Andrea Monti

Photos, not gear

  • Home
  • Daily photo
  • Colour
  • B&W
  • Landscape
  • Cities
  • People
  • Sport
  • FAQ
  • About
  • Conctact
Menu
  • Home
  • Daily photo
  • Colour
  • B&W
  • Landscape
  • Cities
  • People
  • Sport
  • FAQ
  • About
  • Conctact

No Widgets found in the Sidebar Alt!

  • Artists,  Colour,  Daily photo,  People,  Spring

    Portrait of Keyboard Player

    May 18, 2014 /

    He had just finished a piece when I took the shot. Head tilted, hand still resting on the keys, that slight smirk not forced but earned. This wasn’t posed—it was a breath between moments, a performer halfway out of character and halfway into self-awareness. The ambient energy of the room still swirled around him—soft voices, chairs moving, blurred motion in the background—but he held still. I composed tight to emphasise the contrast between stillness and motion. The background drags slightly, figures abstracted by a slower shutter speed, but the face and fingers are crisp—anchoring the shot where it needs to be. The lighting was mixed: tungsten overhead, cooler light from…

    Read More
    Andrea Monti

    You May Also Like

    A Fashion Shop in Milan

    January 21, 2014

    Free Shoes On A Hot Day

    October 8, 2014

    Just A Cat

    June 29, 2014
  • Colour,  Daily photo,  Fountains,  Spring

    A Fountain

    May 17, 2014 /

    Read More
    Andrea Monti

    You May Also Like

    Just In Case

    June 9, 2014

    @Rome Maker Faire – 2

    October 10, 2014

    A Sunny day in Rome

    May 10, 2014
  • Bottles&Cups,  Colour,  Daily photo,  Spring

    Yes, We…Can

    May 16, 2014 /

    I took this photo because it stopped me mid-step. A banal object — a crushed Coca-Cola can — pierced on a historic stone spike, suspended in defiance or perhaps pure indifference. The tension between the industrial red cylinder and the worn, centuries-old limestone was too stark to ignore. The composition leaned heavily on perspective and focus. I shot wide open, letting the background melt into soft abstraction, just enough to hint at an ancient setting without overpowering the main subject. I tilted the frame slightly to echo the absurd balance of the can, breaking away from textbook horizontality to embrace the odd equilibrium of the scene. Exposure was critical. I…

    Read More
    Andrea Monti

    You May Also Like

    The True Ironman

    March 4, 2015

    Los Niños y El Tocaor

    October 30, 2017

    Caught In The Act… Almost

    October 4, 2018
  • Artists,  B&W,  Daily photo,  Spring

    Between Two Sets

    May 15, 2014 /

    Read More
    Andrea Monti

    You May Also Like

    LP – Live@Anfiteatro La Civitella – The photogallery

    July 11, 2022

    Nightlife in Bruxelles

    June 27, 2014

    Piero Mazzocchetti – L’ultima notte di Bonfiglio Liborio

    May 12, 2022
  • Barcelona,  Colour,  Daily photo,  Fashion Shops,  People,  Spring

    The New Church

    May 13, 2014 /

    In the XXIth Century, a new church grows, to satisfy old needs.

    Read More
    Andrea Monti

    You May Also Like

    Different Loads

    June 23, 2015

    The Shooter’s Dilemma

    July 12, 2014

    National Road Running Championships 2023 – Portraits

    June 28, 2024
  • Airport,  Bruxelles,  Colour,  Daily photo,  People,  Spring,  Travels

    Guru Meditation

    May 12, 2014 /

    Airports are temples of waiting. They strip away the illusion of control, leaving travellers suspended in time between one place and another. In that in-between, people invent ways to cope. Here, in a lounge of muted reds and glassy daylight, a man folds himself into a private space. One leg drawn up, back curved, cap pulled low, he cradles a tablet as if it were a small book or a talisman. His fingers rest lightly on it, not tapping, not scrolling—just holding. The surrounding noise and movement dissolve in his stillness. This is meditation for the digital age. Not in a forest clearing or a candlelit room, but in an…

    Read More
    Andrea Monti

    You May Also Like

    Under The Rocks

    August 14, 2014

    How to Shoot Handball Matches

    April 14, 2024

    A jam in via Alessandria

    December 8, 2023
  • Buildings,  Colour,  Daily photo,  Odds,  Rome,  Spring

    Inside the Elevator

    May 9, 2014 /

    Escher’s Relativity inspired these shots.

