Andrea Monti

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  • B&W,  Daily photo,  Doors&Windows,  Gear,  Winter

    Powermeters

    February 18, 2023 /

    This photo was taken with an Ilford XP2 Super 400, a Voigtländer Bessa R2 and a Voigtländer 35mm f/1.4 II lens. The film was digitised using a Pentax K-1 and a Pentax FA 100/2.8 Marco mounted on a custom-built rig. The resulting raw was processed in Affinity Photo. In Develop Persona, first the image was turned in black and white, then the master curve was intverted and finally exposure, contrast and other parameters were tweaked.

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    Andrea Monti

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    Snaps of a Flamenco recital…

    April 26, 2013

    Bent

    April 21, 2014

    The Waiting

    December 23, 2012
  • Colour,  Daily photo,  Doors&Windows,  Gear,  Photography,  Thoughts

    The Mystique of Film

    August 24, 2022 /

    I have resisted for a long time before giving out my two cents about the neverending debate ‘film vs digital’. I gave up after the next self-delusion I read in a well-known ‘semi-pro’ (purposely not linked) online photography magazine. It featured the umpteenth column explaining how shooting film ‘gets the experience back’, going full-manual ‘forces you thinking’, having limited exposures ‘pushes you to become more selective’, and all the usual motives connected with the choice of travelling on a horse-powered chariot instead of using a regular car. There is no need to shoot film to experience all that. Set the camera on full manual, disable OIS and IBIS, use a…

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    Andrea Monti

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    A Cello Player

    April 24, 2017

    Mir-20 20mm 3.5 on a Pentax K1-II – A Field Test

    January 18, 2025

    Lost in Another World

    March 17, 2014
  • Colour,  Daily photo,  Doors&Windows,  Winter

    Drying Clothes

    March 9, 2021 /

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    Andrea Monti

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    The Wild Bunch

    September 30, 2014

    Unattainable 1:1 magnification with the JJC FDA S-1 and Micro Nikkor 60 2,8

    January 29, 2023

    Last Puff Before the Ride

    December 26, 2015
  • Colour,  Daily photo,  Doors&Windows,  Past&Relics,  Summer

    The Answer is On the Wall

    August 28, 2020 /

    When I first saw this wall, I knew immediately that it had to be photographed. Not because it was particularly ornate or historically significant, but because of the simple red digits painted on its surface: 42. For anyone who’s read The Hitchhiker’s Guide to the Galaxy, this number isn’t just a number—it’s the number, the answer to life, the universe, and everything. And yet, here it was, not in some cosmic landscape, but on a weathered patch of brick and peeling paint. From a compositional standpoint, I kept the frame tight, letting the number sit just off-centre enough to avoid perfect symmetry. The texture of the wall does as much…

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    ContentEditor

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    Another experiment, now with a Kodak Portra 400

    May 4, 2023

    A Fujifilm X-E1 Annoyance

    April 15, 2014

    Handling the Fishnet

    October 28, 2014
  • B&W,  Daily photo,  Doors&Windows,  Winter

    A Couple of Windows

    January 5, 2018 /

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    Andrea Monti

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    Fast Food Loneliness in Nagoya…

    July 17, 2019

    What Lasts of Last Summer

    May 30, 2013

    Barbarians at the Gates

    September 21, 2013
  • Colour,  Daily photo,  Doors&Windows,  Venice

    The Prisoner’s View from the Sospiri’s Bridge

    September 25, 2017 /

    There is a certain poignancy in photographing through a barrier. The eye is forced to acknowledge not only what is visible but also the fact that the view is restricted, filtered, mediated by an obstruction. In this case, the lattice of stone from Venice’s Ponte dei Sospiri frames the canal beyond like an unwilling picture frame — one that speaks of confinement, not choice. From this vantage point, gondolas glide lazily beneath a small bridge, their passengers unaware of the weight of history pressing against the vantage point from which we watch them. The image is built on the interplay between sharpness and softness: the stonework in the foreground is…

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    Andrea Monti

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    The Eye

    April 25, 2014

    A Fix for the Wikipedia Photos’ Copyright Scams?

    December 19, 2020

    Lorenzo negli stadi

    July 11, 2013
  • B&W,  Daily photo,  Doors&Windows,  Downtown,  Garages&Labs,  Lines,  Rome,  Spring

    Frames for Sale at Via Margutta

    May 2, 2016 /

    I was walking along Via Margutta when the geometry in this shop window stopped me cold. Two empty frames leaned against the glass, one upright, the other tilted sharply as though it had slipped out of formation. Behind them, more frames receded into the dim interior, creating an optical echo — rectangles within rectangles, stretching away into the dark. I shot it in black and white film, embracing the grain and high contrast that the low light demanded. The texture is almost intrusive, but it adds a grit that feels appropriate for a street scene late in the evening. Exposure was tricky: I wanted to preserve the fluorescent highlights inside…

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    Andrea Monti

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    Cleaning the Tabernacle

    November 26, 2022

    Hell Behind — Tiny Holes Reveal the Flames

    March 19, 2013

    Who’s Carrying Who?

