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  • Colour,  Daily photo,  Docks,  Garbage,  Winter

    Toxic Waste in Open Air

    August 31, 2021 /

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    Andrea Monti

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    A Red Floating Crate

    February 15, 2014

    Portrait of an Heavy Metal Singer

    November 21, 2013

    When the day is gone

    April 4, 2013
  • B&W,  Daily photo,  Garbage,  Past&Relics,  Spring

    Too Big To Be Dumped

    January 10, 2015 /

    This frame came to life walking past an alley where time seems to have hit pause. The bins stand in perfect alignment, regimented like bureaucratic soldiers, while behind them, the decaying wall tells a different story—chaotic, layered, unresolved. I shot this with a 35mm prime, letting the midday sun carve stark shadows that add to the irony of this supposed order. The exposure demanded precision. Too much light and I’d have lost the texture on the old plaster; too little and the bins would sink into murk. I leaned into the contrast, embracing the Leica’s natural tonal harshness in black and white. No dramatic angles, no “decisive moment” flourish—just frontal,…

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    Andrea Monti

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    The Silent Geometry of a Trabocco

    December 22, 2022

    Shooting Sanda (Chinese Kickboxing) Bouts

    June 26, 2025

    The Double Helix

    October 13, 2013
  • Autumn,  Cities,  Colour,  Daily photo,  Garbage,  Oslo

    Vive La France, The Oslo’s Way

    October 7, 2014 /

    Occasionally, photography rewards us with moments where irony, design, and national symbolism collide in a way that demands to be captured. Vive La France, The Oslo’s Way is one such moment. Here, three public toilets stand in perfect alignment, painted in the tricolour of the French flag—blue, white, and red—each proudly labelled with one of the national motto’s words: liberté, égalité, fraternité. From a compositional standpoint, the image works because of its symmetry and spacing. The photographer has placed the trio dead centre in the frame, allowing the architectural rhythm of the background—trees and modernist façades—to act as a neutral backdrop. The careful alignment ensures that each structure has breathing…

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    Andrea Monti

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    Duel Inside The Cage

    November 20, 2014

    Red Storm

    June 30, 2013

    A relic from the (recent) past

    April 30, 2013
  • Autumn,  Colour,  Daily photo,  Garbage,  Gates&Fences,  Past&Relics,  Social Control

    Caged?

    June 6, 2014 /

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    Andrea Monti

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    Shin Pepper@Harajuku

    June 4, 2018

    Portrait of a Professional Pugilist. Davide De Lellis

    March 8, 2019

    Side by Side, Ready to Ride

    July 21, 2015
  • Artists,  B&W,  Daily photo,  Garbage,  Past&Relics

    Cupido’s Fall

    June 2, 2014 /

    There was a time when Cupido ruled the world. Not the cherubic archer of myth, but the man on the torn poster — a champion accordionist, his name blazing in dotted capitals, promising music and spectacle. Now, the paper curls at the edges, bleached and scarred by weather, the glory half-erased by time and graffiti. The god of love meets the fate of every earthly name: reduced to a fading print on a damp wall, fighting a losing battle against rust, mould, and the next layer of urban scribble. The photograph works because it understands the poetry of decay. The black-and-white treatment is an apt choice — stripping the scene…

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    Andrea Monti

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    Aficionados

    August 5, 2013

    How to Shoot Stand-up Paddle Competitions

    April 29, 2024

    Where Did I Left My Car?

    April 2, 2015
  • Bruxelles,  Colour,  Daily photo,  Garbage,  Spring

    Two Beers, One Cigarette

    April 23, 2014 /

    Not staged. Swear to God!

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    Andrea Monti

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    José Ignacio Franco – Live@Auditorium Petruzzi

    July 31, 2022

    A Weird Fujifilm Battery Issue for X-series cameras

    December 2, 2019

    Lunchtime

    February 18, 2013
  • Colour,  Daily photo,  Garbage,  Past&Relics,  Winter

    The Arson

    February 21, 2014 /

    The wind had carried the scent long before I arrived—burnt resin, iron oxide, the telltale acridity of ash cooling under morning sun. What was once structure and story was now a cinder pile, framed awkwardly by two still-standing beams like broken arms. I didn’t need to ask what happened. I just raised the camera. This photograph leans into disorder. The eye stumbles across charred planks, twisted metal, and a scorched panel half-folded in retreat. It’s not elegant, and I didn’t want it to be. The strength of the frame lies in its refusal to sanitise. Destruction is inherently chaotic; presenting it neatly would be a betrayal of what it is.…

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    Andrea Monti

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    Antonio Onorato

    August 20, 2016

    In the Rain, A Helping Hand

    July 10, 2019

    Belgian Macarons

    November 2, 2015
  • Colour,  Daily photo,  Garbage,  Urban Landscape

    What Lasts of a Saturday Night Party

    January 24, 2014 /

    Another week-end is gone. Ordinary life gets kicking-in back. A cigarette butt, a crumpled flyer announcing a Saturday night out, and the cold geometry of rusted iron bars were all that remained. The contrast between the fleeting promise of fun and the permanence of decay was unavoidable. From a compositional standpoint, the shot relies heavily on framing. The bars of the grate, corroded and heavy with age, create a literal barrier between viewer and subject. They cut across the image in thick lines, forcing the eye downward into the scene. The detritus beneath—the soaked paper, the stub, the fragments of broken glass—becomes both imprisoned and revealed. Depth is enhanced by…