    Read More
    Andrea Monti

    You May Also Like

    EOS-M. An Act of Fairness

    July 24, 2013

    Will The iPhone Kill Traditional Cameras? Not Very

    October 15, 2019

    People

    December 21, 2012
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Spring

    Falling Tree

    May 8, 2014 /

    Again, an impossible perspective…

    Read More
    Andrea Monti

    You May Also Like

    A Modern Nazca?

    December 4, 2014

    What Lasts of a Saturday Night Party

    January 24, 2014

    The Expired Film Series – Episode 5 – Kodak Tri X 400 – September 2015 shot in Sept. 2023

    May 8, 2024
  • Barcelona,  Colour,  Daily photo,  People,  Spring

    WTF Are They Looking At?

    May 7, 2014 /

    Read More
    Andrea Monti

    You May Also Like

    Becoming a Human Tripod

    January 9, 2017

    The Financial Times at Night

    October 1, 2016

    Get Ready for The Duty

    July 13, 2013
  • B&W,  Bruxelles,  Buildings,  Daily photo,  Spring

    An Unplausable Perspective

    May 6, 2014 /

    There is something odd in this photo, isnt’it?

    Read More
    Andrea Monti

    You May Also Like

    Floating Flower

    May 19, 2015

    Parachute

    September 14, 2013

    Mid-Morning Break at Place Jourdan

    March 24, 2014
  • Artists,  Colour,  Daily photo,  People,  Portraits,  Spring

    Portrait of a young guitar player

    May 4, 2014 /

    Read More
    Andrea Monti

    You May Also Like

    Abstract

    May 9, 2023

    The Silent Dialog

    August 31, 2013

    On the Edge of the World

    April 22, 2014
  • Beach&Shores,  Colour,  Daily photo,  Gear,  Photography,  Spring,  Visual,  WideAngle

    Noon on the Beach

    May 1, 2014 /

    this image hinges on simplicity and distortion. The sun was directly overhead, leaving the shadow of the pole as a near-perfect sundial, slicing the centre of the frame from bottom to vanishing point. That shadow was the whole reason to shoot: absolute verticality rendered into graphic contrast on a near-featureless plane. The lens dictates the structure. At 16mm, lines bow. The horizon curves. Perspective exaggerates. I leaned into it—there’s no attempt to correct distortion in post. The intention was not to imitate a rectilinear frame, but to emphasise space as abstraction. The beach becomes a sphere, the sky a ceiling, and the tiny trace of buildings at the perimeter only…

    Read More
    Andrea Monti

    You May Also Like

    @Rome Maker Faire – 1

    October 9, 2014

    As Deep As The Ocean

    April 15, 2016

    To Do or To Own? (or the Photographer’s Dilemma)

    March 2, 2025
  • Colour,  Daily photo,  Landscape,  Spring

    Ninja-Turtles?

