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Andrea Monti

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  • Colour,  Daily photo,  Spring,  Visual

    Somewhere in Japan

    May 19, 2014 /

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    Andrea Monti

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    A view of the Bologna’s Station

    April 28, 2019

    The Last Puff, Before the Kitchen Opens

    March 6, 2013

    Who The Hell Killed the Light Off?

    August 2, 2015
  • Artists,  Colour,  Daily photo,  People,  Spring

    Portrait of Keyboard Player

    May 18, 2014 /

    He had just finished a piece when I took the shot. Head tilted, hand still resting on the keys, that slight smirk not forced but earned. This wasn’t posed—it was a breath between moments, a performer halfway out of character and halfway into self-awareness. The ambient energy of the room still swirled around him—soft voices, chairs moving, blurred motion in the background—but he held still. I composed tight to emphasise the contrast between stillness and motion. The background drags slightly, figures abstracted by a slower shutter speed, but the face and fingers are crisp—anchoring the shot where it needs to be. The lighting was mixed: tungsten overhead, cooler light from…

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    Andrea Monti

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    Fuji X-T2 records audio at 16bit/48Khz

    October 11, 2020

    Stairway to nothing

    September 18, 2013

    The Bell Ringer of Nikko

    August 6, 2018
  • Colour,  Daily photo,  Fountains,  Spring

    A Fountain

    May 17, 2014 /

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    Andrea Monti

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    Street Compass Rose

    September 25, 2013

    Pure Joy

    May 25, 2014

    Even

    July 9, 2016
  • Bottles&Cups,  Colour,  Daily photo,  Spring

    Yes, We…Can

    May 16, 2014 /

    I took this photo because it stopped me mid-step. A banal object — a crushed Coca-Cola can — pierced on a historic stone spike, suspended in defiance or perhaps pure indifference. The tension between the industrial red cylinder and the worn, centuries-old limestone was too stark to ignore. The composition leaned heavily on perspective and focus. I shot wide open, letting the background melt into soft abstraction, just enough to hint at an ancient setting without overpowering the main subject. I tilted the frame slightly to echo the absurd balance of the can, breaking away from textbook horizontality to embrace the odd equilibrium of the scene. Exposure was critical. I…

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    Andrea Monti

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    A Dislodged Portal

    December 15, 2018

    Is The Sky Falling On Their Heads?

    August 1, 2013

    Selling Italian Ice in Boston

    March 11, 2025
  • Artists,  B&W,  Daily photo,  Spring

    Between Two Sets

    May 15, 2014 /

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    Andrea Monti

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    A Sailor

    July 28, 2014

    Hammer and Sickle

    April 27, 2015

    Fast Food Loneliness in Nagoya…

    July 17, 2019
  • Barcelona,  Colour,  Daily photo,  Fashion Shops,  People,  Spring

    The New Church

    May 13, 2014 /

    In the XXIth Century, a new church grows, to satisfy old needs.

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    Andrea Monti

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    The Google Experiment

    February 1, 2014

    Once A God

    July 15, 2014

    Fast Food Loneliness in Nagoya…

    July 17, 2019
  • Airport,  Bruxelles,  Colour,  Daily photo,  People,  Spring,  Travels

    Guru Meditation

    May 12, 2014 /

    Airports are temples of waiting. They strip away the illusion of control, leaving travellers suspended in time between one place and another. In that in-between, people invent ways to cope. Here, in a lounge of muted reds and glassy daylight, a man folds himself into a private space. One leg drawn up, back curved, cap pulled low, he cradles a tablet as if it were a small book or a talisman. His fingers rest lightly on it, not tapping, not scrolling—just holding. The surrounding noise and movement dissolve in his stillness. This is meditation for the digital age. Not in a forest clearing or a candlelit room, but in an…

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    Andrea Monti

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    Seats

    September 11, 2017

    Processing a DSLR Digitised Black and White Film with Affinity Photo

    January 24, 2023

    Should I Buy It? (Best Taken With an 85mm)

    January 23, 2016
  • Buildings,  Colour,  Daily photo,  Odds,  Rome,  Spring

    Inside the Elevator

    May 9, 2014 /

    Escher’s Relativity inspired these shots.

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    Andrea Monti

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    A true friend

    March 29, 2013

    An Open Gate

    January 13, 2015

    Are you Sure?

    July 9, 2015
  • Beach&Shores,  Colour,  Daily photo,  Landscape,  Spring

    Falling Tree

    May 8, 2014 /

    Again, an impossible perspective…

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    Andrea Monti

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    TicTacToe

    September 1, 2014

    A Lamp in an Old Teather

    March 8, 2016

    On Air

    July 22, 2014
  • Barcelona,  Colour,  Daily photo,  People,  Spring

    WTF Are They Looking At?

