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Late Night Conversation at Cardinal’s Wharf
I took this from across the street, handheld in the dark, balancing shutter speed against the pulse in my wrist. Inside, lit by that unmistakable domestic glow, a group leaned into conversation — not performative, not loud, just steady voices behind glass. I didn’t need to hear them. The posture told enough: bodies turned, heads dipped, attention fixed. The architecture did the framing. Georgian windowpanes divide the scene into grids, slicing the figures into segments — fragments of intimacy seen from a public path. The deep contrast between the warm interior and the cool, shadowed exterior gave the photo its form. This wasn’t voyeurism. It was a study in separation…
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Skull of Glass at the London Science Museum
Standing in front of this glass skull, I was struck by the tension between its physical transparency and the opacity of its meaning. Photographically, the object invites a very particular challenge — how to capture something that both reflects and refracts its surroundings while retaining a sense of sculptural form. I approached the composition head-on, embracing the symmetry of the human face while allowing the slight distortions of the glass to play across its features. The choice of a tight crop eliminates environmental distractions, forcing the viewer into a direct confrontation with the piece. The reflections — faintly revealing the space beyond — create subtle secondary layers, adding context without…
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A Single(‘s) Call
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Blackfriars Train Station Banner
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A Bad Experiment
I had to cover “in emergency” a date of the musical Notre-Dame de Paris and found myself “unarmed” (no camera available whatsoever), so I have been forced to fall back on my mobile. While, at the end of the day and with great difficulty, I have been able to shoot something vaguely useful, this experience blew away any possible plan to use a mobile’s camera to handle an assignment. Simply put, mobile’s cameras suck, unless you go for (very)close or cheap shots. This should have been pretty obvious without the need of looking for hard evidence. Nevertheless, out of necessity, I have been able to test and learn on my…
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Antonio Onorato
I made this image on assignment, but it ended up becoming a personal one. Antonio Onorato, mid-performance, eyes closed, completely surrendered to the instrument in his hands. That wasn’t planned — no setup, no retake. Just a split-second that happened because I was watching, not waiting. The Canon EF 100–400 isn’t the obvious choice for stage photography — especially not on a full-frame body like the 5D Mark II, which, by today’s standards, is a bit sluggish in low light. But it worked, surprisingly well. I kept the aperture wide open, ISO higher than I’d usually tolerate, and rode the shutter just fast enough to freeze the tension in his…
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Franco Cerri. The Last Jazz Living Legend
Ninety year’s old and still grooving! Franco Cerri sits in the spotlight, guitar in hand, the stage around him fading into black. His posture is relaxed, his smile unforced—this is not the grin of a performer straining for the audience, but the quiet joy of a man at home with his instrument. The fingers still know exactly where to go, gliding along the fretboard with the confidence of decades, the kind of touch that only comes from living inside the music. Behind him, half in shadow, the bassist follows, letting Cerri’s notes lead. The frame captures more than a performance—it holds the weight of history. Cerri wasn’t just a player;…
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Safe Living (?)