    April 30, 2014 /

    I couldn’t help but smile when I saw this line of turtles perched neatly along the log, each one angled just so to catch the warmth of the midday sun. It’s a scene that strips away the pop culture fantasy of katana-wielding reptiles and replaces it with something far more universal — the quiet pleasure of simply doing nothing. From a compositional standpoint, I did well to let the log form a natural leading line, drawing the viewer’s eye from the cluster on the left to the stragglers on the right. The surrounding foliage frames the scene nicely, adding depth and a touch of chaos to balance the orderly arrangement…

    Read More
    Andrea Monti

    You May Also Like

    The Oslo Opera House

    October 24, 2014

    Nice Drink

    July 11, 2015

    A Sad Harley-Davidson

    August 10, 2013
  • Bottles&Cups,  Colour,  Daily photo,  Observer Bias,  Restaurants&Bar,  Spring,  WideAngle

    Red Wine Makes Good Blood…

    April 27, 2014 /

    I made this image at the end of a long lunch — the kind where conversation lingers long after the plates are cleared, and the table becomes less of a place to eat and more a canvas of what just happened. The residue of red wine had bled into the paper surface, leaving behind those familiar circular stains — not accidental, not staged, just there. And I leaned in, glass still in hand, and shot. Technically, this is an exercise in distortion and proximity. I used a wide lens, close focus, and a shallow depth of field. The resulting visual field is warped, but purposefully. You can see the sweep…

    Read More
    Andrea Monti

    You May Also Like

    Welcome in the New (?) Year

    January 1, 2014

    Line Of Fire

    July 6, 2014

    Waiting To Board At Santa Margherita Ligure

    August 16, 2014
  • Beach&Shores,  Colour,  Daily photo,  Spring,  WideAngle

    The Misplaced Buoy

    April 26, 2014 /

    Kneeling in the surf with the camera just above waterline, I framed this beached buoy like a stranded witness—half-devoured by barnacles, its functional past eroded by time and tide. The wave motion is deliberate: a slow shutter gave the water its painterly strokes, pulling the viewer toward the object with a sense of gentle urgency. The wide-angle perspective exaggerates scale and places the buoy in stark contrast with the horizon. The red-orange plastic punctures the cool blues of sea and sky, a sharp chromatic discord that anchors the entire composition. It’s an aggressive intrusion into the otherwise pastel calm of the shoreline, yet visually satisfying because of the balance created…

    Read More
    Andrea Monti

    You May Also Like

    When We Thought We Would Have Changed The World

    August 21, 2014

    @Rome Maker Faire – 7. Mobile Rest

    October 23, 2014

    Leica Shop @ Strada Maggiore

    May 11, 2017
  • B&W,  Bruxelles,  Daily photo,  Observer Bias,  Spring,  Visual

    The Eye

    April 25, 2014 /

    Another example of the constant brain’s meaning quest in the things the eye sees. It wasn’t supposed to look back. This is the underside of a building’s curved overhang, a detail most people would never glance up to see. Shot from the ground in perfect alignment, it becomes something else entirely: an iris of steel and shadow, a lens with no glass, watching the world below. I titled it The Eye not just for the shape, but for the feeling. The symmetry is strict—deliberate, almost mechanical—yet the reflection in the polished granite softens it, turning precision into something poetic. A full circle emerges where there’s only a half. What’s solid becomes imagined.…

    Read More
    Andrea Monti

    You May Also Like

    A Special Dress for a Special Party

    July 6, 2016

    Taking-Off

    April 15, 2021

    Portrait of a Law Professor (and Free Climber…)

    February 26, 2016
  • Bruxelles,  Colour,  Daily photo,  Garbage,  Spring

    Two Beers, One Cigarette

    April 23, 2014 /

    Not staged. Swear to God!

    Read More
    Andrea Monti

    You May Also Like

    Get Ready, Set, Go

    February 2, 2022

    The Racers

    December 7, 2014

    Lockpicking Tools

    December 11, 2018
  • Colour,  Daily photo,  Observer Bias,  Spring,  WideAngle

    On the Edge of the World

    April 22, 2014 /

    This image is the outcome of a technical test as much as it is a commentary on environment and perception. I wanted to see how the venerable 1973 Nikkor 16mm f/3.5 fisheye would behave on the full-frame sensor of a Nikon D700. The result is a picture pulled to its edges, both optically and metaphorically. What this lens gives in distortion, it returns in expressive tension. The beach curves like the edge of a planet. The sky presses down as if it’s wrapping itself around the scene. A single line of debris cuts through the frame, pulling the eye toward a loosely gathered group of people, whose presence feels both…

    Read More
    Andrea Monti

    You May Also Like

    In the Rain, A Helping Hand

    July 10, 2019

    Who Said That Music Is Relaxing?

