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Andrea Monti

Photos, not gear

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  • Artists,  B&W,  Daily photo,  Street Photography,  Streets&Squares,  Summer

    A Few More Shots From An Urban Exploration Trip

    September 20, 2025 /

    Hip-hoppers and skateboarders are often seen together in many urban landscapes. Actually, these performing arts come from different US social and geographical milieus. However, in a world where different paths of life, cultures and traditions matter less and less, and everything is a ‘fusion’, this doesn’t look like an issue. So, while wandering around in search of some subject to test a 50mm Summicron M mounted on a Fuji X-T4, I was fortunate enough to kill two birds with one stone.

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    Andrea Monti

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    My camera’s early test shots

    December 20, 2012

    The Shooter’s Dilemma

    July 12, 2014

    Silent Among Many Voices

    January 1, 2013
  • Autumn,  B&W,  Daily photo,  Exhibitions,  Photography,  Thoughts,  Tokyo

    On Film Simulation or ‘is fiction more real than reality, and why should we care?’

    July 19, 2025 /

    Simulations have turned an inevitable fact —using the chosen brand and type of film for an entire roll— into an aesthetic tool allowing the selection of the most appropriate image rendition for each single exposure. Using simulations is like having all the different kinds of film in the same roll with all the convenience of digital technology, opening a huge number of creative possibilities. Initially published on 35mmc.com This is what the standard marketing claims for software simulations are based upon, but is that actually so? As a matter of fact, the answer is yes, but if we look at the matter from a different perspective, we should consider some…

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    Andrea Monti

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    Upcoming Call

    June 3, 2013

    An Athlete@Stadio Marmi, Rome

    October 11, 2018

    A (Tokyo) Taxi Driver

    June 17, 2018
  • B&W,  Daily photo,  Exhibitions,  Gear,  Photography,  Rome,  Spring

    On Detachment. Or ‘If You Love Something, Set It Free’ (cit. Sting)

    June 17, 2025 /

    A number of philosophies and religions preach the virtue of detachment from things as a path to enlightenment. When applied to gear, this advice won’t only save your soul —if you believe there’s one— but also your money and, last but not least, your photograph experience. This means avoiding the development of ‘feelings’ towards a camera or a lens that shift from appreciating their value as a tool to some sort of ‘personal engagement’. Initially published on 35mmc.com As odd as it sounds, such an attitude towards an inanimate object is more frequent than one may imagine. A paradigmatic case is the attachment of AIBO’s owners to their robotic pets:…

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    Andrea Monti

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    Inside The Clocktower

    August 22, 2015

    @Rome Maker Faire – 5. Pensive

    October 18, 2014

    An Inside Irongate

    February 26, 2014
  • Buildings,  Colour,  Daily photo,  Spring

    One Shot (Plus One) Story – All That Lasts

    April 19, 2025 /

    These three bags of rubble are all that remains of a ‘renovated’ building. By chance, though, I took a photo of the building as it was being demolished. The difference in the colours of the rooms caught my attention. I wondered why people had chosen to paint each room in different colours. Maybe the blue was for the children? And the green was for the kitchen? And what about the red and the yellow? These colours tell the story of a family, a story that just ended when their home was demolished.

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    Andrea Monti

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    A Young Sailor in Open Sea

    August 11, 2014

    John De Leo’s Grande Abarasse Orchestra – Live

    February 10, 2015

    A Master Luthier in his lab…

    May 14, 2013
  • B&W,  Boulevards,  Bruxelles,  Daily photo,  Streets&Squares,  Winter

    5 (random) frames of Bruxelles with a MIR-1B, a Pentax ME Super and a Kodak TMax400

    March 19, 2025 /

    The late hours of a day are dangerous times, because this is when the mind, lacking tasks, begins to look for a way to keep itself busy. To make a long story short, this is why, against what the common sense would have suggested, I decided to take a stroll in a (very) cold winter evening along and around Avenue Louise in Bruxelles to test a MIR-1B 37/2.8 mounted on a TMAX 400 loaded Pentax ME Super with an M42 adapter. Initially published on 35mmc.com. As much as this is not a ‘field test’, I was unfair to the lens because I used it in challenging conditions, starting with the…

