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Andrea Monti

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  • Colour,  Daily photo,  Downtown,  Nagasaki,  Osaka,  Photography,  Streets&Squares,  Thoughts,  Tokyo,  Travels,  Yokohama

    Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’)

    December 19, 2024 /

    What do these pictures have in common (apart from having been taken in various places in Japan)? No, they don’t have the same look and feel, composition or use of light, nor they convey a particular meaning. What they have in common is that they’re just dull and boring —meaningless, indeed. This picture of the Yokohama’s Chinatown Dragon is hardly different than the others available on the Internet. Initially published on 35mmc.com It shares a similar fate with this one, taken last Mid November in Osaka, and, as Google Lens mercylessly shows, with this one, shot in Omura, near Nagasaki. One can hardly say that this is a never-seen-before view of Tokyo’s Kyu-Shiba-rikyū Gardens, or of…

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    Andrea Monti

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    Red Storm

    June 30, 2013

    Wet Socks

    July 19, 2014

    The Bodyguard in Red

    April 13, 2014
  • B&W,  Boston,  Buildings,  Daily photo,  Docks,  Downtown,  Parks,  Streets&Squares,  Summer,  Travels

    From Waltham to Boston

    August 4, 2023 /

    ‘From Waltham to Boston’, an offshoot of a bigger project on documenting Boston’s pulse, is now available on Amazon as a Kindle e-book.

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    Andrea Monti

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    Editing a photo taken with a Carl Zeiss Jena 135/4 Sonnar and a Fuji X-T3

    February 8, 2023

    A Stop in Reggio Emilia

    February 21, 2024

    Waiting for the Fish

    December 18, 2021
  • Boston,  Cars&Bikes,  Colour,  Daily photo,  Downtown,  Summer

    A Ferrari 812 GTS in Boston

    July 14, 2023 /

    Amid the urban thrum of a bustling boulevard in Boston, a Ferrari 812 GTS rests with theatrical poise, like a tenor waiting for the curtain to rise. Its rosso corsa bodywork catches the sun like a blade, slicing through the cluttered backdrop of imitation, of diluted Italian flair printed onto shirts, menus, slogans. But here—here is the real thing. This image captures more than automotive power. It embodies the burden and brilliance of authenticity in a world obsessed with mimicry. The Ferrari’s uncompromising lines, forged in Maranello, don’t shout. They assert. In contrast to the busy street and distracted passers-by, the car is still, composed, sovereign. It doesn’t need motion…

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    Andrea Monti

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    Dreaming of a Lancia Delta Martini…

    March 24, 2013

    The Glassmaster

    September 4, 2017

    Saving the Boat

    December 11, 2013
  • Boston,  Colour,  Daily photo,  Downtown,  Street Markets,  Summer

    A Cornhole Board – Independence Day Edition

    July 8, 2023 /

    I took this photograph in Boston on July 4th, and for me, it captures a small but telling fragment of the day’s celebrations. No fireworks, no parade—just a simple cornhole board dressed in the American flag, surrounded by scattered red and blue beanbags on a sunlit brick pavement. It’s an image that speaks to the quieter, more tactile traditions that sit alongside the grand spectacle. Compositionally, I let the board occupy the upper right of the frame, its diagonal placement adding a sense of movement and inviting the viewer’s eye from the legs toward the target hole. The wooden box in the foreground balances the frame and anchors the bottom…

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    Andrea Monti

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    The Mystique of Film

    August 24, 2022

    Where Did I Left My Car?

    April 2, 2015

    Tsutaya Bookstore@Ginza

    December 6, 2020
  • Bruxelles,  Colour,  Daily photo,  Downtown,  Jewellery,  Winter

    Floating

    February 5, 2023 /

    This image was born out of a fascination with stillness in the midst of implied movement. The mannequin — suspended, curled, caught in an almost foetal position — seems to drift within a capsule that looks as though it could be orbiting somewhere far beyond Earth. The large, circular light behind it could be a porthole, a hatch, or simply a stage light; its blinding white obscures what might be beyond, giving the scene a surreal, detached quality. Technically, the biggest challenge was exposure. The extreme contrast between the brilliant backlight and the darker figure risked losing detail on both ends. I chose to protect the highlights, letting the shadows…