I took this photograph sitting at a café table in Brussels, camera inconspicuously in hand, not to catch a moment of drama but to freeze the dissonance that unfolded naturally. A plate of food cooling in the foreground, a couple mid-conversation, and beyond the empty chairs—military trucks parked tightly against the glass façade of a commercial complex. No one paid them much attention. This image isn’t about extremes. It’s about the almost absurd coexistence of casual living and implied threat. It’s a subtle juxtaposition—the idle comfort of café life shadowed by the presence of camouflaged machinery. Compositionally, I used the umbrellas and columns to frame the shot and push the…
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Batklubben
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The Ubiquitous Mobile
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Vasa’s Ghost
Photographing in museums is always a challenge — a careful dance between respecting the subject, working within strict lighting conditions, and negotiating the inevitable glass barriers. This image, taken in the Vasa Museum in Stockholm, is an excellent example of how those constraints can actually contribute to a picture’s mood rather than hinder it. The subject — a centuries-old skull — sits isolated against a dark, glittering background, its ochre tones warm against the cold, almost cosmic speckling that surrounds it. The lighting, subdued yet precise, falls in a way that enhances the contours of the cranium, the hollowed sockets, and the jagged remnants of teeth. The reflections — likely…
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Even
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Strolling in Stockholm
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Outside the Nobel Museum
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Under The Bridge
Thank to its architecture, Stockholm is a very good place to shoot modern pictures. ストックホルムは現代の写真を撮るには良い場所です
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A Different Passion…
If football is a religion — and for many it is — then what are its rituals, and who are its saints and martyrs? I came across this man during a rally, wrapped in his team’s colours, crowned with blue plastic strands like a DIY halo, cigarette pinched between fingers, gaze lost somewhere off-frame. He didn’t look triumphant, nor devastated. Just worn — by hope, by defeat, by something in between. This wasn’t theatre for the camera. He wasn’t performing. He was just still, in that half-breath between chants or cheers or curses. From a technical standpoint, I shot this with a shallow depth of field, using a fast lens…
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A (Out-of-Focus) Break Between Lunch and Supper
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2015 Italian Beach Volley Team – Marco Caminati, Enzo Rossi
Shot this with the Canon 5D Mark II paired to the EF 100-400—reliable combo when you need to stay off court and still frame clean, controlled tension. This isn’t peak action. No sand flying, no bodies mid-air. But it’s still competition—quiet, simmering, focused. Marco Caminati holds the ball like it weighs more than it does. Not physically—psychologically. Shoulders squared, gaze dropped. The light from above slicks off his skin, catching just enough detail in the sweat without turning it into gloss. I didn’t correct the warmth much in post. The yellowish cast from the stadium lighting is honest, and artificial as it looks, that’s what the court gave me. Enzo…
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@ Mediterranean Beach Games 2015 – Italian Female Rowing Team
Conclusions As much as knowing your way through the photography maze populated by ISO settings, lens choice, (auto)focus performance and so on, successfully shooting sport competitions requires a lot of background work and social skills, as well as stamina and concentration. You’re not supposed to attend a Marines bootcamp, a con men conference and a crash course in volleyball, rowing or whatever the sport you have to work with to develop such specific capabilities. But it would definitive helps… Part 1 – Intro, Before the event, getting your media pass Part 2 – Before the event, having your media pass working for you Part 3 – During the event, get…
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@ Mediterranean Beach Games 2015 – Beach Wrestlers
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@ Mediterranean Beach Games 2015 – Italian Beach Volley Female Team – Laura Giombini, Giulia Toti
In beach volleyball, there is no hiding place. The court is small, the sand unforgiving, and every move is laid bare in the sun. This frame captures the Italian National Beach Volleyball Team mid-assault, in that heartbeat where effort and instinct fuse into pure action. The player lunging forward is all tensile strength and precision—shoulders squared, arms extended, eyes locked on the ball as if it were the only thing in existence. Her teammate hovers just behind, reading the play, ready to carry the attack forward. The sand tells its own story—scattered divots from past dives, streaks from sudden stops, a textured record of the match’s ebb and flow. The…
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@ Mediterranean Beach Games 2015 – Italian Beach Volley Team – Marco Caminati (and a primer on sport photography, part 6)
Part 1 – Intro, Before the event, getting your media pass Part 2 – Before the event, having your media pass working for you Part 3 – During the event, get ready for the show Part 4 – During the event, how to choose which event attend to Part 5 – During the event, shooting the game After the event “Enjoying” the field days doesn’t end up the assignment because the selection and post processing part is as important as taking proper pictures. 1 – Selection and post processing Depending by the assignment, you might be required to (select, process and) send your employer the pictures in real time or…
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Avvocati. A New Book
I’ve just finished the project I’ve been working in the past months. Lawyers’ human and private face.
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@ Mediterranean Beach Games 2015 – Wrestling, Italy vs France (And a primer on sport photography – Part 5)
Part 1 – Intro, Before the event, getting your media pass Part 2 – Before the event, having your media pass working for you Part 3 – During the event, get ready for the show Part 4 – During the event, how to choose which event attend to 3 – Shooting the game As I said before, the chances of getting a good exposure greatly improve if you are (or have become) comfortable with the game. But knowing how the ball rolls worth nothing if you’re not in the right position to take the shot. a – Reclaiming your space from other photographers Event (and thus sport) photography is a…