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    Andrea Monti

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    The Three Musketeers

    October 16, 2013

    Three Shadows

    November 11, 2016

    Out for a While

    September 26, 2013
  • Boston,  Colour,  Daily photo,  Parks,  Summer

    Selling Italian Ice in Boston

    March 11, 2025 /

    Sales culture is one of the most distinctive traits of American anthropology. The foundations of modern marketing strategies date back to forerunners such as P.T. Barnum’s ‘have a little something for everybody’ slogan and Edward Bernays, the father of public relations. It is ingrained in popular culture phenomena such as garage sales, lemonade stands ran by kids and jokes about used cars salesmen.  Sales culture is also paired with customer (not consumer) culture, as in the ubiquitous mantra ‘customer is king’, which ‘shapes’ people’s attitudes in terms of demanding fairness and a proper ‘bang for the bucks’. – Initially published on 35mmc.com When it comes to selling, creativity knows no…

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    Andrea Monti

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    Couples

    May 17, 2013

    Pentax SMC-A 50/1,7 – Nikkor 50/1,4 – Summicron 50/2

    February 9, 2021

    Branches On The Wall

    December 10, 2014
  • Colour,  Daily photo,  Streets&Squares,  Winter

    One Shot Story: Behind the Fence

    January 3, 2025 /

    There is nothing special about this photo in itself, but when placed in context, it changes the way we may look at it – Initially published on 35mmc.com The photo was taken in the fishing neighbourhood of my home town. Behind the fence erected by the developers were the fishermen’s small one-storey houses. Once a testament to the hard life they endured, over time the neighbourhood was abandoned and the houses gradually fell into disrepair. Now, for security reasons, it is not possible to look through the fence and see what the developers are planning to build in place of this small part of the neighbourhood. I could ask the…

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    Andrea Monti

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    Lightblade

    September 6, 2013

    Which Part of “No Smoking” Got You Lost?

    June 21, 2015

    Sun Worshipers

    January 3, 2022
  • Colour,  Daily photo,  Downtown,  Nagasaki,  Osaka,  Photography,  Streets&Squares,  Thoughts,  Tokyo,  Travels,  Yokohama

    Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’)

    December 19, 2024 /

    What do these pictures have in common (apart from having been taken in various places in Japan)? No, they don’t have the same look and feel, composition or use of light, nor they convey a particular meaning. What they have in common is that they’re just dull and boring —meaningless, indeed. This picture of the Yokohama’s Chinatown Dragon is hardly different than the others available on the Internet. Initially published on 35mmc.com It shares a similar fate with this one, taken last Mid November in Osaka, and, as Google Lens mercylessly shows, with this one, shot in Omura, near Nagasaki. One can hardly say that this is a never-seen-before view of Tokyo’s Kyu-Shiba-rikyū Gardens, or of…

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    Andrea Monti

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    Vinyl Never Dies

    September 2, 2013

    Surreal Judo

    December 11, 2016

    A HDR Experiment

    December 9, 2013
  • Colour,  Daily photo,  Docks,  Rome,  Summer

    5 frames with a Voigtländer Bessa R2, a Nokton 35/1,4 and a roll of an expired Kodak Portra 160

    July 11, 2024 /

    Tevere, the river that divides Rome in two, is one of my favourite places. No matter how much chaos there is in the ‘high places’: walking along the banks of the river puts you in another dimension, where time has no meaning and the pace slows down – Initially published on 35mmc.com Anchored boats stand still, in stark contrast to the fast-moving streets, crowded with cars, bicycles, pedestrians and tourists who have returned in droves once the pandemic is over. This is obviously a mirror image, but it looks as if it has been projected onto a digital screen. And here is what was mirrored: There are a lot of…

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    Andrea Monti

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    Stairway to Nothing

    March 9, 2014

    The Sailor

    June 24, 2013

    Relaxed Call at Boulevard du Palais

    March 19, 2014
  • Daily Video,  Docks

    The Expired Film Series – Episode 6 – Kodak Portra 400 – November 2016 shot in Sept. 2023

    June 5, 2024 /

    This is the sixth episode in a series documenting the use of expired film in various contexts. Episode 6 features a Kodak Portra 400 shot with a Nikon F4 and a Nikkor 105 F2 defocus at the dock of Pescara. The film was not overexposed, was processed with Affinity Photo 2.

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    Andrea Monti

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    Deserved Rest

    March 21, 2021

    A Different Passion…

    June 12, 2016

    Lorenzo negli stadi

    July 11, 2013
  • Autumn,  Daily Video,  Docks

    The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023

    May 8, 2024 /

    This is the fifth episode in a series documenting the use of expired film in various contexts. Episode 5 features a Kodak Tri-x 400 shot with a Yashica Zoomate 105 at the Marina di Pescara. The film was not overexposed, was processed with Darktable’s Negadoctor module and finalised with Pixelmator Pro. The results are not, by far, definitive.