    May 7, 2014 /

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    Andrea Monti

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    Message Check Before Breakfast

    December 12, 2014

    Portrait of a Lawyer

    October 5, 2013

    Gliding Away

    December 21, 2021
  • B&W,  Bruxelles,  Buildings,  Daily photo,  Spring

    An Unplausable Perspective

    May 6, 2014 /

    There is something odd in this photo, isnt’it?

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    Andrea Monti

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    Different Loads

    June 23, 2015

    Out of Focus, again

    October 3, 2013

    Waiting for the hearing

    February 19, 2013
  • Artists,  Colour,  Daily photo,  People,  Portraits,  Spring

    Portrait of a young guitar player

    May 4, 2014 /

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    Andrea Monti

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    Learning to Fly

    August 23, 2018

    Floating

    October 7, 2023

    A lighter

    February 14, 2013
  • Beach&Shores,  Colour,  Daily photo,  Gear,  Photography,  Spring,  Visual,  WideAngle

    Noon on the Beach

    May 1, 2014 /

    this image hinges on simplicity and distortion. The sun was directly overhead, leaving the shadow of the pole as a near-perfect sundial, slicing the centre of the frame from bottom to vanishing point. That shadow was the whole reason to shoot: absolute verticality rendered into graphic contrast on a near-featureless plane. The lens dictates the structure. At 16mm, lines bow. The horizon curves. Perspective exaggerates. I leaned into it—there’s no attempt to correct distortion in post. The intention was not to imitate a rectilinear frame, but to emphasise space as abstraction. The beach becomes a sphere, the sky a ceiling, and the tiny trace of buildings at the perimeter only…

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    Andrea Monti

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    So what?

    April 9, 2013

    Carabinieri in Milan

    January 28, 2014

    Romeo’s Hideout

    December 16, 2015
  • Colour,  Daily photo,  Landscape,  Spring

    Ninja-Turtles?

    April 30, 2014 /

    I couldn’t help but smile when I saw this line of turtles perched neatly along the log, each one angled just so to catch the warmth of the midday sun. It’s a scene that strips away the pop culture fantasy of katana-wielding reptiles and replaces it with something far more universal — the quiet pleasure of simply doing nothing. From a compositional standpoint, I did well to let the log form a natural leading line, drawing the viewer’s eye from the cluster on the left to the stragglers on the right. The surrounding foliage frames the scene nicely, adding depth and a touch of chaos to balance the orderly arrangement…

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    Andrea Monti

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    A view of the Bologna’s Station

    April 28, 2019

    The Argument

    December 27, 2012

    Leo Gullotta – Bartleby lo scrivano@Teatro Marrucino

    March 15, 2022
  • Bottles&Cups,  Colour,  Daily photo,  Observer Bias,  Restaurants&Bar,  Spring,  WideAngle

    Red Wine Makes Good Blood…

    April 27, 2014 /

    I made this image at the end of a long lunch — the kind where conversation lingers long after the plates are cleared, and the table becomes less of a place to eat and more a canvas of what just happened. The residue of red wine had bled into the paper surface, leaving behind those familiar circular stains — not accidental, not staged, just there. And I leaned in, glass still in hand, and shot. Technically, this is an exercise in distortion and proximity. I used a wide lens, close focus, and a shallow depth of field. The resulting visual field is warped, but purposefully. You can see the sweep…

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    Andrea Monti

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    Conversation

    November 27, 2013

    A Two-Masted Schooner

    October 25, 2014

    Killing Santa? Really?

    January 25, 2013
  • Beach&Shores,  Colour,  Daily photo,  Spring,  WideAngle

    The Misplaced Buoy

    April 26, 2014 /

    Kneeling in the surf with the camera just above waterline, I framed this beached buoy like a stranded witness—half-devoured by barnacles, its functional past eroded by time and tide. The wave motion is deliberate: a slow shutter gave the water its painterly strokes, pulling the viewer toward the object with a sense of gentle urgency. The wide-angle perspective exaggerates scale and places the buoy in stark contrast with the horizon. The red-orange plastic punctures the cool blues of sea and sky, a sharp chromatic discord that anchors the entire composition. It’s an aggressive intrusion into the otherwise pastel calm of the shoreline, yet visually satisfying because of the balance created…

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    Andrea Monti

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    Even

    July 9, 2016

    Reasonable Privacy Expectation

    April 17, 2014

    Early Morning’s Cleanup

    July 21, 2013
  • B&W,  Bruxelles,  Daily photo,  Observer Bias,  Spring,  Visual

