Andrea Monti

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  • Bridges,  Colour,  Daily photo,  Spring

    A Roller Coaster… A Kind Of

    April 3, 2014 /

    It’s not a ride. But it feels like one. Shot with an ultra-wide lens, this pedestrian bridge bends and twists like it’s unsure whether it’s architecture or attraction. The metal curves upward, forward, out of the frame—pulling your eye (and your balance) with it. Perspective doesn’t just stretch here—it spirals. Geometry gets theatrical. At the top of the climb, a small group walks calmly, as if unaware they’re part of the illusion. No one is rushing. One wears yellow, another carries a bag—ordinary people on a not-so-ordinary structure. The Adriatic glints below, a boat docked quietly at the base. It could be a coastal scene from anywhere in Italy, but…

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    Andrea Monti

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    Sting of the Vespa

    March 7, 2025

    A Lamp in an Old Teather

    March 8, 2016

    Why You Should Only Shoot in Your Backyard (or ‘The Art of Belonging’)

    December 19, 2024
  • Colour,  Daily photo,  Observer Bias,  Spring,  WideAngle

    Lamp

    April 2, 2014 /

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    Andrea Monti

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    Clandestine Seagull

    November 24, 2013

    Pipes in Colour

    May 1, 2015

    A few test shots with an MC Cosinon T200/4

    January 14, 2024
  • Colour,  Daily photo,  Gear,  Spring

    Hanging Towels

    March 29, 2014 /

    This is what happens when coupling a summicron 50 (third gen) with a Fujifilm X-1.

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    Andrea Monti

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    The Shoesfixer

    September 7, 2014

    Bless or Curse?

    August 12, 2014

    Missed Airplane

    December 4, 2017
  • Colour,  Daily photo,  Paris,  Spring,  Street Photography

    Tour Saint-Jacques, Standby

    March 27, 2014 /

    Paris, the city of light, reflects off the polished chrome helmets of the sapeurs-pompiers. The firemen stand poised, immobile but ready. Their posture does not betray fatigue, nor doubt—it’s the stance of trained patience, of focused anticipation. This image captures a moment between action and calm. The fire hoses lie coiled with potential energy, valves shut, mechanisms still untouched. Behind them, the urban rhythm carries on: buses glide, pedestrians move, the sirens wait. The presence of the firefighters, framed by the bustle of Haussmannian façades and traffic, signals that something mighthave happened—or almost did. The mirrored helmets become metaphors themselves. They do not just shield: they reflect the world around them. Their function is…

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    Andrea Monti

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    Self-Defense

    July 27, 2013

    Chasing Rainbows on the Open Road

    October 13, 2021

    Soldering

    November 8, 2021
  • Colour,  Daily photo,  New York,  People,  Spring

    Leaving The Actor’s Studio

    January 14, 2014 /

    No, the title is not a misspell. To perform as a true artist, the Actors Studio must actually become an actor’s studio. Shot handheld on a cold night in New York, I framed this outside the famous 44th Street façade of The Actors Studio. What drew me wasn’t the name, but the irony held in the glow above the door. Big, institutional lettering—THE ACTORS STUDIO—brightly lit, looming. Yet below it, a single man stands, barely visible, caught in the diffused downlight from the marquee. It wasn’t staged. He just was there—half-shadowed, alone, waiting. Technically, this is a push to the edge. ISO was high, grain heavy. Shadows crush into black. Highlights…

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    Andrea Monti

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    Will The iPhone Kill Traditional Cameras? Not Very

    October 15, 2019

    Crate

    January 24, 2015

    Wrecked Hull

    February 14, 2014
  • Colour,  Daily photo,  New York,  Spring,  Streets&Squares

    The Lost Battle

    January 11, 2014 /

    Against the New York traffic, the controllers themselves, contended in vain.

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    Andrea Monti

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    Cold Night, Hot Drink

    January 13, 2014

    Getting In The Zone Before the Shot

    November 28, 2016

    Inside the Nazario Sauro

    November 26, 2020
  • Colour,  Daily photo,  Seasons,  Spring

    What lasts of a springtime hailstorm

    June 22, 2013 /

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    Andrea Monti

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    AI or not AI?

    October 3, 2023

    Where Did I Left My Car?

    April 2, 2015

    Sala degli Onori @ Triennale di Milano

    May 19, 2017
  • B&W,  Daily photo,  Parks,  Seasons,  Spring

    Rest under a tree

    May 31, 2013 /

    Resting under a tree, on a sunny afternoon, in springtime.

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    Andrea Monti

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    We Are All Made of Stars

    February 28, 2018

    Staying Behind

    November 28, 2013

    Waiting To Board At Santa Margherita Ligure

    August 16, 2014
  • Colour,  Daily photo,  Doors&Windows,  Seasons,  Spring

    Love is like a flower

    May 18, 2013 /

    Love is like a flower, Both need care and attention to grow, Both die if not fed, Both don’t last forever.