    February 28, 2013
  • Colour,  Daily photo,  Doors&Windows,  Restaurants&Bar,  Winter

    Cold Stuff

    November 28, 2015 /

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    Andrea Monti

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    W Verdi

    January 29, 2014

    Pipeline

    February 13, 2014

    Stinky Shoes

    June 3, 2015
  • Colour,  Daily photo,  Doors&Windows,  Paris,  Spring

    Stinky Shoes

    June 3, 2015 /

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    Andrea Monti

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    DSLR-like…?

    March 21, 2025

    Wasn’t He Supposed To Carry A Walther PPK?

    December 6, 2014

    Who dares…

    February 7, 2013
  • Colour,  Daily photo,  Doors&Windows,  Lines,  Spring

    Trespassed

    May 3, 2015 /

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    Andrea Monti

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    After a Tough Day

    January 30, 2016

    And Justice For All

    May 15, 2015

    Smile!

    August 7, 2013
  • Colour,  Daily photo,  Doors&Windows,  Urban Landscape,  Winter

    Open Window

    February 4, 2015 /

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    Andrea Monti

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    A Maserati GranTurismo

    July 15, 2023

    Canon EOS-M. Useless for Street-Photography

    March 28, 2013

    Renovating Milan

    November 18, 2017
  • Colour,  Daily photo,  Doors&Windows,  Winter

    Winter Leaves

    December 9, 2014 /

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    Andrea Monti

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    Breakfast at Rue Brisemiche

    March 25, 2014

    Under the Yellow Umbrella

    March 9, 2013

    A pouch for the Fuji XF 150-600

    May 16, 2023
  • Colour,  Daily photo,  Doors&Windows,  Winter

    The Drying Machine

    November 30, 2014 /

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    Andrea Monti

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    A Taxi Night Fleet At Oslo’s Central Station

    September 26, 2014

    Yet Another Tokyo Tower Nightshot

    July 27, 2017

    5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

    March 19, 2025
  • Colour,  Daily photo,  Doors&Windows,  Past&Relics,  Winter

    An Old Wi(n)dow

    November 17, 2014 /

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    Andrea Monti

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    @ Mediterranean Beach Games 2015 – Italian Female Rowing Team

    October 7, 2015

    The Stare of a T800

    August 4, 2015

    Impatience

    February 6, 2013
  • B&W,  Daily photo,  Doors&Windows,  Past&Relics,  Spring

    A Haunted(?) House

    September 19, 2014 /

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    Andrea Monti

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    Avvocati. A New Book

    October 11, 2015

    A Lamp

    November 14, 2015

    Another Bridge

    September 23, 2019
  • B&W,  Daily photo,  Doors&Windows,  Visual

    Windows

    September 15, 2014 /

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    Andrea Monti

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    To Do or To Own? (or the Photographer’s Dilemma)

    March 2, 2025

    A Toilet of the Court of Rome

    March 11, 2014

    It’s always the right time

    February 17, 2013
  • Colour,  Daily photo,  Doors&Windows,  Past&Relics,  Spring

    The Lost Lock

    June 12, 2014 /

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    Andrea Monti

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    Lava Nails

    February 28, 2021

    @ Mediterranean Beach Games 2015 – Italian Beach Handball Female Team (and a primer on sport photography, part 3)

    September 30, 2015

    From Camera to Print…

    March 17, 2015
  • Colour,  Daily photo,  Doors&Windows,  Milan,  Winter

    Hanging Heart at via Olmetto

    March 31, 2014 /

    Taken in Milan, this photograph is built around a single point of chromatic and emotional focus — a small, glossy red heart suspended from the centre of an ornate iron grille. The restrained colour palette of the stone façade and dark metalwork works to its advantage, ensuring the heart becomes a magnetic anchor for the viewer’s gaze. The pattern of the wrought iron, a chain of interlocking circles bisected by vertical bars, lends the image symmetry and rhythm, subtly broken by the heart’s irregular organic shape. The composition is tightly framed, allowing no distraction from the relationship between object and setting. The verticals of the grille are aligned with precision,…