    August 14, 2013

    二千円

    December 20, 2023
  • Colour,  Daily photo,  Observer Bias,  Spring,  WideAngle

    Bent

    April 21, 2014 /

    When I first lifted the camera to my eye for this shot, the Nikkor 16mm fisheye was not the lens you’d expect for such a pastoral, rolling landscape. Fisheyes, after all, are often the tools of cramped interiors, extreme sports, or deliberately surreal perspectives. Yet here, in the middle of vineyard country, I wanted to see what would happen if I let its inherent distortion play with the natural undulations of the hills. The result is a scene that feels almost elastic. The road on the right curves away more dramatically than it does in reality, while the vineyard rows tilt into an exaggerated arc, their geometry bending to the…

    Read More
    Andrea Monti

    You May Also Like

    Outside the Nobel Museum

    June 30, 2016

    Every Single Day

    June 28, 2017

    The Long Way Up

    March 25, 2013
  • Colour,  Daily photo,  Milan,  Observer Bias,  People,  Photography,  Spring

    Brain vs Camera

    April 19, 2014 /

    The picture on the left is what the camera saw. The picture on the right is what I had in mind while shooting. Thanks to Photoshop I’ve been able to bend the “objectivity” of the camera along the line of my creativity.

    Read More
    Andrea Monti

    You May Also Like

    Slow Walk at Mulberry St.

    January 16, 2014

    A Sailor’s Knot

    November 22, 2013

    The Soul Of Politics

    July 17, 2014
  • Barcelona,  Boulevards,  Colour,  Daily photo,  People,  Spring

    Las Ramblas’ Lifestyle

    April 18, 2014 /

    Who cares about pickpockets?

    Read More
    Andrea Monti

    You May Also Like

    A Sailors’ Warehouse

    September 9, 2014

    Portrait of a Law Professor (and Free Climber…)

    February 26, 2016

    5 frames exploring the Sporting Gun Culture in Italy

    April 15, 2025
  • Barcelona,  Colour,  Daily photo,  People,  Spring

    Which One?

    April 16, 2014 /

    The Abundance’s Paradox

    Read More
    Andrea Monti

    You May Also Like

    Just A Bird

    July 1, 2014

    George Braque

    October 11, 2013

    Waiting For The Patrons – 2

    June 19, 2015
  • Barcelona,  Colour,  Daily photo,  Gear,  Spring,  Street Markets

    A Fujifilm X-E1 Annoyance

    April 15, 2014 /

    The X-E1 is a good camera, though has some annoyances that make it less handy for Street Photography. Contrary to Leica, (some) Zeiss or (some) Nikon lenses, zone-focusing is not set on the lens barrel. You must do it either through the viewfinder or the LCD, and this makes problematic the switch from one technique to another. Same is true for aperture settings. Operating the camera one-handed, happened twice to me, led to a change of the image quality settings from RAW to Jpg. Unfortunately I wasn’t aware while shooting and I’ve wasted half a day in Barcelona getting inferior quality pictures.

