 2021 /

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    Andrea Monti

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    Overexposed?

    March 14, 2013

    A Master Luthier in his lab…

    May 14, 2013

    A true cricket?

    September 16, 2013
  • Colour,  Daily photo,  Rome,  Streets&Squares,  Summer

    Technological Memento

    June 26, 2021 /

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    Andrea Monti

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    Alone

    January 1, 2013

    Outside the Courthall

    April 15, 2015

    Soldering

    November 8, 2021
  • Colour,  Daily photo,  Spring,  Streets&Squares

    Taking-Off

    April 15, 2021 /

    This is a test for the Viltrox AF 56/1,4 XF’s autofocus. The pidgeon took-off suddenly and I just had to point and shoot. The lens behave fairly.

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    Andrea Monti

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    A Toilet of the Court of Rome

    March 11, 2014

    Floating Flower

    May 19, 2015

    Italian National Skating Championship 2019

    February 8, 2019
  • Colour,  Daily photo,  Streets&Squares,  Winter

    The Last Journey

    March 7, 2021 /

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    Andrea Monti

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    Free Ride

    October 2, 2014

    Aren’t Tapas Spanish?

    June 29, 2015

    The Three Musketeers

    October 16, 2013
  • Colour,  Daily photo,  People,  Streets&Squares,  Technique,  Winter

    A Skater

    February 23, 2021 /

    Framing the whole statue would have made this photo better. The mistake was caused by the necessity to shoot fast, the lens’ field of view and the distance between the subject and the focal plane.

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    Andrea Monti

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    Kime in photography

    June 9, 2013

    A Skull

    August 18, 2015

    Food For Thought

    September 14, 2014
  • Artists,  Colour,  Daily photo,  Streets&Squares,  Winter

    Busker and Covid-19

    January 26, 2021 /

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    Andrea Monti

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    Late Evening Break In Piazza Dante

    October 21, 2017

    Vasa’s Ghost

    July 11, 2016

    The Street Photographer Rights In Italy. The Leaflet

    July 10, 2014
  • Autumn,  Colour,  Daily photo,  Downtown,  Rome,  Streets&Squares

    Garbage as usual@Pantheon’s nearby

    October 4, 2019 /

    Rome has an unrivalled way of holding beauty and decay in the same frame, and this street is no exception. The cobblestones, slick from a recent rain, mirror the ochre façades and Renaissance windows in a way that almost disguises the litter piled quietly along the curb. Almost. A man in a crisp shirt walks down the centre, back straight, seemingly immune to the refuse that flanks his path. It’s not that he doesn’t see it—it’s that he’s learned to live with it, as many Romans have. On the right, another figure leans against a doorway, absorbed in his phone, framed by stacked crates and plastic bags. Life continues unbothered.…

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    Andrea Monti

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    The Modern Preacher

    November 14, 2016

    Sharp Shooter

    March 10, 2015

    Which One?

    April 16, 2014
  • Autumn,  B&W,  Daily photo,  Rome,  Sport,  Streets&Squares

    Weight Training @ Rome’s Stadio Olimpico

    October 9, 2018 /

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    Andrea Monti

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    A Zen Garden?

    February 22, 2014

    @ Mediterrean Beach Games 2015 – Italian Beach Soccer Team (and a primer on sport-photography, part 4)

    October 3, 2015

    A Focused (or Sad) Violinist

    December 17, 2016
  • Cities,  Colour,  Daily photo,  Rome,  Streets&Squares

    Moistmaker@Piazza della Rotonda

    July 12, 2018 /

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    Andrea Monti

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    Marianna D’ama – Live

    December 2, 2018

    Fishing Shelter Under The Bridge

    September 4, 2014

    Hanging Bottle

    October 11, 2014
  • Bruxelles,  Colour,  Daily photo,  People,  Streets&Squares,  Winter

    The Bystander

    February 5, 2018 /

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    Andrea Monti

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    Hope after the Storm

    January 8, 2020

    The Flying Dutchman… a sort of

    March 19, 2017

    To Do or To Own? (or the Photographer’s Dilemma)

    March 2, 2025
  • Colour,  Daily photo,  Lines,  Restaurants&Bar,  Streets&Squares,  Summer,  Venice,  Visual

    Seats

    September 11, 2017 /

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    Andrea Monti

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    John De Leo’s Grande Abarasse Orchestra – Live

    February 10, 2015

    A Curious Bystander

    December 24, 2013

    A Mesh

    February 16, 2021
  • Bruxelles,  Colour,  Daily photo,  People,  Spring,  Streets&Squares

    Outdoor Aperitif

    April 7, 2017 /

    I shot this on a cool evening in Brussels, with the last of the daylight just beginning to retreat behind slate rooftops. The city was shifting gears—post-work fatigue blending with the early stirrings of nocturnal energy. I had the Leica M9 slung across my shoulder, a camera that’s more than a tool—it forces you to see with intent, to commit before pressing the shutter. Paired with the Zeiss Biogon 35mm f/2.8, it draws sharpness out of corners and translates contrast with a crisp, unfussy tone that suited the moment perfectly. The scene was already composed for me: clustered chairs, half-filled glasses, side conversations in mid-stream. No one posed. No one…

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    Andrea Monti

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    A Portrait on the Nasdaq Building

    January 18, 2014

    Not A Rorschach Inkblot

    December 24, 2017

    Raus

    May 12, 2013
  • Cities,  Colour,  Daily photo,  London,  People,  Seasons,  Streets&Squares,  Summer,  Urban Landscape

    Very British

    October 29, 2016 /

    Taken in London, this photograph distils a handful of instantly recognisable motifs into a single frame — the black cab, adorned with a Union Jack roof, easing forward past a red telephone box, with “Look Left” painted on the asphalt as a quiet instruction to visitors. The two women waiting at the kerb, one in tights and flats, the other in sandals and jeans, are caught mid-interaction, their body language suggesting either anticipation of crossing or casual conversation. From a compositional standpoint, the cab takes command of the foreground, placed fractionally off-centre to allow the eye to travel backwards along the street. The depth is reinforced by the layering of…

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    Andrea Monti

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    The Expired Film Series – Episode 6 – Kodak Portra 400 – November 2016 shot in Sept. 2023

    June 5, 2024

    When the day is gone

    April 4, 2013

    Portrait of a Waiter

    July 22, 2013
  • Autumn,  Colour,  Daily photo,  London,  Seasons,  Streets&Squares

    Just Another Piccadilly Circus’ View

    September 20, 2016 /

    There’s a temptation, when standing in the middle of London’s Piccadilly Circus, to think that you’ve seen it all before. And in a way, you have. This is one of the most photographed corners of the city—neon-lit, traffic-heavy, forever brimming with tourists. Which is precisely why I wanted to make this frame. Not to reinvent the wheel, but to quietly acknowledge its inevitability. I chose a slightly elevated position, letting the sweep of Regent Street’s curve pull the viewer’s eye into the frame. The red double-decker is exactly where it should be—almost a cliché—but here it works as a punctuation mark in the composition, tying in with the bold McDonald’s…

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    Andrea Monti

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    AI or not AI?

    October 3, 2023

    A Fisherman

    December 25, 2014

    Waiting For A Customer To Come

    July 27, 2014
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