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    Andrea Monti

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    TicTacToe

    September 1, 2014

    Walking at Night, in Milan

    September 30, 2013

    The Smoke Teacher

    July 1, 2013
  • B&W,  Daily photo,  Doors&Windows,  Milan,  Winter

    A

    March 30, 2014 /

    Some photographs are built on complexity — overlapping narratives, layered subjects, visual chaos distilled into coherence. This one is built on the opposite: a single, dominant letter and the deliberate restraint of elements. The capital “A” scrawled across the double wooden doors becomes both subject and statement. Whether an anarchist mark, an initial, or just a passing act of vandalism, it punctuates the otherwise rigid, formal architecture. The geometry of the building — rectangular panels, horizontal mouldings, the granite base — forms a rigid grid, and into this grid the bicycle is quietly inserted, its own triangles and curves breaking the dominance of the rectangles without challenging their order. Technically,…

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    Andrea Monti

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    The Flame is Still Burning…

    June 23, 2018

    (Not so) Intelligent Design

    October 26, 2018

    A solitary journey

    December 24, 2012
  • Colour,  Daily photo,  Doors&Windows

    Out for a While

    September 26, 2013 /

    … or gone forever?

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    Andrea Monti

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    A lighter

    February 14, 2013

    A Broken Gearwheel

    August 27, 2014

    Call On The Docks

    August 4, 2014
  • Colour,  Daily photo,  Doors&Windows,  Summer

    Stairway to nothing

    September 18, 2013 /

    It was the kind of place you don’t really notice. A narrow passage, cracked walls, peeling paint, dim light. The kind of corridor you pass through without stopping. Unless you’re carrying a camera—and a little curiosity. I called this frame Stairway to Nothing when I first saw it on the screen. The name came unprompted. It just fit. The stairs are real, but lead to… what, exactly? A dead-end, a blank wall, maybe a half-forgotten door. You get the sense there was once purpose here—function, traffic, even a rhythm. Now it’s just remnants. A railing to hold on to, steps still intact, pots of green fighting back against the concrete. This wasn’t…

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    Andrea Monti

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    Stinky Shoes

    June 3, 2015

    Beer or Spritz?

    November 1, 2019

    How to Shoot Handball Matches

    April 14, 2024
  • Colour,  Daily photo,  Doors&Windows,  People,  Summer

    Come on in…

    September 11, 2013 /

    What will you find at the end of the corridor? The frame pulls you inward. The eye enters through the shadowed foreground, past the blurred figure standing half in, half out of the light, and begins its slow walk down the corridor. The walls, cracked and weathered, carry the patina of time. Arched ceilings recede rhythmically, each arch framing the next, each doorway leading you further inside. Along the path, framed photographs lean against the walls, their colours softened by the dim light. They are not hung with formality; they rest casually, like travellers waiting to be claimed. The projector to the right hints at moving images, yet here, everything feels…

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    Andrea Monti

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    A (Soon) Lost Banner

    November 1, 2018

    On Photography and Self-Delusion

    September 4, 2022

    A Skater

    February 23, 2021
  • B&W,  Daily photo,  Doors&Windows,  Gear

    EOS-M. Manual focus tips and results for Street-Photography and more

    August 9, 2013 /

    In the quest for an acceptable use of my Canon EOS-M I think I’ve finally found a way to exploit my M-mount lenses after the poor experience with the LCD focus. The last two exposures posted, this and this, have been shot with a Carl Zeiss T* Biogon 35/2,8 through zone-focusing, while the picture of this post has been manually focused using the EOS-M’s 5x magnification feature. In both cases the results are more than acceptable, giving a new life to this severely limited camera. All I can say is that is true what seasoned photographers use to say about the cameras: as soon as you get acquainted with your…

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    Andrea Monti

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    George Braque

    October 11, 2013

    An Open Gate

    January 13, 2015

    The Silent Listeners

    December 27, 2013
  • Colour,  Daily photo,  Doors&Windows,  Fashion Shops,  Rome,  Summer

    A Little Of Thailand In Rome

    August 3, 2013 /

    Walking through Rome, it’s always the unexpected juxtapositions that stop me in my tracks. This small corner, framed by a weathered marble wall on one side and the muted sheen of a modern doorway on the other, holds a Thai welcome — a statue draped in marigold garlands, hands pressed together in the wai greeting, a silent gesture of hospitality transplanted far from its native home. From a compositional standpoint, I went for a straightforward, vertical framing to preserve the integrity of the statue’s posture. The side table in the lower right, with its offering of flowers and folded leaf packages, gives a cultural context that anchors the image. The…

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    Andrea Monti

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    Nikkor 16mm Fisheye – Three Ways to Make use of Such a Lens

    August 22, 2024

    The Power of Music

    March 22, 2013

    Duel

    November 20, 2014
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