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    Andrea Monti

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    Afternoon’s Mumbling

    August 27, 2013

    Footprints in the Snow

    December 25, 2012

    Belgian Chocolate – Neuhaus

    November 16, 2015
  • B&W,  Daily photo,  Downtown,  Gear,  Stockholm,  Summer

    Another attempt at DLSR film scanning

    January 21, 2023 /

    Still trying.I digitised the negative with a Pentax K-1 and the FA 100 2.8 Macro lens using the JJC clone of Nikon ES-2. Postproduction is done in Pixelmator Pro. I used a Nikon 35TI and a Kodak BW400CN to take the original photo. Strangely enough, the JJC does not allow a 1:1 ratio with the Micro Nikkor 60 2.8.The instructions advise to mount the 62mm to 52mm step-down ring, the #2 52mm barrel-shaped tube and finally the film holder. These instructions are clearly wrong, as it is not possible to get 1:1 magnification with this setup.So I removed the tube and mounted the film carrier directly on the 62mm to…

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    Andrea Monti

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    Nick Beggs

    July 12, 2017

    Barbarians at the Gates

    September 21, 2013

    A Boat Under The Bridge

    September 18, 2016
  • Colour,  Daily photo,  Downtown,  Milan,  Winter

    Technogym Milan@Night

    April 3, 2022 /

    I photographed this storefront in Milan after dark, intrigued by the way its illuminated windows cut through the night. The architecture itself is not the subject so much as the grid of glowing rectangles, each acting like a screen against the blackness of the street. The strong yellow framing lines draw the eye, repeating rhythmically across the facade, while the deep shadows surrounding them emphasise their intensity. Compositionally, I chose a wide perspective to capture the full stretch of the facade. This decision places emphasis on repetition and geometry rather than on any single detail. The asymmetry of the right side, where a bright advertisement interrupts the rhythm, creates a…

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    Andrea Monti

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    Mind The Step

    August 28, 2015

    Waiting For The Patrons – 2

    June 19, 2015

    Crowd Control

    February 14, 2016
  • Colour,  Daily photo,  Downtown,  Observer Bias,  PhotoCritics,  Rome,  Winter

    Light as Meaning Shifter

    December 11, 2019 /

    The original idea behind this picture was to match the emptiness of the shop with the facelessness of the mannequin posing as a store clerk, to convey a general feeling of depersonalization. Unfortunately, the big lightblot represented by the poster close to the mannequin catches the observer’s attention and reduce the effectiveness of the composition. Instead of connecting the mannequin with the internal part of the store thus making sense of the whole picture, the eye just “sees” an ad poster.

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    Andrea Monti

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    Pensive

    February 26, 2021

    Ugo Pagliai – Romeo e Giulietta@Teatro Marrucino

    March 29, 2022

    Ni État Ni Patron

    June 8, 2014
  • Autumn,  Colour,  Daily photo,  Downtown,  People,  Restaurants&Bar,  Rome

    Beer or Spritz?

    November 1, 2019 /

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    Andrea Monti

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    An Early Morning Fishing Expedition

    July 29, 2014

    An Unplausable Perspective

    May 6, 2014

    Different Paths

    December 26, 2012
  • Autumn,  Colour,  Daily photo,  Downtown,  Rome

    Comarketing

    October 10, 2019 /

    Two adjacent shop windows that seem, unintentionally, to speak to each other. On the left, rare books and old prints rest under soft light, their pages worn and yellowed. On the right, a brightly lit glass case displays modern eyewear, polished and reflective, marketed with sleek precision. A drainpipe slices the frame in two, acting as a border between past and present, knowledge and fashion, permanence and trend. Technically, the image holds together through contrast. The exposure balances the dim warmth of the books with the cooler, artificial light of the glasses’ display. Reflections in the glass add layers, hinting at street life beyond the frame. The sharpness allows textures…

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    Andrea Monti

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    Square Two

    June 18, 2014

    Blowin in the Wind

    February 8, 2014

    Should I Stay or Should I Go?

    November 29, 2013
  • Autumn,  Colour,  Daily photo,  Downtown,  Rome

    What’s the Time?

    October 8, 2019 /

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    Andrea Monti

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    A Lighthouse

    October 11, 2023

    Just a Soccer Field… Part 1

    February 3, 2014

    The El Prat’s Lounge

    June 5, 2014
  • Autumn,  Colour,  Daily photo,  Downtown,  Rome,  Streets&Squares

    Garbage As Usual – Pantheon’s Nearby

    October 4, 2019 /

    Rome has an unrivalled way of holding beauty and decay in the same frame, and this street is no exception. The cobblestones, slick from a recent rain, mirror the ochre façades and Renaissance windows in a way that almost disguises the litter piled quietly along the curb. Almost. A man in a crisp shirt walks down the centre, back straight, seemingly immune to the refuse that flanks his path. It’s not that he doesn’t see it—it’s that he’s learned to live with it, as many Romans have. On the right, another figure leans against a doorway, absorbed in his phone, framed by stacked crates and plastic bags. Life continues unbothered.…