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    Andrea Monti

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    Mussels Underwater…

    August 23, 2014

    Alex Britti – Live@Cinema teatro Massimo – Pescara

    April 3, 2016

    Spumante (Italian Champagne) ready to fuel the party

    May 29, 2013
  • B&W,  Daily photo,  Rome,  Spring,  Streets&Squares

    5 frames with the (much awaited) Ferrania P33, a Nikon F3 and a Nikkor 50 F2

    April 30, 2024 /

    I managed to grab a few rolls of the very first batch of Ferrania’s brand new P33 film, so I wasted no time in putting it to work with a Nikon F3 and the glorious Nikkor 50 f2. I won’t go into the technical details of this film, firstly because I can’t claim to be an authority on the subject, and secondly because Ferrania’s website has plenty of information. There is only one thing to know: the canister is not DX-coded, so shooting is only possible in full manual mode. This may change in the future, but for now this is the state of the art. Finally, a transparency note:…

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    Andrea Monti

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    Evolution of a Guitar Player

    July 5, 2013

    5 frames with a Canon R6 Mk II and its RF 50/1,2 L USM

    September 28, 2024

    Damned Pidgeons…

    October 8, 2017
  • Buildings,  Colour,  Daily photo,  Rome,  Spring

    A Hellish Look

    March 26, 2024 /

    It is quite common these days to see images of various kinds using the facade of a building as a screen. In the case of government or state buildings, a flag appears out of nowhere after dusk.The overall effect is quite spectacular, especially in Italy where the palaces of power are beautiful works of art. However, when photographed with a narrow field of view, the result can be disturbing, as in this case, where the building looks more like some sort of hell embassy.It wouldn’t be strange, though: doesn’t the Pope live on the other side of the Tevere River?

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    Andrea Monti

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    Reasonable Privacy Expectation

    April 17, 2014

    Multitasking

    February 10, 2013

    Leaving Home

    December 5, 2014
  • B&W,  Daily photo,  Rome,  Streets&Squares

    5 (improbable) Frames with a roll of Ferrania Orto and a Nikon 35TI

    February 28, 2024 /

    The photographer is a peculiar type of social being, characterised by a ‘rules are meant to be broken’ attitude in the search for the perfect exposure. So, sooner or later, all the dogmas about composition, hyperfocal, zone system, rule of thirds, etc. will be put aside to try something ‘different’. This is what happened with these five images, taken at night in Piazza Venezia and Via Salaria in Rome with a Ferrania Orto on a Nikon 35TI; a rather strange choice given the inherent limitations of an orthocromatic film and a 2,8 35mm lens of a compact camera in this scenario. Against all odds the 35TI performed well (especially in…

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    Andrea Monti

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    Franco Cerri. The Last Jazz Living Legend

    August 16, 2016

    The Flame is Still Burning…

    June 23, 2018

    Does It Worth It?

    May 22, 2017
  • Autumn,  B&W,  Boulevards,  Daily photo,  Marketing,  Rome,  Seasons,  Urban Landscape

    Iphone 15 Billboard in Via XX Settembre

    February 14, 2024 /

    This is an attempt to exploit the limitations of an orthocromatic film. Shadows and highlights were deliberately pushed, as was the contrast. This isn’t about the billboard. Not really. Yes, there’s a giant child smiling over Rome, her face stretched across several metres of vinyl, captured “with an iPhone 15,” if we’re to believe the tagline. She’s luminous, playful, part of a campaign you’ve probably already seen before you’ve even looked at it. But the photograph is something else. This was shot on orthocromatic film—intentionally. Shadows are carved in deeper than they should be. Highlights flare and collapse detail. The tonal scale isn’t flattering, and it isn’t faithful. It’s limited.…

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    Andrea Monti

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    When Venus Meets the Moon

    October 2, 2023

    Just Another Piccadilly Circus’ View

    September 20, 2016

    Love is like a flower

    May 18, 2013
  • B&W,  Daily photo,  Rome,  Streets&Squares,  Winter

    A jam in via Alessandria

    December 8, 2023 /

    Taking pictures with a fully manual camera is a way to keep practising the basics. Honestly, I would not use a film camera for a professional assignment —at least, not as the main one— but it’s worth doing it in a less challenging condition.As per the technicalities, waiting for the next batch of Ferrania Orto to arrive, I resorted to a Kodak Tri-X 400 roll, which is my favourite film at these ISOs.