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    Andrea Monti

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    The Coach

    December 9, 2018

    An Off Duty Anchor

    September 21, 2014

    Sea Anemones Shot With A Cheap Kit

    August 20, 2014
  • Colour,  Daily photo,  Garbage,  Milan,  Winter

    Lost Cigarettes at Piazza Affari

    January 22, 2014 /

    The Milan Stock-Exchange is just closed, another stressful day is gone, so are the cigarettes. The Milan Stock Exchange has just closed. Another day of trading — of numbers, speculation, tension, and relief — is over. The square begins to exhale. The crowds thin, footsteps fade, and the traces of human presence remain in small, almost invisible ways. Here, in a shallow puddle on the cobblestones of Piazza Affari, the day’s residue is quietly recorded: cigarette butts, scraps, and the inverted grandeur of a neoclassical façade. I was drawn to the way the water held both the building’s form and the detritus of the day in a single frame. The reflection, sharp…

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    Andrea Monti

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    Processing a DSLR Digitised Black and White Film with Affinity Photo

    January 24, 2023

    The Urban Chase

    April 10, 2013

    Sala degli Onori @ Triennale di Milano

    May 19, 2017
  • B&W,  Beach&Shores,  Daily photo,  Garbage,  People

    An urgent phone call?

    December 15, 2013 /

    Using a tele (200 mm)  allowed me to take the picture but the long focal didn’t separate the planes as a 50 mm would. Truth is that – in these condition – I would hardly have been close enough to obtain the visual effect I was looking for, but the alternative was not to take the shot at all.

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    Andrea Monti

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    A Tribute to An Old Friend

    January 7, 2014

    The Soul Of Politics

    July 17, 2014

    Washed

    November 22, 2015
  • Colour,  Daily photo,  Garbage,  Past&Relics,  Winter

    When the Rubbish Basket is full…

    December 13, 2013 /

    I made this photograph with the lens barely above the surface. The irony hit me only later: a crumpled, rusting bin—designed to contain waste—floating free, stripped of purpose, drifting like a rejected artefact in a river that had no interest in borders or rules. This wasn’t a chase-the-light moment. It was more of a document-what’s-happening moment. But even in documentary photography, composition matters. The crumpled bin sits dead-centre, emerging from the water like a reluctant symbol. The surrounding wash of grey-brown is indistinct by design—an oppressive field of repetition, without texture or detail, forcing the viewer back to that sodden, disfigured centre. Technically, I shot this with a long lens…

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    Andrea Monti

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    Under The Rocks

    August 14, 2014

    Multitasking

    February 10, 2013

    Shooting an Outdoor Volleyball Match

    June 19, 2025
  • Bottles&Cups,  Colour,  Daily photo,  Garbage,  Urban Landscape

    The Straycat

    December 3, 2013 /

    Alterness becomes second nature, for those who live on the streets.

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    Andrea Monti

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    An Evening Chat

    July 30, 2013

    The Boat That Never Left

    September 26, 2019

    A ghostly bystander

    September 21, 2013
  • Colour,  Daily photo,  Docks,  Garbage,  Urban Landscape

    Wrecked Ship

    November 23, 2013 /

    There’s a heaviness to this photograph, not just in the physical mass of the vessel but in the sense of time etched into its surface. The frame is filled almost entirely by the side of the wreck, the wood weathered to grey and streaked with rust-red, algae-green, and salt-white. The colours are muted but carry a richness born of decay — pigments laid down not by brush but by years of exposure, water, and neglect. From a compositional standpoint, the choice to exclude the horizon and most of the surrounding context forces the viewer to confront the ship as an object, almost abstract in its texture. The eye moves along…

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    Andrea Monti

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    High-Tech Elder Care Tool

    April 2, 2013

    Pop Art Meets Industrial Hamburg

    April 24, 2018

    Just a soccer field… Part 2

    February 4, 2014
  • Colour,  Daily photo,  Garbage,  Paris

    Forgotten

    October 15, 2013 /

    If you don’t want to bring fresh flowers, at least remove the old ones…

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    Andrea Monti

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    Let’s get the party started…

    January 20, 2014

    A creative approach to zone focusing with superfast manual lenses and mirrorless cameras in street photography

    September 28, 2024

    Killing Santa? Really?

    January 25, 2013
  • Colour,  Daily photo,  Garbage,  Streets&Squares,  Summer

    Garbage Collection

    August 26, 2013 /

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    Andrea Monti

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    The Spinners

    June 13, 2013

    Lorenzo negli stadi

    July 11, 2013

    Rusted Platform

    April 25, 2015
  • Colour,  Daily photo,  Garbage

    What lasts after a party…

    April 25, 2013 /

    Shot the morning after a wet December night, this scene is an unfiltered inventory of what remains once the bodies disperse. Three bottles—two upright, one half-tucked behind an iron gate—stand in for the absent crowd. There’s no music left, no voices, no movement. Just rust, grime, and the fragile persistence of glass. I framed the shot to keep the human presence implied but never visible. The steps lead nowhere, the iron gate is firmly shut, and the graffiti—hastily sprayed in orange—reads only “KR”, ambiguous and unresolved. That felt important. The story here is incomplete by design. It invites conjecture, not clarity. Technically, this is a study in texture. The marble…

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    Andrea Monti

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    Too Noisy

    May 24, 2013

    The missing guest

    April 19, 2013

    Moonshot with a handheld Fuji XF150-600 and a Fuji X-T3

    April 24, 2023
  • Beach&Shores,  Colour,  Daily photo,  Garbage

    A lighter

    February 14, 2013 /

    …left for somebody to come, or hidden by someone who just left?

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    Andrea Monti

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    Staring At The Infinite (While Waiting For The Fishes)

    August 1, 2014

    A pouch for the Fuji XF 150-600

    May 16, 2023

    The Sprint Before the Ride

    August 8, 2013

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