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    Andrea Monti

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    A Fence

    November 6, 2014

    A Step Ahead

    October 8, 2022

    The Ferrania Film Series – Episode 1 – Ferrania Orto shot on October/November 2023

    August 7, 2024
  • Cities,  Colour,  Daily photo,  Downtown,  Summer,  Tokyo

    Shin Pepper@Harajuku

    June 4, 2018 /

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    Andrea Monti

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    The Spinners

    June 13, 2013

    Yet Another Dawn

    December 30, 2012

    Frank Gambale All Stars – Live@Teatro Marrucino

    November 22, 2023
  • B&W,  Daily photo,  Downtown,  Hamburg,  Lines,  Spring

    Das Feuerwehr

    April 17, 2018 /

    Stark light and harsh shadow are unforgiving companions. I leaned into both for this frame, shooting handheld at night on cobblestone soaked in sodium glow. The word FEUERWEHR — fire brigade — is scrawled vertically in bold white across the pavement, its urgency subdued by silence and stone. I chose to skew the perspective intentionally, aligning the top-right vanishing point with the guardrail and letting the painted letters lead the eye back into the void. There’s no subject in the conventional sense — no figure, no action. Just trace elements of human systems and warnings against an absence. Technically, this is an image pulled from constraint. Low light meant pushing…

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    Andrea Monti

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    Shooting Historical European Martial Arts (HEMA)-like Events

    August 15, 2024

    A Contemporary-Art Installation?

    March 31, 2013

    Poetry Still Survives

    June 7, 2014
  • Colour,  Daily photo,  Downtown,  Hamburg,  Spring

    Light Dance in Hamburg

    April 6, 2018 /

    An empty intersection at night becomes a stage for light. Red traffic signals glow above the road, mirrored by the white and blue beams of passing cars, while a string of streetlamps recedes into the distance like a choreographed sequence. The city itself recedes into shadow, glass and steel catching fragments of illumination, leaving the lights to carry the rhythm. Composition emphasises depth and geometry. Lane markings point forward, guiding the viewer’s eye toward the vanishing point, where lamps shrink in scale but persist in tempo. The blurred car on the left introduces motion, its headlights flaring bright, while static lights above keep the frame balanced. The sign on the…

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    Andrea Monti

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    Three’s Company

    November 14, 2014

    Alessandro Valle – Live@Anfiteatro La Civitella

    August 11, 2022

    Early Morning’s Cleanup

    July 21, 2013
  • Bruxelles,  Colour,  Daily photo,  Downtown,  People,  Winter

    We Are All Made of Stars

    February 28, 2018 /

    The street is slick with rain, fenced for works in progress, cluttered with signs and barriers. Yet above it all, the stars have returned — bright, geometric, electric — heralding the slow, luminous arrival of Christmas in Brussels. A lone figure walks toward the camera, wrapped in a scarf and his own thoughts. He is grounded, ordinary, human. But above him, a constellation of neon dreams stretches deep into the vanishing point, inviting passersby to look up, to believe, even if just for a moment. This photograph captures the paradox of the urban winter: cold, messy, fractured — and yet luminous with potential. The construction fences are still up, the…

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    Andrea Monti

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    Via Collina, Empty, From Above

    September 13, 2014

    Caged?

    June 6, 2014

    Panning the Police

    November 17, 2016
  • B&W,  Buildings,  Daily photo,  Downtown,  Milan

    Renovating Milan

    November 18, 2017 /

    Milan, November 2017. A construction site—not the kind that demands attention, but the quiet kind that hides behind fabric and scaffolding. I took this photo walking past it for the third or fourth time. What stopped me wasn’t the building itself, but its ghost. Behind the mesh screen, the silhouette of the old façade still lingered, like a memory bleeding through fabric. Chimneys, outlines, the suggestion of windows. The city behind the curtain. At the bottom, the standard construction notice: printed bureaucracy stapled to metal, a reminder that change is always sanctioned, scheduled, structured. But the rest of the image resists clarity. Straight lines waver, verticals drift. Even the fence…

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    Andrea Monti

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    Kite Surfing, Again

    February 19, 2017

    A London’s Skyline

    September 13, 2016

    Hard work

    February 13, 2013
  • Colour,  Daily photo,  Downtown,  Summer,  Venice,  Visual

    Red Cross

    October 26, 2017 /

    Some photographs are taken instinctively, almost without the usual premeditation that guides my framing. This one emerged from a walk at night, when the glow of an illuminated red circle caught my eye—a signal cutting through the darkness. At its centre, a cross of tiny LEDs blinked rhythmically, part medical icon, part abstract light sculpture. Framing it was straightforward: the dark surroundings worked like a natural vignette, pushing the viewer’s gaze towards the centre. I positioned myself to keep the circle symmetrical within the frame, knowing that the composition’s strength would lie in its stark simplicity. Technically, this was a delicate balance. Shooting at night with such a bright light…

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    Andrea Monti

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    The Answer is On the Wall

    August 28, 2020

    Mind Your Way!

