-
5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400
The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter. Initially published on 35mmc.com. As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the…
-
Iphone 15 Billboard in Via XX Settembre
This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast. This isn’t about the billboard. Not really. Yes, there’s a giant child smiling over Rome, her face stretched across several metres of vinyl, captured “with an iPhone 15,” if we’re to believe the tagline. She’s luminous, playful, part of a campaign you’ve probably already seen before you’ve even looked at it. But the photograph is something else. This was shot on orthocromatic film—intentionally. Shadows are carved in deeper than they should be. Highlights flare and collapse detail. The tonal scale isn’t flattering, and it isn’t faithful. It’s limited.…
-
A Virtual Glance Dance
The essence of this photo is all in the glances of the protagonists. The man looks at the woman, the woman looks at the luxury car. The essence of this photo is all in the glances of the protagonists. The man looks at the woman, and the woman looks at the luxury car. It is this subtle game of glances that tells a story and turns the photography from a casual picture into something worth seeing. Once again, it is not relevant whether the people portrayed are actually involved in the “glance dance”, as what matters is the image to convey the meaning created by the overall result. This confirms…
-
A Waiter in via Sardegna
-
Downtown Pulse
This photograph captures the rhythm of a city centre street, a place where architecture and human movement converge. The composition is anchored by the façades: the mix of brick and ornate plasterwork recalls different eras of urban growth, while the signage and shopfronts bring the scene firmly into the present. The café on the left introduces a quieter layer — seated figures just visible through the glass — while pedestrians animate the open space in the middle ground. Technically, the exposure holds balance across the tonal range. The overcast light provides a diffuse softness, avoiding hard shadows and allowing the details in both masonry and pavement to remain legible. The…
-
Out Of Focus, Once More
Missed focus. Again. And no, it wasn’t intentional. This wasn’t a conceptual experiment, nor a nod to dreamlike abstraction. It was simply a technical failure, shot with a manual lens, rushed framing, and an optimistic assumption that I’d nailed the hyperfocal distance. I hadn’t. Still, I kept the frame. It’s a street in Munich, pigeons pecking at the ground, firemen walking down the centre. A homeless encampment crowds the left edge. None of it sharp. But despite that—or maybe because of it—the image speaks. Context persists. Silhouettes are enough. The story doesn’t vanish with the detail. Technically, the photo lacks precision: the aperture was too wide, depth of field too…
-
Waiting For The Bus On Las Ramblas
-
Arriba El Mexico!
I took this photograph from the passenger seat of a cab, during that suspended moment when traffic stalls and the city becomes a collage of reflections and colour. The small felt figure hanging from the mirror caught my attention first—bright, slightly absurd, and placed without irony. The tiny sombrero, the stitched flag, the green felt body: a souvenir turned mascot, living in the blurred space between décor and identity. What interested me was how this small object commanded the frame. The background—city lights, signage, fragments of buildings—exists only as colour fields and soft shapes. The mirror picks up hints of the driver, the interior, and the street behind us, but…
-
Las Ramblas’ Lifestyle
Who cares about pickpockets?
-
Shopping in Bruxelles
Early afternoon in Bruxelles, The best moment to go shopping.
-
Reminiscenses From The Past
Lost in memories, while the world turns.
-
Nightlife
You May Also Like
A Manual-Focus Atteimpt on a Moving Target
Street Magic@Nagoya Castle
Multitasking