    The Eye

    April 25, 2014 /

    Another example of the constant brain’s meaning quest in the things the eye sees. It wasn’t supposed to look back. This is the underside of a building’s curved overhang, a detail most people would never glance up to see. Shot from the ground in perfect alignment, it becomes something else entirely: an iris of steel and shadow, a lens with no glass, watching the world below. I titled it The Eye not just for the shape, but for the feeling. The symmetry is strict—deliberate, almost mechanical—yet the reflection in the polished granite softens it, turning precision into something poetic. A full circle emerges where there’s only a half. What’s solid becomes imagined.…

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    Andrea Monti

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    Sega Codemaster

    November 21, 2017

    A Stop in Reggio Emilia

    February 21, 2024

    StreetPizza@Ueno Park

    August 4, 2018
  • Bruxelles,  Colour,  Daily photo,  Garbage,  Spring

    Two Beers, One Cigarette

    April 23, 2014 /

    Not staged. Swear to God!

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    Andrea Monti

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    Waiting for The Flight

    July 14, 2013

    The First Picture of the Year

    January 5, 2019

    What a odd couple of bipedals…

    February 26, 2013
  • Colour,  Daily photo,  Observer Bias,  Spring,  WideAngle

    On the Edge of the World

    April 22, 2014 /

    This image is the outcome of a technical test as much as it is a commentary on environment and perception. I wanted to see how the venerable 1973 Nikkor 16mm f/3.5 fisheye would behave on the full-frame sensor of a Nikon D700. The result is a picture pulled to its edges, both optically and metaphorically. What this lens gives in distortion, it returns in expressive tension. The beach curves like the edge of a planet. The sky presses down as if it’s wrapping itself around the scene. A single line of debris cuts through the frame, pulling the eye toward a loosely gathered group of people, whose presence feels both…

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    Andrea Monti

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    Silent Reader

    July 17, 2016

    Out of Focus, again

    October 3, 2013

    A Sailors’ Warehouse

    September 9, 2014
  • Colour,  Daily photo,  Observer Bias,  Spring,  WideAngle

    Bent

    April 21, 2014 /

    When I first lifted the camera to my eye for this shot, the Nikkor 16mm fisheye was not the lens you’d expect for such a pastoral, rolling landscape. Fisheyes, after all, are often the tools of cramped interiors, extreme sports, or deliberately surreal perspectives. Yet here, in the middle of vineyard country, I wanted to see what would happen if I let its inherent distortion play with the natural undulations of the hills. The result is a scene that feels almost elastic. The road on the right curves away more dramatically than it does in reality, while the vineyard rows tilt into an exaggerated arc, their geometry bending to the…

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    Andrea Monti

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    A Sunny day in Rome

    May 10, 2014

    Waiting for the hearing

    February 19, 2013

    Sea Anemones Shot With A Cheap Kit

    August 20, 2014
  • Colour,  Daily photo,  Milan,  Observer Bias,  People,  Photography,  Spring

    Brain vs Camera

    April 19, 2014 /

    The picture on the left is what the camera saw. The picture on the right is what I had in mind while shooting. Thanks to Photoshop I’ve been able to bend the “objectivity” of the camera along the line of my creativity.

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    Andrea Monti

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    The Referees

    June 6, 2013

    Das Feuerwehr

    April 17, 2018

    Who’s Carrying Who?

    February 28, 2013
  • Barcelona,  Boulevards,  Colour,  Daily photo,  People,  Spring

    Las Ramblas’ Lifestyle

    April 18, 2014 /

    Who cares about pickpockets?

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    Andrea Monti

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    Parachute

    September 14, 2013

    Just a soccer field… Part 3

    February 5, 2014

    Alien Veins

    December 3, 2014
  • Barcelona,  Colour,  Daily photo,  People,  Spring

    Which One?

    April 16, 2014 /

    The Abundance’s Paradox

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    Andrea Monti

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    Too Late

    April 10, 2015

    Ottica Boncompagni

    November 7, 2014

    The Shoesfixer

    September 7, 2014
  • Barcelona,  Colour,  Daily photo,  Gear,  Spring,  Street Markets

    A Fujifilm X-E1 Annoyance

    April 15, 2014 /

    The X-E1 is a good camera, though has some annoyances that make it less handy for Street Photography. Contrary to Leica, (some) Zeiss or (some) Nikon lenses, zone-focusing is not set on the lens barrel. You must do it either through the viewfinder or the LCD, and this makes problematic the switch from one technique to another. Same is true for aperture settings. Operating the camera one-handed, happened twice to me, led to a change of the image quality settings from RAW to Jpg. Unfortunately I wasn’t aware while shooting and I’ve wasted half a day in Barcelona getting inferior quality pictures.

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    Andrea Monti

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    Suspicious

    December 2, 2014

    Garbage As Usual – Pantheon’s Nearby

    October 4, 2019

    WTF Are They Looking At?

    May 7, 2014
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