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    Andrea Monti

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    Wrecked Hull

    February 14, 2014

    Chitchat under the rain

    March 10, 2013

    A Street Dancer@Sakae

    August 9, 2019
  • Artists,  Colour,  Daily photo,  People,  Spring

    The Hands of a Drummer (Horacio “El Negro” Hernandez)

    April 24, 2013 /

    You don’t photograph a legend. You try not to get in the way. This frame is all rhythm, no fanfare. No face, no spotlight—just hands, sticks, cymbals, and breath held between beats. It’s Horacio “El Negro” Hernández in concert, but not in the way the audience sees him. This is closer. Quieter. The private side of percussion. Shot just beneath the hi-hat, I framed the photo to let the hand speak: fingers curled not in tension, but in dialogue. The skin slightly worn, the grip half-visible—mid-phrase, mid-flow. The cymbals catch the stage light like the faintest of brushstrokes, shimmering but not stealing the scene. You can feel the groove here.…

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    Andrea Monti

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    The Traveler’s Dilemma: Where To?

    October 21, 2023

    Portrait of a Cosplayer

    July 3, 2017

    Silent Reader

    July 17, 2016
  • Colour,  Daily photo,  Spring,  Tobacconists

    Waiting for a Future to Tell

    April 18, 2013 /

    Behind the slightly dusty glass of an old tobacco shop window, a box of tarot cards stands upright, holding its ground with a quiet dignity. The label reads taotl, the colours still vivid despite the years: red flames, green leaves, a central emblem that seems both protective and dangerous. Beneath, the name Masenghini anchors it in a very specific history of Italian card-making, a craft now mostly relegated to collectors and the nostalgic. Around it, other objects share the same slow fate: a light-blue school exercise book titled Quaderno, some patterned boxes, a rolled cylinder of bright turquoise paper. Everyday relics, all bathed in the soft, uneven light that only old glass and time…

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    Andrea Monti

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    A Lamp in an Old Teather

    March 8, 2016

    A Special Dress for a Special Party

    July 6, 2016

    Just In Case

    June 9, 2014
  • Colour,  Daily photo,  Milan,  People,  Spring,  Travels

    The Worst Moment to Fix a Shoe’s Problem

    April 14, 2013 /

    Caught on a descending escalator, mid-bend, mid-thought—this is the photograph of a decision made too late. Everything in this frame leans forward. The vanishing point pulls you down, hard, like gravity with intention. The blur on the metal steps mimics momentum. You can almost feel the hum of machinery and the silent urgency of descent. At the centre of it all: a man hunched over, trying to wrestle control over something small and unruly—perhaps a loose shoelace, perhaps something more symbolic. I didn’t plan this shot. It happened fast. A reflex. Shot handheld, low light, no time to think, just enough to feel. The imperfection—the motion blur, the noise, the…

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    Andrea Monti

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    She Died Alone

    February 15, 2022

    Hair Cut

    July 19, 2013

    A relic from the (recent) past

    April 30, 2013
  • Colour,  Daily photo,  Marketing,  Shops,  Spring

    Hard Spam

    April 1, 2013 /

    Sometimes spam doesn’t hide in your inbox. It glows in a pharmacy window. Shot on a quiet evening walk, this storefront display in Rome—or somewhere very much like it—caught my attention with the subtlety of a neon bullhorn. A perfectly literal interpretation of hard advertising: Viagra, Levitra, Cialis. Bold red font, urgent discounts, official decree cited. Street-level pharma meets street-level comedy. The scene is absurdly human. Framed by a closed shutter and a lonely Gaviscon box, the paper sign is taped like a last-minute school notice, but the message is anything but shy. There’s no algorithm, no clickbait. Just unapologetic, front-facing capital letters offering a prescription-strength punchline. It’s spam—but analogue. No filters,…

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    Andrea Monti

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    Red

    December 17, 2014

    The Aperitif

    October 5, 2017

    Life is a bitch

    May 22, 2013
  • Colour,  Court,  Daily photo,  Rome,  Spring

    Waiting for the Justice to Arrive

    March 11, 2013 /

    In this hallway of the Tribunale Penale di Roma, time seems suspended. Lawyers sit or stand, briefcases at their feet, bundles of files in hand. Some engage in hushed conversation, others review notes with ritualistic precision. A woman in red draws the eye—a rare burst of colour in an otherwise subdued palette of solemnity. The title, Waiting for the Justice to Arrive, operates on two planes. On the surface, it is procedural. The court has not yet opened its doors; the judge is late, the hearing is postponed. These legal professionals must simply wait—idle, static, alert. Justice, here, is both person and principle: the judge must enter the courtroom for proceedings…

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    Andrea Monti

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    Early Morning Shaving on The Beach

    August 6, 2013

    Small Talk

    February 10, 2014

    Hard Choice In Quai de la Corse

    March 21, 2014
  • Colour,  Daily photo,  People,  Rome,  Spring

    Under the Yellow Umbrella

    March 9, 2013 /

    It had just stopped raining—just enough to make the pavement shine, but not enough to fold away the umbrellas. I took this photo in passing. No setup, no waiting. Just a quiet moment shared by two people walking slowly, pushing a shopping trolley and carrying a red bag, both tucked under a loud yellow Bardahl-branded umbrella. The kind of umbrella you don’t buy, but are given somewhere and end up using forever. There’s nothing dramatic here. No grand gesture. Just two people—maybe a couple, maybe not—navigating a wet day together. The colours caught me: the dull browns, the muted jackets, that flash of red, and of course the umbrella. It…

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    Andrea Monti

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    Drying Clothes

    March 9, 2021

    Italy, Street-Photography and the Law

    October 29, 2013

    Lost in Le Puglie

    December 2, 2015
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