    Read More
    Andrea Monti

    You May Also Like

    Urban Totem

    April 29, 2014

    Technological Memento

    June 26, 2021

    While the kids grow-up…

    July 25, 2013
  • Airport,  Bruxelles,  Colour,  Daily photo,  People,  Spring

    Same Seats, Different Lifes

    April 14, 2014 /

    They’re close, but never been so distant

    Read More
    Andrea Monti

    You May Also Like

    The Pizza’s Journey

    June 12, 2013

    Gioacchino Rossini – La Cenerentola@Teatro Marrucino

    December 13, 2024

    Mediterranean Games 2009

    June 28, 2015
5678

Projects

  • Daily photo (1,393)
    • B&W (277)
    • Colour (1,102)
  • Daily Video (16)
  • Portfolio (2)
  • Projects (1,307)
    • Airport (15)
    • Bottles&Cups (12)
    • Cars&Bikes (42)
    • Chairs&Seats (19)
    • Cities (455)
      • Barcelona (16)
      • Boston (11)
      • Bruxelles (66)
      • Hamburg (3)
      • Helsinki (2)
      • Kyoto (2)
      • London (27)
      • Milan (50)
      • Nagasaki (2)
      • Nagoya (8)
      • New York (9)
      • Nikko (1)
      • Osaka (3)
      • Oslo (17)
      • Padua (1)
      • Paris (31)
      • Rome (147)
      • Stockholm (11)
      • Tokyo (28)
      • Tsukuba (2)
      • Venice (22)
      • Yokohama (1)
    • Court (23)
    • Landscape (99)
      • Beach&Shores (78)
    • Lines (19)
    • Marketing (5)
    • Moon (7)
    • Observer Bias (14)
    • Odds (21)
    • OutOfFocus (13)
    • Parks (6)
    • Past&Relics (57)
    • People (625)
      • Actors (15)
      • Artists (86)
      • Fighters (29)
      • Portraits (42)
    • Seasons (921)
      • Autumn (143)
      • Spring (183)
      • Summer (261)
      • Winter (348)
    • Shops (166)
      • Barber&HairStylist (1)
      • Bookstores (10)
      • Brand Stores (1)
      • Fashion Shops (16)
      • Garages&Labs (11)
      • Groceries (3)
      • Jewelry (3)
      • Patisserie (11)
      • Restaurants&Bar (92)
      • Street Markets (15)
      • Tobacconists (2)
    • Social Control (51)
    • Travels (19)
    • Urban Landscape (293)
      • Boulevards (12)
      • Bridges (7)
      • Buildings (23)
      • Docks (74)
      • Doors&Windows (26)
      • Downtown (29)
      • Exhibitions (11)
      • Fountains (6)
      • Garbage (17)
      • Gates&Fences (12)
      • Parks (21)
      • Streets&Squares (66)
      • Works (2)
    • Visual (67)
    • WideAngle (13)
  • Reportage (17)
  • Sport (71)
    • Beach Handball (1)
    • Beach Volley (5)
    • Billiard (1)
    • Body Builiding (1)
    • Cycling (1)
    • Fighting Disciplines (24)
    • Handball (2)
    • Kite Surf (4)
    • Road Running (1)
    • Roller Derby (1)
    • Rowing (2)
    • Shooting (11)
    • Skating (4)
    • Soccer (6)
    • Swimming (Fin) (1)
    • Track&Field (5)
  • Thoughts (225)
    • Gear (67)
    • Photo Journalism (6)
    • PhotoCritics (19)
    • Photography (62)
    • Street Photography (83)
    • Technique (29)
Dear anonymous visitor, you may enjoy this web site’s contents with all the ease of not being tracked.

I do not know your identity and will do nothing to figure out who you are.

This explains why I do not ask for your consent: it is not possible to abide by the law if one’s counterpart is unknown.

I do not have social network’s ‘share buttons’, comments are disabled, as are user registration features.

I only use those cookies and pieces of code that make Google Analytics work and that will eventually be dismissed as soon as I am sure that Matomo (also installed) works as advertised.

If you check this website with some online tool you may find two cookies ‘_utmz’ and ‘_utma’. The former tracks your sessions, the latter your location. You may find more information in the Legalia and Cookie Policy page

Compulsory Information

  • Legalia
© 2025 Andrea Monti - all rights reserved