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    Andrea Monti

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    Behind a Shop Window in Oslo

    October 1, 2014

    The Violinist

    July 1, 2015

    Last Wing Down

    February 26, 2015
  • Autumn,  Colour,  Daily photo,  Docks

    Red Beam

    October 24, 2023 /

    Night photography has always been an exercise in restraint and patience. The camera sees differently than the human eye after dark — more unforgiving, more literal. This frame, taken with a Fuji X-T4 paired with the Viltrox XF 85/1.8, is my attempt to balance that literalness with the suggestion of stillness. The subject is minimal: a breakwater crowned by a small red beacon, its reflection trembling down the harbour water. Compositionally, it’s brutally simple — the light dead-centre, symmetry imposed on a chaotic environment. There’s an honesty to the stark framing; nothing distracts from the red flare and its molten trail on the surface. Technically, the exposure was a delicate…

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    Andrea Monti

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    The Audience (Not a Rock Concert, Indeed)

    September 23, 2013

    Guess who’s happier?

    May 27, 2013

    Next, please!

    October 31, 2013
  • Colour,  Daily photo,  Docks

    A Lighthouse

    October 11, 2023 /

    Another example of how the Viltrox XF 56/1.4 performs in very low light.To be honest, the Fuji X-T4’s X-Trans sensor played its part.

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    Andrea Monti

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    Visual

    January 18, 2013

    A Fountain’s Jet

    April 12, 2021

    As Time Goes By

    June 11, 2013
  • Autumn,  Colour,  Daily photo,  Docks

    Modern Moai?

    October 10, 2023 /

    Still pushing the Viltrox AF 56/1,4 XF on a Fuji X-T4.The limit has not been reached just yet.

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    Andrea Monti

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    Empty Chairs in the Tuileries

    October 19, 2013

    Landing

    December 4, 2021

    Late Afternoon Workers

    December 23, 2013
  • Autumn,  B&W,  Bridges,  Daily photo

    Floating

    October 7, 2023 /

    Another shot taken with the Viltrox 56/1,4 XF and a Fuji X-T4.

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    Andrea Monti

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    Footprints in the Snow

    December 25, 2012

    Gary O’ Toole

    July 15, 2017

    The Bored Bassman

    March 16, 2013
  • Autumn,  Colour,  Daily photo,  Docks

    Sailing Home

    October 4, 2023 /

    The quality of the Viltrox 56 1/4 XF never ceases to amaze me.This image was taken with an X-T4 at ISO1600, so the quality of the sensor plays a significant role in the overall result. However, as the lens is not supported in Affinity Photo 2, the image is wysiwyg in the sense that no profile-based corrections have been applied.

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    Andrea Monti

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    Protezione Civile

    November 12, 2013

    Late Night Arrival at Bertinoro’s Castle

    January 15, 2014

    A Rudder

    February 19, 2021
  • B&W,  Boston,  Buildings,  Daily photo,  Docks,  Downtown,  Parks,  Streets&Squares,  Summer,  Travels

    From Waltham to Boston

    August 4, 2023 /

    ‘From Waltham to Boston’, an offshoot of a bigger project on documenting Boston’s pulse, is now available on Amazon as a Kindle e-book.

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    Andrea Monti

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    Carabinieri:To Serve And Protect

    February 8, 2016

    Gliding Away

    December 21, 2021

    Generations

    February 5, 2013
  • Daily photo,  Portfolio,  Street Photography,  Travels,  Urban Landscape

    Hidden in Plain Sight. A Japanese Journey

    August 3, 2023 /

    Although I have a lot of pictures from my various trips to Japan, organising them into a book is a challenge. The photos themselves are good enough to deserve publication. However, most of them are affected by a ‘déjà-vu’ effect. People on the subway, crowded crossroads, striking contrasts between modernity and the past, or between rural areas and highly urbanised ones, pop culture vs. business culture… no matter how hard I try, every single photo gives the feeling that someone has already done it. I am neither an anthropologist nor an expert on Japanese society, so I have no reasonable explanation for this feeling. Perhaps it is simply a matter…

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    Andrea Monti

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    A Tribute to An Old Friend

    January 7, 2014

    Three Sprouts

    May 22, 2022

    Waiting To Board

    February 4, 2013
  • B&W,  Boston,  Cars&Bikes,  Daily photo,  Streets&Squares,  Summer

    UnortORTOdox (Ferrania)

    July 22, 2023 /

    This is an unorthodox use of an orthochromatic film (namely, Ferrania Orto.) It is not supposed to be the first choice for reportage or travel photography, but rules are made to be broken, aren’t they? As per the photo, it was taken in North End, Boston’s Little Italy.

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    Andrea Monti

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    Saving the Boat

    December 11, 2013

    Multiple Peripheral Visions

    February 10, 2016

    The sentinel…

    March 8, 2013
123

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