    May 28, 2013

    Small Talk in Las Ramblas

    June 4, 2014
  • Autumn,  Colour,  Daily photo,  Downtown,  Milan

    Late Evening Break In Piazza Dante

    October 21, 2017 /

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    Andrea Monti

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    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024

    The Flame is Still Burning…

    June 23, 2018

    Three Lamps

    September 19, 2022
  • Bruxelles,  Colour,  Daily photo,  Downtown,  Spring

    Intelligence Contest

    April 15, 2017 /

    A pane of glass separates two worlds. On one side, the hyper-stylised gaze of a model — digital, sculpted, aloof. His stare pierces outward from an ad inside a hair salon, promising precision, control, curated masculinity at €21. Behind the glossy veneer, real people go about their routines, dwarfed by the giant printed face that symbolises a synthetic ideal. On the other side, a cluster of balloons—soft, round, unformed—calls out with its own clumsy presence. Unintended perhaps, but visually evocative, the column of latex orbs resembles a puppet or caricature. In their simplicity, they reflect something the model cannot: humanity, imperfection, absurdity. The composition turns into theatre. A confrontation of…

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    Andrea Monti

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    Behind the Glass

    April 4, 2015

    Coffee at Caffè Nero

    July 16, 2023

    While Waiting for the Food

    September 3, 2013
  • Bruxelles,  Colour,  Daily photo,  Downtown,  Patisserie,  Spring

    The Quest for Belgian Chocolate…

    April 11, 2017 /

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    Andrea Monti

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    Aren’t Tapas Spanish?

    June 29, 2015

    Come on in…

    September 11, 2013

    Underground Security RA(T)P

    June 5, 2015
  • Colour,  Daily photo,  Downtown,  Winter

    Street Of New York… Possibly

    March 21, 2017 /

    The image was taken in Italy. But remove the signage, blur the language on the air conditioning units, and this could just as easily be Queens or Brooklyn — any back alley where heat pumps hum above cracked asphalt and fading stucco. That universality was the point. Place becomes anonymous when its elements are global. I composed it as a frame within a frame — the corridor of walls leading the eye to the vanishing point, while the pipes, units, and rust act as punctuation marks. The textures do the talking: peeling paint, patched cement, and the industrial clutter that cities never clean up because no one looks down these…

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    Andrea Monti

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    What Lasts of Last Summer

    May 30, 2013

    Unkempt

    December 4, 2015

    Belgian Macarons

    November 2, 2015
  • B&W,  Daily photo,  Doors&Windows,  Downtown,  Garages&Labs,  Lines,  Rome,  Spring

    Frames for Sale at Via Margutta

    May 2, 2016 /

    I was walking along Via Margutta when the geometry in this shop window stopped me cold. Two empty frames leaned against the glass, one upright, the other tilted sharply as though it had slipped out of formation. Behind them, more frames receded into the dim interior, creating an optical echo — rectangles within rectangles, stretching away into the dark. I shot it in black and white film, embracing the grain and high contrast that the low light demanded. The texture is almost intrusive, but it adds a grit that feels appropriate for a street scene late in the evening. Exposure was tricky: I wanted to preserve the fluorescent highlights inside…

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    Andrea Monti

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    Creativity vs Originality

    March 11, 2024

    Intelligence Contest

    April 15, 2017

    TKO

    May 8, 2019
  • Colour,  Daily photo,  Downtown,  People,  Photography,  Rome,  Street Photography,  Winter

    The Watchman (Street-Photography Shortcuts)

    January 21, 2016 /

    As every thing under the sun, Street-Photography too has its own shortcuts: freaky street-portraits are one of those. It’s easy to have your pictures noticed when your subject is a 60-years old Brit-Punk, an implausible-color dressed man or whatever alike: these subjects do the work on your behalf and it is very hard to obtain such kind of picture AND conveying actual meaning. Personally I like photos that – alone or made meaningful by a title – can tell a story. This way I can try to (pretend to) make “unique” shots, that stand with dignity in front of the zillions of 500px/Instagram/Flickr’s  great images that are often perfect but…

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    Andrea Monti

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    Not A Photography Anymore

    September 22, 2014

    Up from the Waterline

    December 3, 2016

    Antonio Onorato

    August 20, 2016
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